Born in Cece, Hungary, to Julianna and Imre Kovács,[2] Kovács studied cinema at the Academy of Drama and Film in Budapest between 1952 and 1956.[3] Together with Vilmos Zsigmond, a fellow student and lifelong friend, Kovács secretly filmed the day-to-day development of the Hungarian Revolution of 1956 on black and white 35 mm movie film, using an Arriflex camera borrowed from their school.[3][4] In November that year, they smuggled the 30,000 feet (9,100 m) of film into Austria to have it developed, and they arrived in the United States in March 1957 to sell the footage.[3][4] By that time, however, the revolution was no longer considered newsworthy and it was not until some years later, in 1961, that it was screened on the CBS television network, in a documentary narrated by Walter Cronkite.
Kovács' breakthrough came with the 1969 film Easy Rider, starring and directed by Dennis Hopper. Kovács was reluctant to work on this film at first, having already worked on a number of B movie biker films, such as Hells Angels on Wheels. Hopper ultimately convinced Kovács that this film would be different and Kovács signed on as the film's director of photography. He earned second place for the Best Cinematographer Golden Laurel at the 1970 Laurel Awards. In 1970, he again worked with Hopper on the film The Last Movie. That same year, Kovács filmed Five Easy Pieces, for which he received the third place Golden Laurel for Best Cinematographer.
When working on The Last Waltz, camera operators were instructed to turn their cameras off at different intervals, in order to save battery life. One of these instances was during Muddy Waters' set, but Waters' outstanding performance led director Martin Scorsese to spontaneously change his mind, and ordered all cameras to be turned on. Because the cameras took several minutes to fully warm up, most caught only the last few bars of Waters' performance. Kovács, however, either did not hear or disregarded orders to shut down his camera, and was the only cameraman on set who managed to film Waters' entire performance.
Kovács' final work appears in Torn from the Flag, a 2006 feature documentary about the 1956 Hungarian Revolution which incorporates original footage he and Zsigmond shot as film students before fleeing to the United States.
Personal life
On July 22, 2007, Kovács died at his home in Beverly Hills, California at the age of 74. At the time of his death, Kovács had been married for 23 years to his wife, Audrey. He had two daughters, Julianna and Nadia, and a granddaughter, Mia.[6]
Kovács was honored with Lifetime Achievement Awards from Camerimage (1998), WorldFest (1999), and the American Society of Cinematographers (2002). The Lifetime Achievement Award from the ASC is the organization's highest honor. In addition, Kovács received an Excellence in Cinematography Award from the 1999 Hawaii International Film Festival and a Hollywood Film Award at the 2001 Hollywood Film Festival.
The American Society of Cinematographers dedicated the 2008 Heritage Award for top student filmmakers in memory of Kovács.[8]
The 2008 documentary film No Subtitles Necessary: Laszlo & Vilmos explores the 50-year friendship between Kovács and Zsigmond and their influence on filmmaking. Film critic Leonard Maltin said that, without Kovács and fellow cinematographer Zsigmond, "the American New Wave of the late 1960s and early '70s wouldn’t have flowered as it did."[9]
^I Credited as "Lester Kovacs" ^II Credited as "Art Radford" ^III Credited as "Leslie Kovacs" ^IV Credited as "Leslie Kovacks" ^V Credited as "Leslie Kouvacs"