Matryoshka doll

"Matryoshka" and "Russian doll" redirect here. For other uses, see Matryoshka (disambiguation) and Russian Doll (disambiguation).

Matryoshka doll

Matryoshka dolls set in a row
Other names	Russian doll
Inventor(s)	Vasily Zvyozdochkin (manufacturer), Sergey Malyutin (design)
Country	Russia
Availability	1890–present

Izmaylovo Market with matryoshkas, Moscow

Matryoshka dolls in Tallinn, Estonia

Nesting of opened matryoshkas

Matryoshka dolls (/ˌmætriˈɒʃkə/ MAT-ree-OSH-kə; Russian: матрёшка, IPA: [mɐˈtrʲɵʂkə] ^ⓘ), also known as stacking dolls, nesting dolls, Russian tea dolls, or Russian dolls,^[1] are a set of wooden dolls of decreasing size placed one inside another. The name matryoshka, literally 'little matron', is a diminutive form of Matryosha (Матрёша), in turn a diminutive of the Russian female first name Matryona (Матрёна).^[2]

A set of matryoshkas consists of a wooden figure, which separates at the middle, top from bottom, to reveal a smaller figure of the same sort inside, which has, in turn, another figure inside of it, and so on.

The first Russian nested doll set was made in 1890 by wood turning craftsman and wood carver Vasily Zvyozdochkin from a design by Sergey Malyutin, who was a folk crafts painter at Abramtsevo. Traditionally the outer layer is a woman, dressed in a sarafan, a long and shapeless traditional Russian peasant jumper dress. The figures inside may be of any gender; the smallest, innermost doll is typically a baby turned from a single piece of wood. Much of the artistry is in the painting of each doll, which can be very elaborate. The dolls often follow a theme; the themes may vary, from fairy tale characters to Soviet leaders. In some countries, matryoshka dolls are often referred to as babushka dolls, though they are not known by this name in Russian; babushka (бабушка) means 'grandmother; old woman'.^[3]

History

The original matryoshka set by Zvyozdochkin and Malyutin, 1892

The first Russian nested doll set was carved in 1890 at the Children's Education Workshop by Vasily Zvyozdochkin and designed by Sergey Malyutin, who was a folk crafts painter in the Abramtsevo estate of Savva Mamontov, a Russian industrialist and patron of arts.^[4][5] Mamontov's brother, Anatoly Ivanovich Mamontov (1839–1905), created the Children's Education Workshop to make and sell children's toys. The doll set was painted by Malyutin. Malyutin's doll set consisted of eight dolls—the outermost was a mother in a traditional dress holding a red-combed rooster. The inner dolls were her children, girls and a boy, and the innermost a baby. The Children's Education Workshop was closed in the late 1890s, but the tradition of the matryoshka simply relocated to Sergiyev Posad, the Russian city known as a toy-making center since the fourteenth century.^[6][4]

The inspiration for matryoshka dolls is not clear. Matryoshka dolls may have been inspired by a nesting doll imported from Japan.^[5][7] The Children's Education workshop where Zvyozdochkin was a lathe operator received a five piece, cylinder-shaped nesting doll featuring Fukuruma (Fukurokuju) in the late 1890s,^[8] which is now part of the collection at the Sergiev Posad Museum of Toys.^[8] Other east Asian dolls share similarities with matryoshka dolls such as the Kokeshi dolls,^[4][9] originating in Northern Honshū, the main island of Japan, although they cannot be placed one inside another, and the round hollow daruma doll depicting a Buddhist monk.^[9][10] Another possible source of inspiration is the nesting Easter eggs produced on a lathe by Russian woodworkers during the late 19th Century.^[3][11]

Savva Mamontov's wife presented a set of matryoshka dolls at the Exposition Universelle in Paris in 1900, and the toy earned a bronze medal. Soon after, matryoshka dolls were being made in several places in Russia and shipped around the world.

