Guillermo del Toro Gómez (Spanish:[ɡiˈʝeɾmoðelˈtoɾo]; born 9 October 1964) is a Mexican filmmaker, author, and artist. His work has been characterized by a strong connection to fairy tales and horror, with an effort to infuse visual or poetic beauty in the grotesque.[1] Also known for his fascination of gothic literature, art and film in which he implements into films. He has had a lifelong fascination with monsters, which he considers symbols of great power.[2] He is also known for his use of insectile and religious imagery, his themes of Catholicism, anti-fascism, and celebrating imperfection, underworld motifs, practical special effects, and dominant amber lighting.[3][4]
Del Toro promoting his first feature film, Cronos, which was released in 1993
Guillermo del Toro Gómez[8] was born in Guadalajara on 9 October 1964, the son of Guadalupe Gómez Camberos and automotive entrepreneur Federico del Toro Torres.[9] His parents were both of Spanish descent.[9] Raised in a strict Catholic household,[10] he attended the University of Guadalajara's Centro de Investigación y Estudios Cinematográficos (Film Studies Center).[11]
When del Toro was about eight years old, he began experimenting with his father's Super 8 camera, making short films with Planet of the Apes toys and other objects. One short focused on a "serial killer potato" with ambitions of world domination; it murdered del Toro's mother and brothers before stepping outside and being crushed by a car.[12] Del Toro made about 10 short films before his first feature, including one titled Matilde, but only the last two, Doña Lupe and Geometria, have been made available.[13] He wrote four episodes and directed five episodes of the cult seriesLa Hora Marcada, along with other Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.[14]
Career
1993–2001: Early films and breakthrough
His first movie was supposed to be a stop-motion sci-fi feature called Omnivore, about a lizard-man born in a savage land where everything tries to eat everything else.[15] He and his team built sets and about 100 puppets over a three-year period prior to filming. Vandals burglarized the studio one night and destroyed the puppets and sets, which put an end to his project as del Toro decided to switch to a live-action film, Cronos.[16][17]
Del Toro studied special effects and make-up with special-effects artist Dick Smith.[18] He spent 10 years as a special-effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later in his directing career, he formed his own production company, the Tequila Gang.[19]
In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax Films (then owned by Disney) to shoot another film, Mimic. He was ultimately unhappy with the way Miramax treated him during production, which led to his friend James Cameron almost coming to blows with Miramax co-founder and owner Harvey Weinstein during the 70th Academy Awards.[20]
I cannot pontificate about it, but by the time I'm done, I will have done one movie, and it's all the movies I want.
People say, you know, "I like your Spanish movies more than I like your English-language movies because they are not as personal," and I go "Fuck, you're wrong!" Hellboy is as personal to me as Pan's Labyrinth. They're tonally different, and yes, of course you can like one more than the other—the other one may seem banal or whatever it is that you don't like. But it really is part of the same movie. You make one movie.
Hitchcock did one movie, all his life.
Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment."[22]
He is close friends with two other prominent and critically praised Mexican filmmakers Alfonso Cuarón and Alejandro González Iñárritu.[23] The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth, while Iñárritu assisted in editing the film. The three filmmakers, referred to as the "Three Amigos" founded the production company Cha Cha Cha Films, whose first release was 2008's Rudo y Cursi.[24][25]
On 2 June 2009, del Toro's first novel, The Strain, was released. It is the first part of an apocalyptic vampire trilogy co-authored by del Toro and Chuck Hogan. The second volume, The Fall, was released on 21 September 2010. The final installment, The Night Eternal, followed in October 2011. Del Toro cites writings of Antoine Augustin Calmet, Montague Summers and Bernhardt J. Hurwood among his favourites in the non-literary form about vampires.[30] On 9 December 2010, del Toro launched Mirada Studios with his long-time cinematographer Guillermo Navarro, director Mathew Cullen and executive producer Javier Jimenez. Mirada was formed in Los Angeles, California to be a collaborative space where they and other filmmakers can work with Mirada's artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory.[31]
Del Toro directed Pacific Rim, a science fiction film based on a screenplay by del Toro and Travis Beacham. In the film, giant monsters rise from the Pacific Ocean and attack major cities, leading humans to retaliate with gigantic mecha suits called Jaegers. Del Toro commented, "This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun."[32] The film was released on 12 July 2013 and grossed $411 million at the box office.
