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Pritam Chakraborty (born 14 June 1971), also popularly known mononymously as Pritam, is a National Award Winning Indian composer, instrumentalist, guitarist, music producer and singer from Kolkata, India. Graduating from FTII in Sound Engineering, he worked as an ad jingles composer, later he debuted as a co-composer in the 2001 Hindi film Tere Liye.
He debuted as a solo composer with the movie Dhoom. Composition of the title track of Dhoom became the first viral music of Indian film history, helped him win the Zee Cine Award for Best Track of the Year & vast acknowledgements.
Pritam was born to Anuradha Chakraborty and Prabodh Chakraborty in a Bengali Family. He gained his early training in music from his father who used to run a musical school and learned to play the guitar while he was in school.[citation needed]
He went to St. James' School and has a bachelor's degree in geology from Presidency College. Pritam was associated with the non-partisan political platform Independents' Consolidation during his days at Presidency.[5] In 1994, Pritam joined FTII, Pune, where he took up Sound Recording and Engineering.
Pritam formed a band called "Jotugriher Pakhi" with his Presidency batchmates, for which he played the guitar.[6] They released a cassette around that time. Pritam joined a Bangla band, Chandrabindoo. Later Pritam started the band Metro with James, Suhail, Soham, and Eric Pillai during his film called Life in a... Metro.[7]
Pritam got his first break for Tere Liye (released December 2001).[11] Though the music was well-received, the film missed the mark. In 2002, The Jeet-Pritam duo once again composed music for Yash Raj Films' Mere Yaar Ki Shaadi Hai. All the songs from the film were chartbusters. Soon after, over some misunderstanding, Jeet decided to split from the partnership.
2004–2009: Dhoom, Life in a Metro and Love Aaj Kal
Pritam's compositions were noted for their ability to blend Indian classical music with western styles. His compositions for Gadhvi's second film Dhoom were a runaway hit.[12][13] The title-track of Dhoom in two versions – Hindi (by Sunidhi Chauhan) and English (by Tata Young) – broke geographic barriers becoming popular in pubs in the UK, USA and the East Asia and won him his first Zee Cine Award for Best Track of the Year. He received his first nomination for the Filmfare Award for Best Music Director for the soundtrack of Dhoom.
In 2006, he also composed the songs for Gadhvi's Dhoom sequel, Dhoom 2, which despite mixed critical reviews, achieved major commercial success and became the highest-selling Indian music album of the year. It also earned him his second nomination for the Filmfare Award for Best Music Director.
His Sufi songs for the 2010 film Once Upon A Time in Mumbaai were popular with the masses[18] and songs like "Pee Loon" and "Tum Jo Aaye" were declared chartbusters, earning him his eighth nomination for the Filmfare Award for Best Music Director.[19][20] He teamed up again with Mahesh Bhatt and Vishesh Films for music of Crook[21] of which the song "Mere Bina" got instant recognition with public. His foot-tapping numbers for Rohit Shetty's Golmaal 3 were also equally successful.[22] In 2011, he got to work for Salman Khan's Ready and Bodyguard. He recreated the famous 1971 song, "Dum Maro Dum" for Ramesh Sippy's 2011 movie of the same name.[23][24] He then composed for the romance Mausam which had a strong influence of Punjabi.[25] The songs were phenomenal hits in Northern India with "Rabba Main To Mar Gaya Oye" being a rage among people.[26]
In 2012, he composed several successful songs for films like Players, Agent Vinod, Jannat 2 and Vidhu Vinod Chopra's Ferrari Ki Sawaari, where he worked with Rajkumar Hirani.[27] Later that year, he scored the music for Barfi! which won him two awards, including his first Filmfare Award for Best Music Director.[28]Barfi is considered to be one of the most critically acclaimed soundtrack album of his career.[citation needed][29] He also reunited with Imtiaz Ali for the romantic comedy-drama Cocktail, which earned highly positive reviews, in addition to his tenth nomination for the Filmfare Award for Best Music Director.