Seven Lucky Gods nesting dolls of Hakone, Kanagawa

Manufacture

Russian doll (pictured in 2018)

Centers of Production

The first matryoshka dolls were produced in the Children's Education (Detskoye vospitanie) workshop in Moscow.^[12] After it closed in 1904, production was transferred to the city of Sergiev Posad (Сергиев Посад),^[12] known as Sergiev (Сергиев) from 1919 to 1930 and Zagorsk from 1930 to 1991.^[13]

Matryoshka factories were later established in other cities and villages:

• the village of Polkhovsky Maidan (Полховский-Майдан),^[14] which is the primary producer of matryoshka blanks,^[14] and its neighboring villages Krutets (Крутец) and Gorodets (Городец)^[15]
• the city of Semenov, (Семёнов)^[16][17]
• the city of Kirov (Киров),^[18] known as Vyatka (Вя́тка) (from 1780 to 1934 and renamed Kirov in 1934 although many of its institutions reverted to the name Vyatka (Viatka) in 1991^[19]
• the city of Nolinsk (Нолинск)^[20]
• the city of Yoshkar-Ola (Йошкар-Ола) in the Republic of Mari-El^[21]

Following the collapse of the Soviet Union, the closure of many matryoshka factories, and the loosening of restrictions, independent artists began to produce matryoshka dolls in homes and art studios.^[22]

Method

Ordinarily, matryoshka dolls are crafted from linden wood. There is a popular misconception that they are carved from one piece of wood. Rather, they are produced using: a lathe equipped with a balance bar; four heavy 2 foot (0.61 m) long distinct types of chisels (hook, knife, pipe, and spoon); and a "set of handmade wooden calipers particular to a size of the doll". The tools are hand forged by a village blacksmith from car axles or other salvage. A wood carver uniquely crafts each set of wooden calipers. Multiple pieces of wood are meticulously carved into the nesting set.^[23]

Shape, Size, and Pieces per Set

The standard shape approximates a human silhouette^[24] with a flared base on the largest doll for stability.^[25] Other shapes include potbelly, cone, bell, egg, bottle, sphere, and cylinder.^[24]

The size and number of pieces varies widely. The industry standard from the Soviet period, which accounts for approximately 50% of all matryoshka produced, is six inches tall and consists of 5 dolls except for matryoshka dolls manufactured in Semenov whose standard is five inches tall and consists of 6 pieces.^[24][25] Other common sets are the 3 piece, the 7 piece, and the 10 piece.^[25]

Common Characteristics

Matryoshka dolls painted in the traditional style share common elements. They depict female figures wearing a peasant dress (sarafan) and scarf or shawl usually with an apron and flowers.^[24][25]  Each successively smaller doll is identical or nearly so.^[3][24] Distinctive regional styles developed in different areas of matryoshka manufacture.

Themes in dolls

Alsatian matryoshka dolls

Matryoshkas are a popular souvenir for tourists in Russia.

Matryoshka dolls^[26] are often designed to follow a particular theme; for instance, peasant girls in traditional dress. Originally, themes were often drawn from tradition or fairy tale characters, in keeping with the craft tradition—but since the late 20th century, they have embraced a larger range, including Russian leaders and popular culture.

Common themes of matryoshkas are floral and relate to nature. Often Christmas, Easter, and religion are used as themes for the doll. Modern artists create many new styles of nesting dolls, mostly as an alternative purchase option for tourism. These include animal collections, portraits, and caricatures of famous politicians, musicians, athletes, astronauts, "robots", and popular movie stars. Today, some Russian artists specialize in painting themed matryoshka dolls that feature specific categories of subjects, people, or nature. Areas with notable matryoshka styles include Sergiyev Posad, Semionovo (now the town of Semyonov),^[17] Polkhovsky Maydan [ru], and the city of Kirov.

Political matryoshkas

In the late 1980s and early 1990s during Perestroika, freedom of expression allowed the leaders of the Soviet Union to become a common theme of the matryoshka, with the largest doll featuring then-current leader Mikhail Gorbachev. These became very popular at the time, affectionately earning the nickname of a Gorba or Gorby, the namesake of Gorbachev. With the periodic succession of Russian leadership after the collapse of the Soviet Union, newer versions would start to feature Russian presidents Boris Yeltsin, Vladimir Putin, and Dmitry Medvedev.

A caricature of a Russian traditional matryoshka doll as a negative symbol of communism; Prague, Czech Republic.

