Jagamaita of Mamada (間々田のジャガマイタ, mamada no jagamaita)[1]
May 5
Snake festival in which a 15 m (49 ft) long snake made of straw, fern and wisteria is paraded by children through the district. The event is a prayer for abundant harvest and good health.
Spring hoe festival including theatrical performances of various stages of the farming process. Seen as a prayer for abundant crops, the festival's earliest record is from 1798.
Using a crude model boat of aotake (green bamboo), within the shrine precincts, bonito fishermen are simulating all stages of their work from departure, over fishing to return to the port. This is seen as a prayer for a good catch.
Agricultural festival of rice farmers on the Noto Peninsula in which the deity of the rice field is invited to the house and entertained. The December event is to express gratitude for the harvest, while the event in February is meant to ensure an abundant harvest. The ritual has been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
Rice-planting ritual starting with a performance of hayashi musicians welcoming the kami of the fields and decorated cows being led into the field. A phalanx of planting girls then carries out the actual planting accompanied by ondo songs, large and small drums, gongs and flutes. The event has been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
13th day of first month and 25th day of 9th month (Aso Shrine); 16th day of first month and 23rd, 24th days of 9th month (Kuninomiyako Shrine)[nb 2]
A series of agricultural festivals associated with the four seasons and enacted as a prayer for abundant crops and as a thanks for the harvest, among these: rice field festival (onda matsuri), making the field (tatsukuri), fire swinging ritual (hifuri shinji), fūchinsai, nemurinagashi rite, hitaki fire rite, and the tanomi festival.
Kohata Banner Festival (木幡の幡祭り, kohata no hata matsuri)[15]
First Sunday in December
An event, first attended by males around the age of 18, in which a procession of parishioners carrying colorful banners climb Kohatayama to worship at Okitsushima and Hayama shrines.
Tug of war between two parts of Kariwano town featuring a giant straw rope, 80 cm (31 in) diameter and over 200 m (660 ft) long, held to pray for a rich harvest.
Dragon spirit festival of Chichibu Yoshida (秩父吉田の龍勢, chichibu yoshida no ryūsei)[22][23]
Second Sunday in October
Shooting of homemade rockets from a scaffold structure, which when fired are meant to resemble dragons ascending to the heavens. The even is performed as appreciation for bountiful harvest.
Tajima Kutani tug of war (但馬久谷の菖蒲綱引き, Tajima Kutani shōbu tsuna-hiki)[26]
June 5
Tug of war between an adult and children group using a rope made of Japanese mugwort and sweet flag. If the adult group wins the 7th and final pull, it is said to become a good harvest. This is one of the five seasonal festivals (gosekku).
Inaba tug of war (因幡の菖蒲綱引き, Inaba no shōbu tsuna-hiki)[27]
5th day of 5th month[nb 2] closest weekend (Aoya); Sunday closest to the 5th day of the 5th month[nb 2] (Mizushiri, Hōgi); Sunday after June 5 (Obaneo)
Tug of war between the western and eastern parts of the district using a more than 80 m (260 ft), 4 t (3.9 long tons; 4.4 short tons) rope. A win of the east is said to be a good harvest, if the west wins business is going to prosper. This is one of the five seasonal festivals (gosekku).
Archery festival with origins in the early 10th century held in the precincts of Sanboko Shrine, in order to pray for an abundant harvest, bountiful fishing and to keep evil away.
Tug of war between a "hill" and "beach" team using a 400 m (1,300 ft) long and 15 cm (5.9 in) wide rope. If the beach team wins it is said to be bountiful fishing in this year, if the hill team wins, the year is said to produce abundant crops.
A ceremony held at the Yakushi Hall of Kichijō-ji involving the recitation of the Heart Sutra (known as Omokō) and the Dōtoshiki protocol permitting three-year-old children to the village.
Yoshihama Suneka (吉浜のスネカ, Yoshihama no suneka)[35]
January 15
A person called "Suneka", representing a kami and dressed in a strange mask and a straw raincoat, visits each house in a given district to punish lazy or crying children; related to the Namahage tradition of Akita Prefecture; handed down in Yoshihama district, Sanriku, Ōfunato, Iwate. Type: Visiting kami
Ōfunato, Iwate
—
Tsukihama Enzu-no-wari (月浜のえんずのわり, Tsukihama no Enzu-no-wari)[36]
January 11–16
Bird chasing procession (tori-oi) involving children; traditionally a festival to pray for abundant harvest and good health; handed down in Tsukihama district, Miyato, Higashimatsushima, Miyagi. Type: Harvest/fertility
Yonekawa Mizukaburi (ablution) (米川の水かぶり, Yonekawa no mizukaburi)[37]
February 12
Event to ward off fire; young men and men of a critical age (yakudoshi, 42 years of age) dress in straw raincoats and headdresses their faces painted with soot; after a shrine visit they return to town and throw water on the houses; home owners try to extract from the participants' costumes straws which are then considered charms against fire. Type: Protection
"Little New Year" (koshōgatsu) event celebrated by children involving the burning of a hut of Sae-no-kami and a bird chasing procession (tori-oi) with singing.
Young men dressed in traditional straw garments and wearing large masks representing the Namahage deity visit houses of new community members urging them to work and study hard; after receiving sake and mochi they leave blessing the house. Type: Visiting kami
Rokugō Kamakura (六郷のカマクラ行事, Rokugō no Kamakura gyōji)[41]
February 11–15
Events welcoming toshigami, deities of the year, and praying for an abundant harvest and health. The festival includes the decoration of large bamboo poles, the construction of snow huts, and a battle with bamboo poles.
A person called "Amahage", representing a kami dressed in a straw coat and covered with a red or blue ogre mask visits each family distributing mochi; also includes a tori-oi bird chasing event with drums and singing; the straw coats are burned together with kadomatsu and shimenawa in an event known as Honte-yaki (Honte burning). Type: Visiting kami
Sai-no-kami of Mishima (三島のサイノカミ, Mishima no Sai-no-kami)[43]
ca. January 15
Fire festival praying for abundant harvest, sound health and escape from evil; an artificial structure (Sai-no-kami) made of a sacred tree and new year's decoration is burned
108 lights of Inomata (猪俣の百八燈, Inomata no hyakuhattō)[44]
August 15
Construction of 108 mounds[nb 5] and lighting of as many lights; said to originate in a ritual to console the spirits of Inomata Koheirokunoritsuna. Type: Bon Festival
Mito floating of sacred boats (三戸のオショロ流し, mito no oshoro nagashi)
August 16
Bon Festival event in which the spirits of the deceased are sent off by constructing a 5 m (16 ft) decorated straw ship and having children swim it out to the sea.
New Year fire festival in which nine large decorated temporary shelters in the form of bonfires on the beach are set on fire. Dango are grilled in the fire and the event also includes a tug-of war.
Ōmi tug-of-war with bamboo (青海の竹のからかい, ōmi no take no karakai)[46][47]
January 15
New Year Event in which two groups of mostly men in kumadori make-up fight using two 13–14 m (43–46 ft) long bamboo poles. The fights are followed by the burning of New Year decorations, praying for good health, abundant crops and a good haul.
Muramachi New Year Deity Send Off (邑町のサイノカミ, muramachi no sai no kami)[48][49]
Sunday before January 15 (or January 15 if it is a Sunday)
New Year fire festival praying for health, an abundant harvest and ceremonial cleansing. Children go from house to house singing the Sai no kami song, carrying wooden male and female dollsand collecting New Year decorations that are later burned on a bonfire.
Nozawa Onsen Dōsojin Fire Festival (野沢温泉の道祖神祭り, nozawa onsen no dōsojin matsuri)[51][52][53]
January 15
New Year fire festival in which a large wooden shrine (shaden) is endowed with a dōsojin and set on fire by an offensive team, while men of "unlucky age" (25 and 42 years old) sitting on to p of the shaden are trying to stop them. The event is seen as a celebration of birth of the first child, to dispel evil spirits and as a prayer for a happy marriage.
Toba Fire Festival (鳥羽の火祭り, toba no hi matsuri)[54]
2nd Sunday in February
New Year event in which two giant (5 m (16 ft), 2 t (2.0 long tons; 2.2 short tons)) torches made of Japanese pampas grass (kaya) and known as suzumi are lit. Men compete to take out holy tress (shingi) that have been placed in the suzumi and to offer them at a shrine. The outcome is used to predict the year's weather and harvest.
