Suzume (Japanese: すずめの戸締まり, Hepburn: Suzume no Tojimari, lit.'Suzume's Locking Up') is a 2022 Japanese animatedcoming-of-agefantasyadventure film written and directed by Makoto Shinkai. The film follows 17-year-old high school girl Suzume Iwato and young stranger Souta Munakata, who team up to prevent a series of disasters across Japan by sealing doors from the colossal, supernatural worm that causes earthquakes after being released.
Produced by CoMix Wave Films, it features the voices of Nanoka Hara and Hokuto Matsumura, with character designs by Masayoshi Tanaka, animation direction by Kenichi Tsuchiya, art direction by Takumi Tanji, and its musical score was composed by Radwimps and Kazuma Jinnouchi, making it Shinkai's third collaboration with Tanaka and Radwimps, after Your Name (2016) and Weathering with You (2019). The film began production in early 2020, eventually being announced as completed by October 2022. Its themes were inspired by the 2011 Tōhoku earthquake and tsunami. A novel adaptation, also written by Shinkai, and a manga series illustrated by Denki Amashima both debuted prior to the film's release.
Suzume first premiered in IMAX in Japan on November 7, 2022, followed by a theatrical release by Toho on November 11. It received largely positive reviews from critics, with praise directed towards the characters, animation, visuals, music, and emotional story. The film grossed over US$318million worldwide, making it the fourth highest-grossing Japanese film of all time as well as the fourth highest grossing film of 2022 in Japan. Among its numerous accolades, the film was nominated for Best Animated Feature at the 81st Golden Globe Awards and received seven nominations at the 51st Annie Awards.
Suzume Iwato is a 17-year-old orphaned high-school girl living with her aunt in a town in Kyushu. She has recurring dreams of her childhood self walking through a ruined cityscape at night, before running into a shadowy figure she believes to be her late mother. On her way to school one morning, Suzume meets a young man searching for abandoned locations with doors. She tells him of a nearby abandoned onsen resort, and curiously follows him. There, she discovers a door free-standing on its frame. Suzume opens it to see a starlit field through the doorway, which she cannot enter. She then trips over a cat statue on the floor, which turns into a real cat and flees. Frightened, Suzume rushes to school.
During lunch, Suzume notices a huge column of smoke from the location of the abandoned resort, which no one else can see. She returns there and finds the man from earlier, struggling to close the door through which the smoke is escaping. Suzume helps him, and he locks the door with an old key. The worm-like smoke disappears, but not before causing earthquake damage to the town.
Suzume takes the injured man, Souta Munakata, to her home. He explains that he is a "Closer" and must locate and lock specific doors in abandoned places throughout Japan to prevent a supernatural "worm" from being released and causing earthquakes. As they talk, the cat from the resort appears and turns Souta into the chair he was sitting on. Souta, now an animated three-legged chair, chases the cat onto a ferry headed for Ehime, with Suzume following. The cat leaps onto another ship as Souta tells Suzume that the cat is a "keystone", and that the worm was released after the keystone's removal from the resort door.
Upon reaching Ehime, Suzume and Souta find social media posts from locals, who have photographed and named the cat "Daijin". With help from a local girl, Chika Amabe, they locate the worm again and close the door it is escaping from in an abandoned school. After parting with Chika, they hitch a ride to Kobe with a kind bar owner named Rumi Ninomiya, who asks Suzume to babysit her twin children. In the evening, Suzume spots Daijin who wants to be her playmate. He leads her and Souta to an abandoned amusement park, where they stop the worm emerging again through a Ferris wheel gondola. Souta explains that the portal within the doors leads to the Ever-After, where souls go after death. He also notices that he is spending longer times asleep as a chair, with Suzume taking longer to rouse him.
