Telugu has an unbroken, prolific, and diverse literary tradition of over a thousand years.[26][27]Pavuluri Mallana's Sāra Sangraha Ganitamu (c. 11th century) is the first scientific treatise on mathematics in any Dravidian language.[28][29]Avadhānaṃ, a literary performance that requires immense memory power and an in-depth knowledge of literature and prosody, originated and was specially cultivated among Telugu poets for over five centuries.[30][31] Roughly 10,000 pre-colonial inscriptions exist in Telugu.[32]
In the precolonial era, Telugu became the language of high culture across South India.[37] Vijaya Ramaswamy compared it to the overwhelming dominance of French as the cultural language of modern Europe during roughly the same era.[36] Telugu also predominates in the evolution of Carnatic music, one of two main subgenres of Indian classical music and is widely taught in music colleges focusing on Carnatic tradition.[40] Various non-Telugu people over the centuries have remarked on the natural musicality of Telugu speech, referring to it as a mellifluous and euphonious language.[39][41][42]
Speakers of Telugu refer to it as simply Telugu or Telugoo.[43] Older forms of the name include Teluṅgu and Tenuṅgu.[44]Tenugu is derived from the Proto-Dravidian word *ten ("south")[45] to mean "the people who lived in the south/southern direction" (relative to Sanskrit and Prakrit-speaking peoples). The name Telugu, then, is a result of an "n" to "l" alternation established in Telugu.[46][47]
P. Chenchiah and Bhujanga Rao note that Atharvana Acharya in the 13th century wrote a grammar of Telugu, calling it the Trilinga Śabdānusāsana (or Trilinga Grammar).[48] However, most scholars note that Atharvana's grammar was titled Atharvana Karikavali.[49][50][51][52]Appa Kavi in the 17th century explicitly wrote that Telugu was derived from Trilinga. Scholar C. P. Brown made a comment that it was a "strange notion" since the predecessors of Appa Kavi had no knowledge of such a derivation.[53]
George Abraham Grierson and other linguists doubt this derivation, holding rather that Telugu was the older term and Trilinga must be the later Sanskritisation of it.[54][55] If so the derivation itself must have been quite ancient because Triglyphum, Trilingum and Modogalingam are attested in ancient Greek sources, the last of which can be interpreted as a Telugu rendition of "Trilinga".[56]
History
Telugu, as a Dravidian language, descends from Proto-Dravidian, a proto-language. Linguistic reconstruction suggests that Proto-Dravidian was spoken around the fourth millennium BCE.[57][58] According to the Russian linguist Mikhail S. Andronov, Proto-Telugu split from the Proto South-Central-Dravidian language around 1000 BCE.[16][58][17]
Comparative linguistics confirms that Telugu belongs to the South Dravidian-II (aka South-Central Dravidian) sub-group, which also includes non-literary languages like Gondi, Kuvi, Koya, Pengo, Konda and Manda.[59]
The linguistic history of Telugu is periodised as:
Proto-Telugu (≤ 1000 BCE) > Pre-historic Telugu (c. 600 BCE - 200 BCE) > Old Telugu (200 BCE - 1000 CE) > Middle Telugu (1000 CE - 1600 CE) > Modern Telugu (1600 CE - Now)[60]
Pre-historic Telugu (c. 600 BCE - 200 BCE)
Pre-historic Telugu is identified with the period around 600 BCE or even earlier.[61][62]
There are competing explanations for the original homeland of Pre-historic Telugu speakers, with some identifying it with the ancient Krishna Godavari Basin and others with the border region of Telugu States and Chhattisgarh.[citation needed]
Pre-historic Telugu, based on analysing its linguistic features can rightly be called as 'one of the most conservative languages of the Dravidian family'.[63][64]
One such feature is the presence of contrast in plural markers -ḷ and -nkkVḷ (as a combination of -nkk and -Vḷ) which was lost in the earliest versions of many other Dravidian languages.[65]
e.g.: pū-ḷ : flowers, ā-ḷ : 'cows' as being distinct from kolan-kuḷ : 'tanks', ī-gaḷ : 'houseflies' etc.
The nominative markers were -nḏu (masc.sg.p1), -aṁbu (inanimate.sg) which continued to attest in the early inscriptions.[66]
The reconstructed personal pronouns are: *ñān : 'I' (oblique : *ñā), *ñām (& ēm) : 'we'.[67]
The early language displays higher phonemic retention. Some of the characteristic phonemes include the Voiced retroflex approximant ('ḻ' or /ɻ/) and Voiced alveolar plosive ('ḏ' or /d/). The latter developed as Alveolar trill ('ṟ' or /r/) at different positions. Both the alveolars /d/ and /r/ are evidenced as being distinct phonemes through the early epigraphic traces.[68][69]
Tenses were of the form: "past vs non-past" and the gender being "masculine vs non-masculine".[70]
There were three demonstratives in use: ā: distant 'that', ī: proximate 'this', ū (Classical Telugu: ulla): intermediate 'yonder'. [71]
Non-palatalized initials are identified from the words like: kēsiri ('they did') as found in inscriptions till 8th century CE.[72]
Words were mostly vowel-ending while there were consonant-endings with sonorants like: -y, -r, -m, -n, -l, -ḷ, -ḻ, -w. Classical Telugu, however, has forms with an epenthetic -u which 'vowelises' the final and was widely distributed. In Modern Telugu, the epenthetic -u after sonorants is sometimes deleted when it precedes a consonant-initial, slightly resembling the original situation.