Shimakamogogō Bon Festival event (志摩加茂五郷の盆祭行事, shimakamogogō no bon matsuri gyōji)[55]
August 14–15
A nenbutsu odori dance followed by the raising of a 13 m (43 ft) tall fire torch accompanied by the sound of large bronze bells and large barrel-shaped drums. It is performed in order to console the spirits of the deceased and in to drive away evil spirits.
Demon ritual dance of two ogres, a red and a blue one, carry torches and halberds perform a dance in the temple grounds as a prayer for abundant harvest and purification ritual. The event also includes a theatrical display of rice planting.
Otsuna of Etsutsumi and Ōnishi (江包・大西の御綱, etsutsumi ōnishi no otsuna)[57][58]
February 11
A women's rope from Ichikishima Shrine, Ōnishi meats a male rope at Susanoo Shrine, Etsutsumi where the two ropes are joined, hung on a tree and ceremonies commence. The event also includes a mud wrestling competition and features a prayer for abundant harvest and child-giving.
Dadadō Onihashiri (陀々堂の鬼はしり, dadadō no onihashiri)[59][60]
January 14
New Year fire festival in which three ogres (father, mother, child) carrying giant lit torches run around the hall getting rid of evil and bringing good luck.
Tondō festival at Sakenotsu (酒津のトンドウ, sakenotsu no tondō)[61][62]
Weekend closest to January 15
Japanese New Year event in which a large, cone-shaped structure is constructed on the beach out of straw and bamboo and later burnt as a prayer for health and a good catch. The event also includes a ritual purification of the houses performed by young boys.
New Year event in which a 10 m (33 ft) diameter temporary house is built of bamboo to greet Toshitokujin (歳徳神) the kami of the year (toshigami). The event is seen as a prayer for health and a good catch and the temporary structure is eventually burnt together with the New Year's decorations.
Atsuki Shinmei Festival (阿月の神明祭, atsuki no shinmei matsuri)[65][66]
February 11
New Year fire festival in which youth erect two 20 m (66 ft) tall shinmei, objects of worship decroated with gohei and daidai, on the beach. Various rituals and dances are performed at these shinmei, which are eventually burned. The event is seen as a prayer for a godo harvest and the protection from disaster and diseases.
Suōsō Hashiramatsu (周防祖生の柱松行事, suōsō no hashiramatsu gyōji)[67]
August 15 (Soo Nakamura), 19 (Soo Yamada), 23 (Soo Ochiai)
Construction and lighting of 20 m (66 ft) tall pillar torches (hashiramatsu). The event originates from a ritual to comfort the spirit and remove disaster when horses and cows were affected by a contagious disease.
Jifuku Toitoi (地福のトイトイ, jifuku no toitoi)[68][69][70]
January 14
New Year event in which children visit houses, place a straw horse in a bowl in front of the entrance, call out "toitoi" and hide. The family of the house exchange the straw horse for a bag of mochi and sweets which is then picked up by the children. The event is seen as a prayer for in-home safety and disease-free life.
Oni-yo Fire Festival of Daizenji Tamatare Shrine (大善寺玉垂宮の鬼夜, daizenji tamataregū no oniyo)[71]
January 7
New Year fire festival in which a "devil fire" (oniyo) that has been guarded for seven days is transferred to six 13 m (43 ft) long torches which are carried around the shrine grounds by men in loinclothes. It is a ritual to drive away evil spirits.
Mishima Kasedori (見島のカセドリ, mishima no kasedori)[72][73][74]
2nd Saturday in February
Lunar New Year event and a form of "visiting gods" (raihoshin) in which unmarried men dressed in straw raincoats and bamboo hats represent deities bringing blessings to each home.
Hetomato of Shimozakiyama (下崎山のヘトマト行事, shimozakiyama no hetomato gyōji)[75]
Third Sunday in January
New Year event praying for an abundant harvest, a good catch and disaster relief. It includes various rituals such as sumo, hanetsuki, tamaseseri,[nb 6] a tug of war and the carrying of a giant, 3 m (9.8 ft), 358 kg (789 lb) straw sandal.
Koshikijima Toshidon (甑島のトシドン, koshikijima no toshidon)[76][77][78]
December 31
Visiting deity (raihoshin) event at New Year's Eve in which two to five men representing the deity toshidon dress in straw raincoats decorated with leaves and masks with long pointed noses and demonic horns. Visiting the houses they scold the children and preach good behaviour. At the end they place a large rice cake on the children's back who carry it in this way to their parents. The ritual has been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
An event welcoming Inadama, the spirit of rice, and thanking for this year's good harvest and praying for next year's harvest. The ritual involves singing and dancing and the shochogama ceremony in which men and children sit on the roof of a temporary shed, singing songs, playing drums and eventually breaking the shed and dancing on its remains.
Three men dress in giant headdress masks and palm leaves representing the Boze deity who cleanses people of evil. Appearing during the Bon dance, the Boze chase onlookers with a phallic cane to which red mud is attached.
Mendon, a deity thought to cleanse people of evil appears during the Hassaku drum dance (八朔太鼓踊り) interfering with the dancers and doing other mischiefs. The god is represented by men in straw coats wearing large grotesque red and black masks.
Parade of nebuta floats decorated with historical or legendary figures and accompanied by flutes, taiko drums and Obon dances. The festival is said to commemorate Sakanoue no Tamuramaro and together with the Akita Kantō and the SendaiTanabata festival, it is one of the three great festivals in Tohoku.
Festival of three shrines: Ogami (霊神社), Shinra (新羅神社), and Shinmei (神明宮), with a procession of 27 floats and mikoshi accompanied by lion dances, masked warriors and people in traditional garb representing legendary or mythical characters.
Parishioners of 7 towns and villages carry mikoshi from the shrine and place them on a scaffolding structure at a temporary shrine where various dances are performed.
Floats of the Hanawa Matsuri (花輪祭の屋台行事, hanawa matsuri no yatai gyōji)
August 19, 20
Joined event of Saiwaiinari Shrine (幸稲荷神社) and Hanawa Shinmeisha shrine (花輪神明社) in which 10 festival floats are paraded through town accompanied by music.
Parade of more than 200 long bamboo poles (kantō) carrying 46 paper lanterns each. Together with the Aomori Nebuta and the SendaiTanabata festival, one of the three great festivals in Tohoku.
Parade of mikoshi and 20 festival floats with almost life-sized dolls representing characters or scenes of historical narratives. The floats are provided by the neighborhoods.
Various dates (Jan 6, March 24–25, June 20, 24–28, July 1–8, December 7) with the main event on July 7
Apart from a parade of floats the festival is particularly noted for ushinori where a man dressed as Susanoo-no-Mikoto rides a cow through the streets and for kumo mai (spider dance) in which a man dressed in red does somersaults on a platform on a fishing boat in the harbor.
Floats of the Shinjō Matsuri (新庄まつりの山車行事, shinjō matsuri no yatai gyōji)[98]
August 24–26
Festival initiated in 1756 during the Great famine of the Hōreki era by Tozawa Masanobu, head of the Shinjō Domain in order to raise the spirits of the people and to pray for abundant harvest. The floats from each of 21 towns are characterised by their gaudy decorations and life size figures. The parade is accompanied by flutes, cymbals, drums and shamisen music.
Tajima Gion Festival Otōya ritual (田島祇園祭のおとうや行事, tajima gion matsuri no otōya gyōji)[98]
July 18–21
Festival held to drive away disease-inducing spirits. The festival includes various events such as a procession of young brides accompanied by hayashi, children's kabuki on four floats, daidai kagura and the carrying of mikoshi.
Spring festival of Sawawachigi Shrine in which a mikoshi is placed on a real fishing boat (dimensions: 14 m × 2.6 m × 3.8 m (45.9 ft × 8.5 ft × 12.5 ft) and 7 t (6.9 long tons; 7.7 short tons)) and paraded through town by 300 men, praying for a good catch and maritime safety.
Karasuyama Yamaage Festival (烏山の山あげ行事, karasuyama no yamaage gyōji)[111]
Friday, Saturday and Sunday around fourth Saturday in July
Dating back to 1560 when the daimyō of Shimotsuke Province enshrined Gozu-Tennō in Yakumo Shrine to stem a disease. The festival is characterised by a display of festival floats (yatai), and various entertainments such as sumo, shishi kagura, and most notably outdoor performances of kabuki and dances of young girls. These are performed at various stages along the road when some of the stages include a mountain theme, giving rise to the name of the festival: ageyama meaning literally 'raised mountain'.
