Haruki Murakami

Haruki Murakami 村上 春樹
Murakami in 2018
Born	(1949-01-12) January 12, 1949 (age 75) Fushimi-ku, Kyoto, Japan[a]
Occupation	Novelist short-story writer essayist translator
Language	Japanese
Alma mater	Waseda University (BA)
Period	Contemporary
Genres	Fiction Bildungsroman picaresque
Literary movement	Surrealism magical realism postmodernism realism
Notable works	Norwegian Wood (1987) The Wind-Up Bird Chronicle (1994–95) Kafka on the Shore (2002) 1Q84 (2010) Men Without Women (2014)
Signature
Website
www.harukimurakami.com

Haruki Murakami (村上 春樹, Murakami Haruki, born January 12, 1949^[1]) is a Japanese writer. His novels, essays, and short stories have been best-sellers in Japan and internationally, with his work translated into 50 languages^[2] and having sold millions of copies outside Japan.^[3][4] He has received numerous awards for his work, including the Gunzo Prize for New Writers, the World Fantasy Award, the Tanizaki Prize, Yomiuri Prize for Literature, the Frank O'Connor International Short Story Award, the Noma Literary Prize, the Franz Kafka Prize, the Kiriyama Prize for Fiction, the Goodreads Choice Awards for Best Fiction, the Jerusalem Prize, and the Princess of Asturias Awards.^[5][6][7][8]

Growing up in Ashiya, near Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years.^[9] His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002) and 1Q84 (2009–10); the last was ranked as the best work of Japan's Heisei era (1989–2019) by the national newspaper Asahi Shimbun's survey of literary experts.^[10] His work spans genres including science fiction, fantasy, and crime fiction, and has become known for his use of magical realist elements.^[11][12] His official website cites Raymond Chandler, Kurt Vonnegut and Richard Brautigan as key inspirations to his work, while Murakami himself has named Kazuo Ishiguro, Cormac McCarthy and Dag Solstad as his favourite currently active writers.^[9][13] Murakami has also published five short story collections, including First Person Singular (2020),^[14] and non-fiction works including Underground (1997), an oral history of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a memoir about his experience as a long distance runner.^[15]

His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world".^[16][17][18] Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre.^[19][20]

Biography

Murakami was born in Kyoto, Japan, during the post-World War II baby boom and was raised in Nishinomiya, Ashiya and Kobe.^[21][22] He is an only child. His father was the son of a Buddhist priest,^[23] and his mother is the daughter of an Osaka merchant.^[24] Both taught Japanese literature.^[25] His father was involved in the Second Sino-Japanese War, and was deeply traumatized by it, which would, in turn, affect Murakami.^[26]

Since childhood, Murakami, like Kōbō Abe, has been heavily influenced by Western culture, particularly Western as well as Russian music and literature. He grew up reading a wide range of works by European and American writers, such as Franz Kafka, Gustave Flaubert, Charles Dickens, Kurt Vonnegut, Fyodor Dostoyevsky, Richard Brautigan and Jack Kerouac.^[27] These Western influences distinguish Murakami from the majority of other Japanese writers.^[28]

Murakami studied drama at Waseda University in Tokyo, where he met Yoko, now his wife. His first job was at a record store. Shortly before finishing his studies, Murakami opened a coffee house and jazz bar, Peter Cat, in Kokubunji, Tokyo, which he ran with his wife,^[29] from 1974 to 1981.^[30] The couple decided not to have children.^[22][31]

Murakami is an experienced marathon runner and triathlon enthusiast, though he did not start running until he was 33 years old, after he began as a way to stay healthy. On June 23, 1996, he completed his first ultramarathon, a 100 km race around Lake Saroma in Hokkaido, Japan.^[32] He discussed running and its effect on his creative life in a 2007 memoir, What I Talk About When I Talk About Running.^[33]

Writing career

Trilogy of the Rat

Murakami began to write fiction when he was 29.^[34] "Before that," he said, "I didn't write anything. I was just one of those ordinary people. I was running a jazz club, and I didn't create anything at all."^[35] He was inspired to write his first novel, Hear the Wind Sing (1979), while watching a baseball game.^[36] He described the moment he realized he could write as a "warm sensation" he could still feel in his heart.^[37] He went home and began writing that night. Murakami worked on Hear the Wind Sing for ten months in very brief stretches, during nights, after working days at the bar.^[38] He completed the novel and sent it to the only literary contest that would accept a work of that length, winning first prize.

Murakami's initial success with Hear the Wind Sing encouraged him to continue writing. A year later, he published a sequel, Pinball, 1973. In 1981, he co-wrote a short story collection, Yume de Aimashou with author and future Earthbound/Mother creator Shigesato Itoi. In 1982, he published A Wild Sheep Chase, a critical success. Hear the Wind Sing, Pinball, 1973, and A Wild Sheep Chase form the Trilogy of the Rat (a sequel, Dance, Dance, Dance, was written later but is not considered part of the series), centered on the same unnamed narrator and his friend, "the Rat". The first two novels were not widely available in English translation outside Japan until 2015, although an English edition, translated by Alfred Birnbaum with extensive notes, had been published by Kodansha as part of a series intended for Japanese students of English. Murakami considers his first two novels to be "immature" and "flimsy",^[38] and has not been eager to have them translated into English. A Wild Sheep Chase, he says, was "the first book where I could feel a kind of sensation, the joy of telling a story. When you read a good story, you just keep reading. When I write a good story, I just keep writing."^[39]

Wider recognition

In 1985, Murakami wrote Hard-Boiled Wonderland and the End of the World, a dream-like fantasy that took the magical elements of his work to a new extreme. Murakami achieved a major breakthrough and national recognition in 1987 with the publication of Norwegian Wood, a nostalgic story of loss and sexuality. It sold millions of copies among young Japanese.^[40]

Norwegian Wood propelled the barely known Murakami into the spotlight. He was mobbed at airports and other public places, leading to his departure from Japan in 1986.^[41] Murakami traveled through Europe, lived in the United States and currently resides in Oiso, Kanagawa, with an office in Tokyo.^[42]

Murakami was a writing fellow at Princeton University in Princeton, New Jersey, Tufts University in Medford, Massachusetts, and Harvard University in Cambridge, Massachusetts.^[22][43] During this time he wrote South of the Border, West of the Sun and The Wind-Up Bird Chronicle.^[22]

From "detachment" to "commitment"

The Wind-Up Bird Chronicle (1995) fuses the realistic and fantastic and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of Murakami's harshest former critics, Kenzaburō Ōe, who himself won the Nobel Prize for Literature in 1994.^[44]

The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack.^[27] He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.

In 1996, in a conversation with the psychologist Hayao Kawai, Murakami explained that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in the 1990s.^[45] He called The Wind-up Bird Chronicle a turning point in his career, marking this change in focus.

English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.^[22]

Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works that appeared in German turned out to be translations from English rather than Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese.^[46]

Since 1999

Sputnik Sweetheart was first published in 1999, followed by Kafka on the Shore in 2002, with the English translation following in 2005. Kafka on the Shore won the World Fantasy Award in 2006.^[47] The English version of his novel After Dark was released in May 2007. It was chosen by The New York Times as a "notable book of the year".^[48] In late 2005, Murakami published a collection of short stories titled Tōkyō Kitanshū, or 東京奇譚集, which translates loosely as "Mysteries of Tokyo". A collection of the English versions of twenty-four short stories, titled Blind Willow, Sleeping Woman, was published in August 2006. This collection includes both older works from the 1980s as well as some of Murakami's more recent short stories, including all five that appear in Tōkyō Kitanshū.

In 2002, Murakami published the anthology Birthday Stories, which collects short stories on the theme of birthdays. It includes work by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lynda Sexson, Paul Theroux, and William Trevor, as well as a story by Murakami himself. What I Talk About When I Talk About Running, a memoir about his experience as a marathon runner and a triathlete, was published in Japan in 2007,^[49] with English translations released in the UK and the US in 2008. The title is a play on that of Raymond Carver's short story collection What We Talk About When We Talk About Love.^[50]

In 2004, Murakami was interviewed by John Wray for the 182nd installment of The Paris Review's "The Art of Fiction" interview series. Recorded over the course of two afternoons, the interview addressed the change in tone and style of his more recent works at the time—such as after the quake—his myriad of Western influences ranging from Fyodor Dostoevsky to John Irving, and his collaborative process with the many translators he has worked with over the course of his career.^[38]

Shinchosha Publishing published Murakami's novel 1Q84 in Japan on May 29, 2009. 1Q84 is pronounced "ichi kyū hachi yon", the same as 1984, as 9 is also pronounced "kyū" in Japanese.^[51] The book was longlisted for the Man Asian Literary Prize in 2011. However, after the 2012 anti-Japanese demonstrations in China, Murakami's books were removed from sale there, along with those of other Japanese authors.^[52][53] Murakami criticized the China–Japan political territorial dispute, characterizing the overwrought nationalistic response as "cheap liquor" which politicians were giving to the public.^[54] In April 2013, he published his novel Colorless Tsukuru Tazaki and His Years of Pilgrimage. It became an international bestseller but received mixed reviews.^[55][56]

In 2015, Switch Publishing published Murakami's essay collection Novelist as a Vocation in Japan, featuring insights and commentaries on Murakami's life and career. The essay collection was later translated into English by Philip Gabriel and Ted Goossen and released by Alfred A. Knopf on November 8, 2022.^[57]

Killing Commendatore (Kishidanchō-goroshi) was published in Japan on February 24, 2017, and in the US in October 2018. The novel is about an unnamed portrait painter who stumbles upon an unknown painting, titled Killing Commendatore, after assuming residence in its creator's former abode. Since its publication, the novel has caused controversy in Hong Kong and was labeled under "Class II – indecent" in Hong Kong.^[58] This classification led to mass amounts of censorship.^{[citation needed]} The publisher must not distribute the book to people under the age of 18, and must have a warning label printed on the cover.