Archaic place name suffixes are also identified, some of them being -puḻōl, -ūr, -paḷḷiya, -pāḷiyam, -paṟṟu, -konḏa, -pūṇḍi, -paṭṭaṇa(ṁbu), pāḻu, paṟiti, pāka(m) etc.[68]
Apical displacement was under progress for a set of words.[73] The conjunctive marker -um possessed different structural applications.[74]
Earliest records
One of the first words in the Telugu language, "nāgabu", was found on a granite pillar in the Amaravati Stupa.[75] It is dated to 2nd century BCE and is probably, the name of a stonemason. Its structural and grammatical analysis played a key role in studying Indus script by Iravatham Mahadevan.[75][76][77]
Several personal names and place names traceable to Telugu roots are found in various Sanskrit and Prakrit inscriptions of 2nd and 1st centuries BCE.[78]
The Ghantasala Brahmin inscription[79] and the pillar inscription of Vijaya Satakarni, Vijayapuri, Nagarjunakonda etc., belong to first century CE.[80][81] Further, Tummalagudem inscription of Vishnukundinas belongs to 5th century CE.[82][80] Telugu place names in Prakrit inscriptions have been attested from 2nd century CE onwards.[83][84]
A number of Telugu words were found in the Sanskrit and Prakrit inscriptions of the Satavahana dynasty, Vishnukundina dynasty, and Andhra Ikshvakus.[80] The coin legends of the Satavahanas, in all areas and all periods, used a Prakrit dialect without exception. Some reverse coin legends are in Telugu,[85][86] and Tamil languages.[87]
According to Telugu lore, its grammar has a prehistoric past. The Sage Kanva was said to be the language's first grammarian. A. Rajeswara Sarma discussed the historicity and content of Kanva's grammar. He cited twenty grammatical aphorisms ascribed to Kanva, and concluded that Kanva wrote an ancient Telugu Grammar which was lost.[88]
The period from 4th century CE to 1022 CE corresponds to the second phase of Telugu history, after the Andhra Ikshvaku period. The first 'long inscription' that is entirely in Telugu is dated to 575 CE in erstwhile Kadapa district and is attributed to the Renati Choda king Dhanunjaya.[83][89][90]
On top of one of the rock-cut caves around the Keesaragutta temple, 35 kilometres (22 mi) from Hyderabad, an early Telugu label inscription reading 'tolacuwānḍru' (తొలచువాండ్రు) meaning rock carvers, or quarrymen, can be noticed.[91][92] On the basis of paleography, the inscription is dated to Vishnukundina period of c.400 CE.[93][94] It is the earliest known short Telugu inscription from the Telangana region.[94]
Cave inscriptions of Mahendra Pallava in Telugu were attested as belonging to the late 6th century in Tamil Nadu, which mention the words, aṁkkapāsunṟu, aṁkkapāsumbu etc. The nominative markers in these words played a key role in the study of the Indus script by Iravatham Mahadevan.[95]
From the 6th century complete Telugu inscriptions begin to appear in the neighbouring districts of Kadapa, Prakasam and in the Palnadu region.[96]: 10 Metrically composed Telugu inscriptions and those with ornamental or literary prose appear from 630 CE.[97][98] The Madras Museum plates of Balliya-Choda dated to the mid-ninth century CE are the earliest copper plate grants in the Telugu language.[99]
Telugu was more influenced by Sanskrit and Prakrit during this period, which corresponded to the advent of Telugu literature. Telugu literature was initially found in inscriptions and poetry in the courts of the rulers, and later in written works such as Nannayya's Mahabharatam (1022 CE).[100] During the time of Nannayya, the literary language diverged from the popular language. It was also a period of phonetic changes in the spoken language.[citation needed]
Middle Ages
The third phase is marked by further stylisation and sophistication of the literary languages. During this period the split of the Telugu from Telugu-Kannada alphabet took place.[101]Tikkana wrote his works in this script.[citation needed]
Vijayanagara Empire
The Vijayanagara Empire gained dominance from 1336 to the late 17th century, reaching its peak during the rule of Krishnadevaraya in the 16th century, when Telugu literature experienced what is considered its Golden Age.[100]
Delhi Sultanate and Mughal influence
A distinct dialect developed in present-day Hyderabad region, due to Persian/Arabic influence: the Delhi Sultanate of the Tughlaq dynasty was established earlier in the northern Deccan Plateau during the 14th century. In the latter half of the 17th century, the Mughal Empire extended further south, culminating in the establishment of the Hyderabad State by the dynasty of the Nizam of Hyderabad in 1724. This heralded an era of Persian influence on the Telugu language, especially Hyderabad State. The effect is also evident in the prose of the early 19th century, as in the kaifiyats.[100]
The 15th-century Venetian explorer Niccolò de' Conti, who visited the Vijayanagara Empire, found that the words in the Telugu language end with vowels, just like those in Italian, and hence referred to it as "The Italian of the East";[103] a saying that has been widely repeated.[104]
