Mary Elizabeth Spacek was born on Christmas Day 1949, in Quitman, Texas, the daughter of Virginia Frances (née Spilman, 1917–1981)[3] and Edwin Arnold Spacek Sr.,[4] a Wood County, Texas agricultural agent in Quitman. Her father was of three quarters Czech (Moravian) and one quarter Sudeten-German ancestry; her paternal grandparents were Mary (née Cervenka) and Arnold A. Spacek (who served as mayor of Granger, Texas in Williamson County).[5][6] Actor Rip Torn was her first cousin;[7] his mother Thelma Torn (née Spacek) was an elder sister of Sissy's father Edwin.[8] Spacek's mother, who was of English and Irish descent, was from the Rio Grande Valley of Texas.[9]
At the age of six, Spacek performed on stage for the first time in a local talent show.[10] Although her birth name was Mary Elizabeth, she was always called Sissy by her brothers, which led to her nickname. She attended Quitman High School.[10]
Spacek was greatly affected by the 1967 death of her 18-year-old brother Robbie from leukemia, which she has called "the defining event of my whole life."[11] She has said the tragedy made her fearless in her acting career:
"I think it made me brave. Once you experience something like that, you've experienced the ultimate tragedy. And if you can continue, nothing else frightens you. That's what I meant about it being rocket fuel—I was fearless in a way. Maybe it gave more depth to my work because I had already experienced something profound and life-changing."
Spacek initially aspired to a singing career. Under the name Rainbo, she recorded a 1968 single, "John You Went Too Far This Time", the lyrics of which chided John Lennon for his and Yoko Ono's nude album cover for Two Virgins. When sales of her music sputtered, she was dropped by her record label. Spacek switched her focus to acting, enrolling at the Lee Strasberg Theatre and Film Institute.
Career
1970–1975: Early roles and breakthrough
She worked as a photographic model (represented by Ford Models) and as an extra at Andy Warhol's Factory. She appeared in a non-credited role in his film Trash (1970). With the help of her cousin, actor Rip Torn, she enrolled in Lee Strasberg's Actors Studio and later the Lee Strasberg Institute in New York.
Spacek's first credited role was in Prime Cut (1972), in which she played Poppy, a girl sold into sexual slavery.[9] The role led to television work, including a 1973 guest role on The Waltons, which she played twice. She received international attention for her breakthrough role in Terrence Malick's Badlands (1973); she played Holly, the film's narrator and 15-year-old girlfriend of serial killer Kit (Martin Sheen).[9] Spacek has described Badlands as the "most incredible" experience of her career.[13] Vincent Canby of The New York Times called it a "cool, sometimes brilliant, always ferociously American film" and wrote, "Sheen and Miss Spacek are splendid as the self-absorbed, cruel, possibly psychotic children of our time."[14] On the set of Badlands, Spacek met art director Jack Fisk, whom she married in 1974.[10] She worked as the set dresser for Brian De Palma's film Phantom of the Paradise (1974).
1976–1980: Carrie and film stardom
Spacek's most prominent early role came in De Palma's film Carrie (1976) playing Carrie White, a shy, troubled high school senior with telekinetic powers.[9] Spacek had to work hard to persuade de Palma to cast her in the role.[9] After rubbing Vaseline in her hair and donning an old sailor dress her mother had made for her as a child, she turned up at the audition with the odds against her, but won the part.[15] Spacek's performance was widely praised and led to a nomination for Academy Award for Best Actress. Pauline Kael of The New Yorker wrote: "Though few actresses have distinguished themselves in gothics, Sissy Spacek, who is onscreen almost continuously, gives a classic chameleon performance. She shifts back and forth and sideways: a nasal, whining child; a chaste young beauty at the prom; and then a second transformation when her destructive impulses burst out and age her. Sissy Spacek uses her freckled pallor and whitish eyelashes to suggest a squashed, groggy girl who could go in any direction; at times, she seems unborn–a fetus. I don't see how this performance could be any better; she's touching, like Elizabeth Hartman in one of her victim roles, but she's also unearthly—a changeling."[16]
After Carrie, Spacek played the small role of housekeeper Linda Murray in Alan Rudolph's ensemble piece Welcome to LA (1976) and cemented her reputation in independent cinema with her performance as Pinky Rose in Robert Altman's classic 3 Women (1977). A review in The New York Times said, "In this film Miss Spacek adds a new dimension of eeriness to the waif she played so effectively in Carrie."[17] Altman was deeply impressed by her performance: "She's remarkable, one of the top actresses I've ever worked with. Her resources are like a deep well." De Palma said: "[Spacek is] a phantom. She has this mysterious way of slipping into a part, letting it take over her. She's got a wider range than any young actress I know."[18] Spacek helped finance Eraserhead (1977), David Lynch's directorial debut, and is thanked in the film's credits.