Murakami's most recent novel The City and Its Uncertain Walls was published by Shinchosha in Japan on April 13, 2023.^[59][60] His first novel in six years, it is 1,200-pages long and is set in a "soul-stirring, 100% pure Murakami world" that involves "a story that had long been sealed".^[61] In promoting his latest book, Murakami stated that he believed that the pandemic and the ongoing Russian invasion of Ukraine have created walls that divide people, fueling fear and skepticism instead of mutual trust.^[62] The novel is based on a 1980 novella written by Murakami, which he says he was never satisfied with.^[63] In an interview with The Guardian, Marakami states, "The situation of the town surrounded by walls was also a metaphor of the worldwide lockdown. How is it possible for both extreme isolation and warm feelings of empathy to coexist?"^[64]

In July 2024, The New Yorker published Murakami's short story "Kaho", in which a man goes on a blind date with a woman named Kaho and ends it with an insult, which is also the first line of the story.^[65]

Writing style

Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I-novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy.^[38] Also notable is Murakami's unique humor, as seen in his 2000 short story collection After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a six-foot-tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached.^{[citation needed]} Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.^[38] He has further compared the process of writing to movies: "That is one of the joys of writing fiction—I'm making my own film made just for myself."^[66]

Many of his novels have themes and titles that evoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song,^[67][68] although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").^[69]

Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Shinto or Japanese shamanism with some elements of The Wind-Up Bird Chronicle,^[70] such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii,^[71] associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism"^[72] in Murakami's works.

In an October 2022 article for The Atlantic, Murakami clarified that nearly none of the characters in his work has been created based on individuals in real life, as many people alleged. He wrote: "I almost never decide in advance that I'll present a particular type of character. As I write, a kind of axis forms that makes possible the appearance of certain characters, and I go ahead and fit one detail after another into place, like iron scraps attaching to a magnet. And in this way an overall picture of a person materializes. Afterward I often think that certain details resemble those of a real person, but most of the process happens automatically. I think I almost unconsciously pull information and various fragments from the cabinets in my brain and then weave them together." Murakami named this process "the Automatic Dwarfs." He continued: "One of the things I most enjoy about writing novels is the sense that I can become anybody I want to be," noting that "Characters who are—in a literary sense—alive will eventually break free of the writer's control and begin to act independently."^[73]

Recognition

Prizes for books

• 1979: Gunzo Award (best first novel) for Hear the Wind Sing
• 1982: Noma Literary Prize (best newcomer) for A Wild Sheep Chase
• 1985: Tanizaki Prize for Hard-Boiled Wonderland and the End of the World
• 1995: Yomiuri Prize (best novel) for The Wind-Up Bird Chronicle
• 1999: Kuwabara Takeo Prize for Underground^[27]
• 2006: World Fantasy Award (best novel) for Kafka on the Shore
• 2006: Frank O'Connor International Short Story Award for Blind Willow, Sleeping Woman
• 2016: Hans Christian Andersen Literature Award
• 2018: America Award in Literature for a lifetime contribution to international writing
• 2022: Prix mondial Cinco Del Duca for a lifetime of work constituting, in a literary form, a message of modern humanism

Murakami was also awarded the 2007 Kiriyama Prize for Fiction for his collection of short stories Blind Willow, Sleeping Woman, but according to the prize's official website, Murakami "declined to accept the award for reasons of personal principle".^[74]

Personal prizes

Murakami in 2018

In 2006, Murakami became the sixth recipient of the Franz Kafka Prize.^[75]

In January 2009, Murakami received the Jerusalem Prize, a biennial literary award given to writers whose work deals with themes of human freedom, society, politics, and government. There were protests in Japan and elsewhere against his attending the February award ceremony in Israel, including threats to boycott his work as a response against Israel's recent bombing of Gaza. Murakami chose to attend the ceremony, but gave a speech to the gathered Israeli dignitaries harshly criticizing Israeli policies.^[76] Murakami said, "Each of us possesses a tangible living soul. The system has no such thing. We must not allow the system to exploit us."^[77] The same year he was named Knight of the Order of Arts and Letters of Spain.^[78]

In 2011, Murakami donated his €80,000 winnings from the International Catalunya Prize (from the Generalitat de Catalunya) to the victims of the March 11 earthquake and tsunami, and to those affected by the Fukushima nuclear disaster. Accepting the award, he said in his speech that the situation at the Fukushima plant was "the second major nuclear disaster that the Japanese people have experienced ... however, this time it was not a bomb being dropped upon us, but a mistake committed by our very own hands". According to Murakami, the Japanese people should have rejected nuclear power after having "learned through the sacrifice of the hibakusha just how badly radiation leaves scars on the world and human wellbeing".^[79]

In recent years, Haruki Murakami has often been mentioned as a possible recipient of the Nobel Prize in Literature.^[17] Nonetheless, since all nomination records are sealed for 50 years from the awarding of the prize, it is pure speculation.^[80] When asked about the possibility of being awarded the Nobel Prize, Murakami responded with a laugh saying "No, I don't want prizes. That means you're finished."^[17]

In October 2014, he was awarded the Welt-Literaturpreis.^[81]

In April 2015, Murakami was named one of the Time 100 most influential people. In November 2016, he was awarded the Danish Hans Christian Andersen Literature Award, an award previously won by British author J. K. Rowling.^[82][83][84]

In 2018, he was nominated for the New Academy Prize in Literature.^[85] He requested that his nomination be withdrawn, saying he wanted to "concentrate on writing, away from media attention."^[86]

In 2023, he was awarded the Princess of Asturias Award for Literature.^[87]

In 2024, Murakami received the Golden Plate Award of the American Academy of Achievement^[88] and was elected as a Royal Society of Literature International Writer.^[89]

Honorary degrees

Murakami has received honorary degrees (Doctor of Letters) from the University of Liège (September 2007),^[90] Princeton University (June 2008),^[91] Tufts University (May 2014),^[92] Yale University (May 2016),^[93] and University of Nova Gorica (2021).^[94]

Archives

Main article: Waseda International House of Literature

In 2018, Waseda University in Tokyo agreed to house the archives of Haruki Murakami, including his manuscripts, source documents, and music collection. Later in September 2021, architect Kengo Kuma announced the opening of the Waseda International House of Literature, a library dedicated entirely to Murakami's works at Waseda University, which would include more than 3,000 works by Murakami, including translations into more than 50 other languages.^[95]

The library, officially known as the Waseda International House of Literature or the Haruki Murakami Library, opened on October 1, 2021. In addition to its vast collection of written material, the library also hosts a coffee shop run by Waseda University students—called Orange Cat, after Murakami's Peter Cat jazz bar from his twenties—in addition to a listening lounge where visitors can listen to records collected by Murakami himself.^[96]

Films and other adaptations

Murakami's first novel, Hear the Wind Sing (Kaze no uta o kike), was adapted by Japanese director Kazuki Ōmori. The film was released in 1981 and distributed by Art Theatre Guild.^[97] Naoto Yamakawa directed two short films, Attack on the Bakery (released in 1982) and A Girl, She is 100 Percent (released in 1983), based on Murakami's short stories "Bakery Attack" and "On Seeing the 100% Perfect Girl One Beautiful April Morning", respectively.^[98] Japanese director Jun Ichikawa adapted Murakami's short story "Tony Takitani" into a 75-minute feature.^[99] The film played at various film festivals and was released in New York and Los Angeles on July 29, 2005. The original short story, translated into English by Jay Rubin, is available in the April 15, 2002, issue of The New Yorker, as a stand-alone book published by Cloverfield Press, and part of Blind Willow, Sleeping Woman by Knopf. In 1998, the German film The Polar Bear (German: Der Eisbär), written and directed by Granz Henman, used elements of Murakami's short story "The Second Bakery Attack" in three intersecting story lines. "The Second Bakery Attack" was also adapted as a short film in 2010,^[100] directed by Carlos Cuarón, starring Kirsten Dunst and as part of a segment in the South Korean omnibus film Acoustic.

Murakami's work was also adapted for the stage in a 2003 play entitled The Elephant Vanishes, co-produced by Britain's Complicite company and Japan's Setagaya Public Theatre. The production, directed by Simon McBurney, adapted three of Murakami's short stories and received acclaim for its unique blending of multimedia (video, music, and innovative sound design) with actor-driven physical theater (mime, dance, and even acrobatic wire work).^[101] On tour, the play was performed in Japanese, with supertitle translations for European and American audiences.

Two stories from Murakami's book after the quake – "Honey Pie" and "Superfrog Saves Tokyo" – have been adapted for the stage and directed by Frank Galati. Entitled after the quake, the play was first performed at the Steppenwolf Theatre Company in association with La Jolla Playhouse, and opened on October 12, 2007, at Berkeley Repertory Theatre.^[102] In 2008, Galati also adapted and directed a theatrical version of Kafka on the Shore, which first ran at Chicago's Steppenwolf Theatre Company from September to November.^[103]

On Max Richter's 2006 album Songs from Before, Robert Wyatt reads passages from Murakami's novels. In 2007, Robert Logevall adapted "All God's Children Can Dance" into a film, with a soundtrack composed by American jam band Sound Tribe Sector 9. In 2008, Tom Flint adapted "On Seeing the 100% Perfect Girl One Beautiful April Morning" into a short film. The film was screened at the 2008 CON-CAN Movie Festival. The film was viewed, voted, and commented upon as part of the audience award for the movie festival.^[104]

It was announced in July 2008 that French-Vietnamese director Tran Anh Hung would direct an adaptation of Murakami's novel Norwegian Wood.^[105] The film was released in Japan on December 11, 2010.^[106]

In 2010, Stephen Earnhart adapted The Wind-Up Bird Chronicle into a two-hour multimedia stage presentation. The show opened January 12, 2010, as part of the Public Theater's "Under the Radar" festival at the Ohio Theater in New York City,^[107] presented in association with The Asia Society and the Baryshnikov Arts Center. The show had its world premiere at the Edinburgh International Festival on August 21, 2011.^[108] The presentation incorporates live actors, video projection, traditional Japanese puppetry, and immersive soundscapes to render the surreal landscape of the original work.

