The architecture of the United Kingdom, or British architecture, consists of a combination of architectural styles, dating as far back to Roman architecture, to the present day 21st century contemporary. England has seen the most influential developments,[1] though Ireland, Scotland, and Wales have each fostered unique styles and played leading roles in the international history of architecture.[1] Although there are prehistoric and classical structures in the United Kingdom, British architectural history effectively begins with the first Anglo-Saxon Christian churches, built soon after Augustine of Canterbury arrived in Great Britain in 597.[1]Norman architecture was built on a vast scale throughout Great Britain and Ireland from the 11th century onwards in the form of castles and churches to help impose Norman authority upon their dominions.[1]English Gothic architecture, which flourished between 1180 until around 1520, was initially imported from France, but quickly developed its own unique qualities.[1]
Beyond the United Kingdom, the influence of British architecture is evident in most of its former colonies and current territories across the globe. The influence is particularly strong in India, Bangladesh and Pakistan[4] the result of British rule in India in the 19th and 20th centuries. The cities of Lahore, Mumbai, Kolkata, Dhaka and Chittagong have courts, administrative buildings and railway stations designed in British architectural styles.[4] In the United Kingdom, a scheduled monument is a "nationally important" archaeological site or historic building, given protection against unauthorised change. A listed building is a building or other structure decreed as being of special architectural, historical or cultural significance; it is a widely used status, applied to around half a million buildings in the UK, enacted by provisions in the Town and Country Planning Act 1947 and the Town and Country Planning Act (Scotland) 1947.
Background
Within the United Kingdom are the ruins of prehistoric structures and ancient neolithic settlements. The architecture of ancient Rome penetrated Roman Britain with "elegant villas, carefully planned towns and engineering marvels like Hadrian's Wall".[6] After the Roman departure from Britain in around the year 400, Romano-British culture flourished but left few architectural remnants, partly because many buildings were made of wood, and partly because the society had passed into the Dark Ages. Similarly, Anglo-Saxons brought a "sophisticated building style of their own" to Britain, but little physical evidence survives because the principal building material was wood.[6]
Throughout Britain and Ireland, simplicity and functionality prevailed in building styles. Castles, such as Alnwick Castle, Caernarfon Castle and Stirling Castle served military purpose and their battlements and turrets were practical solutions to medieval warfare.[6] Under the feudal system that dominated Britain, fitness for purpose characterised domestic structures, particularly for the lower classes. For many, houses were "dark, primitive structures of one or two rooms, usually with crude timber frames, low walls and thatched roofs. They weren't built to last. And they didn't".[6] Although primarily homes, manor houses of the Late Middle Ages, were designed with achieving respect and maintaining status through their hospitality and lordship rather than the grandeur of their buildings.[6] In the Kingdom of England, Perpendicular style gained preference for civic and church structures throughout much of the Middle Ages. King's College Chapel in Cambridge, which started in 1446 and was completed in 1515, marks the period of transition between Perpendicular and Tudor style architecture.[6]
Between 1500 and 1660 Britain experienced a social, cultural and political change owing to the Union of the Crowns (the accession of James VI, King of Scots, to the throne of England) and the Protestant Reformation.[8] Although Britain became more unified and stable, it became more isolated from continental Europe. Catholic monasteries were closed, and their lands were redistributed, creating new "rich and ambitious" landowners.[8] The architecture of Britain this period reflects these changes; church building declined dramatically, supplanted by the construction of mansions and manor houses. Clergyman William Harrison noted in his Description of England (1577), "Each one desireth to set his house aloft on the hill, to be seen afar off, and cast forth his beams of stately and curious workmanship into every quarter of the country."[6]
A greater sense of security led to "more outward-looking buildings", as opposed to the Medieval, inward facing buildings constructed for defence.[6] However, owing to troublesome relations with Catholic Europe, the free exchange of ideas was difficult meaning new Renaissance architecture was generally slow to arrive in Britain.[6] Increasingly isolated from the continent, landowners relied on new architectural books for inspiration, as well as surveyors to interpret designs.[8] This allowed for much more in the way of the ornamental facades of Italianate architecture to penetrate the architecture of Great Britain; room sizes were increased (as an expensive commodity), and there was also a general move towards balanced and symmetrical exteriors with central entrances, all used as statements of wealth.[6] Medieval Gothic architectural forms were gradually dropped, and mansions and other large domestic buildings became "varied and playful".[8] Ultimately drawing upon ancient Hellenistic art, Inigo Jones is credited as Britain's first classically inspired architect,[8] providing designs as "sophisticated as anything being built in Italy",[8] such as Queen's House and Banqueting House, both in London. For the majority of the people of Great Britain however, domestic buildings were of poor design and materials, meaning few examples from the early modern period have survived.[8] Most buildings remained tied to the locality, and local materials shaped buildings.[8] Furthermore, the buildings of the 16th century were also governed by fitness for purpose.[6] However, more stable and sophisticated houses for those lower down the social scale gradually appeared, replacing timber with stone and, later, brick.[6] The arrival of Flemish people in the 16th and 17th centuries introduced Protestant craftsmen and pattern-books from the Low Countries that also prompted the multiplication of weavers' cottages.[6]
