Suburban Gothic

This article is about the subgenre. For the 2014 film, see Suburban Gothic (film).

Suburban Gothic is a subgenre of Gothic fiction, art, film and television, focused on anxieties associated with the creation of suburban communities, particularly in the United States and the Western world, from the 1950s and 1960s onwards.

Criteria

It often, but not exclusively, relies on the supernatural or elements of science fiction that have been in wider Gothic literature, but manifested in a suburban setting.

Description

Suburban Gothic is defined by Bernice M. Murphy as "a subgenre of the wider American Gothic tradition which dramatises anxieties arising from the mass urbanisation of the United States and usually features suburban settings, preoccupations and protagonists".[1] She argues that a common trope of the suburban Gothic is the danger within a family or neighbourhood, rather than an external threat.[2] Teenagers and children are often major protagonists or sources of threat, and characteristic conflicts often focus on issues of individuality and conformity.[3]

Literature

Important early works identified with the subgenre include Richard Matheson's I Am Legend (1954) and Shirley Jackson's The Haunting of Hill House (1959).[4] A more recent book identified within the genre is Bret Easton Ellis' mock memoir Lunar Park (2005).[5]

Film

Important films include Stanley Kubrick's take on Lolita (1962), Wes Craven's original A Nightmare on Elm Street (1984)[6] and Tobe Hooper's Poltergeist (1982).[7] Works that incorporate environmental concerns include Ira Levin's The Stepford Wives (1975), Anne Rivers Siddons's The House Next Door (1978), Todd Haynes's Safe (1995)[8] and David Lynch's Blue Velvet (1986) have been identified as part of the suburban gothic subgenre.[9] An earlier cinematic example of this is Nicholas Ray's 1955 classic Rebel Without a Cause.[9] Films with threats from a female protagonist, including Fatal Attraction (1987) and Disclosure (1994), have also been identified as part of the genre.[10] In addition, films that feature a more character-driven or dramatic standpoint also inform the genre, notably Peter Jackson's Heavenly Creatures (1994), Todd Solondz's Happiness (1998),[6] Sam Mendes's American Beauty (1999), and Richard Kelly's Donnie Darko (2001).[6] Other films described as within the suburban gothic genre include Brian De Palma's version of Stephen King's Carrie (1976), John Carpenter's Halloween (1978), The Amityville Horror (1979),[11] Fright Night (1985), The Stepfather (1987),[12] Joe Dante's The 'Burbs (1989),[13] Parents (1989),[13] Tim Burton's Edward Scissorhands (1990),[13] The People Under the Stairs (1991; also by Wes Craven),[12] John Waters's Serial Mom (1994),[12] Peter Weir's Truman Show (1998), Little Children (2006),[12] The Girl Next Door (2007), The Sisterhood of Night (2014), I Saw the TV Glow (2024), The Invitation (2015), [12] Snowtown (2011)[6] and The Babadook (2014).[14]

Television

The works of David Lynch are seen as defining examples of the genre, notably the television series Twin Peaks, alongside the 1992 feature Fire Walk with Me.[6] TV series such as Buffy the Vampire Slayer, Supernatural, and Desperate Housewives have also been seen as dealing with concerns about hidden Gothic worlds behind the suburban façade.[15] Another televised example is the Emmy-winning American Horror Story.[6]

Visual Art

Australian visual artist Tanja Stark explores themes of Suburban Gothic and the Sublime Divine, drawing from a background as a social worker, domestic violence counsellor and upbringing in the Baptist church.[16] She approaches her creation through a symbolic lens, and sees the genre of suburban gothic as influenced by psycholanalytical ideas of the Jungian shadow, and the parts of domestic life that lie beneath conscious awareness. Her art explores these unconscious desires and feelings and their powerful influence on waking life, particularly when they are associated with serious psychological trauma. In accordance with Jungian ideas, where the 'shadow' is not acknowledged or integrated, but is repressed, projected or inflated, the darker aspects of the psyche may emerge in ways that can be dangerous or destructive to mental or physical well-being of the individual and those around them, a key tension in Suburban Gothic art. [17] [18]


See also

Notes

  1. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, p. 2.
  2. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, p. 3.
  3. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, pp. 2–3.
  4. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, p. 15.
  5. ^ Scott, A. O. (August 14, 2005). "'Lunar Park': Hero and Heroin".
  6. ^ a b c d e f The 15 Best Suburban Gothic Films — Page 2 — Taste of Cinema
  7. ^ J. E. Hogle, The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), ISBN 0-521-79466-8, p. xxv.
  8. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, p. 4.
  9. ^ a b The Anadromist (2012) American Gothic Films: An Incomplete List. The Anadromous Life, [blog] November 7, 2012, Available at: [1] Accessed: December 9, 2012.
  10. ^ K. I. Michasiw, "Some stations of sub-urban Gothic", in R. K. Martin and E. Savoy, eds, American Gothic: New Interventions in a National Narrative (University of Iowa Press, 2009), ISBN 1-58729-349-8, p. 240.
  11. ^ Hughes, William (2015). The Encyclopedia of the Gothic. John Wiley & Sons. ISBN 9781119210412.
  12. ^ a b c d e Crow, Charles L. (2013). A Companion to American Gothic. John Wiley & Sons. ISBN 9781118608425.
  13. ^ a b c Mulvey-Roberts, Marie (1998). The Handbook to Gothic Literature. NYU Press. ISBN 9780814756096.
  14. ^ The 15 Best Suburban Gothic Films — Taste of Cinema
  15. ^ B. M. Murphy, The Suburban Gothic in American Popular Culture (Palgrave Macmillan, 2009), ISBN 0-230-21810-5, p. 166.
  16. ^ Stark, T (15 March 2022). "tanjastark_artist".
  17. ^ "Lecture: Suburban Gothic and the Sublime Divine, Tanja Stark for C.G.Jung Society of Queensland". C.G. Jung Society of Queensland. Retrieved 13 March 2022.
  18. ^ Stark, Tanja. "Spiralling Undercurrents : Melbourne Jung Society Lecture March 2022". C.G Jung Society Melbourne.