Festival of Kawagoe Hikawa Shrine featuring a festival float parade, dances, music, and as the main event a musical battle (hikkawase) between the floats.
Floats of Sawara (佐原の山車行事, sawara no dashi gyōji)[116][117]
Friday, Saturday and Sunday following July 10 (Gion Festival); Friday, Saturday and Sunday around the second Saturday in October (Shinjuku Suwa Shrine Festival)
300 year old festival featuring floats decorated with 4 m (13 ft) tall dolls. There are ten dashi floats during the Gion Festival of Yasaka Shrine and 14 dashi at the autumn festival of Suwa Shrine.
Shiramazu Grand Festival (白間津のオオマチ(大祭)行事, shiramazu no ōmachi gyōji)[118]
Fourth Friday, Saturday and Sunday in July, once every 4 years
Festival incorporating a variety of rituals and performances including a procession with a red-masked demon, drums, flutes, girls with wooden staffs, mikoshi, and men carrying decorated sake barrels. A highlight of the festival is the sasara dance consisting of 12 pieces performed by young girls in yukata and colorful hats. This includes dances of two girls representing sun and moon respectively or dances in which the youths prepare the path for the descent of the kami.
Kibune Shrine Boat Festival (貴船神社の船祭り, kibune jinja no funa matsuri)[120]
July 27–28
Boats decorated in flowers make their way out to sea accompanied by boat songs. Also included in the festival is a rowing boat race and Kashima odori dance.
Hadaka Festival of Uchisa Bishomon Hall (浦佐毘沙門堂の裸押合, uchisa bishamondō no hadaka oshiai)[22][121]
March 3
"Naked" festival of men struggling for rice cakes, sake and other auspicious objects. The event is seen as a prayer for safety and abundant crops but also constitutes rite of passage to adulthood.
Floats of the Murakami Festival (村上祭の屋台行事, murakami matsuri no yatai gyōji)[22][122]
July 6, 7
Grand Festival of Senami Haguro Shrine with a procession of 19 yatai floats, 14 horses and 4 kasaboko parade floats around the site of the former Murakami Castle. The yatai floats are two-storied with musicians on the lower and dolls on the upper level.
Namerikawa Nebuta Nagashi (滑川のネブタ流し, namerikawa no nebuta nagashi)[123]
July 31
Large burning torches on rafts called nebuta are sent out to sea symbolizing the sending away of drowsiness and filth and praying for a healthy year without disease.
Parade of large, 16 m (52 ft) tall, 10 m (33 ft) long, triangular shaped floats decorated with about 90 lanterns each, praying for a good catch and safety at sea.
Float parade with seven dashi floats known locally as mikuruma yama (lit.'cart mountains') decorated on top by sculptures of mythical animals from where umbrella like structures cover large kabuki-like figures.
Floats of Jōhana Shinmei Shrine (城端神明宮祭の曳山行事, jōhana shinmei-gū sai no hikiyama gyōji)[125]
May 4–5
Parade of six hikiyama floats with large sculptures of Japanese deities such as Ebisu or Daikokuten, accompanied by lion dances, music, mikoshi and men carrying halberds. Peculiar to the festival are long-based carts known as ioriyatai pulled in front of the hikiyama and housing two groups of musicians: flute and shamisen players on one side and vocalists on the other.
Wakabata Procession of the Kumakabuto Festival (熊甲二十日祭の枠旗行事, kumakabuto hatsuka-sai wakubata gyōji)[125]
September 20
Parade of mikoshi and tall red banners accompanied by bells and drums and led by the masked dancing deity Sarudahiko no mikoto. It is a joyous expression of thanks for abundant harvest and fishing.
Floats of the Seihaku Festival (青柏祭の曳山行事, seihaku-sai no hikiyama gyōji)[127]
May 13–15
Festival of Ōtokonushi Shrine with huge 12 m (39 ft) tall hikiyama floats decorated with large kabuki-style dolls, and large barrel-shaped drums in an event meant to drive away disease-bearing spirits and to secure the safety of the local people.
Floats and Drums of Furukawa Festival (古川祭の起し太鼓・屋台行事, furukawa matsuri no okoshi daiko yatai gyōji)[130]
April 19–20
A parade of priests, dignitaries, mikoshi, flag carrying men and lion dancers is followed by a procession of yatai floats and hayashi music in the evening of the first day. The highlight of the festival is the okoshi taiko, when giant drums supported by wooden stand are brought out on the second day.
April 14–15 (Spring festival of the Hie Shrine), October 9–10 (Autumn festival of the Sakurayama Hachiman Shrine)
Float festivals with 12 (11) decorated yatai floats, three (four) with karakuri mechanical dolls representing characters from Japanese myths or legends during the spring (autumn) festival. The procession is accompanied by lion dances, daidai kagura and music.
Ōgaki Festival Yama Floats Procession (大垣祭の軕行事, ōgaki matsuri no yama gyōji)[131]
Weekend before May 15
Parade of 13 yama floats decorated with dolls and karakuri mechanical puppets. The festival shows features of festival culture from eastern (Chūkyō) and western (Kinki) Japan.
Weekend preceding the 10th day of the 8th month[nb 2]
Naked festival involving purification of the participants on the beach, miko kagura dances, oni mai (demon dances) and as the highlight, the violent carrying of mikoshi.
Floats of Kamezaki Shiohi Festival (亀崎潮干祭の山車行事, kamezaki shiohi matsuri no dashi gyōji)[132]
May 3–4
Shio-hi (low tide) festival of Kamezaki in which five tall two-tiered dashi floats with distinct roofs are dragged to the beach with puppet plays performed on the upper storey to the accompaniment of Noh and nagauta songs.
Floats of the Inuyama Festival (犬山祭の車山行事, Inuyama matsuri no yama gyōji)[130]
First Saturday and following Sunday of April
Display of 13 three-storied dashi floats known locally as yama (車山) and produced by 13 towns. During the day hayashi music from the lowest floor accompanies theatrical puppet performances on the top level. Afterwards 365 lanterns (one for each day of the year) are attached to each float.
Sunari Festival (須成祭の車楽船行事と神葭流し, sunari matsuri no danjiri bune gyōji to miyoshi nagashi)[133]
Early July to late October, festival eve on first Saturday in August
Also known as '100 day festival'. During the Yoi-matsuri eve in August, boats decorated with paper lanterns are festooned in the river. In the morning of the following day, during the Asa-matsuri, these boats with Takasago dolls and festival music go up the river.
Tomiyoshi Tatehaya Shrine and Hakken-sha Shrine, Kanie, Aichi
Festivals involving six danjiri, boat versions of the terrestrial dashi floats, which are multi-tiered structures housing life-size dolls and depicting scenes from Noh drama. The highlight is a lit-up display of the boats on the Tennō river.
Oni Festival of Toyohashi Shinmei Shrine (豊橋神明社の鬼祭, toyohashi shinmei-sha no oni matsuri)[134]
February 10–11
Ritual masked and unmasked dances including varieties of kagura and dengaku. The highlight is the rivalry between a red-masked demon (oni) and a long-nose-masked tengu. After the demon is defeated he runs through the village throwing sweets and white powder which is said to protect from summer diseases.
Danjiri of the Ueno Tenjin Festival (上野天神祭のダンジリ行事, ueno tenjin matsuri no danjiri gyōji)[136]
Sunday before October 25 and the preceding Friday and Saturday[nb 12]
Procession of danjiri, i.e. daishi or hikiyama style floats, accompanied by drums and bells. The festival was originally closely connected with the Tenjin festival in Osaka.
Whaling Floats of Toride Shrine (鳥出神社の鯨船行事, toride jinja no kujira bune gyōji)[136]
August 14–15
In an event seen as a prayer for abundant fishing, four gold decorated whale-boat-shaped dashi floats are pulled through town in pursuit of a mock whale.
Floats of the Nagahama Hikiyama Festival (長浜曳山祭の曳山行事, nagahama hikiyama matsuri no hikiyama gyōji)[141]
April 13–16
Display of hikiyama floats in which hayashi' music and children's kabuki are performed. The festival was initiated in the Tenshō era by Toyotomi Hideyoshi celebrating the birth of his son.
Dashi float parade accompanied by hayashi music. The festival originates from a goryō-e ritual in 869 when 66 halberds were used to pacify disease causing spirits. From 960 the festival became an annual event only interrupted by times of war. The tall poles on top of the yamaboko floats symbolize these halberds.
