Farrow was born in Marrickville, a suburb of Sydney, Australia, the son of Lucy Villiers (née Savage; 1881–1907), a dressmaker, and Joseph Farrow (1880–1925), a tailor's trimmer. His parents were both of English descent.[4] Farrow was educated at Newtown Public School and Fort Street Boys' High School and then started a career in accountancy.
He claimed to have run away to sea in an American barquentine, sailed "all over the Pacific," and fought in revolts in Nicaragua and Mexico. Reaching California, he enrolled at St. Ignatius College (later known as the University of San Francisco) in 1923, but left after one month.[5]
Farrow started writing while working as a sailor and became interested in screenwriting after a chance voyage in the South Seas with the film-maker Robert J. Flaherty. Re-entering the United States, allegedly by jumping ship at San Francisco, he found his way to Hollywood where from 1927, his nautical expertise brought him work as a script consultant and technical adviser. He had already earned minor recognition as a poet and writer of short stories.
He compiled an English-French-Tahitian dictionary and wrote a novel, Laughter Ends (1933). In 1932 he went to England where he wrote The Impassive Footman (1932) for Basil Dean. He worked as a writer and assistant director on G. W. Pabst's film Don Quixote (1933), and briefly visited Tahiti again.[11]
Return to Hollywood and arrest
Farrow returned to Hollywood and re-established himself as a screenwriter. On 27 January 1933, while dancing at the Cocoanut Grove nightclub, he was arrested for breach of his visa, as part of a general crackdown against illegal immigrants in the film industry.[12] Farrow was charged with making a false statement while entering the US, having claimed he was Romanian.[13] Although threatened with deportation, eventually he was given five years' probation,[14] before being acquitted of the charges the following year.[15]
In 1930, it was announced that Farrow would direct his own story First Love but this did not materialise.[17] He signed to Warner Bros. in 1936 looking to direct and was linked with a number of projects, including a Foreign Legion story and an adaptation of Edgar Allan Poe's 1842 short story "The Pit and the Pendulum".[18] Farrow finally made his directorial debut in 1937 with Men in Exile, a remake of Safe in Hell (1931).
Following this, he accompanied his wife, Maureen O'Sullivan, to Europe, where she was making A Yank at Oxford (1938), lectured on Father Damien, about whom Farrow had written a book (published in 1937), and received a Papal knighthood.[19]
Farrow left his contract for a number of months, ostensibly to finish a book he was writing on the history of the papacy, and also due to disputes over the script for his next film, another starring Kay Francis, Women in the Wind (1939).[21]
RKO
Farrow re-emerged as a contract director for RKO;[22] directing the highly profitable The Saint Strikes Back (1939), the second in the "Saint" series and the first to star George Sanders in the lead. He followed it with Sorority House (1939), from a script by Dalton Trumbo and produced by Robert Sisk. RKO then announced Farrow would direct a film version of the director's book Damien the Leper produced by Sisk and starring Joseph Calleia[23] but it was never made. Instead he directed Five Came Back (1939), which, although a "B", became a surprise hit and received excellent reviews.
"I deliberately set out to become the damnedest commercial director in the business", he said later. "The only way to get anywhere in Hollywood is to make money pictures. Then you can get some measure of respect and authority from the studio bosses, and little by little you get to do more of the things you want to do."[24]
Despite his flourishing career and recently having become a father for the first time, Farrow was keen to be involved in World War II. He went to Vancouver in November 1939 and enlisted in the Royal Canadian Navy.[25] He went back to RKO to finish Bill of Divorcement then joined the navy. RKO promised to hold his job when he returned.[26]
Farrow was appointed lieutenant in March 1940 and assigned to Naval History and the Controller of Information Unit. He worked on anti-submarine patrols and in April 1941 was loaned to the Royal Navy and appointed to HMS Goshawk naval base in Trinidad, and served as assistant to the Senior British Naval Officer, Curaçao. He contracted typhus fever and returned to Naval Headquarters, Ottawa, in late 1941.[27]
It was announced he would direct a Canadian war film starring his wife Maureen O'Sullivan while on leave, but this did not eventuate.[28]
Farrow was invalided out of the Royal Canadian Navy with typhus in January 1942 at the rank of Commander but remained in the naval reserve.[29] He was gravely ill when he returned but was nursed back to health by his wife. His illness meant he was unable to return to active service.[30]
Paramount
Farrow resumed his directing career at Paramount, whose then-head of production, Buddy de Sylva, had been impressed by Five Came Back and offered Farrow a contract.[31] For the first time, Farrow was directing nothing but "A" movies. The association began brilliantly with Wake Island (1942), which earned him an Oscar nomination for Best Director, and was one of the year's biggest hits.[3]
In February 1943, Farrow signed a long-term contract with Paramount.[33] In July 1943 he served as technical consultant for the proposed Royal Canadian Navy show.[6] He directed The Hitler Gang (1944); Two Years Before the Mast (filmed 1944, not released until 1946), with Ladd; and You Came Along (1945), from a script co-written by Ayn Rand.
In May 1945, Farrow was briefly recalled to active duty, travelling to Britain for work in connection with the director of special services.[6][34] Shortly after, he made Calcutta (1947) with Ladd, though it was not released until two years later, to strong box office receipts.
Two Years Before the Mast was released in 1946 and became the tenth most popular movie of the year. In 1946 Farrow was reportedly writing a biography of Junípero Serra but it appears to have never been made.[35]
Ladd was meant to star in Farrow's California (1947) but dropped out over money and was replaced by Ray Milland. It was a big hit. Less popular were two films with Sonny Tufts: Blaze of Noon (1947), about flyers, and Easy Come, Easy Go (1947), with Barry Fitzgerald.