Del Toro directed "Night Zero", the pilot episode of The Strain, a vampire horror television series based on the novel trilogy of the same name by del Toro and Chuck Hogan. FX had commissioned the pilot episode, which del Toro scripted with Hogan and was filmed in Toronto in September 2013.[33][34] FX ordered a thirteen-episode first season for the series on 19 November 2013, and series premiered on 13 July 2014.[35]
After The Strain's pilot episode, del Toro directed Crimson Peak, a gothic horror film he co-wrote with Matthew Robbins and Lucinda Cox. Del Toro has described the film as "a very set-oriented, classical but at the same time modern take on the ghost story", citing The Omen, The Exorcist and The Shining as influences. Del Toro also stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Jessica Chastain, Tom Hiddleston, Mia Wasikowska, and Charlie Hunnam starred in the film.[36][37] Production began February 2014 in Toronto, with an April 2015 release date initially planned. The studio later pushed the date back to October 2015, to coincide with the Halloween season.[38] He was selected to be on the jury for the main competition section of the 2015 Cannes Film Festival.[39][40]
Del Toro collaborated with Japanese video game designer Hideo Kojima to produce P.T., a video game intended to be a "playable trailer" for the ninth Silent Hill game, which was cancelled.[48] The demo was also removed from the PlayStation Network amids major controversies. At the D23 Expo in 2009, his Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, Trollhunters: Tales of Arcadia.[49][50] However, del Toro moved his deal to DreamWorks Animation in late 2010.[51] From 2016 to 2018, Trollhunters was released to great acclaim on Netflix and "is tracking to be its most-watched kids original ever."[52] In 2017, Del Toro had an exhibition of work at the Minneapolis Institute of Art titled Guillermo del Toro: At Home with Monsters, featuring his collection of paintings, drawings, maquettes, artifacts, and concept film art.[53] The exhibition ran from 5 March 2017, to 28 May 2017.[citation needed] In 2019, del Toro appeared in Hideo Kojima's video game Death Stranding, providing his likeness for the character Deadman.
In 2008, del Toro announced he was working on a dark stop-motionfilm adaptation of the Italian novel The Adventures of Pinocchio, co-directed by Adam Parrish King, with The Jim Henson Company as production company, and music by Nick Cave.[58] The project had been in development for over a decade. The pre-production was begun by the studio ShadowMachine. In 2017, del Toro announced that Patrick McHale is co-writing the script of the film.[59] In the same year, del Toro revealed at the 74th Venice International Film Festival that the film will be reimagined during the rise of Benito Mussolini, and that he would need $35 million to make it.[60] In November 2017, it was reported that del Toro had cancelled the project because no studios were willing to finance it.[61] In October 2018, it was announced that the film had been revived, with Netflix backing the project. Netflix had previously collaborated with del Toro on Trollhunters. Many of the same details of the project remain the same, but with Mark Gustafson now co-directing rather than Adam Parrish King. It premiered at the BFI London Film Festival on 15 October 2022,[62] and received a theatrical release on 9 November of the same year before a scheduled release on Netflix in December.[63] The film won the Best Animated Feature at the 95th Academy Awards.[64]
Del Toro revealed plans to direct a stop-motion adaptation of the Kazuo Ishiguro novel The Buried Giant in January 2023, which he is co-writing with Dennis Kelly, as well as an as-yet unrevealed live-action film that he will shoot first.[65] In February, it was announced that del Toro would reteam with Netflix and ShadowMachine on The Buried Giant.[66] In March, 2023, it was confirmed that Oscar Isaac, Andrew Garfield and Mia Goth were in talks to star in his long in-development Frankenstein film, now based at Netflix.[67] Garfield was later replaced by Jacob Elordi and filming commenced in January 2024.[68] At the 2023 Annecy International Animation Film Festival he said he planned to leave live-action films and just do animation: "There are a couple more live-action movies I want to do but not many. After that, I only want to do animation. That's the plan." He also expressed frustration over the fact that five of his projects were turned down by studios in just two months.[69]