Miyaza of Wakide Shrine (涌出宮の宮座行事, wakide no miya no miyaza gyōji)[142]
Various (February 15–17, March 21, September 30, October 16–17)
Religious rituals typical for communities of shrine parishioners (miyaza) such as various types of offerings, ritual rice planting (taue) and the lighting of large torches.
Sakoshi boat festival (坂越の船祭, sakoshi no funa matsuri)[143]
Second weekend in October
Large boat festival with a large fleet of wooden Japanese ships centered around boats carrying mikoshi and including rowing boats, lion boats, pleasure boats and boats for music and song.
Boats of the Kōchi Festival (河内祭の御舟行事, kōchi matsuri no mifune gyōji)[144]
Fourth weekend in July
Three elaborately decorated boats and barges including a lion dance barge slowly make up their way from Koza Shrine along the Koza River to Kōchi shrine, represented by Seisho island, where offerings are made.
About 9,000 naked men competing to get one of two sacred wooden sticks (shingi) dropped from a window of the temple. The shingi are said to make childbirth easier and to drive away evil spirits.
Pine pole Festival of Tokakuji Temple (等覚寺の松会, tokakuji no matsue)[11]
Third Sunday in April
Shugendō ritual where various events such as mikoshi carrying and lion dances are followed by ritual imitations of rice planting (taue), halberd dances and paper cutting, which are typical yamabushi performances. The highlight is the erection of a tall pine pole stand (matsu hashira) on which a yamabushi performs various acts. The festival is a prayer for abundant harvest and safety.
Procession of 14 hikiyama floats in the shape of samurai helmets, sea bream, dragons and other fantastical creatures, the oldest, a red lion dates to 1819.
Yatsushiro Myōken Shinkō Festival (八代妙見祭の神幸行事, yatsushiro myōken sai no shinkō gyōji)[150]
November 22–23
Transfer of the shintai from Yatsushiro Shrine to Shioya Hachiman-gū (known as o-kudari) and exhibition of decorated floats and a mythical creature, half snake half turtle on the first day. On the second day the shintai returns (o-nobori) in a procession with lion dances.
Originally performed at Matsumae Castle, chief residence of the Matsumae clan, the dance subsequently spread to other parts of Hokkaido where it picked up regional straits.
Noh Dance of Shimokita (下北の能舞, shimokita no nōmai)[154]
From third day of New Year
Theatrical yamabushi kagura consisting of ritual dances, military dances of battles between humans and demons and a lion dance. This is preceded by a group of local youths moving from house to house carrying a lion's head representing gongen.
Theatrical yamabushi kagura performed as a travelling tour through various villages and towns along the Sanriku Coast, from Kuji in the north to Kamaishi in the south. The dance has been designated under Criteria 2, 3.
Theatrical yamabushi kagura centered around gongen lion dances and also including ritual and masked dances. The dances are accompanied by small hourglass-shaped drums, flutes and bronze cymbals and distinct bird-style hats are used in some of them.
July 31, August 1; also on February 2, latter part of April, middle of September, third Sunday in December (Ōtsuganai); January 3, December 17 (Take)
A variety of masked dance including ritual, theatrical and wild pieces, comic dialogue and at the end a lion dance characteristic of the yamabushi tradition of northeast Japan. The hayachine kagura is represented by two kagura groups, Ōtsuganai and Take, with more or less identical performances. The one notable difference is that the masked used for the mountain kami are referred to as a in Ōtsuganai and as un in the Take tradition, forming the a-un syllables that feature in various Buddhist and Shinto contexts.
18th day of the second month (Funatama Shrine); 15th–16th day of the third month (Isuzu Shrine); 19th day of the third month (Shirogane Shrine); 8th day of the fourth month, once every three or four years (Ishi Shrine); 29th day of the fourth month, once every three or four years (Shiogama Shrine)[nb 2]
Theatrical yamabushi kagura including the Amano-Iwato story which is characteristic of kagura of western Japan. It is accompanied by two large ōdaiko drums and is first mentioned in a document from 1739.
A form of yamabushi kagura performed as part of the Bon festival in August and as part of Yama Shrine's festival in September. Locally it is referred to as bushi mai ('warrior dance'), ara mai ('wild dance') or shishi mai ('lion dance') and is accompanied by large hourglass-type drum, flute and cymbals.
A form of yudate kagura[nb 13] including 33 rituals performed over one night including a kagura dance in ancient manner. It is seen as a prayer for abundant crops and thanks for the harvest.
Various times of the year, at the start of the year in January, July–September, November, December
Intense lion dance performed by two people, one carrying a lion head the other under a sheet. Besides the lion dance there are other ceremonial and ritual dances, samurai dances and women dances. The designation has been designated under Criteria 2, 3.
August 15 (main), also on August 6 (preparation), 20 (sending kami off)
A type of yamabushi kagura that belongs to the bangaku kagura tradition of Aomori, Iwate, Akita and Yamagata Prefecture and consists of a series of masked dramas and ritual dances.
Theatrical mime performed by shrines around Tokyo consisting of four groups: Wakayama shachū (Taitō), Mamiya shachū (Shinagawa), Matsumoto shachū (Arakawa), and Yamamoto shachū (Inagi). The tradition is derived from the Washi no Miya Kagura of Saitama and was introduced during the Enpō era. It received a revamping during the Meiji period resulting in a mix of classical (koten) kagura relating ancient myths, modern (kindai) kagura portraying medieval stories (e.g. Rashōmon), otogi kagura of modern legends (e.g. Momotarō), Noh and kyōgen kagura.
Chigo no Mai of Kawaguchi (河口の稚児の舞, Kawaguchi no chigo no mai)[168]
April 25 (Magomi Festival (孫見祭)) and July 28 (Daidai Festival (太々御神楽祭))
Dance of about 10 young girls accompanied by drums, hourglass-shaped drums, and flutes considered as a type of daidai kagura. The dance has been designated under Criteria 2, 3.
Sacred Noh with dramatic pieces on the first day preceded by unmasked kagura known as shichi za ('seven seats'). The theatrical pieces portray myths from the Kojiki and Nihon shoki as well as local stories from Izumo Province.
Theatrical kagura of among others myths from the Kojiki and Nihon shoki. The climax is a spirit possession ritual in which a person in trance relates the words of the deity, specifically the nature of future crops and the future safety of the village. Ōmoto is a local deity with links to Kōjin. The oldest record of this kagura dates to 1615.
Part of the Izumo kagura tradition, it consists of ritual dances and 12 dramatic pieces with the earliest records dating to 1754. Ōdaiko and kodaiko drums are used with the drumming of the latter thought to have been influenced by Noh via Sada Shrine.
Theatrical kagura similar to Ōmoto Kagura performed for the Kōjin deity. Hiba Kōjin Kagura is noted for the dance of the deity Sarudahiko depicted through a grotesque long-nose mask and acrobatic movements. Rarely spirit possessions take place.
Sacred dance of Yukaba Iwakuni (岩国行波の神舞, iwakuni yukaba no kanmai)[176]
Second Saturday in October
This kanmai (a local name for kagura) consists of unmasked dances and theatrical pieces with the highlight a solo acrobatics on the top of an almost 30 m (98 ft) tall pine column and on a rope running from the top of the column to the roof of the place of kagura performances.
21st–23rd day of the eleventh month, once every seven years[nb 2]
23 pieces of theatrical and ritual dances accompanied by ōdaiko and flute with the highlight being the sanpō kōjin no mai when a dancer climbs up a cloth rope attached to the ceiling. The oldest record of Mitsukuri Kagura in its present form is from 1764.
Theatrical kagura consisting of unmasked dances and masked drama including the Amano-Iwato story, in which the sun goddess Amaterasu was drawn out of her place of hiding, and the dispute between the deities of the four seasons.
Ritualistic purification kagura and pieces related to the myths of Izumo. While most pieces are in the Izumo style, the highlight is an Ise-style yudate kagura.[nb 13]
Ritual dances and theatrical kagura influenced by kagura from the west of Japan and created during the Genroku era by a vassal of daimyō Tenshōkō Shigenobu.
Rural kagura performed on a narrow space at various shrine festivals on the islands and accompanied by drums, flutes and occasionally bells. The earliest records of a naginata sword dance go back to the 17th century.
Unmasked dances with performers carrying bells, swords and other implements, performed at various shrines in Hitoyoshi and in Kuma District starting at Aoi Aso Shrine. The dance has been designated under Criteria 2, 3.
