Humpty Dumpty is a character in an English nursery rhyme, probably originally a riddle and one of the best known in the English-speaking world. He is typically portrayed as an anthropomorphicegg, though he is not explicitly described as such. The first recorded versions of the rhyme date from late eighteenth-century England and the tune from 1870 in James William Elliott's National Nursery Rhymes and Nursery Songs.[1] Its origins are obscure, and several theories have been advanced to suggest original meanings.
Humpty Dumpty was popularized in the United States on Broadway by actor George L. Fox in the pantomime musical Humpty Dumpty.[2] The show ran from 1868 to 1869, for a total of 483 performances.[3] As a character and literary allusion, Humpty Dumpty has appeared or been referred to in many works of literature and popular culture, particularly English author Lewis Carroll's 1871 book Through the Looking-Glass, in which he was described as an egg. The rhyme is listed in the Roud Folk Song Index as No. 13026.
Lyrics and melody
The rhyme is one of the best known in the English language. The common text from 1882 is:[4]
Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall.
All the king's horses and all the king's men
Couldn't put Humpty together again.
It is a single quatrain with external rhymes[5] that follow the pattern of AABB and with a trochaic metre, which is common in nursery rhymes.[6] The melody commonly associated with the rhyme was first recorded by composer and nursery rhyme collector James William Elliott in his National Nursery Rhymes and Nursery Songs (London, 1870), as outlined below:[7]
Origins
Illustration from Walter Crane's Mother Goose's Nursery Rhymes (1877), showing Humpty Dumpty as a boy.
The earliest known version was published in Samuel Arnold's Juvenile Amusements in 1797[1] with the lyrics:[8]
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
Four-score Men and Four-score more,
Could not make Humpty Dumpty where he was before.
A manuscript addition to a copy of Mother Goose's Melody published in 1803 has the modern version with a different last line: "Could not set Humpty Dumpty up again".[8] It was published in 1810 in a version of Gammer Gurton's Garland.[9] (Note: Original spelling variations left intact.)
Humpty Dumpty sate on a wall,
Humpti Dumpti had a great fall;
Threescore men and threescore more,
Cannot place Humpty dumpty as he was before.
Humpty Dumpty lay in a beck.
With all his sinews around his neck;
Forty Doctors and forty wrights
Couldn't put Humpty Dumpty to rights!
Evidence of an alternative American version closer to the modern received rhyme quoted above is given by William Carey Richards in the issue of a children's magazine for 1843, where he comments that he had come across it as a riddle when he was five-years old and that the answer was "an egg".[11]
Humpty-dumpty sit upon a wall,
Humpty-dumpty had a great fall;
All the king's horses and all the king's men
Couldn't put humpty-dumpty together again.
According to the Oxford English Dictionary, in the 17th century, the term "humpty dumpty" referred to a drink of brandy boiled with ale.[8] The riddle probably exploited, for misdirection, the fact that "humpty dumpty" was also eighteenth-century reduplicative slang for a short and clumsy person.[12] The riddle may depend upon the assumption that a clumsy person falling off a wall might not be irreparably damaged, whereas an egg would be. The rhyme is no longer posed as a riddle, since the answer is now so well known. Similar riddles have been recorded by folklorists in other languages, such as "Boule Boule" in French, "Lille Trille" in Swedish and Norwegian, and "Runtzelken-Puntzelken" or "Humpelken-Pumpelken" in different parts of Germany—although none is as widely known as Humpty Dumpty is in English.[8][13]
Meaning
The rhyme does not explicitly state that the subject is an egg, possibly because it may have been originally posed as a riddle.[8] There are also various theories of an original "Humpty Dumpty". One, advanced by Katherine Elwes Thomas in 1930[14] and adopted by Robert Ripley,[8] posits that Humpty Dumpty is King Richard III of England, depicted as hunchbacked in Tudor histories and particularly in Shakespeare's play, and who was defeated, despite his armies, at Bosworth Field in 1485.