In 2013, pianist Eunbi Kim debuted a performance piece, titled "Murakami Music: Stories of Loss and Nostalgia", drawn from excerpts of Murakami's work as part of her artist residency at the Cell Theatre in New York City. Excerpts included Reiko's monologue from Norwegian Wood (novel), as well as the self-titled song of Kafka on the Shore. The performance piece was acted by Laura Yumi Snell and directed by Kira Simring.^[109] From 2013 to 2014, Kim and Snell performed across the United States, notably with a premiere at Symphony Space and a showing at Georgetown University.^[110][111]

Memoranda, a 2017 adventure video game, is based on various short stories from After the Quake, Blind Willow, Sleeping Woman, and The Elephant Vanishes, and features several Murakami characters, with Mizuki Ando as the protagonist.^[112]

In 2018, "Barn Burning" from Murakami's short story collection The Elephant Vanishes was adapted into a film titled Burning by director Lee Chang-dong.^[113] The film was awarded the FIPRESCI International Critics’ Prize for best film, receiving the highest score to date.^[114] It was also South Korea's submission for the Academy Award for Best International Feature Film in 2019.

A film based on the short story "Drive My Car" premiered at the 2021 Cannes Film Festival, where it won Best Screenplay, the FIPRESCI Prize, and the Prize of the Ecumenical Jury.^[115] The film went on to win the Academy Award for Best International Feature and received three other nominations: Best Picture, Best Director, and Best Adapted Screenplay.^[116] Directed by Ryusuke Hamaguchi, it also takes inspiration from Chekhov's play Uncle Vanya as well as "Scheherazade" and "Kino," two other stories in the collection Men Without Women.^[117]

In 2022, director Pierre Földes adapted six short stories from Murakami's books After the Quake, Blind Willow, Sleeping Woman and The Elephant Vanishes into an animated feature film. The film, titled Blind Willow, Sleeping Woman, is an international co-production of Canada, France, Luxembourg and the Netherlands.^[118] The film premiered in the feature film competition at the 2022 Annecy International Animation Film Festival,^[119] where it was awarded a Jury Distinction.^[120]

In 2022, Confessions of a Shinagawa Monkey was translated into Yorùbá by Nigerian linguist Kola Tubosun, making it the first time a Murakami story would be translated into an African language.^[121]

In 2023, Jean-Christophe Deveney began adapting nine of Murakami's short stories into a three-volume original English-language manga series illustrated by PGML and published by Tuttle Publishing.^[122] The first and second volumes of Haruki Murakami Manga Stories adapt Super-Frog Saves Tokyo, The Seventh Man, Birthday Girl, Where I'm Likely to Find It, The Second Bakery Attack, Samsa in Love, and Thailand, while the upcoming final volume will adapt Scheherezade and Sleep.

Personal life

After receiving the Gunzo Award for his 1979 literary work Hear the Wind Sing, Murakami did not aspire to meet other writers.^{[citation needed]} Aside from Sarah Lawrence's Mary Morris, whom he briefly mentions in his memoir What I Talk About When I Talk About Running alongside Joyce Carol Oates and Toni Morrison, Murakami was never a part of a community of writers, his reason being that he was a loner and was never fond of groups, schools, and literary circles.^[38] When working on a book, Murakami states that he relies on his wife, who is always his first reader.^[38] While he never acquainted himself with many writers, among the contemporary writers, he enjoys the work of Kazuo Ishiguro, Cormac McCarthy, Lee Child and Dag Solstad.^[123] While he does not read much contemporary Japanese literature,^[123] Murakami enjoys the works of Ryū Murakami and Banana Yoshimoto.^[38]

Murakami enjoys baseball and describes himself as a fan of the Tokyo Yakult Swallows. In his 2015 essay for Literary Hub "The Moment I Became a Novelist", Murakami describes how attending a Swallow's game in Jingu Stadium in 1978 led to a personal epiphany in which he decided to write his first novel.^[124]

Haruki Murakami is a fan of crime novels. During his high school days while living in Kōbe, he would buy paperbacks from second hand book stores and learned to read English. The first book that he read in English was The Name is Archer, written by Ross Macdonald in 1955. Other writers he was interested in included Leo Tolstoy and Fyodor Dostoyevsky.^[38]

Murakami also has a passion for listening to music, especially classical and jazz. When he was around 15, he began to develop an interest in jazz after attending an Art Blakey and the Jazz Messengers concert in Kobe.^[125] He later opened the Peter Cat, a coffeehouse and jazz bar. Murakami has said that music, like writing, is a mental journey.^[38] At one time he aspired to be a musician, but because he could not play instruments well he decided to become a writer instead.^[38]

In an interview with The Guardian, Murakami stated his belief that his surreal books appeal to people especially in times of turmoil and political chaos.^[126] He stated that "I was so popular in the 1990s in Russia, at the time they were changing from the Soviet Union – there was big confusion, and people in confusion like my books" and “In Germany, when the Berlin Wall fell down, there was confusion – and people liked my books.”^[126]

Political views

Murakami told The New York Times Magazine in 2011, "I think of myself as a political person, but I don't state my political messages to anybody."^[127] Comparing himself to George Orwell, he views himself as standing "against the system."^[127] In 2009, whilst accepting an award in Israel, he expressed his political views as:

If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals.^[128]

Murakami stated that it is natural for China and the Koreas to continue to feel resentment towards Japan for its wartime aggressions. "Fundamentally, Japanese people tend not to have an idea that they were also assailants, and the tendency is getting clearer," he said.^[129][130] In another interview, Murakami stated: "The issue of historical understanding carries great significance, and I believe it is important that Japan makes straightforward apologies. I think that is all Japan can do – apologise until the countries say: 'We don't necessarily get over it completely, but you have apologised enough. Alright, let's leave it now.'"^[131]

In January 2015, Murakami expressed support for same-sex marriage, which is not recognised in Japan, when responding to a reader's question about his stance on the issue.^[132]

In August 2021, during one of his radio shows, Murakami criticized prime minister Yoshihide Suga over the handling of the COVID-19 pandemic in Japan, suggesting Suga had ignored a surge in Covid cases and public concerns about the state of the pandemic. Murakami quoted Suga as saying "an exit is now in our sight after a long tunnel" and added, in criticism, that "If he really saw an exit, his eyes must be extremely good for his age. I'm of the same age as Mr. Suga, but I don't see any exit at all."^[133][134]

In 2022, during the Russian invasion of Ukraine, which was part of the larger Russian-Ukrainian war, Murakami called for peace. He prepared a special radio program calling for peace. Murakami featured there around ten musical pieces that encourage to end the war and "focus on the preciousness of life".^[135][136]

Bibliography

This is an incomplete bibliography as not all works published by Murakami in Japanese have been translated into English.^[b] Kanji titles are given with Hepburn romanization. (Original titles entirely in transcribed English are given as "katakana / romaji = English".)

Novels

Original publication		English publication
Title	Year	Title	Year	Pages
風の歌を聴け Kaze no uta o kike	1979	Hear the Wind Sing	1987/2015	130
1973年のピンボール 1973-nen no pinbōru	1980	Pinball, 1973	1985/2015	215
羊をめぐる冒険 Hitsuji o meguru bōken	1982	A Wild Sheep Chase	1989	353
世界の終りとハードボイルド・ワンダーランド Sekai no owari to Hādo-boirudo Wandārando	1985	Hard-Boiled Wonderland and the End of the World	1991	400
ノルウェイの森 Noruwei no mori	1987	Norwegian Wood	1989 (Birnbaum's translation); 2000 (Rubin's translation)	296
ダンス・ダンス・ダンス Dansu dansu dansu	1988	Dance Dance Dance	1994	393
国境の南、太陽の西 Kokkyō no minami, taiyō no nishi	1992	South of the Border, West of the Sun	2000	190
ねじまき鳥クロニクル Nejimaki-dori kuronikuru	1994–1995	The Wind-Up Bird Chronicle	1997	607
スプートニクの恋人 Supūtoniku no koibito	1999	Sputnik Sweetheart	2001	229
海辺のカフカ Umibe no Kafuka	2002	Kafka on the Shore	2005	467
アフターダーク Afutā dāku	2004	After Dark	2007	191
1Q84 Ichi-kyū-hachi-yon	2009–2010	1Q84	2011	925
色彩を持たない多崎つくると、彼の巡礼の年 Shikisai o motanai Tazaki Tsukuru to, kare no junrei no toshi	2013	Colorless Tsukuru Tazaki and His Years of Pilgrimage	2014	308
騎士団長殺し Kishidanchō-goroshi	2017	Killing Commendatore	2018	704
街とその不確かな壁 Machi to sono futashika na kabe	2023	The City and Its Uncertain Walls[137]	2024	464

