The creation of the Glynn Vivian Art Gallery was made possible when in 1905 Glynn Vivian offered his collection of paintings, drawings and china to the city with an endowment of £10,000. The donor laid the foundation stone himself in 1909, but it was after his death that the Gallery was formally opened in 1911, with "great enthusiasm and gaiety."[1] The building was designed by Glendinning Moxham in the Edwardian Baroque style. William Grant Murray, director of the Swansea Art School, became the Gallery's first director; since 1951 the Gallery has had its own Curator.
Glynn Vivian's collection, like most private collections, was eclectic. By donations – including the Deffett Francis collection of prints and drawings and the Kildare S.Meager bequest of Swansea china – and by purchases the Gallery's holdings have become more representative of the range of European art, while remaining rich in the work of local artists. The gallery also presents loan exhibitions and events, and has an educational programme.[citation needed]
Refurbishment 2011
In October 2011 the gallery was closed temporarily for a £6 million refurbishment and recladding of the 1974 extension. During the closure, the gallery planned to continue a programme of activities using alternative local venues. The former chair of the Arts Council of Wales was quoted as saying "The Glynn Vivian is a major civic facility and the only purpose-built art gallery in Wales that is still open. It will be missed by the people of Swansea but they will welcome it back in its renewed form".[2] The work schedule was extended by two years after the original contractor went in to administration. The building re-opened in 2016.[3]
The gallery displays a broad spectrum of visual arts from the original bequest of Glynn Vivian (1835–1910), and includes work by Old Masters as well as an international collection of porcelain and Swansea china.
The Gallery has an extensive collection of Swansea porcelain and china, as well as select pieces of other British and European factories, and of British and French glass. Among these is one of the earliest examples of European porcelain, a Meissen experimental vase complete with AR mark.
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