His best-known public artworks were sculptures made from driftwood and exhibited on the Hudson River in Manhattan, New York; those works were anonymous and his identity appeared mysterious, though it was never secret.[3] Loback collected the materials from the Hudson River itself; when a woman scolded him for "ruining the city's 'pristine' nature", he replied that the shoreline was composed of railroad landfill.[4] He created some thousands of driftwood sculptures, taking around half an hour to create each one.[5]
The linguist and computer scientist Carl F. Hostetter wrote that Loback's contribution to Tolkien linguistics was in its nomenclature.[8] Loback wrote on Middle-earth subjects for magazines including Beyond Bree and Little Gwaihir, and the linguistic journals Vinyar Tengwar and Parma Eldalamberon.[6]
Works
Books
Halls of the Elven-King (Fortresses of Middle-earth). Charlottesville: Iron Crown Enterprises, 1988 (ISBN 978-1-5580-6015-9)
Scholarly articles
"The Kindreds, Houses, and Population of the Elves during the First Age" (Mythlore 14.1, 1987)
"Orc Hosts, Armies and Legions: A Demographic Study" (Mythlore 16.4, 1990)
^Morrison, Susan Signe (2015). "6. Urban Myths: The Civilized and Pristine City-Body". The Literature of Waste Material Ecopoetics and Ethical Matter. Palgrave Macmillan. ISBN978-1-1373-9444-6.