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The Awakening
The Awakening
	Film poster
Directed by	Victor Fleming
Written by	Carey Wilson (screenplay); Frances Marion (story)
Produced by	Samuel Goldwyn
Starring	Vilma Bánky; Walter Byron
Cinematography	George Barnes
Edited by	Viola Lawrence; Katherine Hilliker; H. H. Caldwell
Music by	Hugo Riesenfeld; Irving Berlin (song "Marie")
Production; company	Samuel Goldwyn Productions
Distributed by	United Artists
Release date	November 17, 1928;
Running time	90 minutes
Country	United States
Languages	Sound (Synchronized); English Intertitles

The Awakening is a 1928 American synchronized sound feature film directed by Victor Fleming and starring Vilma Bánky. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on a story by Frances Marion.^[1]^[2]

Plot

In Alsace, under German occupation shortly before the outbreak of the First World War, Marie Ducrot is a pretty young peasant woman who falls in love with Count Karl von Hagen, a German army officer. Marie is seen when she visits von Hagen in his quarters. The people suffering under the occupation see Marie as a traitor and assault her physically. Marie disappears and is believed dead. However, she has fled to a monastery where she is accepted as a novice.

The war breaks out and Von Hagen is wounded in fighting near the monastery. Marie nurses him back to health. Von Hagen wants her to go to Germany with him. The French lieutenant Le Bête helps the two to reach the German lines. The couple get to safety, but Le Bête is killed by a sniper's bullet.

Cast

Vilma Bánky as Marie Ducrot
Walter Byron as Count Karl von Hagen
Louis Wolheim as Le Bete
George Davis as The Orderly
William Orlamond as Grandfather Ducrot
Carl von Haartman as Lieutenant Franz Geyer

Reception

The film featured a theme song entitled "Marie" with music and lyrics by Irving Berlin.

Reception

The film was nominated for the Academy Award for Best Production Design at the 2nd Academy Awards. The Nominee, William Cameron Menzies was also nominated the same year for the film Alibi.

Critical reception

A review in the trade publication Harrison's Reports summarized the film as "'spotty;' that is, it is good, in fact very good, in spots; on the other hand, in spots it is slow, and even poor."^[1] It also commended Banky and Byron for "good work" in their roles and Fleming for his direction.^[1]