Favorite films
In 2012, del Toro participated in the Sight & Sound film poll. Held every 10 years to select the greatest films of all time, contemporary directors are asked to select their 10 favorite films. Del Toro chose:[70]
Del Toro met and began dating Lorenza Newton, cousin of singer Guadalupe Pineda, when they were both studying at the Instituto de Ciencias in Guadalajara. They were married in 1986 and had two daughters together[72] before divorcing in September 2017.[73] In 2021, he married Kim Morgan, an American film historian who was formerly married to Canadian filmmaker Guy Maddin.[74]
Del Toro maintains homes in Toronto and Los Angeles, and returns to his native Guadalajara every six weeks to visit his family.[75] He also owns two houses devoted exclusively to his collection of books, poster artwork, and other belongings pertaining to his work. He explained, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."[22]
Views
In a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films (such as the industrialist in Cronos, the Nazis in Hellboy, Italian Fascism in Pinocchio, and the Francoists in Pan's Labyrinth) are united by the common attribute of authoritarianism: "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalized social, religious, or economic thing."[76]
Raised Catholic, del Toro told Charlie Rose in a 2009 interview that his upbringing was excessively "morbid" and said, "I mercifully lapsed as a Catholic... but as Buñuel used to say, 'I'm an atheist, thank God.'" He insists that he is spiritually "not with Buñuel" and that he is "once a Catholic, always a Catholic, in a way". He concluded, "I believe in Man. I believe in mankind, as the worst and the best that has happened to this world."[77] He has also responded to the claim that he views his art as his religion: "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously."[22] Nevertheless, he became a "raging atheist" after seeing a pile of human fetuses while volunteering at a Mexican hospital.[78] He also said that he was horrified by the way the Catholic Church complied with Francoist Spain, and even had a character in one of his films quote what actual priests would say to Republican faction members in concentration camps.[79] Upon discovering the religious beliefs of English writer C. S. Lewis, del Toro stated that he could no longer related to Lewis and his work, despite having done so beforehand.[80] He described Lewis as "too Catholic" for him, despite the fact that Lewis was never a Catholic.[81]
Del Toro is not entirely disparaging of Catholicism, and his background continues to influence his work. While discussing The Shape of Water, he mentioned the Catholic influence on the film: "A very Catholic notion is the humble force, or the force of humility, that gets revealed as a god like figure toward the end. It's also used in fairy tales. In fairy tales, in fact, there is an entire strand of tales that would be encompassed by the title 'The Magical Fish'. And [it's] not exactly a secret that a fish is a Christian symbol." In the same interview, he said, "I don't think there is life beyond death, I don't. But I do believe that we get this clarity in the last minute of our life. The titles we achieved, the honors we managed, they all vanish. You are left alone with you and your deeds and the things you didn't do. And that moment of clarity gives you either peace or the most tremendous fear, because you finally have no cover, and you finally realize exactly who you are."[82]
In an interview for his book and exhibition Guillermo del Toro at Home with Monsters, del Toro stated in 2016, "A lot of Mexican Catholic dogma, the way it's taught, it's about existing in a state of grace, which I found impossible to reconcile with the much darker view of the world and myself, even as a child. I couldn't make sense of impulses like rage or envy and, when I was older, more complex ones, you know. I felt there was a deep cleansing allowing for imperfection through the figure of a monster. Monsters are the patron saints of imperfection."[83]