In 1785, Francis Grose's Classical Dictionary of the Vulgar Tongue noted that a "Humpty Dumpty" was "a short clumsey [sic] person of either sex, also ale boiled with brandy"; no mention was made of the rhyme.[15]
Punch in 1842 suggested jocularly that the rhyme was a metaphor for the downfall of Cardinal Wolsey; just as Wolsey was not buried in his intended tomb, so Humpty Dumpty was not buried in his shell.[16]
Professor David Daube suggested in The Oxford Magazine of 16 February 1956 that Humpty Dumpty was a "tortoise" siege engine, an armored frame, used unsuccessfully to approach the walls of the Parliamentary-held city of Gloucester in 1643 during the Siege of Gloucester in the English Civil War. This was on the basis of a contemporary account of the attack, but without evidence that the rhyme was connected.[17] The theory was part of an anonymous series of articles on the origin of nursery rhymes and was widely acclaimed in academia,[18] but it was derided by others as "ingenuity for ingenuity's sake" and declared to be a spoof.[19][20] The link was nevertheless popularized by a children's opera All the King's Men by Richard Rodney Bennett, first performed in 1969.[21][22]
From 1996, the website of the Colchester tourist board attributed the origin of the rhyme to a cannon recorded as used from the church of St Mary-at-the-Wall by the Royalist defenders in the siege of 1648.[23] In 1648, Colchester was a walled town with a castle and several churches and was protected by the city wall. The story given was that a large cannon, which the website claimed was colloquially called Humpty Dumpty, was strategically placed on the wall. A shot from a Parliamentary cannon succeeded in damaging the wall beneath Humpty Dumpty, which caused the cannon to tumble to the ground. The Royalists (or Cavaliers, "all the King's men") attempted to raise Humpty Dumpty on to another part of the wall, but the cannon was so heavy that "All the King's horses and all the King's men couldn't put Humpty together again". Author Albert Jack claimed in his 2008 book Pop Goes the Weasel: The Secret Meanings of Nursery Rhymes that there were two other verses supporting this claim.[24] Elsewhere, he claimed to have found them in an "old dusty library, [in] an even older book",[25] but did not state what the book was or where it was found. It has been pointed out that the two additional verses are not in the style of the seventeenth century or of the existing rhyme, and that they do not fit with the earliest printed versions of the rhyme, which do not mention horses and men.[23]
Poster advertising a pantomime version at the Olympic Theatre in New York 1868, starring George L. Fox
Adaptations
American actor George L. Fox (1825–1877) helped to popularise the nursery rhyme character in nineteenth-century stage productions of pantomime versions, music, and rhyme.[26] The character is also a common literary allusion, particularly to refer to a person in an insecure position, something that would be difficult to reconstruct once broken, or a short and fat person.[27]
Humpty Dumpty also makes an appearance in Lewis Carroll's Through the Looking-Glass (1871). There Alice remarks that Humpty is "exactly like an egg", which Humpty finds to be "very provoking" in the looking-glass world. Alice clarifies that she said he looks like an egg, not that he is one. They then go on discuss semantics and pragmatics[28] when Humpty Dumpty says, "my name means the shape I am".[29]
A. J. Larner suggested that Carroll's Humpty Dumpty had prosopagnosia on the basis of his description of his finding faces hard to recognise:[30]
"The face is what one goes by, generally," Alice remarked in a thoughtful tone.
"That's just what I complain of," said Humpty Dumpty. "Your face is the same as everybody has—the two eyes,—" (marking their places in the air with his thumb) "nose in the middle, mouth under. It's always the same. Now if you had the two eyes on the same side of the nose, for instance—or the mouth at the top—that would be some help."
Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
(Chorus) Of the Magazine Wall,
Hump, helmet and all?
In science
Humpty Dumpty has been used to demonstrate the second law of thermodynamics. The law describes a process known as entropy, a measure of the number of specific ways in which a system may be arranged, often taken to be a measure of "disorder". The higher the entropy, the higher the disorder. After his fall and subsequent shattering, the inability to put him together again is representative of this principle, as it would be highly unlikely (though not impossible) to return him to his earlier state of lower entropy, as the entropy of an isolated system never decreases.[33][34][35]
^"Nursery Rhymes and History", The Oxford Magazine, vol. 74 (1956), pp. 230–232, 272–274 and 310–312; reprinted in: Calum M. Carmichael, ed., Collected Works of David Daube, vol. 4, "Ethics and Other Writings" (Berkeley, CA: Robbins Collection, 2009), ISBN978-1-882239-15-3, pp. 365–366.
^I. Opie, 'Playground rhymes and the oral tradition', in P. Hunt, S. G. Bannister Ray, International Companion Encyclopedia of Children's Literature (London: Routledge, 2004), ISBN0-203-16812-7, p. 76.
^C. M. Carmichael (2004). Ideas and the Man: remembering David Daube. Studien zur europäischen Rechtsgeschichte. Vol. 177. Frankfurt: Vittorio Klostermann. pp. 103–104. ISBN3-465-03363-9.
^J. S. Atherton, The Books at the Wake: A Study of Literary Allusions in James Joyce's Finnegans Wake (1959, SIU Press, 2009), ISBN0-8093-2933-6, p. 126.