First weekend in December (Sano), second weekend in December (Haraigawa)
Kagura tradition handed down in two districts, Sano and Haraigawa, that are situated to the east of Mount Takachiho, which has been a center of local worship, resulting in the development of ritual kagura dances. Unmasked and masked dances are performed on a stage surrounded by three torii and next to three tall pillars. The dance has been designated under Criteria 2, 3.
Takachiho Night Kagura (高千穂の夜神楽, takachiho no yokagura)[184]
November to mid-January
A theatrical form of kagura taking place at the beginning of the year at specially prepared people's homes. The most significant piece performed in this context is the Amano-Iwato story, in which the sun goddess Amaterasu was drawn out of her place of hiding.
dengaku (田楽, lit.'field music') are musical presentations/dances related to rice planting.
There have been 26 designations, all under Criteria 1 unless otherwise indicated.
Name
Date
Remarks
Location
Image
Hachinohe Emburi (八戸のえんぶり, hachinohe no enburi)[2]
February 17–19
Ritual rice planting dance as a prayer for abundant crops. Participants clutching an emburi[nb 14] and wearing large golden colored horse-shaped eboshi hats dance through the streets of the city.
April 28–29 Ōtaki Fudōdō, Baba; 15th day of fourth month[nb 2] Yakushidō, Yumoto; August 14–16 Nagabukuro shinmeisha shrine
Performances of a series of ta asobi displaying a variety of farming activities, the dances of young girls with decorated hats, and small boys shaking suzu bells. These events are seen as prayer for abundant crops and dedication to the kami of rice fields.
Two distinct traditions: in the shichifukujin the seven lucky gods' appearance is followed by a comic duo imitating various farming activities and after this the ritual rice planting (taue odori) ensues. In it women wearing decorated hats imitate the stages of farming and visit houses in the village. The event is seen as a prayer for abundant crops and the raising of silkworms.
Rituals of the Mutsuki (January) (睦月神事, mutsuki shinji)[190]
February 14, every four years
Various entertainments such as lion dances, dengaku by young children, and imitations of agricultural activities (ta asobi). The event is seen as prayer for peace and abundant harvest.
Gero Ta-no-Kami Festival (下呂の田の神祭, gero no ta no kami matsuri)[191]
February 14
A lion dance followed by four dancers wearing hats decorated with red, yellow and white paper performing a flower umbrella (hana kasa) dance. At the end there series of performances imitating the stages of rice farming.
As a prayer for abundant harvest, prosperity of the children, imitate the work done in rice cultivation in front of a large bonfire. The event is not accompanied by music, only dance and speech is used. This designation has been selected under Criteria 2, 3.
Isobe sacred field dance (磯部の御神田, isobe no omita)[9]
June 24
Ritual rice planting accompanied by songs and drumming which is seen as a praise of the field kami. The highlight of the festival is the odorikomi gyōji, the ritual addition of the dances. This is one of the three major rice planting festivals.
Theatrical representation of rice planting by two comic characters as a prayer for abundant crops. Their performance is accompanied by four girls dressed as rice planters and by a boy dressed as a cow.
Sumiyoshi Rice planting (住吉の御田植, sumiyoshi no otaue)[9]
June 14
Ritual rice planting accompanied by dances and processions from heavily made-up girls (geisha and rice planting girls) that take place on a raised platform amidst the rice field that is connected by a wooden bridge. One of the three major rice planting festivals.
Theatrical dances and kyōgen display of farming accompanied by drum and flute and given as dedication to the kami and as prayer for an abundant harvest.
Shiohara Daisen Kuyō Taue (塩原の大山供養田植, shiohara no daisen kuyō taue)[188]
May 31 every fourth year
Parade of hayashi musicians and planting girls. This is followed by the actual rice planting ritual in the fields accompanied by drummers and song and initiated by a masked comic character.
Kiragawa Onta Festival (吉良川の御田祭, kiragawa no onta matsuri)[56]
May 3
Various entertainments as a prayer for abundant harvests, including stage performances of rice planting and harvesting, and an old-style Noh, with the climax the sake shibori in which a divine child represented by a straw doll is taken by a woman who cannot bear children. This has led to the alternative name of the festival Ko uke ('child receiving').
Shirahige Shrine Dengaku (白鬚神社の田楽, shirahige jinja no dengaku)[198]
October 18–19
Children dengaku accompanied by flutes with performers wearing characteristic dresses: four boys with large-brimmed straw-hats from which long obi are hanging down; two boys with a drum hanging in front of them; a boy with a staff and a fan and another with a golden eboshi hat carrying a drum and a fan.
Fūryū odori (風流踊, lit.'elegant dances') are traditional folk dances often consisting of large processions of participants typically wearing colorful costumes and accompanied by props. Another form represented below is nenbutsu odori (念仏踊) and the syncretic nenbutsu fūryū (念仏風流). In these dances, dancing is accompanied by Buddhist chanting and hymns.
The most common surviving example of these dances is the bon odori.
There have been 43 designations, all designated under Criteria 1 unless otherwise indicated.
Name
Date
Remarks
Location
Image
Nagai Great Nenbutsu Sword Dance (永井の大念仏剣舞, nagai dainenbutsu kenbai)[198]
August 10
Highly decorated sword dances with dancers wearing large-brimmed hats decorated with flowers.
Sword dance originating in nenbutsu kenbai of Yamagata Prefecture where it was used to drive away evil spirits. The dances, accompanied by drums, cymbals and flutes are performed by eight men or women wearing demon masks topped by horsehair. The masks in red, white, blue, and black represent the four seasons and four directions from where spirits are driven away and are also thought to represent an alternative form of the Buddha.
Nishimonai Bon Odori (西馬音内の盆踊, nishimonai no bon odori)[200]
August 16–18
One of the three main bon odori in Akita Prefecture, performed by women wearing zukin hats that virtually conceal their faces. The dance and handwaving is accompanied by hayashi musicians located on a high roofed platform behind the dancers. The dance is seen as a prayer for a fruitful year and as an obon service.
One of the three main bon odori in Akita Prefecture with participants dancing around bonfires and women dancers wearing scarves that conceal the lower part of their face.
The term omine-iri (お峰入り, lit.'entering the mountains') refers to practitioners of shugendō setting off on pilgrimages. The Yamakita area was a center of such practitioners in the 19th century.
A gentle somewhat informal bon odori dance preserving an older style of nenbutsu dance and songs. Participants dance around a central tall yagura in which musicians play flutes, drums and sing.
Several dances performed in a small room decorated with long strips of ornamental white paper and shimenawa including the chanting of Buddhist texts and nenbutsu to the accompaniment of large barrel-shaped drums and a purification dance with long halberds.
Dance accompanied by drums in with the participants wear hats decorated with white paper strips. On July 14, 15 it is performed as a Buddhist prayer and has been designated under Criteria 2 and 3.
One of the three great bon odori of Japan, gujō odori is characterised by circular movements of the dancers around a small temporary building in which the musicians are located.
Bon odori consisting of three pieces: shikan mai performed by farmers wearing deer masks to drive away evil spirits and pray for an abundant harvest; hiyai dance by young girls holding fans and decorated staffs; and a short old style of kyōgen
Dances of men and women groups around a central figure supporting a decorated tall lantern. The dances are accompanied by drum, paper-strip idiophones and song only.
Ritual dance of Katte Shrine (勝手神社の神事踊, katte jinja no shinji-odori)[22]
Second Sunday in October
A drum dance of 20 people also known as Kanko dance (羯鼓, kanko odori) performed as part of the shrine's autumn festival. Some dancers carry tree-like structures decorated with paper flowers on their back.
Ōmi Konan Sanyare Dance (近江湖南のサンヤレ踊り, ōmi konan no sanyare odori)[215]
May 3 and 5
Traditional dance performed by boys and youths in Shinto shrines and seven locations. The dancers carry instruments such as drums, flutes, small gongs (surigane), kakko, kotsuzumi and sasara.
Ama Fūryū Odori and Kōdori dances (阿万の風流大踊小踊, ama no fūryū odori kōdori)[216]
Sunday nearest to September 15
Two types of dances: odori danced in two rows employing fans to the accompaniment of song, hyoshigi, and shimedaiko, with lyrics originating in the Muromachi and early Edo period; kōdori danced in a single row by about 8 dancers with lyrics after the Genroku era and with a lighter tone. Originally a prayer for rain, the dances are now performed as part of the shrine's autumn festival. The dance has been designated under criteria 2, 3.