Short stories

Collections

Original publication		English publication		Notes
Title	Year	Title	Year
夢で逢いましょう Yume de Aimashou	1981	Let's Meet in a Dream^[ja] (a collection of short-short stories, 1981) Co-authored with Shigesato Itoi	1981
象の消滅 Zō no shōmetsu	(2005)[c]	The Elephant Vanishes (17 stories, 1980–1991)	1993
神の子どもたちはみな踊る Kami no kodomo-tachi wa mina odoru	2000	After the Quake (6 stories, 1999–2000)	2002
めくらやなぎと眠る女 Mekurayanagi to nemuru onna	(2009)[d]	Blind Willow, Sleeping Woman (24 stories, 1980–2005)	2006
女のいない男たち Onna no inai otokotachi[e]	2014	Men Without Women (7 stories, 2013–2014)	2017
一人称単数 Ichininshō Tansū[f]	2020	First Person Singular (8 stories, 2018–2020)	2021

List of stories

Original publication		English publication
Year	Title	Title	Collected/reprinted in
1980	中国行きのスロウ・ボート Chūgoku-yuki no surō bōto	"A Slow Boat to China"	The Elephant Vanishes
	貧乏な叔母さんの話 Binbō na obasan no hanashi	"A 'Poor Aunt' Story" (The New Yorker, December 3, 2001)	Blind Willow, Sleeping Woman
1981	ニューヨーク炭鉱の悲劇 Nyū Yōku tankō no higeki	"New York Mining Disaster" [1990][g] (The New Yorker, January 11, 1999)	Blind Willow, Sleeping Woman
	スパゲティーの年に Supagetī no toshi ni	"The Year of Spaghetti" (The New Yorker, November 21, 2005)	Blind Willow, Sleeping Woman "The Year of Spaghetti". The New Yorker. 97 (27): 26–27. September 6, 2021.
	四月のある晴れた朝に100パーセントの女の子に出会うことについて Shigatsu no aru hareta asa ni 100-paasento no onna no ko ni deau koto ni tsuite	"On Seeing the 100% Perfect Girl One Beautiful April Morning"	The Elephant Vanishes
	かいつぶり Kaitsuburi	"Dabchick"	Blind Willow, Sleeping Woman
	カンガルー日和 Kangarū biyori	"A Perfect Day for Kangaroos"
	カンガルー通信 Kangarū tsūshin	"The Kangaroo Communiqué"	The Elephant Vanishes
1982	午後の最後の芝生 Gogo no saigo no shibafu	"The Last Lawn of the Afternoon"
1983	鏡 Kagami	"The Mirror"	Blind Willow, Sleeping Woman
	とんがり焼の盛衰 Tongari-yaki no seisui	"The Rise and Fall of Sharpie Cakes"
	螢 Hotaru	"Firefly"
	納屋を焼く Naya o yaku	"Barn Burning" (The New Yorker, November 2, 1992)	The Elephant Vanishes
	1963/1982年のイパネマ娘 1963/1982-nen no Ipanema-musume	"The 1963/1982 Girl from Ipanema"	The Penguin Book of Japanese Short Stories (2018)
1984	蟹 (within 野球場) Kani (within Yakyūjō)	"Crabs" [2003][h]	Blind Willow, Sleeping Woman
	嘔吐1979 Ōto 1979	"Nausea 1979"
	ハンティング・ナイフ Hantingu naifu = Hunting knife	"Hunting Knife" (The New Yorker, November 17, 2003)
	踊る小人 Odoru kobito	"The Dancing Dwarf"	The Elephant Vanishes
1985	レーダーホーゼン Rēdāhōzen = Lederhosen	"Lederhosen"
	パン屋再襲撃 Pan'ya saishūgeki	"The Second Bakery Attack"
	象の消滅 Zō no shōmetsu	"The Elephant Vanishes" (The New Yorker, November 18, 1991)
	ファミリー・アフェア Famirī afea = Family affair	"Family Affair"
1986	ローマ帝国の崩壊・一八八一年のインディアン蜂起・ヒットラーのポーランド侵入・そして強風世界 Rōma-teikoku no hōkai・1881-nen no Indian hōki・Hittorā no Pōrando shinnyū・soshite kyōfū sekai	"The Fall of the Roman Empire, the 1881 Indian Uprising, Hitler's Invasion of Poland, and the Realm of Raging Winds"
	ねじまき鳥と火曜日の女たち Nejimaki-dori to kayōbi no onnatachi	"The Wind-up Bird And Tuesday's Women" (The New Yorker, November 26, 1990)
1989	眠り Nemuri	"Sleep" (The New Yorker, March 30, 1992)
	TVピープル TV pīpuru = TV people[i]	"TV People" (The New Yorker, September 10, 1990)
	飛行機―あるいは彼はいかにして詩を読むようにひとりごとを言ったか Hikōki: arui wa kare wa ika ni shite shi o yomu yō ni hitorigoto o itta ka	"Aeroplane: Or, How He Talked to Himself as if Reciting Poetry" [1987][j] (The New Yorker, July 1, 2002)	Blind Willow, Sleeping Woman
	我らの時代のフォークロア―高度資本主義前史 Warera no jidai no fōkuroa: kōdo shihonshugi zenshi	"A Folklore for My Generation: A Prehistory of Late-Stage Capitalism"
1990	トニー滝谷 Tonii Takitani	"Tony Takitani" (The New Yorker, April 15, 2002)
1991	沈黙 Chinmoku	"The Silence"	The Elephant Vanishes
	窓 Mado	"A Window" [1982][k]
	緑色の獣 Midori-iro no kemono	"The Little Green Monster"
	氷男 Kōri otoko	"The Ice Man"	Blind Willow, Sleeping Woman
	人喰い猫 Hito-kui neko	"Man-Eating Cats" (The New Yorker, December 4, 2000)
1995	めくらやなぎと、眠る女 Mekurayanagi to, nemuru onna	"Blind Willow, Sleeping Woman" [1983][l]
1996	七番目の男 Nanabanme no otoko	"The Seventh Man"
1999	UFOが釧路に降りる UFO ga Kushiro ni oriru	"UFO in Kushiro" (The New Yorker, March 19, 2001)	after the quake
	アイロンのある風景 Airon no aru fūkei	"Landscape with Flatiron"
	神の子どもたちはみな踊る Kami no kodomotachi wa mina odoru	"All God's Children Can Dance"
	タイランド Tairando = Thailand	"Thailand"
	かえるくん、東京を救う Kaeru-kun, Tōkyō o sukuu	"Super-Frog Saves Tokyo"
2000	蜂蜜パイ Hachimitsu pai	"Honey Pie" (The New Yorker, August 20, 2001)
2002	バースデイ・ガール Bāsudei gāru = Birthday girl	"Birthday Girl"	Blind Willow, Sleeping Woman
2005	偶然の旅人 Gūzen no tabibito	"Chance Traveller"
	ハナレイ・ベイ Hanarei Bei = Hanalei Bay	"Hanalei Bay"
	どこであれそれが見つかりそうな場所で Doko de are sore ga mitsukarisō na basho de	"Where I'm Likely to Find It" (The New Yorker, May 2, 2005)
	日々移動する腎臓のかたちをした石 Hibi idō suru jinzō no katachi o shita ishi	"The Kidney-Shaped Stone That Moves Every Day"
	品川猿 Shinagawa saru	"A Shinagawa Monkey" (The New Yorker, February 13, 2006)
2011	—	"Town of Cats" (Excerpt from 1Q84) (The New Yorker, September 5, 2011)[m]	—
2013	—	"A Walk to Kobe" (Granta, issue 124, Summer 2013)[n]	—
	恋するザムザ Koisuru zamuza	Murakami, Haruki (October 28, 2013). "Samsa in Love". The New Yorker. 89 (34). Translated by Ted Goossen: 60–69.	Men Without Women
	ドライブ・マイ・カー Doraibu mai kā	"Drive My Car"[o]
2014	イエスタデイ Iesutadei	"Yesterday" (The New Yorker, June 9, 2014)[p]
	シェエラザード Sheerazādo	"Scheherazade" (The New Yorker, October 13, 2014)[q]
2015	木野 Kino	"Kino" (The New Yorker, February 23, 2015)[r]
2018	—	"Wind Cave" (The New Yorker, September 3, 2018)[s]	—
	クリーム Kurīmu (Bungakukai. July 2018.)[t]	"Cream" (The New Yorker, January 28, 2019)[u]	First Person Singular
	チャーリー・パーカー・プレイズ・ボサノヴァ Chārī Pākā Pureizu Bosanova (Bungakukai. July 2018.)[t]	"Charlie Parker Plays Bossa Nova" (Granta 148, Summer 2019)[v]
	石のまくらに Ishi no Makura ni (Bungakukai. July 2018.)[t]	"On a Stone Pillow"
2019	ウィズ・ザ・ビートルズ Wizu za Bītoruzu (Bungakukai. August 2019.)[t]	"With the Beatles" (The New Yorker, February 17 and 24, 2020)[w]
	ヤクルト・スワローズ詩集 Yakuruto Suwarōzu Shishū (Bungakukai. August 2019.)[t]	The Yakult Swallows Poetry Collection
	謝肉祭 Shanikusai (Bungakukai. December 2019.)[t]	"Carnaval"
2020	品川猿の告白 Shinagawa Saru no Kokuhaku (Bungakukai. February 2020.)[t]	"Confessions of a Shinagawa Monkey" (The New Yorker, June 8 and 15, 2020)[x]
	一人称単数 Ichininshō Tansū	"First Person Singular"
	—	"The Kingdom That Failed" (The New Yorker, August 13, 2020)[y]	—
2023	—	"My Cheesecake-Shaped Poverty" (The New Yorker, September 7, 2023)[z]	—
2024	—	"Kaho" (The New Yorker, July 1, 2024)[aa]	—