Del Toro is highly skeptical of AI in filmmaking, telling the British Film Institute in September 2024, "I saw a demo of AI [being used for animation] and I thought, 'Oh, that's what people think animation is: giving prompts and the computer does it. [...] AI has demonstrated that it can do semi-compellingscreensavers—that's essentially that. And I think the value of art is not how much it costs and how little effort it requires, it's how much you would risk to be in its presence. Are [screensavers] going to make [viewers] cry because they lost a son, a mother? Because they misspent their youth? No. [AI is] in the hands of people that don't think about it as a tool but as a solution. [...] It should be, if at all, optional."[84]
Interests
While studying at university, del Toro published his first book when he wrote a biography of English filmmaker Alfred Hitchcock, whom he has long praised and admired.[85]
Del Toro's favorite film monsters are Frankenstein's monster, the Xenomorph, Gill-man, Godzilla, and the Thing.[88] Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy". He said, "It's the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way."[89] He usually watches three films a day,[90] and lists Brazil, Nosferatu, Freaks, and Bram Stoker's Dracula among his favorite horrors.[91][92]
Del Toro is also a fan of Japanese manga and anime, having called the anime Doraemon "the greatest kids series ever created".[93] He has citied Hayao Miyazaki as one of his influences and one of his favorite storytellers in any medium, having identified with his style and influence through his Toei Animation and Studio Ghibli projects like The Wonderful World of Puss 'n Boots, Heidi, Girl of the Alps, My Neighbor Totoro, and The Boy and the Heron from childhood to adulthood, praising how he evokes the emotion of recognizing an impossible beauty only existing in films and realistically depicting brutal themes that affect the best and the worth of humanity, deeming Miyazaki an entirely genuine one-of-a-kind creator who exists fully in his art.[94]
Del Toro is highly interested in the culture of Victorian England. He said, "I have a room of my library at home called 'The Dickens Room'. It has every work by Charles Dickens, Wilkie Collins, and many other Victorian novelists, plus hundreds of works about Victorian London and its customs, etiquette, architecture. I'm a Jack the Ripper aficionado, too. My museum/home has a huge amount of Ripperology in it."[95]
In 2019, del Toro paid for the flights of the Mexican teams to attend the 60th International Mathematical Olympiad (IMO) in South Africa and the United Kingdom, after the Mexican chapter of the IMO announced the government had suspended financing for the youngsters.[96][97]
Del Toro has an honorary doctorate from the National Autonomous University of Mexico (UNAM). In November 2022, UNAM awarded him the Honoris Causa Doctorate for his "contributions to culture and his support for the youth".[98]
Father's 1997 kidnapping
Del Toro's father, Federico del Toro Torres, was kidnapped in Guadalajara around 1997. Del Toro's family had to pay twice the amount originally asked for as a ransom ($1 million). Immediately after learning of the kidnapping, fellow filmmaker James Cameron, a friend of del Toro since they met after the production of Cronos, offered to help del Toro pay for the ransom, which del Toro accepted.[99] 72 days after Federico was kidnapped, the ransom was paid and he was released. The culprits were never apprehended, nor was the money ever recovered.[100] The event prompted del Toro, his parents, and his siblings to move abroad. In a 2008 interview with Time magazine, he mentioned the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]."[101][22]
^Wood, Jason, Talking Movies: Contemporary World Filmmakers in Interview, p. 29
^Boehm, Erich; Carver, Benedict (4 September 1998). "Tequila Gang to pour pix". Variety. Los Angeles, California: Penske Media Group. Archived from the original on 10 March 2018. Retrieved 9 March 2018.
^Nordyke, Kimberly; Lewis, Hilary (8 February 2022). "Oscars: Full List of Nominations". The Hollywood Reporter. Archived from the original on 8 February 2022. Retrieved 8 February 2022.
^"Conversations: Guillermo del Toro". Salon. 13 October 2006. Archived from the original on 19 December 2022. Retrieved 19 December 2022. cited in: McDonald, Keith; Clark, Roger (2014). Guillermo del Toro: Film as Alchemic Art. Bloomsbury. p. 243. ISBN978-1-62356-013-3.
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