Most sets feature the current leader as the largest doll, with the predecessors decreasing in size. The remaining smaller dolls may feature other former leaders such as Leonid Brezhnev, Nikita Khrushchev, Joseph Stalin, Vladimir Lenin, and sometimes several historically significant Tsars such as Nicholas II and Peter the Great. Yuri Andropov and Konstantin Chernenko rarely appear due to the short length of their unusually brief tenures. Some less-common sets may feature the current leader as the smallest doll, with the predecessors increasing in size, usually with Stalin or Lenin as the largest doll.

Some sets that include Yeltsin preceding Gorbachev were made during the brief period between the establishment of President of the RSFSR and the collapse of the Soviet Union, as both Yeltsin and Gorbachev were concurrently in prominent government positions. During Medvedev's presidency, Medvedev and Putin may both share the largest doll due to Putin still having a prominent role in the government as Prime Minister of Russia. As of Putin's re-election as the fourth President of Russia, Medvedev will usually succeed Yeltsin and precede Putin in stacking order, due to Putin's role solely as the largest doll.

Political matryoshkas usually range between five and ten dolls per set.

World record

The largest set of matryoshka dolls in the world is a 51-piece set hand-painted by Youlia Bereznitskaia of Russia, completed in 2003. The tallest doll in the set measures 53.97 centimetres (21.25 in); the smallest, 0.31 centimetres (0.12 in). Arranged side-by-side, the dolls span 3.41 metres (11 ft 2.25 in).^[27]

As metaphor

The concept of the Russian dolls is used as a visual example in various topics.

Nesting and onion metaphors

Matryoshkas are also used metaphorically, as a design paradigm, known as the "matryoshka principle" or "nested doll principle".^{[citation needed]} It denotes a recognizable relationship of "object-within-similar-object" that appears in the design of many other natural and crafted objects. Examples of this use include the matrioshka brain,^{[citation needed]} the Matroska media-container format,^{[citation needed]} and the Russian Doll model of multi-walled carbon nanotubes.^{[citation needed]}

The onion metaphor is similar. If the outer layer is peeled off an onion, a similar onion exists within. This structure is employed by designers in applications such as the layering of clothes or the design of tables, where a smaller table nests within a larger table, and a smaller one within that.

The metaphor of the matryoshka doll (or its onion equivalent) is also used in the description of shell companies and similar corporate structures that are used in the context of tax-evasion schemes in low-tax jurisdictions (for example, offshore tax havens).^[28] It has also been used to describe satellites and suspected weapons in space.^[29]

Other metaphors

Matryoshka is often seen as a symbol of the feminine side of Russian culture.^[30] Matryoshka is associated in Russia with family and fertility.^[31] Matryoshka is used as the symbol for the epithet Mother Russia.^[32] Matryoshka dolls are a traditional representation of the mother carrying a child within her and can be seen as a representation of a chain of mothers carrying on the family legacy through the child in their wombs. Furthermore, matryoshka dolls are used to illustrate the unity of body, soul, mind, heart, and spirit.^[33][34][35]

As an emoji

Original emoji concept as submitted to the Unicode Consortium by Jef Gray

In 2020, the Unicode Consortium approved the matryoshka doll (🪆) as one of the new emoji characters in release v.13.^[36] The matryoshka or nesting doll emoji was presented to the consortium by Jef Gray,^[37] as a non-religious, apolitical symbol of Russian-East European-Far East Asian culture.^[38]

See also

• Amish doll
• Chinese boxes
• Droste effect
• Fractal
• Mise en abyme
• Infinity
• Recursion
• Culture of Russia
• Self-similarity
• Shaker-style pantry box
• Stacking (video game)
• Turducken
• Turtles all the way down