Ritual dance at four shrines with dancers representing demons by wearing red or black long-haired wigs are processing through the streetsmeant accompanied by drums and bells. People standing under a large red umbrella, which is carried in this procession, are said to be protected against illnesses. The dance is also seen as a prayer for abundant crops.
Kuta Hanagasa Dance (久多の花笠踊, kuta no hanagasa odori)[217]
May 5, August 24 (or the nearest Sunday)
Dance performed as a prayer for abundant crops (May 5) and as an expression of thanks for the ripening of the crops (August 24). The main feature is a decorated garden lantern, known as hanagasa.
Kyoto Rokusai Nenbutsu (京都の六斎念仏, kyōto no rokusai nenbutsu)[210]
August 8, 14, 15, 23, 29, 30
A variety of entertainments, from nenbutsu odori to later acrobatic, kabuki like theatre, lion dances and drum performances. Rokusai refers to the six designated days of the month which were traditionally used for nenbutsu dances and for proselytizing the people. Dancers carry small double-faced barrel drums.
Totsukawa Great Dance (十津川の大踊, totsukawa no ō-odori)[213]
August 13–15
Three bon odori dances: Ohara ō-odori (Aug 13), Musashi ō-odori (Aug 14) and Nishikawa ō-odori (Aug 15), with the main event being the final dance where men with drums, women with fans and a third group with lanterns attached to bamboo poles participate.
Heron dance of Tsuwano Yasaka Shrine (津和野弥栄神社の鷺舞, tsuwano yasaka jinja no sagimai)[218]
July 20, 24, 27
Two men dressed as herons dance accompanied by song and drums through the streets of Tsuwano. This sagi dance originates from Kyoto, where its tradition has been lost since.
Informal bon odori in shrines and temples in northern Okayama Prefecture with the main event at Fukuda Shrine on August 15. The highlight is a dance called tenko where instead of the usual yukata, the participants wearing various disguises.
Literally the age of the gods dance, it is a group dance accompanied by large drums and seen as a prayer for abundant harvests and the absence of diseases or natural disasters. It is also performed as a prayer for rain, with the sound of the drums resembling thunder, and serves as entertainment for the villagers. This performance is preceded by lion dances and the appearance of a tengu demon.
Takimiya Nenbutsu Dance (滝宮の念仏踊, takimiya no nenbutsu odori)[222]
August 25
Thought to originate from an expression of thanks to Sugawara no Michizane, who in 888 is said to have prayed for seven days and nights for rain, there are two performances: at Taki no Miya and at Taki no Miya Tenman-gū. Dancers wear large round hats decorated with strips of paper, wear fans and intone the nenbutsu phrase accompanied by drums and bells.
Literally the Takeo Wild dance, originates from the 1530 victory celebration of the Lord of Takeo over Arima, lord of Shimahara. The one in Nakano is characterised by elegant waving of the hands, while those in Kōze and Utode are more rough and military-like in their movements.
Ōmura Three Dances (Suko Odori, Okita Odori, Kuromaru Odori) (大村の郡三踊(寿古踊・沖田踊・黒丸踊, ōmura no kōri san odori (suko odori, okita odori, kuromaru odori))[224][225]
At the Ōmura autumn festival
Three fūryū dance entertainments transmitted in Suko, Okita and Kuromaru district of Ōmura city. They originate from a celebration of Lord Sumikore Ōmura regaining control of the land in 1480 after losing the battle of Nakataka in 1474 to Arima. The dances have been designated under criteria 2, 3.
Variously described as a type of nenbutsu odori or taiko odori (drum dance), the dance is a prayer for abundant harvests and to console the spirits of the deceased. The dances is characteristic for its use of various types of ornamental headwear topped with flowers and colored paper decorations. Flutes, bells and small barrel-shaped drums carried by the performers are used as accompaniment. The name jangara (jangura) is an onomatopoeic representation of the sounds of the bells and drums.
Male group drum dance with participants wearing straw skirts and various types of headwear. They are seen as a prayer for the ripening of the harvest, driving away insects and for general well-being.
Ichiki Tanabata Dance (市来の七夕踊, ichiki no tanabata odori)[227]
August 8
Drum dances performed by around 20 people. In addition, large papier-mâché animals are paraded and used in mock hunts that are seen as prayer for abundant harvest and thanks to the gods. The dance originates in a celebration for the home-coming of Shimazu Yoshihiro from the Korean peninsula.
A type of manzai traditionally performed as a comic and narritave dialogue between two people, known as tayū and saizō. The tayū dances wearing an eboshi hat and carrying a fan, while the saizō wears a black zukin hat and plays kotsuzumi drums.
A type of manzai claimed to have originated in Chōbo-ji temple in Owari (now Nagoya), during the Shōō era (1288–1293) from a comical play contrived by the monk Mujū Kokushi to make the teachings of the Lotus Sutra understandable for villagers.[nb 16]
Originally a rite of passage to adulthood performed by 17 year old youths,[nb 17] the Daimokutate is a semi-dramatic entertainment performed annually on October 12. The participants dressed in samurai clothes with eboshi hats narrate tales of the conflict between the Heike and Genji. Daimokutate has been inscribed by UNESCO as Intangible cultural heritage.
Hakata Matsubayashi (博多松囃子, hakata matsubayashi)[215][234]
Parade on May 3 and 4 centered around three of the Seven Gods of Fortune: Ebisu, Daikokuten and Fukurokuju who are represented by separate groups of people. The groups move from door to door and receive gifts in exchange for a recitation of benevolence (idate). The parade is part of the Hakata Dontaku festival.
Ennen (延年, ennen) (lit. "extend the years") are Buddhist temple entertainments performed at the end of Buddhist services and believed to extend the listeners' lifespans.[235]Okonai (おこない, okonai) (lit. "deeds") are Buddhist New Year celebrations in which the evils of the past year are driven away.
There have been 7 designations, all under Criteria 1.
Masked dances with elements of noh and bugaku occasionally to the accompaniment of song, performed after Buddhist rituals as part of the Madarashin Festival.
Kotaki Choukrairo Dance (小滝のチョウクライロ舞, kotaki no chōkurairo mai)[219]
Second Saturday in June
A type of ennen elaborate dance performed by young boys wearing highly decorated broad-brimmed straw hats. It derives from Shugendō and is seen as a form of worship of Zaō Gongen.
Nechiyamadera Ennen (根知山寺の延年, nechiyamadera no ennen)[238]
August 31, September 1
Masked dramas and dances such as lion dances, kagura, manzai and — the highlight of the performances — oteteko mai, performed by a group of young girls whose heads are decorated with flowers. They are seen as prayer for abundant harvest.
Tōtōmi Hiyondori and Okunai (遠江のひよんどりとおくない, tōtōmi no hiyondori to okunai)[240]
January 3 (Hōzō-ji), January 4 (Fukuman-ji)
Fire dance, where a group of youths, after purifying themselves in the river, is trying to prevent another group carrying fire torches from entering the temple building. Eventually the toches are presented as offerings, followed by more dancing, singing and a taasobi event.
May 3 (Taiseki Shrine) and third Sunday of October (Ichiba Shrine)
Rural Kabuki from the early Edo period that originated from travelling Kabuki troupes. During the prohibition of amateur kabuki performances in the Edo to Taishō period, performances were held in shrines and temples of Ōshika as a tribute to the gods.
Nine sacred masked and unmasked dances as a prayer for happiness in the New Year. The Dainichidō Bugaku tradition has an early eighth century Nara period origin, but has considerably evolved since then, picking up local features. The dances have been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
Ancient form of ritual noh with a history of more than 500 years performed by local people. It is particularly valuable as it preserves elements of noh drama that have disappeared in its urban counterparts.
Hayashi Family Bugaku (林家舞楽, hayashi-ke bugaku)[235]
May 5 (Jion-ji) and September 14–15 (Yachi Hachimangū)
Rural bugaku tradition from the 9th century originating from Shitennō-ji and handed down in the Hayashi family of shinto priests of Yachi Hachimangū. Performed at the autumn festival of Yachi Hachimangū and the spring festival of Jion-ji.
23rd day of the 7th month[nb 2] (Takaoka style) and August 24 (Obari Matsushita style)
Puppet play of dolls attached to ropes that are 5–8 m (16–26 ft) above ground. Tsunabi fireworks[nb 18] are attached to the puppets which are then shot along the ropes.
Lantern dolls of Annaka Nakajuku (安中中宿の燈篭人形, annaka nakajuku no tōrō ningyō)[250]
not fixed
A puppetry tradition using string-operated dolls with lanterns inserted into their papier-mâché bodies giving a translucent effect to the dolls' faces.
