For scene that has been removed from the final version of a film or television show, see deleted scene.
The cutscene in the original Pac-Man game exaggerated the effect of the Energizer power pellet power-up.[1]
A cutscene or event scene (sometimes in-game cinematic or in-game movie) is a sequence in a video game that is not interactive, interrupting the gameplay. Such scenes are used to show conversations between characters, set the mood, reward the player, introduce newer models and gameplay elements, show the effects of a player's actions, create emotional connections, improve pacing or foreshadow future events.[2][3]
Cutscenes often feature "on the fly" rendering, using the gameplay graphics to create scripted events. Cutscenes can also be pre-renderedcomputer graphics streamed from a video file. Pre-made videos used in video games (either during cutscenes or during the gameplay itself) are referred to as "full motion videos" or "FMVs". Cutscenes can also appear in other forms, such as a series of images or as plain text and audio.
In the point-and-click adventure genre, Ron Gilbert introduced the cutscene concept with non-interactive plot sequences in Maniac Mansion (1987).[11]Tecmo's Ninja Gaiden for the Famicom in 1988 and NES the following year featured over 20 minutes of anime-like "cinema scenes" that helped tell an elaborate story. In addition to an introduction and ending, the cutscenes were intertwined between stages and gradually revealed the plot to the player. The use of animation or full-screen graphics was limited, consisting mostly of still illustrations with sound effects and dialogue written underneath; however the game employed rather sophisticated shots such as low camera angles and close-ups, as well as widescreen letterboxing, to create a movie-like experience.
Cutscenes became much more common with the rise of CD-ROM as the primary storage medium for video games, as its much greater storage space allowed developers to use more cinematically impressive media such as FMV and high-quality voice tracks.[12]
Live-action cutscenes have many similarities to films. For example, the cutscenes in Wing Commander IV used both fully constructed sets, and well known actors such as Mark Hamill and Malcolm McDowell for the portrayal of characters.
Some movie tie-in games, such as Electronic Arts' The Lord of the Rings and Star Wars games, have also extensively used film footage and other assets from the film production in their cutscenes. Another movie tie-in, Enter the Matrix, used film footage shot concurrently with The Matrix Reloaded that was also directed by the film's directors, the Wachowskis. In the DreamWorks Interactive (now known as Danger Close Games) 1996 point and click title, The Neverhood Chronicles, full motion video cutscenes were made using the animation technique of stop motion and puppets sculpted out of plasticine, much like the game’s actual worlds and characters. The game’s creator, Douglas TenNapel was in charge of filming the cutscenes, as stated in the game’s behind the scenes video.
Pre-rendered cutscenes
Pre-rendered cutscenes are animated and rendered by the game's developers, and take advantage of the full array of techniques of CGI, cel animation or graphic novel-style panel art. Like live-action shoots, pre-rendered cutscenes are often presented in full motion video.
Screenshot of a pre-rendered cutscene from Warzone 2100, a free and open-source video game
Real time cutscenes
Real time cutscenes are rendered on-the-fly using the same game engine as the graphics during gameplay. This technique is also known as Machinima.
Many games use both pre-rendered and real time cutscenes as the developer feels is appropriate for each scene.
During the 1990s in particular, it was common for the techniques of live action, pre-rendering, and real time rendering to be combined in a single cutscene. For example, popular games such as Myst, Wing Commander III, and Phantasmagoria use film of live actors superimposed upon pre-rendered animated backgrounds for their cutscenes. Though Final Fantasy VII primarily uses real-time cutscenes, it has several scenes in which real-time graphics are combined with pre-rendered full motion video. Though rarer than the other two possible combinations, the pairing of live action video with real time graphics is seen in games such as Killing Time.[13]
Director Steven Spielberg, director Guillermo del Toro, and game designer Ken Levine, all of whom are avid video gamers, criticized the use of cutscenes in games, calling them intrusive. Spielberg states that making the story flow naturally into the gameplay is a challenge for future game developers.[16][17] Hollywood writer Danny Bilson called cinematics the "last resort of game storytelling", as a person doesn't want to watch a movie when they are playing a video game.[18][19] Game designer Raph Koster criticized cutscenes as being the part that has "the largest possibility for emotional engagement, for art dare we say", while also being the bit that can be cut with no impact on the actual gameplay. Koster claims that because of this, many of the memorable peak emotional moments in video games are actually not given by the game itself at all.[20] It is a common criticism that cutscenes simply belong to a different medium.[21]
Others think of cutscenes as another tool designers can use to make engrossing video games. An article on GameFront calls upon a number of successful video games that make excessive use of cutscenes for storytelling purposes, referring to cutscenes as a highly effective way to communicate a storyteller's vision.[19] Rune Klevjer states: "A cutscene does not cut off gameplay. It is an integral part of the configurative experience", saying that they will always affect the rhythm of a game, but if they are well implemented, cutscenes can be an excellent tool for building suspense or providing the player with helpful or crucial visual information.[22]
See also
Interactive movie – Video game genrePages displaying short descriptions of redirect targets
Scripted sequence – Series of events rendered in real time in a video game's engine
References
^Matteson, Aaron. "Five Things We Learned From Pac-Man". Joystick Division. Archived from the original on June 16, 2016. Retrieved January 16, 2012. "This cutscene furthers the plot by depicting a comically large Pac-Man".
^Sellers, John (August 21, 2001). "Quarter Pounder Deluxe". Arcade Fever The Fan's Guide To The Golden Age Of Video Games. Running Press. p. 37. ISBN978-0-7624-0937-2. Deluxe Space Invaders landed in 1979. Titled Space Invaders Part II in Japan, the game replicated the frenzy of the original but didn't bring much novelty to the arcade. Kudos, however, to Taito for one innovation: The sequel featured funny little intermission scenes between levels (a precursor to the breaks in Pac-Man), in which the last invader you shot would limp off screen.
^Mielke, James (May 9, 2006). "Previews: Heavenly Sword". 1UP.com. Archived from the original on June 4, 2011. Retrieved December 19, 2007. Some points in key battles (usually with bosses) integrate QTE (quick-time events), which fans of Shenmue and Indigo Prophecy might like, but which we've been doing since Dragon's Lair and Space Ace. Time to move on, gents.
^Koster, Raph (December 7, 2005). "The Pixar Lesson". Raph Koster's Website. Raph Koster. Archived from the original on November 9, 2008. Retrieved October 7, 2008. Well, that would leave the part that has the largest possibility for emotional engagement, for art dare we say, in the bit that can be cut with no impact to gameplay whatsoever. This is why I say that many of the peak emotional moments we remember in games are actually "cheating" – they're not given to us by the game at all, but by cutscenes.