Dudley Stuart John MooreCBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. He first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. In their popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues.[2] They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles, California, to concentrate on his film acting.
Moore was born at the original Charing Cross Hospital in central London, the son of Ada Francis (née Hughes), a secretary, and John Moore, a railway electrician from Glasgow.[5]
He had an older sister, Barbara.[6] Moore was brought up in the Becontree estate in Dagenham, Essex. He was short at 5 ft 2 in (1.57 m) and had club feet that required extensive hospital treatment. This made him the butt of jokes from other children. His right foot responded well to corrective treatment by the time he was six, but his left foot was permanently twisted and his left leg below the knee was withered. He remained self-conscious about this throughout his life.
Moore became a chorister at the age of six. When he was 11 years old, he earned a scholarship to the Guildhall School of Music, where he took up harpsichord, organ, violin, musical theory and composition.[7] He rapidly developed into a highly talented pianist and organist and was playing the organ at local church weddings by the age of 14. He attended Dagenham County High School, where he received dedicated musical tuition from Peter Cork (1926–2012), who helped him towards his Oxford music scholarship. (Norma Winstone was another student of Cork's at Dagenham).[8] Cork was also a composer. Moore kept in touch until the mid-1990s and his letters to Cork were published in 2006.[9]
Moore won an organ scholarship to Magdalen College, Oxford, where he was tutored by the composer Bernard Rose.[7][10] While studying music and composition there, he also performed with Alan Bennett in The Oxford Revue. During his university years, Moore developed a love of jazz music and became an accomplished jazz pianist and composer. He began working with musicians such as John Dankworth and Cleo Laine. In 1960, Moore left Dankworth's band to work on Beyond the Fringe.
Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the Fortune Theatre in London, in a revised production by Donald Albery and William Donaldson, it became a sensation, thanks in some part to a favourable review by Kenneth Tynan.[12] There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March in the style of Beethoven, which Moore appears unable to bring to an end.
In 1962 the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York until 1964.
Partnership with Peter Cook
When Moore returned to the UK he was offered his own series on the BBC, Not Only... But Also (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working-class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper-class eccentrics.
The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for "corpsing" so, as the programmes often went out live, Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC wiped much of the series, though some of the soundtracks (which were issued on LP record) have survived. In 1968 Cook and Moore briefly switched to ATV for four one-hour programmes entitled Goodbye Again; however, they were not as critically well-received as the BBC shows.
In the 1970s, the relationship between Moore and Cook became increasingly strained as the latter's alcoholism began affecting his work. In 1971, however, Cook and Moore took sketches from Not Only....But Also and Goodbye Again, together with new material, to create the stage revue Behind the Fridge. This show toured Australia and New Zealand in 1971 and ran in London's west end between 1972 and 1973 before transferring to New York City in 1973, re-titled Good Evening.[14] Cook frequently appeared inebriated, on and off stage. Nonetheless, the show proved very popular and it won Tony and Grammy Awards.
When the Broadway run of Good Evening ended, Moore stayed on in the U.S. to pursue his film acting ambitions in Hollywood, but the pair reunited to host Saturday Night Live on 24 January 1976 during SNL's first season. They performed a number of their classic stage routines, including "One Leg Too Few" and "Frog and Peach", among others, in addition to participating in some skits with the show's ensemble.
It was during the Broadway run of Good Evening that Cook persuaded Moore to take the humour of Pete and Dud further on long-playing records as Derek and Clive. Chris Blackwell circulated bootleg copies to friends in the music business and the popularity of the recording convinced Cook to release it commercially as Derek and Clive (Live) (1976). Two further "Derek and Clive" albums, Derek and Clive Come Again (1977) and Derek and Clive Ad Nauseam (1978), were later released. The latter was also filmed for a documentary, Derek and Clive Get the Horn. In the film it is clear tensions between the two men were at a breaking point, with Moore at one point walking out of the recording room singing, 'Breaking up is so easy to do.' In 2009, it came to light that, at the time, there were attempts to have them prosecuted under obscenity laws for their "Derek and Clive" comedy recordings. [15]
The last significant appearance for the partnership was in 1978's The Hound of the Baskervilles, where Moore played Dr. Watson to Cook's Sherlock Holmes, as well as three other roles: in drag; as a one-legged man; and at the start and end of the film as a flamboyant and mischievous pianist. He also wrote the film's score. Co-star Terry-Thomas described it as "the most outrageous film I ever appeared in ... there was no magic ... it was bad!".[16] The film was not a success, either critically or financially.