Since the 1930s, what was considered an "elite" literary form of the Telugu language has now spread to the common people with the introduction of mass media like movies, television, radio and newspapers. This form of the language is also taught in schools and colleges as a standard.[105]
In the Indian subcontinent, a command over Telugu language, alongside Sanskrit, Tamil, Meitei, Oriya, Persian, or Arabic, is highly appreciated and respected for learning dances (most significantly Indian Classical Dances) as dancers could have the tools of these languages to go into the primary material texts.[118]
In addition, with the creation in October 2004 of a legal status for classical languages by the Government of India on 8 August 2008, Telugu was also given classical language status due to several campaigns.[124][80][125]
According to the famous Japanese historian Noboru Karashima who served as the president of the Epigraphical Society of India in 1985, there are approximately 10,000 inscriptions which exist in the Telugu language as of the year 1996 making it one of the most densely inscribed languages.[32] Inscriptions in Old Telugu script were found as far away as Indonesia and Myanmar.[34] Telugu inscriptions are found in all the districts of Andhra Pradesh and Telangana.[93][96][126][127] They are also found in Karnataka, Tamil Nadu, Odisha, and Chhattisgarh.[128][127][129][130] According to recent estimates by ASI (Archaeological Survey of India) the number of inscriptions in the Telugu language goes up to 14,000.[96][131] Adilabad, Medak, Karimnagar, Nizamabad, Ranga Reddy, Hyderabad, Mahbubnagar, Anantapur, Chittoor and Srikakulam produced only a handful of Telugu inscriptions in the Kakatiya era between 1135 CE and 1324 CE.[132][133]
Geographical influence
Telugu region boundaries
Andhra is characterised as having its own mother tongue, and its territory has been equated with the extent of the Telugu language. The equivalence between the Telugu linguistic sphere and the geographical boundaries of Andhra is also brought out in an eleventh-century description of Andhra boundaries. Andhra, according to this text, was bounded in north by Mahendra mountain in the modern Ganjam district in Odisha and to the south by Srikalahasteeswara temple in Tirupati district.[citation needed] However, Andhra extended westwards as far as Srisailam in Nandyal district, about halfway across the modern state.[134] According to other sources in the early sixteenth century, the northern boundary is Simhachalam and the southern limit is Tirumala of the Telugu Nation.[135][136][137][138][139][140]
Waddar, Chenchu, and Manna-Dora are all closely related to Telugu.[143] Other dialects of Telugu are Berad, Dasari, Dommara, Golari, Kamathi, Komtao, Konda-Reddi, Salewari, Vadaga, Srikakula, Visakhapatnam, East Godavari, Rayalaseema, Nellore, Guntur, Vadari Bangalore, and Yanadi.[144]
Telugu words generally end in vowels. In Old Telugu, this was absolute; in the modern language m, n, y, w may end a word. Sanskrit loans have introduced aspirated and murmured consonants as well.
Telugu does not have contrastive stress, and speakers vary on where they perceive stress. Most place it on the penultimate or final syllable, depending on word and vowel length.[145]
Consonants
The table below lists the consonant phonemes of Telugu,[146][147] along with the symbols used in the transliteration of the Telugu script used here (where different from IPA).
The aspirated and breathy-voiced consonants occur mostly in Sanskrit and Prakrit loanwords, additionally /tʰ/ is used to substitute /θ/ in English loans, the only aspirate which occurs natively is /dʱ/ which occurs only in a few compound numbers e.g. /pɐddʱenimidi/ "18" likely a result of the proto Dravidian laryngeal */H/[148] there is also an unaspirated /pɐddenimidi/ version which is used more commonly. All of the fricatives except for native /s/ also only occurs in loanwords.[147]
Perso-Arabic phonemes like /q, x, ɣ, z/ are substituted with /k, kʰ, ɡ, d͡ʒ/ similar to Hindi.[147]
/t͡s, d͡z/ occurs only in native words and doesn't have aspirated/breathy forms. Native words with /t͡ʃ, d͡ʒ/ before non front vowels became /t͡s, d͡z/, the change became phonemised after loaning words with /t͡ʃ, d͡ʒ/ from other languages. Intervocalically /d͡z/ can become [z] e.g. [rɐːzu, d͡zoːli, ɡudd͡zu].[147]
/ʋ/ can be rounded to a [β̞ʷ] around rounded vowels.[147]
The common Proto Dravidian approximant */ɻ/ merged with /ɖ/ in Telugu while it was preserved as /ɽ/ in the other Southern II branch languages.[148]
Many of the old /ɳ/ and /ɭ/ merged with /n/ and /l/.[148] The Telangana dialect might completely merge /ɳ/ and /ɭ/ with /n/ and /l/.[citation needed]
Most consonants contrast in length in word-medial position, meaning that there are long (geminated) and short phonetic renderings of the sounds. A few examples of words that contrast by length of word-medial consonants:[147]