Essays and nonfiction

English publication		Japanese publication
Year	Title	Year	Title
N/A	Walk, Don't Run	1981	ウォーク・ドント・ラン : 村上龍 vs 村上春樹 Wōku donto ran = Walk, don't run: Murakami Ryū vs Murakami Haruki
N/A	Rain, Burning Sun (Come Rain or Come Shine)	1990	雨天炎天 Uten Enten
N/A	Portrait in Jazz	1997	ポ－トレイト・イン・ジャズ Pōtoreito in jazu = Portrait in jazz
2000	Underground	1997	アンダーグラウンド Andāguraundo = Underground
		1998	約束された場所で―underground 2 Yakusoku sareta basho de: Underground 2
N/A	Portrait in Jazz 2	2001	ポ－トレイト・イン・ジャズ 2 Pōtoreito in jazu 2 = Portrait in jazz 2
2008	What I Talk About When I Talk About Running	2007	走ることについて語るときに僕の語ること Hashiru koto ni tsuite kataru toki ni boku no kataru koto
N/A	It Ain't Got that Swing (If It Don't Mean a Thing)	2008	意味がなければスイングはない Imi ga nakereba suingu wa nai
2016	Absolutely on Music: Conversations	2011	小澤征爾さんと、音楽について話をする
2016	Haruki Murakami Goes to Meet Hayao Kawai	1996	村上春樹、河合隼雄に会いにいく
N/A	What Is There To Do In Laos?	2015	Raos ni ittai nani ga aru to iun desuka? (ラオスにいったい何があるというんですか?)
2019	Abandoning a Cat: Memories of my Father	2019	Neko o suteru chichioya ni tsuite kataru toki (猫を棄てるー父親について語るとき)
2021	Murakami T: The T-shirts I Love	2020	僕の愛したTシャツたち
2021	Murakami, Haruki (September 27, 2021). "Novelty T : an accidental collection". Showcase. The New Yorker. 97 (30). Translated by Philip Gabriel: 58–59.[ab]
2022	Novelist as a Vocation	2015	職業としての小説家 Shokugyō to shite no shōsetsuka

Other books

Original publication		English publication
Title	Year	Title	Year
バースデイ・ストーリーズ Bāsudei sutōrīzu = Birthday stories	2002	Birthday Stories (anthology of stories by various authors selected and translated by Murakami, featuring one original story, "Birthday Girl," later collected in Blind Willow, Sleeping Woman)	2004
ふしぎな図書館 Fushigi na toshokan	2005	The Strange Library (illustrated children's novella, revised from his 1982 short story Toshokan kitan)[ac][ad]	2014

———————

Notes

1. Japan was under the Allied occupation at the time of Murakami's birth.
2. "Source". Geocities.jp. Archived from the original on January 16, 2013. Retrieved April 6, 2013.
3. The Elephant Vanishes was first a 1993 English-language compilation, whose Japanese counterpart was released in 2005. (See also the collection's article ja:象の消滅 短篇選集 1980–1991 in Japanese.)
4. Blind Willow, Sleeping Woman was first a 2006 English-language compilation, whose Japanese counterpart was released in 2009. (See also the collection's article ja:めくらやなぎと眠る女 (短編小説集) in Japanese.)
5. "Murakami's new book hits shelves amid fan frenzy; more ordered" Archived January 16, 2015, at the Wayback Machine, The Japan Times, April 18, 2014.
6. Karashima, David (July 20, 2020). "Five Japanese Authors Share Their Favorite Murakami Short Stories". Literary Hub. Archived from the original on January 16, 2021. Retrieved December 26, 2020.
7. A longer version of "New York Mining Disaster" (ニューヨーク炭鉱の悲劇, Nyū Yōku tankō no higeki) was first published in magazine in 1981, then a shorter revised version collected in 1990. (See also ja:ニューヨーク炭鉱の悲劇 (村上春樹) in Japanese.)
8. The short story "Crabs" (蟹, Kani) was first published nested within the untranslated story "Baseball Field" (野球場, Yakyūjō) in 1984, then cut out and revised for separate publication in 2003. See also: Daniel Morales (2008), "Murakami Haruki B-Sides" Archived December 25, 2014, at the Wayback Machine, Néojaponisme, May 12, 2008: "Thus begins "Baseball Field" [1984], one of Haruki Murakami's lesser-known short stories. Part of the story was extracted, edited and expanded into "Crabs", published in Blind Willow, Sleeping Woman, but the entirety has never been published in English. The young man in the story is at a café with Murakami himself. He mailed Murakami one of his short stories (the content of which the real-life Murakami later turned into "Crabs"), and Murakami, charmed by the young man's interesting handwriting and somewhat impressed with the story itself, read all 70 pages and sent him a letter of suggestions. "Baseball Field" tells the story of their subsequent meeting over coffee."
9. This story originally appeared in a magazine under the longer title TVピープルの逆襲 (TV pīpuru no gyakushū, literally "The TV People Strike Back") but received this shorter final title for all further appearances. (See also ja:TVピープル in Japanese.)
10. An earlier version of "Aeroplane" was published in 1987, then this rewritten version published in 1989. (See also ja:飛行機―あるいは彼はいかにして詩を読むようにひとりごとを言ったか in Japanese.)
11. An earlier version of "A Window" (窓, Mado) was first published in a magazine in 1982 under the title "Do You Like Burt Bacharach?" (バート・バカラックはお好き？, Bāto Bakarakku wa o suki?), then this rewritten version was published in 1991.
12. "Blind Willow, Sleeping Woman" was first published in 1983 as a different version (whose title didn't bear a comma), then rewritten in 1995 (taking its final title). (See also the story's article ja:めくらやなぎと眠る女 in Japanese.)
13. Murakami, Haruki, "Town of Cats" Archived September 27, 2011, at the Wayback Machine, The New Yorker, September 5, 2011.
14. Murakami, Haruki, "A Walk to Kobe" Archived September 11, 2013, at the Wayback Machine, Granta, issue 123, Summer 2013.
15. Bury, Liz (November 8, 2013). "Haruki Murakami gets back to the Beatles in new short story". The Guardian. Archived from the original on November 11, 2013. Retrieved November 17, 2013.
16. Murakami, Haruki, "Yesterday" Archived July 2, 2014, at the Wayback Machine, The New Yorker, June 9, 2014.
17. Murakami, Haruki, "Scheherazade" Archived October 18, 2014, at the Wayback Machine, The New Yorker, October 13, 2014.
18. Murakami, Haruki, "Kino" Archived February 17, 2015, at the Wayback Machine, The New Yorker, February 23, 2015.
19. Murakami, Haruki, [1] Archived January 21, 2019, at the Wayback Machine, The New Yorker, September 3, 2018.
20. "村上春樹さん6年ぶりの短篇小説集『一人称単数』の収録作が公開されました". books.bunshun.jp (in Japanese). June 30, 2020. Archived from the original on November 15, 2021. Retrieved April 11, 2021.
21. Murakami, Haruki, [2] Archived February 6, 2019, at the Wayback Machine, The New Yorker, January 28, 2019.
22. Murakami, Haruki (August 1, 2019). "Charlie Parker Plays Bossa Nova". Granta Magazine. Translated by Philip Gabriel. Archived from the original on September 23, 2020. Retrieved August 25, 2019.
23. Murakami, Haruki, "With the Beatles". Archived February 23, 2020, at the Wayback Machine, The New Yorker, February 17 & 24, 2020.
24. Murakami, Haruki, [3]. Archived June 3, 2020, at the Wayback Machine "Confessions of a Shinagawa Monkey". The New Yorker. June 2, 2020. Archived from the original on June 4, 2020. Retrieved June 6, 2020., The New Yorker, June 8 & 15, 2020.
25. Murakami, Haruki, "The Kingdom That Failed", The New Yorker, August 13, 2020, retrieved July 3, 2024, The New Yorker, August 13, 2020.
26. Murakami, Haruki, [4] Archived September 7, 2023, at the Wayback Machine, The New Yorker, September 7, 2023.
27. Murakami, Haruki, "Kaho", The New Yorker, July 1, 2024, retrieved July 3, 2024, The New Yorker, July 1, 2024.
28. Online version is titled "An accidental collection".
29. Strange Library Archived December 1, 2014, at the Wayback Machine at The Complete Review.
30. Peschel, Joseph, "Book review: 'The Strange Library', by Haruki Murakami" Archived April 25, 2018, at the Wayback Machine, The Washington Post, December 16, 2014.

Murakami in popular culture and academia

• In 2021, Tokyo's new Haruki Murakami library at Waseda University ^[138] was opened featuring Murakami's impressive global archive.