After tracking Daijin to Tokyo, Souta asks Suzume to take them to his apartment. He explains the legend of the worm, and that he is the last descendant of a family that, for generations, had been responsible for locking abandoned doors which lead to the Ever-After. Souta speaks of two keystones that seal the worm: the western keystone has become Daijin, while the location of the eastern keystone is unknown. He warns that if the worm tries to emerge in Tokyo, it could cause damage similar to the 1923 Great Kantō earthquake. Suzume notices the worm emerging again, and the two head towards it. Daijin reappears and reveals that he has passed on his function as keystone to Souta. Souta suddenly turns into the new keystone and Suzume reluctantly uses him to seal the giant worm.
Awakening at a shrine housing the Tokyo gate, Suzume sees Souta within the Ever-After but is unable to enter. Daijin appears and Suzume gets angry at him, telling him not to come back. She visits Souta's grandfather Hitsujirō at the hospital, hoping to discover how to rescue Souta. Hitsujirō explains that Suzume's ability to see the worm and the Ever-After through the doors means that in some point in her life she entered the realm through one such door. Moreover, the doorway she first used is the only place where she can re-enter the Ever-After.
Suzume then runs into Souta's friend, Tomoya Serizawa, who is looking for him, and her Aunt Tamaki who wants to take her back home to Kyushu. She instead talks Tomoya into driving her and Tamaki to her childhood hometown in Tōhoku, which was destroyed in the 2011 earthquake and tsunami that also killed her mother. Suzume believes she will find her door there. At a rest stop along the way, Suzume and Tamaki get into an argument, and she discovers that her aunt is possessed by Sadaijin, the eastern keystone, who now accompanies them. They reach the ruins of Suzume's old house, where Suzume finds the old door and enters it with Daijin and Sadaijin. Inside the Ever-After, which looks like Suzume's hometown after the earthquake/tsunami, Sadaijin distracts the worm, while Suzume awakens Souta, who regains his human form. Realizing the consequences of his freedom, Daijin reverts himself to being the western keystone. Suzume and Souta use him and Sadaijin to imprison the worm again in the Ever-After.
Afterward, Suzume sees a young girl in the Ever-After with them. She realizes the young girl is herself, from 12 years ago, and that the younger girl mistook her older self to be her mother. Suzume gives her young self the chair that had been Souta's body, built by her mother as a childhood birthday present. The young Suzume leaves the Ever-After 12 years in the past, to be taken in by Tamaki. Souta and Suzume also leave the Ever-After in the present, with Souta returning to Tokyo. Suzume and Tamaki go back to Kyushu, revisiting the friends she made along the way.
Sometime later, Suzume makes her way to school. To her surprise, she runs into Souta again, at the same location where they first met.
Makoto Shinkai conceived the idea for Suzume while he was traveling around Japan to give talks about his past works. He said, "In Japan, it is customary to hold a jichinsai or groundbreaking ceremony, before construction begins on a new building or home, but we do nothing when we close them down." Shinkai noticed that there were more empty or abandoned areas in Japan due to the country's declining birth rate and aging population, so he thought of writing a story about "mourning deserted places."[12][13] As a result, the film inevitably turned into a road movie about visiting places.[14]
The 2011 Tōhoku earthquake and tsunami served as an influence for the themes in the film. While the Tiamat comet in Your Name (2016) and the concept of Weathering with You (2019) were ideas influenced by the natural disaster, Shinkai felt that he should "express the impact [he] felt through the earthquake and tsunami, instead of continuing to depict it as a metaphor."[12][13] He feared that people's memories of the disaster start to become "hazy" over time, and by depicting the earthquake and tsunami in his film or novel, he could also share his memories with teens who were unaware of the disaster.[12] Shinkai also cited Kiki's Delivery Service, Guardian: The Lonely and Great God, and Haruki Murakami's novel Kafka on the Shore and short story "Super-Frog Saves Tokyo" [ja] as influences for the film.[13][15]
