Mazursky began his film career as an actor in Stanley Kubrick's first feature, Fear and Desire (1953). Mazurksy, who never liked his first name of Irwin, was asked by his then-girlfriend Betty Purdy what name he wanted to use in the credits for the film, as he had told Kubrick to use her as a go-between when he was busy waiting tables at Sunrise Manor. When on the phone with her, she suggested using Paul for his screen name, which he agreed with.[5] Two years later he appeared in a featured position as one of a classroom of teenagers with issues towards authority in The Blackboard Jungle (1955). His acting career continued for several decades, starting with parts in episodes of television series such as The Twilight Zone and The Rifleman. He also did shows for nightclubs in the late 1950s, most notably with Herb Hartig, with their comedy act being named "Igor and H" before breaking up to do a solo act. He applied to (and was rejected by) the Actors Studio, but he took classes with Lee Strasberg as instructor, having previously studied under Paul Mann and Curt Conway.[6]
Advertising tram for the film "Bob & Carol & Ted & Alice" in Amsterdam, Netherlands (March 26, 1970).
Soon after starting his acting career, Mazursky became a writer and worked on The Danny Kaye Show in 1963 with Larry Tucker, who he had first known when Tucker went from personal manager of comedy clients to being a part of the Los Angeles operation of The Second City troupe.[7] In 1965, they crafted the script of the original pilot of The Monkees television series, in which they both also appeared in cameos, although the pilot ended up being their only script for the series. Mazursky's debut as a film screenwriter was the Peter Sellers comedy I Love You, Alice B. Toklas (1968). The original intent was for Tucker to produce and for Mazursky to direct. Peter Sellers, the star of the feature, instead picked Hy Averback to direct the film.[8] The following year, he directed his first film Bob & Carol & Ted & Alice (1969) produced and written by Mazursky and Larry Tucker), which proved to be a major critical and commercial success. The film was the fifth highest grossing of the year and earned Mazursky his first Oscar nomination.
His career behind the camera continued for the next two decades as he wrote and directed a prolific string of quirky, dramatic and critically popular films. His most successful films were contemporary dramatic comedies and include the Academy Award-winning Harry and Tonto (1974), the Best Picture-nominated An Unmarried Woman (1978), and popular hits such as Moscow on the Hudson (1984) and Down and Out in Beverly Hills (1986). In light of his comedies that tackled a number of modern social subjects, The Hollywood Reporter stated that "from the late '60s through the '80s, [he] seemed to channel the zeitgeist..."[9] and Variety stated that "his oeuvre smacks of cultural significance."[10]
Following his filmmaking satire The Pickle (1993), which was his last writing credit, Mazursky worked only sporadically as a director on such films as Faithful (1996), Winchell (1998), and Coast to Coast (2003). His final film was the independent documentaryYippee (2006). In later years, Mazursky had a small part as "Sunshine" the poker dealer in The Sopranos. He also appeared in five episodes of season 4 of Curb Your Enthusiasm as Mel Brooks' associate Norm, a role that he later reprised in a season 7 episode. In his autobiography Show Me the Magic (1999), Mazursky recounts his experiences in filmmaking and with several well-known screen personalities including Peter Sellers. He was the subject of the 2011 book Paul on Mazursky by Sam Wasson. Mazursky appeared as himself in a number of documentaries on film, including A Decade Under the Influence, New York at the Movies, and Screenwriters: Words Into Image. From 2011 until his death in 2014, Mazursky served as a film critic for Vanity Fair.[12]
Legacy
Every film written and directed by Mazursky used New York City or Los Angeles as one of its settings. In 1991 the Los Angeles Times commented that "No filmmaker has been wiser or funnier about the L.A. cavalcade than Mazursky. It's not simply a matter of being hip to the scene; what makes such L.A. movies as Bob & Carol & Ted & Alice and Alex in Wonderland and Blume in Love and Down and Out in Beverly Hills soar is Mazursky's wide-eyed infatuation with the city's rampant pop nuttiness."[13] His films received a total of twelve Academy Award nominations, with one win, and nineteen Golden Globe nominations, with two wins. Film critic Roger Ebert was a particular fan of Mazursky's work, giving six of his films the optimal four stars in his reviews.[14] In 1986, Ebert stated that "Mazursky has a way of making comedies that are more intelligent and relevant than most of the serious films around."[15]
Personal life
Mazursky was married to librarian and social worker Betsy Mazursky (née Purdy) from 1953 until his death. They had two daughters, Meg and Jill.[16][17] Mazursky was an atheist.[18]
On February 1, 2014, at the WGA Awards, Mazursky received the Screen Laurel Award, which is the lifetime achievement award of the Writers Guild of America. Comedian, filmmaker and close friend Mel Brooks presented the award. In May 2014, Mazursky received the Best of Brooklyn Award at his alma mater Brooklyn College's annual gala in New York City.[21] In 2015, Joe Swanberg's film Digging for Fire was dedicated in memory to Mazursky.[22] In 2019, Greg Pritikin dedicated his film The Last Laugh to Mazursky.
^Farber, Stephen (2006-12-31). "A Night in Hollywood, a Day in Ukraine". The New York Times. Retrieved 2006-12-31. I've always felt very Jewish but very ambivalent about being Jewish. I'm an atheist.
.jpg)