/ɡɐdi/ gadi (room) – /ɡɐdːi/ gaddi (throne)'
/ɐʈu/ aṭu (that side) – /ɐʈːu/ aṭṭu (pancake)
/moɡɐ/ moga (male) – /moɡːɐ/ mogga (bud)
/nɐmɐkɐmu/ namakamu (a vedic hymn) – /nɐmːɐkɐmu/ nammakamu (belief)
/kɐnu/ kanu (to give birth to) – /kɐnːu/ kannu (eye)
/kɐlɐ/ kala (dream) – /kɐlːɐ/ kalla (falsehood)
/mɐɾi/ mari (again) – /mɐɾːi/ marri (banyan tree)
All retroflex consonants occur in intervocalic position and when adjacent to a retroflex consonant, for instance. /ʋɐːɳiː/ vāṇī 'tippet', /kɐʈɳɐm/ kaṭṇam 'dowry', /pɐɳɖu/ paṇḍu 'fruit'; /kɐɭɐ/ kaḷa 'art', /bɐːɭʈi/ bāḷṭi 'bucket' (from Portuguesebalde 'bucket'). With the exception of /ɳ/ and /ɭ/, all occur word-initial in a few words, such as /ʈɐkːu/ ṭakku 'pretence', /ʈhiːʋi/ ṭhīvi 'grandeur', /ɖipːɐ/ ḍippā 'half of a spherical object', /ɖɦoːkɐː/ ḍhōkā 'danger', and /ʂoːku/ ṣōku 'fashionable appearance'.[147]
The approximant /j/ occurs in word-initial position only in borrowed words, such as. /jɐnɡu/ yangu, from English 'young', /jɐʃɐsːu/ yaśassu from Sanskrit yaśas /jɐʃɐs/ 'fame'.[citation needed]
Vowels
Vowels in Telugu contrast in length; there are short and long versions of all vowels except for /æ/, which only occurs as long. Long vowels can occur in any position within the word, but native Telugu words do not end in a long vowel. Short vowels occur in all positions of a word, with the exception of /o/, which does not occur word-finally.[147] The vowels of Telugu are illustrated below, along with the Telugu script and romanisation.
In most dialects, the vowel /æː/ only occurs in loan words. In the Guntur dialect, [æː] is a frequent allophone of /aː/ in certain verbs in the past tense.
Telugu has two diphthongs: /ai/ ఐ ai and /au/ ఔ au.
Roots alter according to whether the first vowel is tense or lax.[149][need illustrations] Also, if the second vowel is open (i.e., /aː/ or /a/), then the first vowel is more open and centralised (e.g., [mɛːka] 'goat', as opposed to [meːku] 'nail').[citation needed] Telugu words also have vowels in inflectional suffixes that are harmonised with the vowels of the preceding syllable.[150]
The traditional study of Telugu Grammar is known as vyākaraṇam (వ్యాకరణం). The first treatise on Telugu grammar, the Āndhra Śabda Cinṭāmaṇi, was written in Sanskrit by Nannayya, considered the first Telugu poet and translator, in the 12th century CE. This grammar followed patterns described in grammatical treatises such as Aṣṭādhyāyī and Vālmīkivyākaranam, but unlike Pāṇini, Nannayya divided his work into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya.
In the 19th century, Chinnaya Suri wrote a condensed work on Telugu grammar called Bāla Vyākaraṇam, borrowing concepts and ideas from Nannayya's grammar.
Morphosyntax
Relations between participants in an event are coded in Telugu words through suffixation; there are no prefixes or infixes in the language.[146] There are six word classes in Telugu: nominals (proper nouns, pronouns), verbs (actions or events), modifiers (adjectives, quantifiers, numerals), adverbs (modify the way in which actions or events unfold), and clitics.
As with other Dravidian languages, gender in Telugu follows a semantic system,[153] in the sense that it is mostly the meaning of the word which defines the noun class to which it belongs. There are three noun classes: masculine (human males, he-gender), feminine (human females, she-gender), and neuter (all non-humans, it-gender). The gender of most nouns is encoded through agreement/indexation in pronominal suffixes rather than overtly on the noun.[146]
anna
older.brother
wacc-in-āḍu
come-past-MASC
anna wacc-in-āḍu
older.brother come-past-MASC
The older brother came
amma
mother
wacc-in-adi
come-past-FEM
amma wacc-in-adi
mother come-past-FEM
Mother came
In terms of the verbal agreement system, genders in marking on the Telugu verb only occur in the third person.[146]
Third person
Singular
Plural
Masculine
tericinā-ḍu
tericinā-ḍu
He opened
tericinā-ru
tericinā-ru
They opened
Feminine
tericina-di
tericina-di
She opened
tericinā-ru
tericinā-ru
They opened
Neuter
tericina-di
tericina-di
It opened
tericinā-yi/tericina-wi
tericinā-yi/tericina-wi
They (non-human) opened
The Telugu gender system is different from Dravidian languages like Tamil given that the Telugu feminine shares indexation morphemes with the masculine plural (-ru) and with the neuter singular (-di). What characterises the three-gender system is then the individual behaviour of the singular-plural pairs of suffixes.[153]
Gender
Verbal suffixes (singular : plural)
Masculine
-ḍu : -ru
Feminine
-di : -ru
Neuter
-di : -yi/-wi
Pronouns
Telugu pronouns include personal pronouns (the persons speaking, the persons spoken to, or the persons or things spoken about); indefinite pronouns; relative pronouns (connecting parts of sentences); and reciprocal or reflexive pronouns (in which the object of a verb is acted on by the verb's subject).