Buddhist drama or masked kyōgen performed as part of o-bon and depicting a bodhisattva saving a group of people from falling into hell. The play was devised in the Kamakura period by the monk Sekioku to teach the local people the local people the nature of cause-and-effect and the virtues of the Buddha.
various times, typically around May, June and July
Three puppet traditions: noruma ningyō, where simple dolls enact humorous dramas incorporating improvised texts between the puppeteers; bunya and sekkyō ningyō with spoken narrative accompanied by shamisen play.
Itoigawa NohBugaku (糸魚川・能生の舞楽, itoigawa nō no bugaku)[254]
April 10–11 (Amatsu Shrine), April 24 (Nō Hakusan Shrine)
Two traditions of predominantly children bugaku[nb 19] performed by boys with heavy white make-up and small crown-like hats adorned with flower. Occasionally masks are used.
Itozaki Buddha Dance (糸崎の仏舞, itozaki no hotoke no mai)[258]
April 18, every other year
Buddhist dance of 10 dancers wearing golden masks representing the Buddha and two people wearing white masks of children to the accompaniment of drums, bells and song. The performance is seen as a prayer for abundant harvest and for the spirits of the deceased.
Ritual performance of noh and kyōgen by members of 16 households as prayer for abundant crops and safety at home. The performances represent elements of the Kanze school of noh (founded by Kan'ami in the 14th century) and of the Izumi school of kyōgen (from 1614) but also older dramatic elements predating these schools.
Tōtōmi Mori Bugaku (遠江森町の舞楽, tōtōmi morimachi no bugaku)[260]
First Saturday in April (Ama no Miya Shrine), Saturday, Sunday in mid-April (Oguni Shrine), Saturday, Sunday in mid-July (Yamana Shrine)
Three traditions of bugaku dance with a history going back to the early 8th century. The dances as a whole are seen as a prayer for abundant harvest and to drive away diseases; at Oguni Shrine also as a prayer for peace and prosperity of the ujiko. In all three traditions, lion dances and other entertainments are included beyond the bugaku elements.
Performance of bunraku on a small stage in front and of karakuri puppets on the top-tier of a festival float. This is the only performance of ningyō jōruri on a dashi float in Japan.
Joint festival of four shrines (Hiedano, Goryō, Kawakuma, Wakamiya) as part of the o-bon celebrations praying for abundant crops. Five large straw torches (tōrō) and mikoshi are paraded through town, with the highlight being a clash between the mikoshi and large drums. Parallel to these events are ningyō jōruri puppetry performances
March 15, the 1st Sunday, 2nd Saturday and Sunday in April
A pantomime form of kyōgen realized through the actions and costumes of the actors. This tradition dates to the Kamakura Period and was devised by the monk Engaku Shōnin (1223–1311) who used such dramas to proselytize and in teaching of Buddhist concepts.
A pantomime form of kyōgen, also known as Mibu Nenbutsu Kyōgen, originally devised by the Kamakura Period monk Engaku Shōnin (1223–1311) in order to convey Buddhist teachings, the plays have over the years included other narratives as well. Actors are always masked and accompanied by hayashi music.
Old bunraku tradition that claims a 500-year history starting with the legendary puppeteer Hyaku-dayū and originated as a ritual to Ebisu and other deities protecting the land and fishermen. The Osaka tradition of bunraku play drew its inspiration from that of Awaji and nowadays both are virtually identical.
Narazuhiko Shrine Okina Dance (奈良豆比古神社の翁舞, narazuhiko jinja no okina mai)[265]
October 8
Part of the autumn festival, this okina dance[nb 22] is a prayer for peace, safety of the land, prosperity and abundant harvests. This performance is characterized by the appearance of an unmasked senzai, masked sanbasō and a white masked tayū actor instead of the usual okina. Two adjuncts, known as waki accompany the okina and the trio's appearance is followed by a question and answer dialogue between senzai and sanbasō.
A bunraku tradition influenced by that of nearby Awaji Island from where the supporting Hachisuka clan summoned puppet groups. The oldest record of this tradition dates to 1887.
Lantern Dolls of Yame Fukushima (八女福島の燈篭人形, yame fukushima tōrō ningyō)[270][271]
September 22–24
String-and-pole-manipulated karakuri puppet tradition where the dolls are operated by six men from beside or beneath a temporary yatai stage. The event goes back to 1744 when lanterns were offered to the shrine.
Hachiman Kohyō Shrine Kugutsushi Dance and Sumo (八幡古表神社の傀儡子の舞と相撲, hachiman kohyō jinja no kugutsu no mai to sumō)[272]
August 12–14, every four years
A pre-bunraku tradition of puppetry known as kugutsushi or kairaishi in which a dance piece (kuwashi o no mai) is followed by a sumō bout between puppets.
Yamanokuchi tradition of Bunya Ningyō (山之口の文弥人形, yamanokuchi bunya ningyō)[273]
Four times a year
One of five surviving bunya-ningyō traditions.[nb 20] The Yamanokuchi tradition is thought to date back to the early Edo period and is today preserved in a purpose-built museum.
A local form of kabuki also known as jikyōgen, performed by men wearing conical jingasa war hats made of paper. The character known as sanbato is wearing a bowler hat and carries a baton. The program includes dances, kyōgen and puppet entertainment.
A narrative type of bunya-ningyō puppetry[nb 20] accompanied by shamisen only and originating in the bunraku tradition of Kansai. Designated under criteria 2, 3.
Yoron full moon dance (与論の十五夜踊, yoron jūgoya odori, lit. Yoron 15th day dance)[275][276]
15th day of the third, eighth and tenth month[nb 2]
A performance alternating between kyōgen and fūryū. The dances are seen as prayer for peace on the island, for abundant crops and also as a thanks for the harvest.
18 designations. All were designated under Criteria 1 except for the Daiko of the Kokura Gion Festival and the Inaba and Tajima Kirin Lion dance which were designated under criteria 2 and 3.
Name
Date
Remarks
Location
Image
Ainu Ancient Dances (アイヌ古式舞踊, ainu koshiki buyō)[277]
Various times
Twelve types of traditional Ainu dances and nine songs including ritual dances performed during festivals,[nb 26] imitative dances,[nb 27] dances for entertainment only. Many of these are circular dances and accompanied by song.
Ritual Entertainments of Ame no Miya Shrine (雨宮の神事芸能, ame no miya no shinji geinō)[134]
April 29, every 3 years
Elegant dances with hayashi flutes and drums aimed at driving away diseases and evil spirits from the fields and praying for abundant crops. The highlight is the piece Hashigagari in which four large lion heads are paraded in front of the shrine.
Ritual Entertainments of Kasuga Wakamiya On matsuri (春日若宮おん祭の神事芸能, kasuga wakamiya on matsuri no shinji geinō)[279]
December 15–18
Various entertainments including a presentation of horsemanship skills, kagura, dengaku, bugaku, yamato mai and sarugaku, a form of noh. The festival was initiated by Fujiwara no Tadamichi to welcome and appease the kami in response to a series of floods, famines and disease during the chōshō era.
Inaba and Tajima KirinLion dance (因幡・但馬の麒麟獅子舞, inaba tajima no kirin shishimai)[215]
Various dates
A form of lion dance with slow elegant movements, where the lion is composed of two people one of them wearing a head mask of a kirin. It has been designated under criteria 2 and 3.
Part of the Suwa Shrine festival, these are a set of ceremonial dedicatory dances with distinct foreign influences from China, Holland and Portugal: jaodori (dragon dance), lion dance, kujira no shiofuki (blowing of the whale), kokkodesho (drum dance), aranda manzai.
Thanksgiving ritual for the harvest in which men row out in boats to meet the deity of abundant crops while women perform dedicatory dances to Maitreya Buddha.
Variety of dances and drama performed over three days as a thanksgiving prayer for abundant crops. The performances include lion dances, bō-odori, nisai odori and kyōgen.
Festival with a variety of performing arts including dances by women or girls and kyōgen in dedication to the gods for purifying the ground and starting the sowing of seeds.
Yonaguni Festival Arts (与那国島の祭事の芸能, yonagunijima no saiji no geinō)[291]
Unfixed dates
Ritual entertainment of harvest thanksgiving including a narrative prayer, dances, lion dances, and group dances interspersed with kyōgen performances.
