Richard Donner (born Richard Donald Schwartzberg; April 24, 1930 – July 5, 2021) was an American film director and producer. Described as "one of Hollywood's most reliable makers of action blockbusters",[1][2] Donner directed some of the most financially-successful films of the 1970s and 1980s.[3] His 50-year career crossed genres and influenced trends among filmmakers across the world.
Donner began his career in 1957 as a television director. In the 1960s, he directed episodes of the series The Rifleman, The Man from U.N.C.L.E., The Fugitive, The Twilight Zone, The Banana Splits, and many others. Donner made his film debut with the low-budget aviation drama X-15 in 1961, but had his critical and commercial breakthrough with the horror film The Omen in 1976. He directed the landmark superhero film Superman in 1978,[4][5] which provided an inspiration for the fantasy film genre to eventually gain artistic respectability and commercial dominance. Donner later went on to direct films in the 1980s such as The Goonies and Scrooged, while reinvigorating the buddy cop film genre with the Lethal Weapon series.
Richard Donald Schwartzberg was born in the Bronx, New York City, to Russian Jewish parents,[6] Hattie (Horowitz) and Fred Schwartzberg.[7][8][9] His father owned a small furniture-manufacturing business and his mother was a stay at home mother.[7] He had a sister, Joan.[7] His grandfather owned a movie theatre in Brooklyn, which had an early influence on his perception of film.
After graduating from high school, Donner served in the U.S. Navy, becoming an aerial photographer. He briefly attended New York University but left to pursue a career in acting, relocating to Los Angeles and adopting the stage name "Richard Donner".[10]
Television
Initially, Donner wanted to develop a career as an actor. He gained a bit part in a television program directed by Martin Ritt, who encouraged Donner to become a director instead. Ritt hired Donner as his assistant. Later, Donner was on the staff of Desilu, where he directed commercials. He made the transition into television dramas in the late 1950s, directing some episodes of the Steve McQueen western serial Wanted Dead or Alive and the Chuck Connors western The Rifleman.
In the 1990s, Donner served as executive producer of the HBO anthology horror series Tales from the Crypt, based on the EC Comics series of the same name. He directed three episodes during its run ("Dig That Cat... He's Real Gone", "The Ventriloquist's Dummy", "Showdown"), and also produced three feature film spinoffs; Demon Knight, Bordello of Blood, and Ritual.
In 1978, Donner directed Superman: The Movie, starring Christopher Reeve in the title role. Donner approached the film with the concept of creating verisimilitude, an intuitive feeling evoked in the audience that makes the fantasy story feel real within the story's context.[13] It was a hit worldwide, projecting Reeve to international fame.[14] The film co-starred Margot Kidder as Lois Lane, Marlon Brando as Jor-El, and Gene Hackman as archvillain Lex Luthor. At the box office, it grossed $134 million domestically.[2]
Principal photography of Superman included filming of its first sequel, Superman II. Donner filmed most of Superman II with the expectation he would complete the sequel after the release of Superman. Despite the first film's success, Donner was fired from Superman II. Throughout the filming of both Superman films, Donner had a difficult relationship with executive producers Alexander Salkind and Ilya Salkind and producer Pierre Spengler. The Salkinds refused Donner's demand that Spengler be fired; instead, the Salkinds replaced Donner as director of Superman II with Richard Lester, who had worked with the Salkinds on The Three Musketeers and The Four Musketeers and as an uncredited producer on Superman. Following Donner's dismissal, Marlon Brando's scenes were removed from Superman II and much of the film was re-shot under Lester's direction. Gene Hackman refused to return for re-shoots; consequently, all the Lex Luthor scenes that appear in Superman II were filmed by Donner, although Donner refused to be credited.
Rotten Tomatoes' summary states that "Superman II meets, if not exceeds, the standard set by its predecessor."[15] Donner continued to promote the view that his contribution was superior to the rest of the series. Superman II: The Richard Donner Cut was released on November 28, 2006, the same date as the DVD release of the summer film Superman Returns.[16] This version of the film features the re-insertion of Marlon Brando's scenes as Jor-El and relies on a minimum of footage shot by Richard Lester.
Donner's next blockbuster film was the action comedy Lethal Weapon, written by Shane Black. It starred Mel Gibson as a widowed narcotics detective with a suicidal bent "who breaks every rule for the sheer joy of it". It co-starred Danny Glover as a calm homicide detective with a loving family and consideration for retirement. The film's action sequences were considered "truly spectacular" and made the film one of the year's biggest hits.[2]
Donner directed six films starring Mel Gibson in total, creating a Lethal Weapon franchise with three sequels; the last of these was Lethal Weapon 4, released in 1998. In an interview in 2000, Gibson described his impressions of Donner:
Uncle Dick. He's a great guy, just terrific. Extremely professional. He's an old veteran and has an understanding of film that is the culmination of years of experience. He's got his technical stuff down, his vision down. No matter what you say about Dick, it underrates him. He really loves what he's doing, loves working with actors, and he allows you freedom to explore all kinds of areas. "All right, kid," he'll say, and slap you on the back and let you try something, because even he doesn't know sometimes. He's just an extremely charming, talented, great fuckin' guy. I love him.[17]
On October 16, 2008, Donner and Lauren Shuler Donner received stars in a double ceremony on the Hollywood Walk of Fame for their achievements in motion pictures, located at 6712 Hollywood Boulevard.[18][19][20]
One of Donner's assistants in the late 1990s was comic book writer Geoff Johns.[26][27] In October 2006, Donner, Johns, and artist Adam Kubert became the new creative team on Action Comics, the publisher's most time honored publication and one of DC Comics' two main Superman titles. Together, Johns and Donner collaborated on the stories Last Son and Escape from Bizarro World, both of which have been released in collected book form. Donner and Johns also co-wrote a story for Action Comics #1000, released in April 2018.
Biography
In 2010, Donner's authorized biography titled You're the Director... You Figure It Out: The Life and Films of Richard Donner by James Christie was published by BearManor Media. The book features a foreword by Mel Gibson.[28]
Script Magazine described the book as an "engaging portrait of a warm-hearted (if occasionally gruff) man who can justly be considered the modern equivalent of Victor Fleming and Michael Curtiz—a highly talented, professional director of motion pictures who has thrived in the studio system and made some pretty good pictures to boot."[29]
The Directors Guild of America called the book "a compelling study of an ebullient, ballsy risk-taker who was a director even before he was aware of it" that "ably captures Donner's joy in doing a job he loves."[30]
Personal life and death
Donner married film producer Lauren Shuler on November 27, 1985. The two merged their respective production companies to create Shuler-Donner Productions (now The Donners' Company) the same year. Donner and Shuler remained together until the former's death.
Donner was a cousin of actor Steve Kahan,[31] who played a policeman tracking Otis in Superman: The Movie, and played Captain Ed Murphy in the Lethal Weapon film franchise. Donner also cast Kahan in some of his other films.
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