Moore was deeply affected by the death of Cook in 1995, and for weeks would regularly telephone Cook's home in London, just to hear his friend's voice on the telephone answering machine. Moore attended Cook's memorial service in London and, at the time, many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.[citation needed]
In December 2004 the Channel 4 television station in the United Kingdom broadcast Not Only But Always, a TV film dramatising the relationship between Moore and Cook, although most of the attention of the production was directed towards Cook. Around the same time, the relationship between the two was also the subject of a stage play called Pete and Dud: Come Again by Chris Bartlett and Nick Awde. For this production Moore is the main subject. Set in a chat-show studio in the 1980s, it concerns Moore's comic and personal relationship with Cook and the directions their careers took after the split of the partnership.
Music
During the 1960s Moore formed the Dudley Moore Trio, with drummer Chris Karan and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.[17]
Moore's admitted principal musical influences were Oscar Peterson and Erroll Garner. In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles & Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the Establishment. Amongst other albums, they recorded The Dudley Moore Trio, Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, The World of Dudley Moore, The Other Side Of Dudley Moore and Genuine Dud.
Moore was a close friend of record producer Chris Gunning and played piano (uncredited) on the 1969 single "Broken Hearted Pirates" which Gunning produced for Simon Dupree and the Big Sound.[18] In 1976 he played piano on Larry Norman's album In Another Land, in particular on the song The Sun Began to Rain. In 1981 he recorded Smilin' Through with Cleo Laine.
In the late 1970s Moore moved to Hollywood, where he had a supporting role in the hit film Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his breakout role in Blake Edwards's 10, which became one of the biggest box-office hits of 1979 and gave him an unprecedented status as a romantic leading man. Moore followed up with the comedy film Wholly Moses!, which was not a major success.
In 1981 Moore appeared in the title role of the comedy Arthur, an even bigger hit than 10. Co-starring Liza Minnelli and Sir John Gielgud, it was both commercially and critically successful, Moore receiving an Oscar nomination for Best Actor, while Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for On Golden Pond). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In the same year, on British television, Moore was the featured guest subject on An Audience With....
In 1986 he once again hosted Saturday Night Live, albeit without Peter Cook this time.
Moore was the subject of the British This Is Your Life, for a second time, in March 1987 when he was surprised by Eamonn Andrews at his Venice Beach restaurant;[19] he had previously been honoured by the programme in December 1972.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, among the highlights of which were his popular parodies of classical favourites. He appeared as Ko-Ko in Jonathan Miller's production of The Mikado in Los Angeles in March 1988. He appeared on Kenny G's music video "Against Doctor's Orders" from the album Silhouette.[20]
In 1991 he released the album Songs Without Words and in 1992 Live From an Aircraft Hangar, recorded at London's Royal Albert Hall.
He collaborated with the conductor Sir Georg Solti in 1991 to create a Channel 4 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series, Concerto! (1993), likewise designed to introduce audiences to classical music concertos.
Moore appeared in two series for CBS, Dudley (1993) and Daddy's Girls (1994); however, both were cancelled before the end of their run.
Moore had been interviewed for the New York Times in 1987 by the music critic Rena Fruchter, herself an accomplished pianist, and the two became close friends. By 1995 Moore's film career was on the wane and he was having trouble remembering his lines, a problem he had never previously encountered. It was for this reason he was sacked from Barbra Streisand's film The Mirror Has Two Faces.[21] However, his difficulties were, in fact, due to the onset of the medical condition that eventually led to his death. Opting to concentrate on the piano, he enlisted Fruchter as an artistic partner. They performed as a duo in the US and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Further symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years; however, this placed a great strain both on her marriage and her friendship with Moore, and she later set him up in the house next door.