Personal pronouns
Telugu pronouns
I
నేను, nēnu
we
మనం, manaṃ
మనము, manamu
we but not you
మేము, mēmu
you ( singular)
నీవు, nīvu
నువ్వు, nuvvu
you (plural)
మీరు, mīru
she
ఆమె, aame
he
అతను, atanu
they (humans)
వాళ్ళు, vāḷḷu
it
అది, adi
they (non-humans)
అవి, avi
In informal Telugu, personal pronouns distinguish masculine from non-masculine.[154][155]
Demonstratives
There is a wide variety of demonstrative pronouns in Telugu, whose forms depend on both proximity to the speaker and the level of formality. The formal demonstratives may also be used as formal personal pronoun, that is, the polite forms for this woman or this man and that woman or that man can also simply mean she and he in more formal contexts.
In the singular, there are four levels of formality when speaking about males and females, although the most formal/polite form is the same for both human genders. In both singular and plural, Telugu distinguishes two levels of distance from speaker (like in English), basically this and that, and these and those.
Singular
Proximal
(close to speaker, "this")
Distal
(far from speaker, "that")
Gender/Formality
Feminine
Masculine
Neuter
Feminine
Masculine
Neuter
very informal
idi
vīḍu
idi
adi
vāḍu
adi
informal
īme
itanu
āme
atanu
formal
īviḍa
īyana
āviḍa
āyana
very formal
vīru
vāru
In the plural, there are no distinctions between formality levels, but once again masculine and feminine forms are the same, while the neuter demonstratives are different.
Plural
Proximal
(close to speaker, "these")
Distal
(far from speaker, "those")
Feminine
Masculine
Neuter
Feminine
Masculine
Neuter
vīỊỊu/vīru
ivi
vāỊỊu/vāru
avi
Case system
The nominative case (karta), the object of a verb (karma), and the verb are somewhat in a sequence in Telugu sentence construction. "Vibhakti" (case of a noun) and "pratyāyamulu" (an affix to roots and words forming derivatives and inflections) depict the ancient nature and progression of the language. The "Vibhaktis" of Telugu language " డు [ɖu], ము [mu], వు [vu], లు [lu]", etc., are different from those in Sanskrit and have been in use for a long time.
Lexicon
Majority of the lexicon in Telugu is inherited from Proto-Dravidian language, a reconstructed hypothetical language of third millennium BCE.[156][157]
Telugu retained some of the most archaic words, markers and morphemes of the Dravidian origin.[158][159]
It shares its cognates with its closest South-Dravidian-II languages like Gondi, Kuwi and also with other Dravidian languages like Tamil, Kannada etc.
The lexicon of Classical Telugu works shows a pervasive influence of Sanskrit; there is also evidence suggesting an earlier influence even before Nannaya.[160] During the period 1000–1100 CE, Nannaya's re-writing of the Mahābhārata in Telugu (మహాభారతము) established the liberal borrowing of Sanskrit words.[161]
Literature in acca telugu or jānu telugu (జానుతెలుగు) by poets like Adibhatla Narayana Dasu, Ponneganti Telagana etc. emphasised the importance of native lexicon of Dravidian origin as opposed to the huge borrowings from Sanskrit and Prakrit.[162][61]
Spoken Telugu preserved most of its Dravidian lexicon intact in various colloquial dialects.
The vocabulary of Telugu, especially in the city of Hyderabad, has borrowings from Persian and Arabic (through Urdu and directly) languages. These words have been modified to fit Telugu phonology. This was due to Turkic rule in these regions, such as the erstwhile kingdoms of Golkonda and Hyderabad (e.g., కబురు, /kaburu/ for Urdu /xabar/, خبر or జవాబు, /dʒavaːbu/ for Urdu /dʒawɑːb/, جواب).
Many words were borrowed from English language in the modern era and few from Portuguese during the colonial era.
Modern Telugu vocabulary can be said to constitute a diglossia because the formal, standardised version of the language is either lexically Sanskrit or heavily influenced by Sanskrit, as taught in schools, and used by the government and Hindu religious institutions.
However, colloquial Telugu is less influenced by Sanskrit and varies depending upon region.
Prakruti and Vikruti
Telugu has many Tatsama words. They are called Prakruti, which are equivalent to Sanskrit words. The equivalent colloquial or Tadbhava words are called Vikruti, which means distorted. However, Prakruti is only used as a medium of instruction in educational institutions, offices etc. For example:
చనక Chanaka (chick pea, Chanakya is derived from the same root)
శనగ śanaga
కవచ Kavacha (protective shell)
గవచ Gavacha, గవ్వ Gavva
భిక్షం Bhiksham (alms)
బిచ్చం Bicham
ద్వితీయ Dvitiya (second)
విదియ Vidiya
తృతీయ Trutiya (third)
తదియ Thadhiya
జాగ్రత Jaagrata (alert)
జాగ్రత్త Jaagratta
వామతి Vamati (vomit)
వాంతి Vanthi
స్వంత Swantha (own)
సొంత Sonta
అటవి Atavi (forest)
అడవి Adavi
త్వర Twara (fast)
తొరగా Toraga
రక్తము Rakthamu (blood)
రగతము Ragathamu
Sample text
The given sample text is Article 1 from the United Nations Universal Declaration of Human Rights.[163]
English
All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
The Telugu script is an abugida consisting of 60 symbols — 16 vowels, 3 vowel modifiers, and 41 consonants. Telugu has a complete set of letters that follow a system to express sounds. The script is derived from the Brahmi script like those of many other Indian languages.[164][165] The Telugu script is written from left to right and consists of sequences of simple and complex characters. The script is syllabic in nature—the basic units of writing are syllables. Since the number of possible syllables is very large, syllables are composed of more basic units such as vowels ("acchu" or "swaram") and consonants ("hallu" or "vyanjanam"). Consonants in consonant clusters take shapes that are very different from the shapes they take elsewhere. Consonants are presumed pure consonants, that is, without any vowel sound in them. However, it is traditional to write and read consonants with an implied "a" vowel sound. When consonants combine with other vowel signs, the vowel part is indicated orthographically using signs known as vowel "mātras". The shapes of vowel "mātras" are also very different from the shapes of the corresponding vowels.