Spacek began the 1980s with an Academy Award for Best Actress for her performance in Coal Miner's Daughter (1980), in which she played country music star Loretta Lynn, who selected her for the role.[9] In addition to the Academy Award, she also won the NYFCC Award, LAFCA Award, NSFC Award and Golden Globe Award for Best Actress. Both she and Beverly D'Angelo, who played Patsy Cline, sang their characters' vocals themselves in the film.[9] Film critic Roger Ebert credited the movie's success to "the performance by Sissy Spacek as Loretta Lynn. With the same sort of magical chemistry she's shown before, when she played the high school kid in Carrie, Spacek at 29 has the ability to appear to be almost any age on screen. Here, she ages from about 14 to somewhere in her 30s, always looks the age, and never seems to be wearing makeup."[19]Andrew Sarris of The Village Voice wrote: "Sissy Spacek—yes, I'm flabbergasted—is simple and faithful as Lynn. Spacek's face is no more of an actor's instrument than it ever was, but given a human being to play, given a director concerned with acting, she makes that woman exist. She sings the songs herself, nicely, and she has mastered the Appalachian accent."[20] Spacek also was nominated for a Grammy Award for singing on the film's soundtrack album. She followed the recording with her own country album, Hangin' Up My Heart (1983); the album spawned one hit single, "Lonely But Only For You," a song written by K. T. Oslin, which reached No. 15 on the Billboard Country chart.[21]
In the film Heart Beat (1980), Spacek played Carolyn Cassady, who—under the influence of John Heard's Jack Kerouac and Nick Nolte's Neal Cassady—slips into a combination of drudgery and debauchery.[22][23] Spacek was so adamant about getting the role that she pored through over 4,000 pages of research to prepare for her character. Producer Ed Pressman and director John Byrum took her to dinner to advise her that she did not have the role. Spacek was so distraught at the news that she shattered a glass of wine in her hand. After that, Pressman walked up to her with a piece of shattered glass and told her she had the role. He said that Spacek breaking the glass clinched the deal, and they believed she ultimately would best suit the part.[24] The film was released on April 25, 1980, to mixed reviews.[25] Ebert called her performance "wonderfully played" and her scenes with Heard and Nolte "almost poetic."[26]
Spacek had a supporting role as the wife of Jim Garrison (played by Kevin Costner) in Oliver Stone's JFK (1991) and made a number of comedies, TV movies, and the occasional film. She played Verena Talbo in the ensemble piece The Grass Harp (1995), which reunited her with both Lemmon and Piper Laurie. She lent a supporting performance as the waitress Margie Fogg in Paul Schrader's father-son psychodrama Affliction (1997). She also played Rose Straight in David Lynch's The Straight Story (1999) and the mother of Brendan Fraser's character in Blast from the Past.
Spacek published a memoir, My Extraordinary Ordinary Life, with co-author Maryanne Vollers, in 2012.[36][37]The Washington Post's Jen Chaney called it "refreshingly down-to-earth" and "beautifully written,"[38] adding that Spacek's description of her childhood is so "evocative that one can almost taste the sour stalks of goatweed she chewed on steamy summer afternoons." Jay Stafford of Richmond Times-Dispatch wrote that, unlike other actors' autobiographies, Spacek's "benefits from good writing and remarkable frankness."[39]The Austin Chronicle's Margaret Moser wrote that Spacek's memoir is "as easy to read as it is a pleasure to digest."[40]Biographile'sKirkus Reviews was less appreciative, calling it "an average memoir" and "overly detailed" while criticizing its lack of "narrative arc," but complimented Spacek for being "truly down-to-earth."[41]Kirkus added that "the book is 'ordinary' and does not have enough drama to engage readers not directly interested in Spacek and her work" and is "for diehard movie buffs and Spacek fans only."[41]
Spacek became the first actor to appear in a film nominated for the Academy Award for Best Picture in each of the four most recent decades. Each film was released near the beginning of its decade: Coal Miner's Daughter (1980), Missing (1982), JFK (1991), In the Bedroom (2001), and The Help (2011). Spacek appeared in the crime drama film Deadfall (2012). She also co-starred with Robert Redford in his next-to-last role before his retirement in the biographical crime film The Old Man & the Gun (2018), which received critical acclaim.[according to whom?] Spacek also had starring roles in a variety of television series in the late 2010s. She starred as the matriarch Sally Rayburn in the Netflix thriller series Bloodline, which aired from 2015 to 2017; as Ruth Deaver on the Hulu psychological series Castle Rock (2018), which intertwines characters and themes from Stephen King's fictional town of Castle Rock, Maine; and as Ellen Bergman, the mother of Julia Roberts's character, in the Amazon Prime Video series Homecoming (2018). She co-starred alongside Dustin Hoffman in Darren Le Gallo’s directorial debut Sam & Kate (2022).[42] That same year she acted in the Amazon Prime Video science-fiction series Night Sky acting opposite J.K. Simmons. The series was cancelled after its first season.
Personal life
Spacek married production designer and art director Jack Fisk in 1974, after they met on the set of Badlands.[9] They have two daughters: Schuyler Fisk, who was born on July 8, 1982, and Madison Fisk, who was born on September 21, 1988.[43] Schuyler has followed in her mother's footsteps as both an actress and a singer. Spacek and her family moved to a farm near Charlottesville, Virginia, in 1982.[44]
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