Bayerischer Rundfunk was founded in Munich in 1922 as Deutsche Stunde in Bayern. It aired its first program on 30 March 1924. The first broadcasts consisted mainly of time announcements, news, weather and stock market reports, and music. Programming expanded to include radio plays, concerts, programs for women, language courses, chess, opera, radio, news, and Catholic and Protestant morning services. Its new 1929 studio was designed by Richard Riemerschmid.[2]
In 1949, Radio Munich became Bayerischer Rundfunk,[1] and in that year it established Europe's first VHF station. A station was added in Nuremberg in the early 1950s.[4] Television broadcasts began in 1954.[5]
Legal foundation
BR is a statutory corporation established under the Bavarian Broadcasting Law (Bayerisches Rundfunkgesetz), originally passed in 1948,[4] and updated in 1993 to take account of the demands of a changed media and political environment. Its functions are determined by a legal foundation which lays down the principles under which the broadcaster operates and the structure of its internal organization.
The broadcast law is supplemented by the so-called Broadcast State Contract (Rundfunkstaatsvertrag), a multilateral agreement between all 16 German Länder which regulates the relationship of public and private broadcast in the dual broadcast system and which contains fundamental regulations particularly for financing. Just as important for the work of Bavarian Broadcasting is the cooperation of the ARD consortium, consisting of nine other regional broadcasting corporates as well as Deutsche Welle. The broadcasting service is further backed by the relevant European legal bases as well as the media service convention, which contain regulations for the on-line offerings of Bavarian Broadcasting.
Funding
BR is in part funded by commercial activity, including the limited sale of on-air commercial advertising time; however, its principal source of income is the revenue derived from viewer and listener licence fees. Every household in Germany is required by law to pay a Rundfunkbeitrag (broadcast contribution) of €18.36 per month as of August 2021, to finance the public broadcast system.[6][7] The fee is collected by Beitragsservice von ARD, ZDF und Deutschlandradio.
In 2012, BR derived 85.3% of its income from viewer and listener licence fees, 12.6% from other sources such as product licensing and investments, and 2.1% from the sale of advertising time. 48.5% of this income was spent on programme production costs, 25.1% on staffing, and 26.4% on other operating expenses and fixed charges.[8]
Television series produced by BR
BR produces several series that are well known throughout Bavaria, and some of these are re-broadcast throughout other parts of Germany. These include:
BR's TV channel, Bayerisches Fernsehen (Bavarian Television), as with all regional "Third Channel" broadcasters (along with public specialty channels such as arte, 3Sat, KI.KA, Phoenix and ARD-alpha) carry no commercials. Advertising is also not permitted on ARD's "Das Erste" or on ZDF on Sundays, national holidays, or on any day after 8:00pm. On weekdays, only 20 minutes of advertising is permitted, split between breaks between programs. Program sponsoring is not considered to be advertising, and is not subject to these restrictions.
Studios
BR operates a main broadcasting facility in downtown Munich as well as studios in Munich's northern Freimann quarter and the nearby municipality of Unterföhring. There are also regional TV and radio studios in Nuremberg ("Studio Franconia"), Würzburg ("Regional Studio Franconia/River Main") and Regensburg ("Regional Studio East Bavaria").
Programming
BR provides programs to various TV and radio networks, some done in collaboration with other broadcasters, and others completely independently.
3sat – Cultural network from the ARD, ZDF, ORF (Austrian Broadcasting), and SRG (Swiss Broadcasting).
Radio channels
Bayern 1 – Popular music and information, with a target audience of adults over 35
Bayern 2 – Spoken word (news, background to the news, documentaries, radio plays), and some music output (alternative music, jazz, folk)
Bayern 3 – Pop music, targeting a younger audience, traffic information
BR-Klassik – Classical music, live opera relays, music documentaries
BR24 – Monday through Saturday: Rolling news (updated every 15 minutes); Sunday: 25-minute thematic programs (culture, politics, science, sports...), some of them reviews of the week before, interrupted by news and traffic update every 30 minutes; on some holidays (Christmas, Easter Monday ...): half-hour programs "Notizen aus..." (Notes from...) on regions around the world. ARD-Infonacht takes over the midnight-6am timeslot.
A further five channels are available via Digital Audio Broadcasting, digital satellite, cable, and internet streaming:
Münchner Rundfunkorchester (Munich Radio Orchestra), founded in the 1920s, reorganized in 1952. The orchestra is known for its Sunday concerts, and youth/children's concerts. In 2005, the orchestra was threatened with dissolution in 2006, but ultimately survived, albeit reduced in size from 72 to 50 musicians.[9]Marcello Viotti gave up his post as music director, but continued to conduct the orchestra. He died on 16 February 2005 as a result of a stroke suffered during a performance of "Manon."
Chor des Bayerischen Rundfunks (Bavarian Radio Choir), founded in 1946 as "Rundfunkchor München" (Munich Radio Choir). The choir has premiered works by Rafael Kubelík and Hans Pfitzner.
In the 1970s, Bayerischer Rundfunk was notorious for opting out of national ARD television broadcasts when certain broadcast programmes were deemed too controversial or otherwise inappropriate.
The best-known opt outs include:
Sesamstraße (the German version of Sesame Street) was deemed "too fast and too American" by Bavarian broadcasting authorities when it started on German TV in 1973.[11] However, the exclusion did not last long.
Die Konsequenz – a Wolfgang Petersen made-for-TV movie about a homosexual love affair. Bayerischer Rundfunk boycotted the network premiere on ARD on 8 November 1977.
The last opt-outs took place in 1982 when the political cabaret (satire) program Scheibenwischer criticized the construction of the Rhine–Main–Danube Canal and in 1986, when the program commented on the Chernobyl disaster. Both programs were performed on a Munich theatre stage (Kammerspiele) or shown as videos to small audiences (e.g. at local SPD groups) a few days after the broadcast. And both programs are now constantly available in the BR Mediathek[12] – as the leader of the Scheibenwischer cast, Dieter Hildebrandt, is deemed a legend in his field.
Except for "Scheibenwischer" (these programs have never been rebroadcast in full), all opt-outs have since been shown on BR's TV channel, Bayerisches Fernsehen, and after the introduction of satellite and internet TV Bayerischer Rundfunk no longer opts out of national broadcasts.
Eichler, Antje (2005). Protest im Radio: die Berichterstattung des Bayerischen Rundfunks über die Studentenbewegung 1967/1968. Frankfurt am Main; New York: Peter Lang. ISBN3-631-52126-X.