In 2013, he composed music for films such as Race 2, Murder 3, Yeh Jawaani Hai Deewani, Dhoom 3[30] and Once Upon ay Time in Mumbai Dobaara which was his 100th film as a Music Director in Bollywood.[31]Yeh Jawaani Hai Deewani in particular proved to be a milestone in Pritam's career, earning him widespread critical acclaim and accolades, and proved to be the highest selling Indian music album of the year. It also earned him his eleventh nomination for the Filmfare Award for Best Music Director.
He marked his return with three successful albums in 2015: Kabir Khan's Bajrangi Bhaijaan & Phantom and Rohit Shetty's Dilwale for which he earned his thirteenth nomination for the Filmfare Award for Best Music Director.[34] The song, "Gerua" from Dilwale directly opened at the No. 1 position on the Radio Mirchi charts[35] and became the first Bollywood song to cross 100 million views on YouTube in the shortest duration ever.[36] It also ranked in the top slot in places like Malaysia, Oman, Sri Lanka and Bahrain.[35]
In 2016, he appeared as a guest composer and composed the song "Itni Si Baat Hai" for Azhar; the albums other composers were Amaal Mallik and DJ Chetas. He also composed the soundtracks of Dishoom, Ae Dil Hai Mushkil and Dangal. The soundtrack of Ae Dil Hai Mushkil proved to be yet another milestone in Pritam's career, earning him career-best reviews and accolades, including his second Filmfare Award for Best Music Director.
In 2017, he composed the soundtracks of Jagga Jasoos (which earned him his third Filmfare Award for Best Music Director), Raabta along with Sohrabuddin, Sourav Roy and JAM8, Tubelight and Jab Harry Met Sejal along with Diplo, earning his sixteenth nomination for the Filmfare Award for Best Music Director.
2019–present: Kalank, Ludo and Brahmāstra: Part One – Shiva
After a break in 2018, he return to composing in 2019 with Chhichhore and Kalank, earning his seventeenth nomination for the Filmfare Award for Best Music Director for the latter.
In 2020, he composed the soundtracks of Love Aaj Kal (which earned him his eighteenth nomination for the Filmfare Award for Best Music Director) and Ludo. For Ludo, he won his fourth Filmfare Award for Best Music Director.
Pritam has been alleged to have plagiarized numerous songs from the beginning of his film music career. Hits such as "Pehli Nazar Mein" was plagiarized from the Korean song "Sarang Hae Yo" by Kim Hyung Su (2005).[40] His critically acclaimed soundtrack Ae Dil Hai Mushkil also faced allegations of plagiarism as the guitar riff of the song "Bulleya" was lifted from the Papa Roach song "Last Resort".[41][42]
Rolling Stone India says, Indian music plagiarism tracking site www.itwofs.com alleges 52 instances between 2004 and 2010 where Pritam's songs are said to be "lifted", "copied", "plagiarized", or "similar" to those of tunes by other composers, who range from Arab and East Asian artists (such as Ihab Tawfik, Yuri Mrakadi and Kim Hyung-sub) to Western musicians like Boney M. and Damien Rice. Especially famous songs of Pritam, like "Tikhi Tikhi", "Allah Duhai Hain" and some others were found to be copied or plagiarised from Turkish famous singer Tarkan.[43][44]
In an interview with Hindustan Times, Pritam commented on the allegations of plagiarism in his music, "Yes, I did make mistakes initially. But once I realised it, I have been particular about my music. However, people keep making false allegations, because it's easy to do that. Since the last three years, I have stopped taking false allegations seriously. For example, the Iranian band that said I had plagiarised 'Pungi' (Agent Vinod; 2012) had to give an apology in court for using my name falsely."[45]
On screen appearance
Music videos and films
Gangster (music video for the song "Bheegi Bheegi")
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