Historically, a sentence used to end with either a single bar। ("pūrna virāmam") or a double bar॥ ("dīrgha virāmam"); in handwriting, Telugu words were not separated by spaces. However, in modern times, English punctuation (commas, semicolon, etc.) has virtually replaced the old method of punctuation.[166]
Telugu has full-zero ("anusvāra" or "sunna" ) ( ం ), half-zero ("arthanusvāra" or "candrabindu" or "ara-sunna" ) (ఁ) and visarga ( ః ) to convey various shades of nasal sounds. [la] and [La], [ra] and [Ra] are differentiated.[166]
Telugu has ĉ [t͡s] and ĵ [d͡z], which are not represented in Sanskrit.
Telugu Guṇintālu (తెలుగు గుణింతాలు)
These are some examples of combining a consonant with different vowels. క కా కి కీ కు కూ కృ కౄ కె కే కై కొ కో కౌ క్ కం కః
ఖ ఖా ఖి ఖీ ఖు ఖూ ఖృ ఖౄ ఖె ఖే ఖై ఖొ ఖో ఖౌ ఖ్ ఖం ఖః
Amarāvati Stupa is a ruined Buddhist stūpa at the village of Amaravathi, Palnadu district, Andhra Pradesh, India, probably built in phases between the third century BCE and about 250 CE. The word "nagabu" was one of the first Telugu words that was written on the Amaravati Stupa[citation needed]
Early Medieval Telugu Writings Period (500-850 CE)
These writings were mostly written by the Vishnukudinas, Telugu Chodas, and the Chalukyas.[citation needed]
Kallamalla Writing (575 CE)
This is the first writing entirely written in Telugu. It was written by Renati Choda king Dhanunjaya. in 575 CE. It was found on the premises of Chennakesava-Siddeshwara temple at Kalamalla village in Yerraguntla Mandal of the district.[citation needed]
Indravarma Sasanam
This was a writing written by Indra Varma in the 6th century. Indra Varma was a Vishnukudina king in the 6th century.[citation needed]
Janashrayi-Chhandovichiti
The 6th- or 7th-century Sanskrit text Janashrayi-Chhandovichiti (or Janāśraya-chandas) deals with the metres used in Telugu, including some metres that are not found in Sanskrit prosody. This indicates that Telugu poetry existed during or around the 6th century.[168]
Vipparla and Lakshmipuram Writings
Vipparla Inscription of Jayasimha I and the Lakshmipuram inscription of the Mangi yuvaraja were the earliest Telugu inscriptions of Eastern chalukyas found in the 7th century AD.[citation needed]
Telugu Jain Literature Period (850-1020 CE)
During this period, many Jain authors wrote many Jain texts in Telugu especially from Vemulavada.[citation needed]
Addanki Poem
Addanki inscription also known as the Pandaranga inscription belongs to the 9th-century CE, excavated near the Thousand Pillar Temple of Addanki. It is testimony to a flourishing Telugu literature much before the available literary texts. Locals believe that this is the first poem ever to be written in Telugu, also called the first Padya Sasanam(Poetic inscription) with (dvipada, with Yati and Prasa; style taruvoja)Staying with the Boya campaign, Pandaranga got victories in all military campaigns of his master Gunaga Vijayaditya III. The inscription spoke about the donation of land by the king to him for his successful military exploits.[citation needed]
Malliya Rechana
Malliya Rechana composed the first Telugu poetic prosody book Kavijanasrayam (pre-Nannayya chandassu). This was a popular one and referred by many poets. There seems to be even an earlier prosody book by Rechana's guru Vaadindra Chudamani which is not available.[169][170][171]
Veturi Prabhakara Sastry in 1900s mentioned the existence of Pre-Nannayya Chandassu in Raja Raja Narendra Pattabhisheka Sanchika.[171] Accurate dating of this piece of literature happened after the 1980s discoveries in Karimnagar.[172][unreliable source?][147][173] Rechana's work is variously dated from 940 CE to 12th and 13th century. Most scholars date him to post-Nannaya period.[citation needed]
In the earliest period Telugu literature existed in the form of inscriptions, precisely from 575 CE onward. Metrically composed Telugu inscriptions and those with ornamental or literary prose appear from 630 CE.[97][98] Most scholars posit that Telugu literature existed prior to Nannaya (11th century), the first known Telugu poet.[96]: 16 T. Vijay Kumar notes, "Since no literary texts in Telugu pre-dating 1020 C.E. have so far actually been discovered, the existence of any pre-Nannaya literature remains a matter of speculation and debate."[98]
The Age of the Puranas (1020–1400 CE)
This is the period of Kavitrayam or Trinity of Poets. Nannayya, Tikkana, and Yerrapragada (or Errana) are known as the Kavitrayam.[citation needed]
Nannaya's (Telugu: నన్నయ) Andhra Mahabharatam written in early 11th century is commonly referred to as the first Telugu literary composition (Aadi Kavyam).[98] Although there is evidence of Telugu literature before Nannaya, he is given the epithet Aadi Kavi ("the first poet"). Nannaya Bhattu acknowledged the help extended to him by his friend Narayana Bhattu in his composition in fields like making choices of grammatical forms, metres, form of the book, etc. and compares it to that extended to Arjuna by God Sri Krishna in the Bharata war. Nannaya was the first to establish a formal grammar of written Telugu. This grammar followed the patterns which existed in grammatical treatises like Aṣṭādhyāyī and Vālmīkivyākaranam but unlike Pāṇini, Nannayya divided his work into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya.[14] Nannaya completed the first two chapters and a part of the third chapter of the Mahabharata epic, which is rendered in the Champu style.[citation needed]