References

1. Russian doll. (n.d.). Collins English Dictionary Complete & Unabridged 10th Edition. Retrieved April 14, 2016.
2. Oxford English Dictionary Online. Accessed 2011-03-25.
3. "Matryoshka: Russian Wooden Nesting Dolls". Russian Legacy. Retrieved September 22, 2019.
4. "Matryoshka – Soul of Russia". Russian Life. Archived from the original on 2011-08-17. Retrieved 2011-10-23.
5. Billington, James H. (2004). Russia in search of itself. Woodrow Wilson Center Press. pp. 148, 208. ISBN 978-0-8018-7976-0. Retrieved 2016-04-30.
6. Holmes, Gillian. "Matryoshka Doll". How Products Are Made. Advameg, Inc. Retrieved 31 March 2019.
7. "Eastern roots of the most famous Russian toy". Russian Geographical Society. 2011-03-24. Archived from the original on March 1, 2014.
8. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. p. 8. ISBN 0-9725027-1-8.
9. Kostomárova, Elena (2015-08-08). "More than just a pretty face: The secrets of the Russian matryoshka". Retrieved 2018-08-31.
10. "Три матрешки" (Three matryoshkas), Vokrug sveta, July 1980.
11. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. p. 6. ISBN 0-9725027-1-8.
12. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 9–10. ISBN 0-9725027-1-8.
13. "A Short History of Zagorsk and Sergiev-Posad Folk Art". therussianshop.com. Retrieved 2024-10-13.
14. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 131–134. ISBN 0-9725027-1-8.
15. "Collectible Nesting Dolls from Polkhovsky Maidan". Maison Russe. Retrieved 2024-10-13.
16. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 135–139. ISBN 0-9725027-1-8.
17. "The hardworking women behind the matryoshkas hope for an Olympic boost". July 18, 2011, Natalya Radulova, Ogonyok
18. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 139–141. ISBN 0-9725027-1-8.
19. "Collectible Nesting Dolls from Kirov, Vyatka and Nolinsk". Maison Russe. Retrieved 2024-10-13.
20. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 139–141. ISBN 0-9725027-1-8.
21. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. p. 155. ISBN 0-9725027-1-8.
22. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. p. 159. ISBN 0-9725027-1-8.
23. Karkachev, Roman (March 11, 2014). "How Nesting Dolls Are Made – Full Version" (Video). Retrieved May 15, 2019 – via YouTube.
24. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 45–59. ISBN 0-9725027-1-8.
25. Ertl, Rett (2003). The Art of the Russian Matryoshka. Boulder, CO, USA: Vernissage Press, LLC. pp. 41–45. ISBN 0-9725027-1-8.
26. "Matryoshka dolls". STPgoods. February 2020. Retrieved 2017-07-05.
27. "Largest Russian nesting doll (matryoshka)". guinnessworldrecords.com. 25 April 2003. Retrieved 15 January 2017.
28. Dunn, Chido (4 January 2016). "Panama leaks: how are the rich getting away with it?". ITV. Retrieved 11 October 2019.
29. Pickrell, Ryan (July 23, 2020). "Science: A Russian satellite caught shadowing a US spy satellite earlier this year launched a mysterious space weapon, US Space Command says". Business Insider – via Yahoo!.
30. Hubbs, Joanna (1993) [1988]. Mother Russia: The Feminine Myth in Russian Culture (1st Midland Book ed.). Bloomington: Indiana University Press. p. 19. ISBN 978-0-253-20842-2. OCLC 29539185.
31. Kostomárova, Elena (2015-08-08). "More than just a pretty face: The secrets of the Russian matryoshka". pp. 8–12. Retrieved 2018-09-30.
32. "Knigi-janzen.de - Магнит в форме матрешки "Россия матушка" | Купить в интернет-магазине". www.knigi-janzen.de. Retrieved 2021-06-23.
33. M., Shapiro, Rami (2012). Writing – The Sacred Art: Beyond the Page to Spiritual Practice. Shapiro, Aaron (Quality paperback ed.). Woodstock, VT: SkyLight Paths Pub. p. 137. ISBN 978-1-59473-372-7. OCLC 767566167.
34. Janet, Baljeu (2012). Downloading Spirit: Babushka. Xlibris. ISBN 978-1-4691-5764-1. OCLC 934717840.
35. Holland, John (2007). Power of the Soul: Inside Wisdom for an Outside World (1st ed.). Carlsbad, CA: Hay House. p. 3. ISBN 978-1-4019-1085-3. OCLC 70836680.
36. "Emoji Recently Added, Unicode v13.0". Unicode Consortium. Unicode.org. Retrieved 7 May 2020.
37. "Jef Gray" (PDF). Proposal for Matryoshka Emoji. Unicode. Retrieved 7 May 2020.
38. "Across China: Russian matryoshka dolls find home in northeast China - Xinhua | English.news.cn". www.xinhuanet.com. Archived from the original on February 8, 2019. Retrieved 2021-09-24.

External links

• Karkachev, Roman (March 11, 2014). "How Nesting Dolls Are Made - Full Version" (Video). Retrieved May 15, 2019 – via YouTube.