Shinkai and his staff planned the project from January to March 2020. They started developing the film's script in April, which is when the Japanese government declared a state of emergency due to the COVID-19 pandemic.[16][17] In an interview with TV Asahi, Shinkai mentioned that the pandemic had a less tangible effect on the film's production. However, he said that "the mood of the times is indelibly etched into the script", adding that the film will have a post-apocalyptic theme.[17] Souta turning into a chair was in reference to Shinkai feeling trapped during the COVID-19 curbs.[12] After finishing the script in August, the storyboards were drafted from September 2020 to December 2021, while the production of the animation started in April 2021.[16] The film was officially unveiled during a press conference on December 15, 2021. The film's staff includes Masayoshi Tanaka as the character designer, Kenichi Tsuchiya as the animation director, and Takumi Tanji as the art director. CoMix Wave Films and Story Inc. were revealed as the film's producers.[16] In October 2022, Shinkai announced that production on the film was completed.[18]
Characters
Shinkai immediately decided for the film to have a female main character, since Weathering with You had a male main character, and also felt that a "buddy" character was necessary.[13] Initially, he wanted Suzume's companion to be another girl, with a "sisterhood type of romantic story", as he believed that he had exhausted the potential of the "boy meets girl" formula in previous films. However, Shinkai's producer discouraged the idea, saying that the audience for his films was still enjoying the typical romance aspects of his films.[19][20] Thus, making the partner a chair was decided upon both to avoid the film becoming "too much of a romance,"[19] and also to lighten the mood of the film, which would "inevitably become quieter" if the story focused on mourning a place.[13] Shinkai also considered other options for potential partners,[13] such as a partner that turns into a monster throughout the story, and other "inorganic partners" like a milk carton.[13] The idea for a chair partner came when Shinkai saw a wooden chair sitting at a deserted bus stop, and found its "foreign feeling" to be better than any of his previous ideas. Shinkai also became less interested in writing a love story and wanted to depict different relationships, like with Suzume and her aunt.[13]
Nanoka Hara was revealed as the voice of Suzume Iwato on July 5, 2022. Shinkai selected her from an audition involving more than 1,700 people. Hara has been a fan of Shinkai's works, remarking that she could not imagine being the one to share the "unforgettable, heart-shaking sensation" she felt when first seeing one of his films in theaters.[5][21] On September 6, 2022, Hokuto Matsumura's role as Souta Munakata was revealed. He described the character as one that "[he] had never seen in any of the director's works". Therefore, Matsumura gave a voice for Souta that he "had never heard before," which involved using a slightly lower tone. Shinkai found his voice to be "impressive" and said that it "embodies the character".[22] These were Hara and Matsumura's first anime voice-acting roles.[5][22] On September 29, Eri Fukatsu, Shota Sometani, Sairi Ito, Kotone Hanase, Kana Hanazawa, and Matsumoto Hakuō II were revealed to be joining the voice cast.[8] On October 25, Ryūnosuke Kamiki, who voiced Taki Tachibana in Your Name, was added to the cast for the role of Tomoya Serizawa.[9]
On September 20, 2022, it was announced that the band Radwimps, which had previously collaborated with Shinkai on Your Name and Weathering with You, would be composing the score for the film, along with composer Kazuma Jinnouchi. It was also revealed that TikTok singer Toaka provided the vocals for the first theme song, "Suzume" (すずめ),[23] which debuted on music streaming services on September 30, 2022.[24] The second theme song, "Kanata Haluka" (カナタハルカ), debuted online on October 28, 2022.[9] The soundtrack was released on November 11, 2022, the day of the film's release. Some of its recordings were done at Abbey Road Studios in London.[25]
Marketing
Promotional standees featuring Suzume's title character and the door featured in the film