Farrow became an American citizen in July 1947.[36]
As a change of pace he produced and directed a comedy with Betty Hutton, Red, Hot and Blue (1949), followed by a popular Western with Milland, Copper Canyon (1950). Farrow did some uncredited work on the Alan Ladd Western, Red Mountain (1951), when William Dieterle fell ill. He also published a history of the papacy, Pageant of the Popes (1950).
Back at Paramount he made Submarine Command (1951) with William Holden. He wound up his contract with a final movie with Ladd, Botany Bay (1952), a half-successful attempt to repeat Two Years Before the Mast. It was one of his few movies to have a connection to his native Australia.[37]
Freelancer
Farrow directed Robert Taylor and Ava Gardner in the MGM Western, Ride, Vaquero! (1953), which was a hit. He made two produced by John Wayne for Wayne's company, Batjac: Plunder of the Sun (1953), an adventure story with Glenn Ford, and Hondo (1953) with Wayne, from a story by Louis L'Amour; the latter especially was popular at the box office.
He made A Bullet Is Waiting (1954) at Columbia, then he had another big hit with Wayne, The Sea Chase (1955), where Wayne played a German sea captain in World War II. The early part of the film was set in Sydney, Australia, although not filmed there.
Farrow was the original director of Around the World in 80 Days (1956) but was fired by producer Michael Todd shortly after filming commenced. However Farrow remained credited for his contribution to the screenplay, which won an Oscar in 1956.[38]
He also published a collection of poetry and a biography of Sir Thomas More.
RKO
Farrow signed a three-picture deal with RKO.[39] He only made two of them, neither successful: Back from Eternity (1956), a remake of Five Came Back, and The Unholy Wife (1957), a failed attempt to launch Diana Dors to US audiences.
Samuel Bronston
He received an offer from Samuel Bronston to make two films, a biography of John Paul Jones and a story of the life of Jesus Christ, which Farrow had been trying to make for years. He directed the first one – John Paul Jones. However he was replaced as director on the second by Nicholas Ray – it was released as King of Kings (1961).
Personal life
Wedding of John Farrow and Maureen O'Sullivan in 1936
Farrow was a notorious playboy in his youth, being linked to Dolores del Río and Diana Churchill[40] among others.[41] He married Felice Lewin on 18 August 1924. They had one daughter, Felice Patricia Farrow (1925–1997). The marriage ended in divorce in September 1927. Farrow began a relationship with Lila Lee in 1928, and they became engaged.[42] However, they never married and their relationship ended in 1933 after Lee discovered Farrow was being unfaithful to her.
In 1934, he became engaged to actress Maureen O'Sullivan[43] and they married on 12 September 1936, after he converted to Catholicism and received an annulment of his first marriage.[44] Farrow and O'Sullivan had seven children: four daughters, who became actresses, Mia[3] (born 1945), Prudence (born 1948), Stephanie (born 1949), Tisa (1951-2024); and three sons, Michael Damien (1939–1958), Patrick Villiers (1942–2009), and John Charles (born 1946).[45]
Farrow often wrote about Catholic themes.[46] He would later deny he was a convert to Catholicism, as he was baptised as an infant by his Irish nurse. However he was not raised Catholic and didn't learn of his infant baptism until after his 1929 adult baptism.[47]
As one of the few high-profile Australians in Hollywood during the 1930s, Farrow's activities were well covered by the Australian media. He accepted the Oscar won by the Australian documentary Kokoda Front Line! (1943),[51] met Australian Senator Richard Keane, the Minister for Trade and Customs, when he visited Hollywood during the war[52] and offered to assist in the establishment of the Australian Information Service in the US.[53] He also often expressed a desire to make a film back in Australia[54] and later made two films with Australian connections, Botany Bay (1953) and The Sea Chase (1955), despite having ceased to be a British subject in 1947 and thus never acquiring Australian citizenship when it was created in 1949.
In 1927 he was described as an Australian member of Hollywood, along with May Robson, the New Zealander Rupert Julian, Josephine Norman and director E. O. Gurney.[55]
^According to the State of California. California Death Index, 1940–1997. Center for Health Statistics, California Department of Health Services, Sacramento, California. Searchable at http://www.familytreelegends.com/records/caldeaths
^"Screen News: Edward Small Plans to Make 'The Maginot Line'--Louis Hayward Will Be Star". The New York Times. 28 September 1938. p. 29.
^"Film Folk and Talkie Shots". The Mail. Adelaide. 4 February 1939. p. 2 Supplement: Talkie news. Retrieved 3 March 2012 – via National Library of Australia.
^"'Damien The Leper' Purchased By RKO". The New York Times. 17 May 1939. ProQuest102931063.
^Thomas F. Brady (13 October 1946). "Alarum In Hollywood: Varied Viewpoints Studio Jottings From Hollywood Questioned by the Code Title Furor Cinecolor Up". The New York Times. p. 65.
^"Brains Enhances Her Pulchritude: Beautiful Australian Girl Arrives. Antipodean Prize Winner Comes to Woo Fame as Picture Actress". Los Angeles Times. 14 June 1927. p. A8.
^"Australian Directors at Work". The Mail. Adelaide. 6 August 1938. p. 2 Supplement: Talkie News. Retrieved 3 March 2012 – via National Library of Australia.
^Thomas F. Brady (26 October 1950). "Lead In Fox Film To Linda Darnell: Actress Is Named by Studio to Role in 'The Guy Who Sank the Navy,' Football Story Marton to Direct "Pedley"". The New York Times. p. 38.
^"French Actress Has Major Role in Gish Picture". Los Angeles Times. 27 February 1927. p. C11.
"John Villiers Farrow". The Catholic University of America. 1 January 1980. An inventory of the John Villiers Farrow Papers at the Special Collections of the University Libraries at The Catholic University of America.
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