Tikkana Somayaji (1205–1288 CE): Nannaya's Andhra Mahabharatam was almost completed by Tikanna Somayaji (Telugu: తిక్కన సోమయాజి) (1205–1288) who wrote chapters 4 to 18.[citation needed]
Yerrapragada: (Telugu: ఎర్రాప్రగడ) who lived in the 14th century, finished the epic by completing the third chapter. He mimics Nannaya's style in the beginning, slowly changes tempo and finishes the chapter in the writing style of Tikkana. These three writers – Nannaya, Tikanna and Yerrapragada – are known as the Kavitraya ("three great poets") of Telugu. Other such translations like Marana's Markandeya Puranam, Ketana's Dasakumara Charita, Yerrapragada's Harivamsam followed. Many scientific works, like Ganitasarasangrahamu by Pavuluri Mallana and Prakirnaganitamu by Eluganti Peddana, were written in the 12th century.[relevant?][citation needed]
Sumati Satakam, which is a neeti ("moral"), is one of the most famous Telugu Satakams.[citation needed] Satakam is composed of more than a 100 padyalu (poems). According to many literary critics[who?] Sumati Satakam was composed by Baddena Bhupaludu (Telugu: బద్దెన భూపాల) (CE 1220–1280). He was also known as Bhadra Bhupala. He was a Chola prince and a vassal under the Kakatiya empress Rani Rudrama Devi, and a pupil of Tikkana.[citation needed] If we assume that the Sumati Satakam was indeed written by Baddena, it would rank as one of the earliest Satakams in Telugu along with the Vrushadhipa Satakam of Palkuriki Somanatha and the Sarveswara Satakam of Yathavakkula Annamayya.[original research?] The Sumatee Satakam is also one of the earliest Telugu works to be translated into a European language, as C. P. Brown rendered it in English in the 1840s.[citation needed]
Palkuriki Somanatha: Important among his Telugu language writings are the Basava Purana, Panditaradhya charitra, Malamadevipuranamu and Somanatha Stava–in dwipada metre ("couplets"); Anubhavasara, Chennamallu Sisamalu, Vrushadhipa Sataka and Cheturvedasara–in verses; Basavodharana in verses and ragale metre (rhymed couplets in blank verse); and the Basavaragada.[citation needed]
Gona Budda Reddy: His Ranganatha Ramayanam was a pioneering work in the Telugu language on the theme of the Ramayana epic. Most scholars believe he wrote it between 1300 and 1310 A.D., possibly with help from his family. The work has become part of cultural life in Andhra Pradesh and is used in puppet shows.[citation needed]
In the Telugu literature Tikkana was given agraasana (top position) by many famous critics.[citation needed]
Paravastu Chinnayya Soori (1807–1861) is a well-known Telugu writer who dedicated his entire life to the progress and promotion of Telugu language and literature. Sri Chinnayasoori wrote the Bala Vyakaranam in a new style after doing extensive research on Telugu grammar. Other well-known writings by Chinnayasoori are Neethichandrika, Sootandhra Vyaakaranamu, Andhra Dhatumoola, and Neeti Sangrahamu.[citation needed]
Kandukuri Veeresalingam (1848–1919) is generally considered the father of modern Telugu literature.[174] His novel Rajasekhara Charitamu was inspired by the Vicar of Wakefield. His work marked the beginning of a dynamic of socially conscious Telugu literature and its transition to the modern period, which is also part of the wider literary renaissance that took place in Indian culture during this period. Other prominent literary figures from this period are Gurajada Appa Rao, Viswanatha Satyanarayana, Gurram Jashuva, Rayaprolu Subba Rao, Devulapalli Krishnasastri and Srirangam Srinivasa Rao, popularly known as Mahakavi Sri Sri. Sri Sri was instrumental in popularising free verse in spoken Telugu (vaaduka bhasha), as opposed to the pure form of written Telugu used by several poets in his time. Devulapalli Krishnasastri is often referred to as the Shelley of Telugu literature because of his pioneering works in Telugu Romantic poetry.[citation needed]
Telugu input, display, and support were initially provided on the Microsoft Windows platform. Subsequently, various browsers, computer applications, operating systems, and user interfaces were localised in Telugu language for Windows and Linux platforms by vendors and free and open-source software volunteers. Telugu-capable smart phones were also introduced by vendors in 2013.[177]
^"The Dance Traditions of Thanjavur". Oberlin College Libraries. Retrieved 16 March 2023. As Marathi-speaking people running a kingdom administered in the Telugu language, and ruling over a Tamil-speaking population, the Maratha kings developed a uniquely hybrid and innovative courtly culture.