A teaser poster was released alongside the film's announcement.[16] On April 9, 2022, an updated version featuring the film's protagonist was released online and as a full-page advertisement in the morning edition of The Asahi Shimbun newspaper.[26][27] It was also announced that the film would be released on November 11.[26]Toho debuted a teaser trailer on April 10, 2022,[28] and a full trailer was released on July 15.[29] The main poster, along with the second trailer, was released on September 29, 2022.[8]Nippon TV previewed the first 12 minutes of the film on October 28, 2022, during a broadcast of Your Name on NNN's Kin'yō Road Show [ja] programming block.[30][18] Prior to the film's release, the production committee warned filmgoers of scenes in the film that depict an earthquake and sounds of earthquake alarms, and reassured that the sounds were fictional.[31]
Several bonus items were given to filmgoers in Japan. A booklet, titled Shinkai Makoto Hon (新海誠本), was the first to be distributed, and had a print run of 3 million copies. The booklet contained the original proposals for Suzume, Your Name, and Weathering with You, and interviews with Shinkai, Hara, and Matsumura.[32] A second booklet, Shinkai Makoto Hon 2 (新海誠本2), was distributed beginning on December 3, with a print run of 1.5 million copies.[33] A spin-off novel written by Shinkai, subtitled "Tamaki's Story" (環さんのものがたり, Tamaki-san no Monogatari), was given starting on December 24.[34] A second novel, "Serizawa's Story" (芹澤のものがたり, Serizawa no Monogatari), was distributed starting on January 28, 2023.[35]McDonald's Japan released a Happy Meal set that includes a spin-off picture book, titled Suzume to Isu (すずめといす, "Suzume and the Chair"), which tells an original story written by Shinkai and illustrated by Senbon Umishima.[36] Other partners for the film include Misawa Homes [ja],[37]Lawson,[38] and KDDI's au.[39] Additionally, a promotional campaign was held involving one local company from each of the 47 prefectures of Japan.[40] The film also had a 20-page special feature in the #50/2022 issue of Kodansha's Weekly Shōnen Magazine.[41]
Release
Theatrical
Suzume had an advance IMAX screening on November 7, 2022, for watchers who were decided through a lottery.[42] It was released nationwide by Toho in 420 theaters in Japan on November 11 through regular and IMAX screenings.[26][42][43] Midnight screenings were held in 11 theaters across six cities in Japan.[32] The film premiered internationally in competition at the 73rd Berlin International Film Festival on February 23, 2023,[44] marking the first time an anime film competed in the festival since Spirited Away in 2002.[45]
In Asia, the film began screening on March 2, 2023, in Hong Kong, Taiwan, and Macau;[46][47] March 8 in Indonesia,[48] the Philippines,[48] and South Korea;[49] March 9 in Malaysia and Singapore;[48] March 10 in Vietnam;[50] March 16 in Brunei;[51] March 24 in China;[52] April 13 in Thailand;[53] and April 21 in India.[54] Singapore-based distributor Encore Films handled distribution in Southeast Asia, with the Philippines and Thailand releases co-distributed with Warner Bros. Pictures.
In May 2022, Crunchyroll, Sony Pictures, and Wild Bunch International acquired the film's global distribution rights. Crunchyroll handled distribution in North America and partnered with Sony Pictures Releasing in territories outside of Asia under the Sony Pictures Releasing International banner, while Sony and Wild Bunch co-distributed in Europe.[55] A special screening for the film was held on March 1, 2023, at the BFI Southbank in London, with Shinkai himself attending the event.[56] The film had its North American premiere at the New York International Children's Film Festival on March 5.[57] Another special screening was held on April 21, 2023, at PVR Cinemas Citi Mall in Mumbai, which Shinkai attended to celebrate the premiere of the film in Japanese and in the Hindi dub in India.[58] He interacted with media outlets along with his overseas fans and attended a Q&A session.[59] He also participated in a signing event along with Denki Amashima, the illustrator for the manga adaptation. This was his second visit to India; he previously visited the country during the premiere of his film Weathering With You in 2019.[60][61]
Suzume began its general screening on April 12, 2023, in France, Malta, and Switzerland; April 13 in Argentina, Armenia, Australia, Azerbaijan, Bolivia, Brazil, Central America, Chile, Denmark, Ecuador, Georgia, Germany, Greece, Hungary, Israel, Kazakhstan, Kyrgyzstan, Mexico, the Netherlands, New Zealand, Peru, Slovakia, Tajikistan, Turkey, Uruguay, Uzbekistan and Venezuela; April 14 in Austria, Belgium, Canada, Estonia, Gibraltar, Ireland, Kenya, Latvia, Lithuania, Luxembourg, Norway, Southern Africa, Spain, Sweden, the United Kingdom, and the United States; April 20 in Colombia and Portugal; April 21 in Bulgaria, Finland, Poland, and Romania; April 27 in Italy, Kuwait, Qatar, Saudi Arabia, and the United Arab Emirates; April 30 in Iceland; May 25 in Croatia, Serbia, Bosnia and Herzegovina, Kosovo, North Macedonia and Albania; and May 26 in Czech Republic and Madagascar.[62]