• In 2022, In Statu Nascendi published a special edition [edited by Joseph Thomas Milburn and Piotr Pietrzak] on Haruki Murakami to deliberate on the special relation between philosophy and an acclaimed Japanese literary writer. They argue that Murakami himself has been reluctant to expound on any deeper meaning to be found in his stories. The answer can be found in the great interest in and diverse engagement of readers with Murakami's work.^[139]

By 2008, there were three non-fiction scholarly books in English about Murakami and his works. Timothy J. Van Compernolle of Amherst College wrote that the fact that many such books existed about "a living author in the relatively small field of Japanese literary studies in the English-speaking world is unprecedented."^[140]

See also

• Japanese literature
• Surrealism
• Weird fiction

References

1. "UPI Almanac for Tuesday, Jan. 12, 2021". United Press International. January 12, 2021. Archived from the original on January 29, 2021. Retrieved February 27, 2021. … author Haruki Murakami in 1949 (age 72)
2. Curtis Brown (2014), "Haruki Murakami now available in 50 languages" Archived February 15, 2015, at the Wayback Machine, curtisbrown.co.uk, February 27, 2014: "Following a recent Malay deal Haruki Marukami's work is now available in 50 languages worldwide."
3. Maiko, Hisada (November 1995). "Murakami Haruki". Kyoto Sangyo University. Archived from the original on May 23, 2008. Retrieved April 24, 2008.
4. McCurry, Justin, "Secrets and advice: Haruki Murakami posts first responses in agony uncle role" Archived October 14, 2016, at the Wayback Machine, The Guardian, January 16, 2015.
5. "Japan's Murakami wins Kafka prize". CBC. October 30, 2006. Archived from the original on October 23, 2022. Retrieved September 12, 2020.
6. Kelleher, Olivia (September 25, 2006). "Frank O'Connor short story award goes to Japanese author". Irish Times. Archived from the original on October 24, 2022. Retrieved September 12, 2020.
7. Flood, Alison (February 16, 2009). "Murakami defies protests to accept Jerusalem prize". The Guardian. Archived from the original on May 24, 2023. Retrieved September 12, 2020.
8. Ciaran, Giles (May 24, 2023). "Bestselling Japanese author Haruki Murakami wins Spanish Asturias prize for literature". The Independent. Archived from the original on June 3, 2023. Retrieved September 12, 2020.
9. "Author". Haruki Murakami. Archived from the original on July 2, 2023. Retrieved June 17, 2021.
10. "The best Japanese work of fiction published in Japanese during Japan's Heisei era was 'IQ84' by Haruki Murakami". Red Circle Authors. January 11, 2021. Archived from the original on January 28, 2023. Retrieved January 11, 2021.
11. Oates, Joyce Carol (May 2, 2019). "Science Fiction Doesn't Have to Be Dystopian". The New Yorker. Archived from the original on June 28, 2023. Retrieved June 17, 2021.
12. Jamshidian, Sahar; Pirnajmuddin, Hossein (January 1, 2014). "Dancing with shadows: Haruki Murakami's dance dance dance". Kemanusiaan. 21 (1): 41–51.
13. "Haruki Murakami: 'I'm an outcast of the Japanese literary world'". the Guardian. September 13, 2014. Archived from the original on April 21, 2023. Retrieved June 17, 2021.
14. Mayer, Petra (April 6, 2021). "Haruki Murakami: 'I've Had All Sorts Of Strange Experiences In My Life'". NPR. Archived from the original on September 30, 2023. Retrieved September 30, 2023.
15. Mambrol, Nasrullah (April 8, 2019). "Analysis of Haruki Murakami's Novels". Literary Theory and Criticism. Archived from the original on June 15, 2023. Retrieved June 17, 2021.
16. Poole, Steven (September 13, 2014). "Haruki Murakami: 'I'm an outcast of the Japanese literary world'". The Guardian. London. Archived from the original on December 22, 2016. Retrieved December 11, 2016. Murakami doesn't read many of his Japanese contemporaries. Does he feel detached from his home scene? "It's a touchy topic", he says, chuckling. "I'm a kind of outcast of the Japanese literary world. I have my own readers ... But critics, writers, many of them don't like me." Why is that? "I have no idea! I have been writing for 35 years and from the beginning up to now the situation's almost the same. I'm kind of an ugly duckling. Always the duckling, never the swan."
17. Kelts, Roland (October 16, 2012). "The Harukists, Disappointed". The New Yorker. Archived from the original on October 18, 2012. Retrieved October 17, 2012.
18. "Haruki Murakami: 'You have to go through the darkness before you get to the light'". the Guardian. October 10, 2018. Archived from the original on June 28, 2023. Retrieved June 17, 2021.
19. Poole, Steven (May 27, 2000). "Tunnel vision". The Guardian. London. Archived from the original on January 24, 2020. Retrieved April 24, 2009.
20. "Author's Desktop: Haruki Murakami". www.randomhouse.com. Archived from the original on December 8, 2021. Retrieved June 17, 2021.
21. "Murakami Asahido", Shincho-sha,1984
22. Brown, Mick (August 15, 2003). "Tales of the unexpected". The Daily Telegraph. London. Archived from the original on October 3, 2003. Retrieved July 9, 2008.
23. Tandon, Shaun (March 27, 2006). "The loneliness of Haruki Murakami". iAfrica. Archived from the original on December 23, 2008. Retrieved April 24, 2008.
24. Rubin, Jay (2002). Haruki Murakami and the Music of Words. Harvill Press. p. 14. ISBN 1-86046-986-8.
25. Naparstek, Ben (June 24, 2006). "The lone wolf". The Age. Melbourne. Archived from the original on May 23, 2008. Retrieved April 24, 2008.
26. Li, Gabriel (May 13, 2019). "Japanese Writer Haruki Murakami Speaks Up on His Family's Involvement in the Sino-Japanese War". Pandaily. Archived from the original on December 21, 2019. Retrieved May 16, 2019.
27. Williams, Richard, "Marathon man" Archived March 29, 2017, at the Wayback Machine, The Guardian, May 17, 2003.
28. Gewertz, Ken (December 1, 2005). "Murakami is explorer of imagination". Harvard Gazette. Archived from the original on May 6, 2008. Retrieved April 24, 2008.
29. Goodwin, Liz C. (November 3, 2005). "Translating Murakami". Harvard Crimson. Archived from the original on October 31, 2007. Retrieved April 24, 2008.
30. Nakanishi, Wendy Jones (May 8, 2006). "Nihilism or Nonsense? The Postmodern Fiction of Martin Amis and Haruki Murakami". Electronic Journal of Contemporary Japanese Studies. Archived from the original on December 23, 2008. Retrieved November 18, 2008.
31. Naparstek, Ben (July 1, 2006). "The enemy within". Financial Times. Tokyo, Japan. Archived from the original on May 25, 2017. Retrieved August 10, 2017.
32. https://www.runnersworld.com/runners-stories/a20845602/im-a-runner-haruki-murakami/}"Nobody pounded the table anymore, nobody threw their cups". The Observer. London. July 27, 2008. Archived from the original on December 15, 2013. Retrieved July 27, 2008.
33. Houpt, Simon (August 1, 2008). "The loneliness of the long-distance writer". The Globe and Mail. Toronto. Archived from the original on December 22, 2008. Retrieved December 10, 2008.
34. Murakami, Haruki (July 8, 2007). "Jazz Messenger". The New York Times. Archived from the original on April 13, 2011. Retrieved April 24, 2008.
35. Murakami, Haruki (Winter 1994). "Interview with John Wesley Harding". BOMB Magazine. Archived from the original on May 26, 2012. Retrieved May 4, 2012.
36. Phelan, Stephen (February 5, 2005). "Dark master of a dream world". The Age. Melbourne. Archived from the original on May 11, 2008. Retrieved April 24, 2008.
37. Grossekathöfer, Maik. "Interview with Haruki Murakami: 'When I Run I Am in a Peaceful Place'". www.spiegel.de. Der Spiegel. Archived from the original on July 5, 2017. Retrieved June 5, 2018.
38. Wray, John (Summer 2004). "Haruki Murakami, The Art of Fiction No. 182". The Paris Review (170). Archived from the original on May 31, 2016. Retrieved June 12, 2016.
39. Devereaux, Elizabeth (September 21, 1991). "PW Interviews: Haruki Murakami". Publishers Weekly.
40. Hegarty, Stephanie (October 17, 2011). "How did Murakami conquer the world?". BBC News. Archived from the original on April 17, 2018. Retrieved February 21, 2018.
41. Ellis, Jonathan; Hirabayashi, Mitoko (2005). "'In Dreams Begins Responsibility': An Interview with Haruki Murakami" (PDF). The Georgia Review. 59. Georgia: 548–567. Archived from the original (PDF) on August 16, 2016. Retrieved June 11, 2016.
42. Anderson, Sam (October 21, 2011). "The Fierce Imagination of Haruki Murakami". The New York Times. ISSN 0362-4331. Archived from the original on March 14, 2018. Retrieved February 21, 2018.
43. Murakami, Haruki (May 3, 2013). "Boston, From One Citizen of the World Who Calls Himself a Runner". The New Yorker. New York. Archived from the original on May 3, 2013. Retrieved May 3, 2013.
44. "Haruki Murakami congratulated on Nobel Prize – only, he hadn't won it". Japan News Review. July 5, 2007. Archived from the original on April 30, 2008. Retrieved April 24, 2008.
45. Murakami, Haruki. Haruki Murakami Goes to Meet Hayao Kawai. Daimon. p. 64.
46. Hijiya-Kirschnereit, Irmela (January 10, 2014). "Orchestrating Translations: The Case of Murakami Haruki". Nippon Communications Foundation. Archived from the original on April 13, 2014. Retrieved January 13, 2014.
47. World Fantasy Convention (2010). "Award Winners and Nominees". Archived from the original on December 1, 2010. Retrieved February 4, 2011.
48. "100 Notable Books of the Year – 2007". The New York Times. December 2, 2007. ISSN 0362-4331. Archived from the original on April 11, 2009. Retrieved February 25, 2018.
49. "Haruki Murakami hard at work on 'horror' novel". ABC News. April 9, 2008. Archived from the original on April 13, 2008. Retrieved April 24, 2008.
50. Alastair Campbell (July 26, 2008). "Review: What I Talk About When I Talk About Running by Haruki Murakami". The Guardian. London. Archived from the original on December 5, 2013. Retrieved December 5, 2011.
51. "Murakami round-up: ichi kyu hachi yon". Meanjin. August 6, 2009. Archived from the original on October 14, 2009. Retrieved July 4, 2009.
52. "Japan-related books disappear in Beijing; Chinese demand pay hikes from Japanese employers". Asahi shimbun. September 22, 2012. Archived from the original on September 24, 2012. Retrieved September 23, 2012.
53. "What is behind the anti-Japanese protests in China?". Voice of Russia. September 28, 2012. Archived from the original on April 17, 2013. Retrieved September 29, 2012.
54. "Author Murakami wades into Japan-China island row". AFP. Hindustan Times. September 28, 2012. Archived from the original on September 28, 2012. Retrieved September 29, 2012.
55. Lawson, Mark (August 6, 2014). "Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami – review". The Guardian. Archived from the original on April 5, 2016. Retrieved April 2, 2016.
56. Smith, Patti (August 10, 2014). "Deep Chords: Haruki Murakami's 'Colorless Tsukuru Tazaki and His Years of Pilgrimage'". The New York Times. Archived from the original on April 14, 2016. Retrieved April 2, 2016.
57. "Novelist as a Vocation by Haruki Murakami: 9781101974537 | PenguinRandomHouse.com: Books". PenguinRandomhouse.com. Retrieved July 12, 2024.
58. Flood, Alison (July 25, 2018). "Haruki Murakami's new novel declared 'indecent' by Hong Kong censors". The Guardian. Archived from the original on June 28, 2023. Retrieved May 7, 2021.
59. "In new book, Murakami explores walled city and shadows". AP News. April 13, 2023. Archived from the original on September 30, 2023. Retrieved October 1, 2023.
60. "Haruki Murakami: Readers drawn to enigmatic appeal of Japanese author". BBC News. April 21, 2023. Archived from the original on October 5, 2023. Retrieved October 1, 2023.
61. Yamaguchi, Mari (March 1, 2023). "Murakami's 1st novel in 6 years to hit stores in April". Associated Press. Archived from the original on March 22, 2023. Retrieved March 15, 2023.
62. Yamaguchi, Mari (June 7, 2023). "Author Haruki Murakami says pandemic, war in Ukraine create walls that divide people". AP News. Archived from the original on June 7, 2023. Retrieved June 7, 2023.
63. Self, John (November 23, 2024). "Haruki Murakami: 'My books have been criticised so much over the years, I don't pay much attention'". The Guardian. ISSN 0261-3077. Retrieved December 10, 2024.
64. Self, John (November 23, 2024). "Haruki Murakami: 'My books have been criticised so much over the years, I don't pay much attention'". The Guardian. ISSN 0261-3077. Retrieved December 10, 2024.
65. Treisman, Deborah (July 1, 2024). "Haruki Murakami on Raising Questions". The New Yorker. ISSN 0028-792X. Retrieved July 14, 2024.
66. Rapold, Nicolas (November 25, 2021). "Haruki Murakami and the Challenge of Adapting His Tales for Film". The New York Times. Archived from the original on June 12, 2023. Retrieved November 29, 2021.