^ abcRamaswamy, Vijaya (25 August 2017). Historical Dictionary of the Tamils. Rowman & Littlefield. p. 88. ISBN978-1-5381-0686-0. In precolonial or early-modern South India, Telugu became the cultural language of the south, including the Tamil country, somewhat similar to the overwhelming dominance of French as the cultural language of modern Europe during roughly the same era. Therefore, Telugu predominates in the evolution of Carnatic music, and it is the practice to teach Telugu language in music colleges to those aspiring to become singers.
^Sekaram, Kandavalli Balendu (1973), The Andhras through the ages, Sri Saraswati Book Depot, p. 4, archived from the original on 13 October 2022, retrieved 25 January 2017, The easier and more ancient "Telugu" appears to have been converted here into the impressive Sanskrit word Trilinga, and making use of its enormous prestige as the classical language, the theory was put forth that the word Trilinga is the mother and not the child.
^"The Arrow Sign in the Indus Script 3". Harappa.com. Nagabu: Prob. name of a stone mason. On a granite pillar in the Amaravati Stupa. Dated variously between 2nd cent. B.C.E. and 2nd cent. CE
^Pollock, Sheldon (2003). The Language of the Gods in the World of Men: Sanskrit, Culture, and Power in Premodern India. University of California Press. p. 290. ISBN978-0-5202-4500-6.
^Hammarström, Harald; Forkel, Robert; Haspelmath, Martin, eds. (2017). "Teluguic". Glottolog 3.0. Jena, Germany: Max Planck Institute for the Science of Human History.
^"Telugu". Ethnologue. Archived from the original on 19 August 2018. Retrieved 30 March 2016.
^Lisker and Krishnamurti (1991), "Lexical stress in a 'stressless' language: judgments by Telugu- and English-speaking linguists." Proceedings of the XII International Congress of Phonetic Sciences (Université de Provence), 2:90–93.
^ abcdKrishnamurti (1998), "Telugu". In Steever (ed.), The Dravidian Languages. Routledge. pp. 202–240, 260
^Charles Philip Brown (1857). A grammar of the Telugu language (2 ed.). Christian Knowledge Society's Press. p. 39. Archived from the original on 13 October 2022. Retrieved 3 August 2014.
^United Nations Group of Experts on Geographical Names; United Nations Statistical Division (2007). Technical Reference Manual for the Standardization of Geographical Names. United Nations Publications. p. 110. ISBN978-92-1-161500-5.
^Sarma, Challa Radhakrishna (1975). Landmarks in Telugu Literature. Lakshminarayana Granthamala. p. 30. Archived from the original on 13 October 2022. Retrieved 1 March 2015.
^Datta, Amaresh; Lal, Mohan (1991). Encyclopaedia of Indian Literature. Sahitya Akademi. p. 3294.
Charles Philip Brown, A Grammar of the Telugu Language (1857)
P. Percival, Telugu–English dictionary: with the Telugu words printed in the Roman as well as in the Telugu Character (1862, Internet Archive edition)
Gwynn, J. P. L. (John Peter Lucius). A Telugu–English Dictionary Delhi; New York: Oxford University Press (1991; online editionArchived 26 February 2021 at the Wayback Machine).
Uwe Gustafsson, An Adiwasi Oriya–Telugu–English dictionary, Central Institute of Indian Languages Dictionary Series, 6. Mysore: Central Institute of Indian Language (1989).
Rao, Velcheru Narayana; Shulman, David (2002), Classical Telugu Poetry: An Anthology, University of California Press, archived from the original on 5 September 2022, retrieved 13 October 2022
Callā Rādhākr̥ṣṇaśarma, Landmarks in Telugu Literature: A Short Survey of Telugu Literature (1975).
Wilkinson, Robert W. (1974). "Tense/lax vowel harmony in Telugu: The influence of derived contrast on rule application". Linguistic Inquiry. 5 (2): 251–270.
1972 studio album by Gene AmmonsFree AgainStudio album by Gene AmmonsReleased1972RecordedMarch 20, 1972 Los Angeles, CaliforniaGenreJazzLabelPrestigePR 10040ProducerOzzie Cadena and Ray ShanklinGene Ammons chronology Chicago Concert(1971) Free Again(1972) Got My Own(1972) Professional ratingsReview scoresSourceRatingAllmusic[1]The Rolling Stone Jazz Record Guide[2] Free Again is an album by saxophonist Gene Ammons recorded in 1972 and released on the Prestige label.[3…
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