In Australia, Canada, Ireland, New Zealand, the United Kingdom, and the United States, an English-language dub was screened along with the original Japanese version.[63]
Internationally, Crunchyroll began streaming the film on November 16, 2023.[66] It was followed by a Blu-ray and DVD release in North America on March 12, 2024, and in the United Kingdom on April 1.[67][68] The film was also released on Netflix on April 5 in selected countries.[69]
In China, the film topped the box office and grossed US$49.6million in its opening weekend.[76] It earned US$82.27million within its first ten days.[77] It surpassed the box office of Your Name and became the highest-grossing Japanese film in the country.[78]Suzume ultimately grossed US$114million, becoming the second-highest-grossing foreign film of 2023.[79]
In South Korea, the film debuted with US$5.71million in its opening weekend, topping the box office.[80] It was the highest-grossing film for 35 consecutive days after its release, setting a record second only to Avatar (2009).[81] By April 14, 2023, the film grossed US$35.78million and had attracted a total of over 4.48 million viewers, surpassing The First Slam Dunk (2022) to become the highest-grossing and most-watched Japanese film in the country.[82][83]Suzume grossed US$43.6million, ranking second among the highest-grossing foreign films of 2023.[84] It also became the first Japanese film to have sold over 5 million tickets.[85]
On the review aggregator website Rotten Tomatoes, 96% of 134 critics' reviews are positive, with an average rating of 7.9/10. The website's consensus reads: "Suzume sees director Makoto Shinkai falling just a bit short of the bar set by previous outings – but when the results are this visually thrilling and emotionally impactful, it's hard to find much fault."[92] On Metacritic, the film has a weighted average of 77 out of 100 based on 27 critic reviews, indicating "generally favorable reviews".[93] Audiences polled by PostTrak gave the film an 89% positive score, with 72% saying they would recommend it.[94]
On Japanese review site Filmarks, Suzume received an average rating of 4.00/5 based on 6,585 user reviews, placing second in its first-day satisfaction ranking.[72] Matt Schley of The Japan Times gave the film 4 out of 5 stars, and called it "the director's most satisfying work yet." He praised the art and animation, and while he described some of the dialogue as "cliche or cringe-worthy", he also felt that the film was "a bit more mature" than Shinkai's past films. Schley also found the film's climax "somewhat disturbing", and said that it might divide viewers on whether Shinkai "earns" it.[95] Richard Eisenbeis, writing for Anime News Network, graded the film "A", praising the story, characters, animation, and music, but found the plot structure to be similar to Your Name and Weathering with You, making the film "more predictable." Eisenbeis also criticized the appearance of a creature that Suzume encountered in Tokyo, describing it as "a cheap CG effect placed over the otherwise quality animation and blended poorly."[96] Gautam Sunder of The Hindu praised Shinkai's "mastery over light and shadows", character writing, humour, and references to older animated films, while conceding that it could not match "the raw beauty of The Garden of Words or the dramatic beats of Your Name".[97]
A novel adaptation written by Shinkai was released on August 24, 2022, under the Kadokawa Bunko imprint.[122][123] A portion of the novel was included in a booklet distributed during the 2022 Kadobun Summer Fair, which was held in Japanese bookstores on June 10.[123] A children's paperback edition, which adds furigana and illustrations drawn by Chiko, was released on October 13 under the Kadokawa Tsubasa Bunko imprint.[124] The novel was the best-selling physical light novel volume of 2022 in Japan, and had sold over 369,000 copies by May 2023.[125][126] In January 2023, Yen Press announced that it licensed the series for English publication in digital and print formats.[127]
No.