During the Victorian era, Belfast flaunted its economic prowess with "splendid" Victorian architecture, among them Belfast City Hall, Queen's University Belfast, Belfast Castle, the Belfast Botanic Gardens, Albert Memorial Clock, and the ornate Crown Liquor Saloon.[20] Early 20th century landmarks include a number of schools built for Belfast Corporation in the 1930s by R S Wilshere.[21] Notables include the severe, sturdy, 1936 brick built Belfast School of Music on Donegall Pass and the Whitla Hall at Queen's University Belfast, designed by John McGeagh.[22] Belfast has examples of art deco architecture such a such as the Bank of Ireland and Sinclair's department store on Royal Avenue and the Floral Hall at Bellevue.[22] Many of Belfast's oldest buildings are found in the Cathedral Quarter. Prominent Northern Irish architects include R S Wilshere and McGeogh, cinema architect James McBride Neil, and Dennis O’D Hanna, part of the "Ulster Unit" group of self-consciously modern artists and craftspeople, promoted by poet and curator John Hewitt.[22]
Scotland is known for its "dramatically placed castles, fused onto defensive ridges and rocky islands".[24] Many of these date from Scotland in the Middle Ages. In contrast to England, which embarked on Elizabethan houses, Scotland saw the building of castles and fortified houses continue well into the 17th century, and many were constructed in a building-boom following the Scottish Reformation.[6] The most distinctive Scottish fortification at this time was the tower house.[24] The grandest medieval Scottish castles are composed of a series of courtyards, with a keep at their centre, but the lone keep-towers were more common, particularly amongst Scottish feudal barons. Some of Scotland's most famous medieval fortifications include Castle Stalker and Stirling Castle. More recent, Jacobean era castles include Edinburgh Castle and Craigievar Castle. The arrival of the cannon made high-walled castles defensively impractical and obsolete,[24] but the fortification genre evolved into a style in its own right; Scots Baronial Style architecture has an emphasis on turrets and strong vertical lines drawn from tower houses, and constitutes one of Scotland's "most distinctive contributions to British architecture".[6]
The new political stability, made possible by the Act of Union,[10] allowed for renewed prosperity in Scotland, which led to a spate of new building, both public and private, during the 18th century. Scotland produced "the most important British architects of this age": Colen Campbell, James Gibbs and Robert Adam were Scots interpreting the first phase of Classical forms of ancient Greece and Rome in Palladian architecture.[10]Edinburgh's New Town was the focus of this classical building boom, resulting in the city being nicknamed "The Athens of the North" on account both of its intellectual output from the Scottish Enlightenment and the city's neo-classical architecture.[25] Together with Edinburgh's Old Town, it constitutes one of the United Kingdom's World Heritage Sites.[26]
Christian architecture in Scotland has a distinct style; The Royal Institute of British Architects have stated that "Scottish churches are peculiarly plain, low and often quite humble buildings".[27] The Scottish Reformation revolutionised church architecture in Scotland, because the Scottish Calvinists rejected ornamental places of worship and few churches escaped their attention.[28] This tradition of geometric purity became prominent in Scottish architecture thereafter, but never became popular in England.[28] Similarly, Scotland has produced some of the most idiosyncratic of architects such as James, John and Robert Adam, Alexander Thomson and Charles Rennie Mackintosh, which all relate to popular trends in Scottish architecture; all however created Scottish stylistic interpretations and often deliberately injecting traditional Scottish forms into their work.[28] The Adam brothers were leaders of the first phase of the classical revival in the Kingdom of Great Britain.[29]
As stated by Sir Simon Jenkins, "Wales has a very long and porous border with England", which had a major influence upon the architecture of Wales.[30] Many Welsh landmark buildings were designed and built by Englishmen, such as the Romanesque-revival Penrhyn Castle near Bangor, a design by Thomas Hopper that blended Norman, Regency and early-Victorian architecture for an English MP who had inherited a vast Welsh estate.[30]
During the mid-20th century, Britain saw the construction of hundreds of tower blocks—particularly in largest cities—to replace Victorian era slums. This image shows Red Road in Glasgow.
MacGibbon, David; Ross, Thomas; Ross, Thomas (1896). The Ecclesiastical Architecture of Scotland: From the Earliest Christian times to the Seventeenth Century. Vol. 1. D. Douglas.