67. Slocombe, Will (2004), "Haruki Murakami and the Ethics of Translation" Archived September 19, 2016, at the Wayback Machine (doi: 10.7771/1481-4374.1232), CLCWeb: Comparative Literature and Culture (ISSN 1481-4374), Purdue University Press, Vol. 6, Nr. 2, p. 5.
68. Chozick, Matthew Richard (2008), "De-Exoticizing Haruki Murakami's Reception" (doi: 10.1353/cls.0.0012), Comparative Literature Studies (ISSN 0010-4132), Pennsylvania State University Press, Vol. 45, Nr. 1, p. 67.
69. Chozick, Matthew (August 29, 2007). "The Wind-Up Bird Chronicle". The Literary Encyclopedia. Archived from the original on January 31, 2008. Retrieved April 24, 2008.
70. Fisher, Susan (2000). "An Allegory of Return: Murakami Haruki's the Wind-up Bird Chronicle" (JSTOR), Comparative Literature Studies, Vol. 37, No. 2 (2000), pp. 155–170.
71. "Traveling Texts: Reading Haruki Murakami Across East Asia" Archived August 12, 2014, at the Wayback Machine at University of Hawai'i, Mānoa.
72. "Haruki Murakami's themes of disaffected youth resonate with his East Asian fans". Asahi Shimbun AJW. December 15, 2013. Archived from the original on August 8, 2014. Retrieved August 12, 2014.
73. Murakami, Haruki (October 24, 2022). "Where My Characters Come From". The Atlantic. Archived from the original on October 8, 2023. Retrieved October 1, 2023.
74. "2007 Kiriyama Price Winners". Pacific Rim Voices. 2007. Archived from the original on July 23, 2008. Retrieved April 24, 2008.
75. "Japan's Murakami wins Kafka prize". CBC News. October 30, 2006. Archived from the original on December 20, 2008. Retrieved April 24, 2008.
76. "Haruki Murakami: The novelist in wartime". Salon.com. February 20, 2009. Archived from the original on May 6, 2011. Retrieved September 17, 2011.
77. "Novelist Murakami accepts Israeli literary prize". The Japan Times. February 17, 2009. Archived from the original on February 20, 2009. Retrieved April 10, 2009.
78. "Boletín Oficial del Estado" (PDF). Archived (PDF) from the original on April 15, 2023. Retrieved May 24, 2023.
79. Flood, Alison (June 13, 2011). "Murakami laments Japan's nuclear policy". The Guardian. London. Archived from the original on May 10, 2017. Retrieved December 11, 2016.
80. "Nomination Facts". Nobel Foundation. Archived from the original on January 9, 2010. Retrieved March 3, 2010.
81. Kämmerlings, Richard (October 3, 2014). "Haruki Murakami erhält "Welt"-Literaturpreis 2014". Die Welt (in German). Archived from the original on October 13, 2014. Retrieved October 13, 2014.
82. Nielsen, Silas Bay (November 17, 2015). "Japansk stjerneforfatter får Danmarks største litteraturpris". DR (in Danish). Archived from the original on November 21, 2015. Retrieved November 20, 2015.
83. "En halv million: Japansk succesforfatter får HCA-litteraturpris". fyens.dk (in Danish). November 17, 2015. Archived from the original on November 26, 2015. Retrieved November 20, 2015.
84. Liebute, Kristina (October 31, 2016). "Odense honours Haruki Murakami with Hans Christian Andersen award". The Copenhagen Post – Danish News in English. Archived from the original on October 9, 2017. Retrieved October 10, 2017.
85. Löfgren, Emma (August 29, 2018). "Four writers shortlisted for 'the new Nobel Literature Prize'". The Local. Archived from the original on August 30, 2018. Retrieved September 11, 2018.
86. "Japan's Haruki Murakami withdraws from consideration for alternative Nobel award". The Japan Times. Reuters. September 16, 2018. Archived from the original on September 17, 2018. Retrieved September 18, 2018.
87. "Haruki Murakami, Princess of Asturias Award for Literature 2023". Princess of Asturias Foundation. Archived from the original on May 24, 2023. Retrieved May 24, 2023.
88. "Golden Plate Awardees of the American Academy of Achievement". achievement.org. American Academy of Achievement.
89. "Royal Society of Literature International Writers 2024". bronasbooks.com. December 10, 2024. Retrieved January 2, 2025.
90. "Presse et Communication". Université de Liège. July 5, 2007. Retrieved April 24, 2008.^{[permanent dead link‍]}
91. Dienst, Karin (June 3, 2008). "Princeton awards five honorary degrees". Princeton University. Archived from the original on June 11, 2008. Retrieved June 5, 2008.
92. "Honorary Degree Recipients 2014" Archived May 22, 2014, at the Wayback Machine Tufts University, May 18, 2014,
93. ""Honorary degrees awarded to nine outstanding individuals"". Yale University. May 22, 2016. Archived from the original on July 4, 2017. Retrieved March 20, 2023.
94. "Honorary Titles and Recognitions". Retrieved February 5, 2024.
95. Brandoli, Lucia (September 29, 2021). "Kengo Kuma's library devoted to Haruki Murakami opens in Tokyo". Domus Web. Archived from the original on May 8, 2023. Retrieved September 30, 2021.
96. Steen, Emma (October 22, 2021). "In photos: Tokyo's new Haruki Murakami library at Waseda University is now open". Time Out. Retrieved July 12, 2024.
97. "Kazuki Omori". Internet Movie Database. 2008. Archived from the original on January 13, 2008. Retrieved December 10, 2008.
98. "Panya shugeki". Internet Movie Database. 2008. Archived from the original on June 18, 2006. Retrieved December 10, 2008.
99. Chonin, Neva (September 2, 2005). "Love turns an artist's solitude into loneliness". San Francisco Chronicle. Archived from the original on December 23, 2008. Retrieved April 24, 2008.
100. "The Second Bakery Attack". Internet Movie Database. 2010. Archived from the original on January 25, 2013. Retrieved March 2, 2013.
101. Billington, Michael (June 30, 2003). "The Elephant Vanishes". The Guardian. London. Archived from the original on May 24, 2008. Retrieved April 24, 2008.
102. "after the quake". Berkeley Repertory Theatre. 2007. Archived from the original on April 13, 2008. Retrieved April 24, 2008.
103. Lavey, Martha; Galati, Frank (2008). "Artistic Director Interviews The Adapter/Director". Steppenwolf Theatre. Archived from the original on September 24, 2008. Retrieved September 1, 2008.
104. Flint, Tom (2008). "On Seeing The 100% Perfect Girl One Beautiful April Morning". CON-CAN Movie Festival. Archived from the original on July 19, 2008. Retrieved July 9, 2008.
105. Gray, Jason (2008). Tran to adapt Norwegian Wood for Asmik Ace, Fuji TV Archived December 19, 2008, at the Wayback Machine, Screen Daily.com article retrieved August 1, 2008.
106. "Nippon Cinema (Norwegian Wood Trailer)". 2006–2010 Nippon Cinema. Archived from the original on April 1, 2011. Retrieved December 22, 2010.
107. "The Wind-Up Bird Chronicle". theatermania. Archived from the original on March 1, 2014. Retrieved December 28, 2013.
108. "Dreams within dreams: A haunting vision of Haruki Murakami's "The Wind-Up Bird Chronicle"". The Economist. August 27, 2011. Archived from the original on August 31, 2011. Retrieved August 31, 2011.
109. Brown, Steven (October 20, 2014). "Performing art: 'Murakami Music'". Houston Chronicle. Retrieved July 12, 2024.
110. McDowell, Peter (October 8, 2014). "Pianist Eunbi Kim, Murakami Music: Stories of Loss and Nostalgia, November 1, 2014". Peter McDowell Arts Consulting. Retrieved July 12, 2024.
111. "Friday Music Series". Department of Performing Arts. Retrieved July 12, 2024.
112. "Memoranda". Digital Dragon. January 25, 2017.
113. "A Korean twist to a Murakami tale". Korea JoongAng Daily. May 4, 2018. Archived from the original on May 29, 2018. Retrieved May 30, 2018.
114. Herald, The Korea (May 20, 2018). "'Burning' gets critics' approval with Fipresci prize at Cannes". Archived from the original on May 30, 2018. Retrieved May 30, 2018.
115. "Cannes Film Festival 2021: Full Winners List". Asia Tatler. July 18, 2021. Archived from the original on July 17, 2021. Retrieved October 7, 2021.
116. "2022". Oscars.org | Academy of Motion Picture Arts and Sciences. Archived from the original on March 25, 2022. Retrieved February 20, 2022.
117. Brzeski, Patrick (July 8, 2021). "Cannes: Japan's Ryusuke Hamaguchi on Adapting Murakami for 'Drive My Car' and Vehicles as Confession Booths". The Hollywood Reporter. Archived from the original on July 9, 2021. Retrieved October 7, 2021.
118. Wendy Ide, "‘Blind Willow, Sleeping Woman’: Annecy Review" Archived March 8, 2023, at the Wayback Machine. Screen Daily, June 16, 2022.
119. John Hopewell, "Annecy Gets ‘Pinocchio,’ ‘Spider-Verse,’ ‘Puss in Boots’ Footage and ‘Lightyear,’ and Unveils Festival Lineup" Archived May 31, 2022, at the Wayback Machine. Variety, May 2, 2022.
120. Valerie Complex, "‘Little Nicholas – Happy As Can Be’ Takes Top Honor At Annecy International Animation Film Festival" Archived June 2, 2023, at the Wayback Machine. Deadline Hollywood, June 18, 2022.
121. "Kola Tubosun Translates Haruki Murakami's Story into Yoruba". brittlepaper.com. Archived from the original on December 14, 2022. Retrieved December 14, 2022.
122. Murakami, Haruki; Deveney, Jean-Christophe (2023). "Haruki Murakami Manga Stories". Tuttle Publishing.
123. Poole, Steven (September 13, 2014). "Haruki Murakami: 'I'm an outcast of the Japanese literary world'". the Guardian. Archived from the original on June 21, 2018. Retrieved June 5, 2018.
124. Murakami, Haruki (June 25, 2015). "The moment I became a novelist". Archived from the original on April 13, 2022. Retrieved April 13, 2022.
125. Murakami, Haruki, "Jazz Messenger" Archived March 4, 2017, at the Wayback Machine, The New York Times, July 8, 2007.
126. Burkeman, Oliver (October 10, 2018). "Haruki Murakami: 'You have to go through the darkness before you get to the light'". the Guardian. Archived from the original on October 11, 2018. Retrieved October 11, 2018.
127. Anderson, Sam (October 21, 2011). "The Fierce Imagination of Haruki Murakami". The New York Times Magazine. ISSN 0362-4331. Archived from the original on April 15, 2020. Retrieved July 17, 2022.
128. Flood, Alison (February 16, 2009). "Murakami defies protests to accept Jerusalem prize". The Guardian. Archived from the original on July 17, 2022. Retrieved July 17, 2022.
129. "Murakami chides Japan for ignoring role in WWII, Fukushima disaster". The Japan Times. Archived from the original on March 6, 2017. Retrieved March 7, 2017.
130. "Murakami says Japan ignoring WWII, Fukushima role". Business Insider. Archived from the original on March 4, 2020. Retrieved March 4, 2020. Murakami, one of Japan's best known writers who has repeatedly been tipped as a future Nobel Literature laureate, said that it was natural for China and the Koreas to continue to feel resentment towards Japan for its wartime aggressions.
131. "Japan must apologise for WWII until it is forgiven: novelist Haruki Murakami". The Straits Times. April 17, 2015. Archived from the original on March 7, 2017. Retrieved March 8, 2017. Murakami, one of Japan's best known writers who has repeatedly been tipped as a future Nobel Literature laureate, has often chided his country for shirking responsibility for its World War II aggression.
132. Wee, Darren (January 22, 2015). "Haruki Murakami: I support gay marriage". Gay Star News. Archived from the original on August 18, 2022. Retrieved August 21, 2022.
133. Yamaguchi, Mari (August 30, 2021). "Haruki Murakami Criticizes Japan's PM Over Pandemic Measures". Bloomberg. Archived from the original on August 30, 2021. Retrieved August 30, 2021.
134. Chilton, Louis (August 30, 2021). "Haruki Murakami criticises Japanese prime minister's Covid response: 'He sees only what he wants to see'". The Independent. Archived from the original on May 9, 2022. Retrieved August 30, 2021.
135. NEWS, KYODO. "Author Haruki Murakami to call for peace in Ukraine". Kyodo News+. Archived from the original on March 18, 2022. Retrieved March 18, 2022.
136. "Archived copy". the-japan-news.com. Archived from the original on March 16, 2022. Retrieved March 18, 2022.
137. "The City and Its Uncertain Walls". Amazon. Retrieved June 25, 2024.
138. Steen, E. (October 17, 2022). Tokyo's new Haruki Murakami library at Waseda University is now open. Time Out Tokyo. https://www.timeout.com/tokyo/news/tokyo-is-getting-a-haruki-murakami-library-on-waseda-university-campus-091621
139. Pietrzak, P., Milburn, J. T., Abalos-Orendain, K. C. M., Dil, J., Wakatsuki, T., Strecher, M. C., Yama, M., De Boer, Y., Logan, A. A., Scammell, G., Niehei, C., Schiedges, O., Mori, M., Hansen, G. M., Atkins, M. T., Lawrence, K., & Siercks, E. (2022). In Statu Nascendi Vol. 5, No. 1 (2022) Journal of Political Philosophy and International Relations: Special Issue: The Work of Haruki Murakami: ibidem-Verlag.
140. Van Compernolle, Timothy J. (2010). "The Japanization of Modernity: Murakami Haruki between Japan and the United States". Comparative Literature. 62 (2). Duke University Press: 197–199. doi:10.1215/00104124-2010-010. JSTOR 40600367. - Cited: p. 197.