Title
Original release date
English release date
Suzume Shōsetsu Suzume no Tojimari (Japanese: 小説 すずめの戸締まり)
"The Place I Go in My Dreams" (夢で、いつも行く場所, Yume de, Itsumo Iku Basho)
"A Person like a Beautiful Landscape" (そういう景色のように、美しい人, Sōiu Keshiki no Yōni, Utsukushii Hito)
"Things That Only We Can See" (私たちにしか見えないもの, Watashitachi ni Shika Mienai Mono)
"It's Starting, the World Whispers" (さあ始まるよと、皆がささやく, Sā Hajimaru yo to, Mina ga Sasayaku)
Day Two (二日目, Ni Nichime)
"Searching for a Cat in Ehime" (愛媛での猫探, Ehime de no Neko Sagu)
"The Direction I Need to Run In Now" (だからいま、私たちが走るべき方向は, Dakara Ima, Watashitachi ga Hashiru Beki Hōkō wa)
"Thanks to You, I'm a Magician" (あなたのせいで魔法使いに, Anata no Sei de Mahōtsukai ni)
Day Three (三日目, San Nichime)
"Crossing the Strait" (海峡を渡る, Kaikyō o Wataru)
"The Four of Us Make Some Memories" (思い出は四人で, Omoide wa Yonin de)
"A Door You Can't Enter and a Place You're Not Supposed to Go" (入れない扉、行くべきではない場所, Irenai Tobira, Iku Beki de wa Nai Basho)
"A Nighttime Party and a Lonely Dream" (夜のパーティーと、孤独な夢, Yoru no Pātī to, Kodokuna Yume)
Day Four (四日目, Yon Nichime)
"Scenery You Can See but Cannot Be a Part of" (見えるけれど、関われない風景たち, Mieru Keredo, Kakawarenai Fūkeitachi)
"A Room like a Garden" (庭のような部屋, Niwa no Yōna Heya)
"If the Plug Was Pulled from the Sky" (空の栓が抜けたとしたら, Sora no Sen ga Nuketa to Shitara)
"Never Again" (もう二度と, Mō Nidoto)
Day Five (五日目, Go Nichime)
"The Only Door You Can Enter" (あなたが入れる唯一のドアは, Anata ga Ireru Yuiitsu no Doa wa)
"Departure" (出発, Shuppatsu)
"What Are You Searching for?" (探しものは何ですか, Sagashi Mono wa Nani Desu ka)
"Enter the Minister of the Left" (サダイジン登場, Sadaijin Tōjō)
"What They Want Me to Do" (してほしいこと, Shite Hoshii Koto)
"Hometown" (故郷, Kokyō)
Ever-After (常世, Tokoyo)
"The Town That Is Still Burning" (まだ、燃えている町, Mada, Moeteiru Machi)
"The Whole of Time" (ぜんぶの時間, Zenbu no Jikan)
Day Six and Recollections (六日目と後日談, Roku Nichime to Gojitsudan)
"The Words No One Got to Say" (あの日の言葉を, Ano Hi no Kotoba o)
Afterword (あとがき, Atogaki)
Manga
A manga adaptation illustrated by Denki Amashima was serialized in Kodansha's Monthly Afternoon magazine from October 25, 2022,[129][130] to December 25, 2023.[131][132] Three tankōbon volumes were released on March 23, 2023,[133] September 22, 2023,[134] and February 22, 2024.[135] In March 2024, Kodansha USA licensed the series for English publication;[136] the first volume was released on September 24.[137]