Manufacture technology of Japanese-style ships in the Tsugaru Strait and surrounding area (津軽海峡及び周辺地域における和船製作技術, Tsugaru kaikyō oyobi shūhen chiiki ni okeru wasen seisaku gijutsu)
Manufacture technology of Kizumi wisteriawinnowing baskets (木積の藤箕製作技術, Kizumi no fujimi seisaku gijutsu)[293][294]
3
Technique of making Winnowing baskets out of wisteria, moso and other types of bamboo for use in agriculture and tea cultivation. The technology goes back to the mid-Edo period.
Manufacture technology of Tarai Bune tub boats in Ogi (小木のたらい舟製作技術, ogi no taraibune seisaku gijutsu)[295][296][297]
3
Construction technique of 150 cm × 130 cm × 50 cm (59 in × 51 in × 20 in) sized tub boats used for spear fishing and seaweed collection since the late Edo period.
Manufacture technology of Ronden Kumanashi winnowing baskets (論田・熊無の藤箕製作技術, ronden kumanashi no fujimi seisaku gijutsu)[298][299]
3
Winnowing basket making technique transmitted in two communities since the mid-Edo period and sold in the Hokuriku region. Wisteria, bamboo, black locust and sometimes yama urushi (山漆) are used in the production process. In addition to the basket making, the designated property includes the collection and processing of raw materials.
Cormorant fishing for ayu sweetfish on the middle Nagara River using wooden boats that hold three people: the fishing master, a helper and the pilot and that feature an iron basket holding a large fire at the front of the boat.
Sedge hat making technique for use in agriculture, festivals and traditional events, that is characterised by a division of labor. In the process men are assembling thin-sliced bamboo sticks into a cone shaped frame, while women sew the sedge onto it. The craft has an unchanged history of more than 400 years and flourished in the early Edo period (17th century).
Manufacture techniques of Enako Bandori (straw raincoats) (江名子バンドリの製作技術, enako bandori noseisaku gijutsu)[304][305]
Manufacturing technique of rain coats used in agricultura, that has been a winter farmer side-job in Enako and goes back to the Edo period. The designation includes all process necessary for the production of Enako straw rain coats, from harvest to the final touches on the product. Bandori is a local word for the Japanese giant flying squirrel to which wearers of these raincoats are said to resemble.
^Mounds are constructed every year which is special for 108 lights festivals
^In tamaseseri men dressed in loinclothes scramble for straw balls.
^The Chiryū Festival, which is part of the UNESCO designated Yama, Hoko, Yatai, float festivals in Japan, has been designated as Important Intangible Folk Cultural Property in the category of Folk performing arts – Entertainment from Abroad and Performance Arts.
^Until 2016 the festival had been held every year from October 23–25.
^ abcIn the yudate kagura a cauldron is placed inside the sacred area to perform a ritual purification with boiling water (yudate). This form of dances are derived from those at the outer shrines of Ise Shrine and is known as Ise-ryū kagura. It is associated with festivals such as hana-matsuri, shimotsuki matsuri and fuyu matsuri.[169][170]
^An agricultural tool for scraping the surface of the soil.
^Kudoki is a type of song in which a long narrative is sung to a continuously repeating melody.
^An alternative explanation attributes the manzai to low level monks who were forcibly settled in the area following a decree by Toyotomi Hideyoshi from 1594, and who provided various forms of entertainment.
^Young men of various age from the community and neighboring communities perform the rite today.
^Tsunabi are a traditional form of fireworks where originally a bamboo tube filled with gunpowder was fired along a rope.
^Out of 12 pieces each, four of the dances at Amatsu Shrine and three dances at Nō Hakusan Shrine are performed by adults.
^ abcThe bunya style of Ningyō Jōruri| is named after puppeteer Okamoto Bunya (1633–1694) and is characterised by high-pitched grief-stricken vocal delivery.
^A grand festival is held biannually and a smaller festival in the other years.
^ abOkina is an ancient form of noh, which it predates. More similar to a shinto ritual performance, it was possibly created in the 10th century in Okinawa. Unlike the typical noh play it is meant to be joyous and aims to bring peace, longevity and prosperity. The chief characters are typically okina (old man), senzai (one thousand years [old]) and sanbasō (a third man). Extant examples exist in kabuki, bunraku and folk theatre.[266]
^This is indicated by the appearance of Chich no jō whose character disappeared during the Muromachi Period and whose role was subsequently taken over by senzai.
^Performances are regularly held at the purpose built Awaji Ningyō Jōruri Hall.
^A pre-bunraku tradition of puppetry also referred to as kairaishi.
^Ritual Ainu dances include iomante (to drive away bears), pekanpe (prayers for the ripening of water chestnut), shishamo (for catching fish), bow dances, sword dances and dances accompanying chores.
^Imitative Ainu dances include tsuru no mai (crane dance).
References
^ abc重要有形民俗文化財の指定等 [Designation of Important Folk Cultural Properties] (PDF) (in Japanese). Agency for Cultural Affairs. Retrieved 2019-02-22.
^青海の竹のからかい [Ōmi tug-of-war with bamboo] (in Japanese). Itoigawa tourism association. Retrieved 2018-03-22.
^邑町のサイノカミ [Muramachi New Year Deity Send Off] (in Japanese). Toyama Prefecture. 2010-01-14. Retrieved 2018-03-22.
^無形民俗文化財~塞の神まつり [Intangible Folk Cultural Property Sai no Kami Festival] (in Japanese). Nyūzen town. 2014-09-30. Retrieved 2018-03-22.
^能登のアマメハギ [Noto's Amamehagi] (in Japanese). Noto town. Retrieved 2018-03-22.
^野沢温泉の道祖神祭り [Nozawa Onsen Dōsojin Fire Festival] (in Japanese). Nozawa Onsen Sightseeing Association. Archived from the original on 2019-04-06. Retrieved 2018-04-07.
^「伊江島の村踊」について [About the Iejima Village Dance] (in Japanese). Ie village. 2015-02-14. Retrieved 2018-04-15.
^伊江島の村踊~国の重要無形民俗文化財~ [Designation of the Iejima Village Dance as national Important Intangible Folk Cultural Property] (in Japanese). Ie village. 2015-01-13. Retrieved 2018-04-15.
^「秋田のイタヤ箕製作技術」が国の重要無形民俗文化財に指定されました。 [Designation of "Manufacture technology of Itaya baskets in Akita" as National Important Intangible Folk Cultural Property] (in Japanese). Retrieved 2018-04-16.
^木積の藤箕製作技術 [Manufacture technology of Kizumi winnowing baskets] (in Japanese). Chiba Prefecture. Retrieved 2018-05-03.
^「木積の藤箕製作技術」が国指定重要無形民俗文化財に指定されました [Designation of "Manufacture technology of Kizumi winnowing baskets" as Important Intangible Folk Cultural Property] (in Japanese). Sōsa city. Retrieved 2018-05-03.
^小木たらい舟 製作技術保存会 [Manufacture technology of Tarai Bune boats in Ogi preservation society] (in Japanese). Manufacture technology of Tarai Bune boats in Ogi preservation society. Retrieved 2018-04-18.
^小木のたらい舟製作技術 [Manufacture technology of Tarai Bune boats in Ogi] (in Japanese). Sado city. Retrieved 2018-04-18.
^小木のたらい舟製作技術 [Manufacture technology of Tarai Bune boats in Ogi] (in Japanese). Japanese Traditional Culture Promotion and Development Organization. Retrieved 2018-04-18.
^論田・熊無の藤箕製作技術 [Manufacture technology of Ronden Kumanashi winnowing baskets] (in Japanese). Japanese Traditional Culture Promotion and Development Organization. Retrieved 2018-05-03.
^「論田・熊無の藤箕製作技術」の国重要無形民俗文化財の指定について [Designation of "Manufacture technology of Ronden Kumanashi winnowing baskets" as Important Intangible Folk Cultural Property] (in Japanese). Toyama Prefecture. Retrieved 2018-05-03.
^長良川の鵜飼漁の技術 [Cormorant fishing on the Nagara River] (in Japanese). Gifu Prefecture. Retrieved 2018-04-18.
^「鳥羽・志摩の海女漁の技術」が国の重要無形民俗文化財に指定されました [Designation of "Ama diving in Toba and Shima" as national Important Intangible Folk Cultural Property] (in Japanese). Shima city. 2017-03-03. Retrieved 2018-04-19.
^越中福岡の菅笠製作技術 [Manufacture techniques of Etchū Fukuoka sedge-woven hats] (in Japanese). Takaoka city. 2015-10-29. Retrieved 2018-03-15.