Further reading

• Pintor, Ivan (2007). "David Lynch y Haruki Murakami, la llama en el umbral". Casas, Quim. Universo Lynch. Madrid: Internacional Sitges Film Festival-Calamar. ISBN 84-96235-16-5.
• Rubin, Jay (2002). Haruki Murakami and the Music of Words. Harvill Press. ISBN 1-86046-952-3.
• Strecher, Matthew Carl (2001). Dances with Sheep: The Quest for Identity in the Fiction of Murakami Haruki. Michigan Monograph Series in Japanese Studies. Ann Arbor: Center for Japanese Studies, University of Michigan. doi:10.3998/mpub.18278. ISBN 1-929280-07-6. JSTOR 10.3998/mpub.18278.
• Strecher, Matthew Carl (2002). The Wind-Up Bird Chronicle Readers Guide. Continuum Pubublishing Group. ISBN 0-8264-5239-6.
• Suter, Rebecca (2008). The Japanization of Modernity: Murakami Haruki Between Japan and the United States. Harvard University Asian Center. ISBN 978-0-674-02833-3.

External links

• Haruki Murakami at Random House
• Haruki Murakami at The New Yorker (online essays, stories, excerpts)
• Haruki Murakami (subscription required) at The New York Times (articles about, interviews with)
• Haruki Murakami at Complete Review (international meta-reviews)
• Haruki Murakami at the Internet Book List
• Haruki Murakami at The Encyclopedia of Science Fiction
• Haruki Murakami at the Internet Speculative Fiction Database

Interviews

• "Haruki Murakami: The Outsider" (by Laura Miller and Don George), Salon, December 1997 (about Wind-Up Bird and Underground)
• "Haruki Murakami, The Art of Fiction No. 182" (by John Wray), The Paris Review, Summer 2004

Articles

• "The reception of Murakami Haruki in Taiwan" (PDF), Yale University
• "Haruki Murakami: How a Japanese writer conquered the world" (by Stephanie Hegarty), BBC News, October 17, 2011
• "The 10 Best Haruki Murakami Books" (by Murakami scholar Matthew C. Strecher), Publishers Weekly, August 8, 2014

Multimedia

• Video about Murakami's life and work at Psychology Today's blog The Literary Mind