Moore was married and divorced four times: to actresses Suzy Kendall (15 June 1968 – 15 September 1972); Tuesday Weld (20 September 1975 – 18 July 1980), with whom he had a son, Patrick, on 26 February 1976; Brogan Lane (21 February 1988 – 1991);[24] and Nicole Rothschild (16 April 1994 – 1998), with whom he had a son, Nicholas, on 28 June 1995.[25][26][27][28]
In 1994, Moore was arrested and charged with domestic assault after allegedly assaulting his then-girlfriend and soon-to-be wife, Nicole Rothschild.[29]
He maintained good relationships with Kendall, Weld, and Lane. He expressly forbade Rothschild from attending his funeral, however, since at the time his illness became apparent, he was going through a difficult divorce with her, while still sharing a Los Angeles house with her and her previous husband.[26]
Illness and death
In April 1997, after spending five days in a New York hospital, Moore was informed that he had calcium deposits in the basal ganglia of his brain and irreversible frontal lobe damage. He underwent quadruple coronary artery bypass surgery in London and also suffered four strokes.[30]
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy (PSP), a Parkinson-plus syndrome,[30]
some of the early symptoms being so similar to intoxication that he had been reported as being drunk,[31][32][33][34][35] and that the illness had been diagnosed earlier in the year.[30] In November 1999, Moore made his first public appearance since disclosing his illness, reading poetry, alongside Julie Andrews, at a benefit concert in Philadelphia for the charity Music for All Seasons. At first Moore struggled, but soon he settled in and began to joke and ad-lib. He then received a standing ovation, for what was to be his last performance.[1] His disease would quickly progress, eventually requiring him to use a wheelchair.
Moore died on the morning of 27 March 2002[13] as a result of pneumonia, secondary to immobility caused by his PSP, in Plainfield, New Jersey, at the age of 66. Rena Fruchter was holding his hand when he died; she reported his final words were "I can hear the music all around me."[36][37] Moore was interred at Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship titled Dudley Moore (Ebury Press, 2004).
Honours and awards
In 1981, Moore won the Golden Globe for Best Actor for his role in Arthur, for which he was also Oscar-nominated. In November 2001, Moore was appointed a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition, he attended the ceremony at Buckingham Palace on 16 November to collect his honour in a wheelchair.[21] It was his last public appearance.[4]
"Goodbye-ee" b/w "Not Only But Also", 1965, Peter Cook and Dudley Moore / The Dudley Moore Trio (Decca Records (UK) F.12158)
"The Ballad of Spotty Muldoon", 1965, Peter Cook and Dudley Moore[38]
Jazz discography
"Strictly for the Birds" b/w "Duddly Dell", 1961 (Parlophone R 4772) – The Dudley Moore Trio (Derek Hogg, drums; Hugo Boyd, double bass)
The Other Side of Dudley Moore, 1965 (Decca LK 4732 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums)
Genuine Dud, 1966 (Decca LK 4788 Mono) The Dudley Moore Trio (Pete McGurk – double bass, Chris Karan – drums) [reissued as The World of Dudley Moore, vol 2, 1973]
Jazz Jubilee, (Martine Avenue Productions MAPI 1521)
The Dudley Moore Trio at Sydney Town Hall, 2 May 1978 (with Peter Morgan on bass and Chris Karan on drums). Produced by Peter Wall.
Today, The Dudley Moore Trio – again with Morgan and Karan (see above) recorded at United Sound, Sydney, in 1971, with some mono tracks added from a 1961 London session. No details.
Comedy discography
Beyond The Fringe (West End recording) (1961)
Beyond The Fringe (Broadway recording) (1962)
Not Only Peter Cook But Also Dudley Moore (1965)
Once Moore with Cook (1966)
Peter Cook and Dudley Moore Cordially Invite You to Go to Hell! (1967)[39]
^"Fatigued Dudley Moore Says End Is Near". ABC News. 4 December 2000. Retrieved 30 September 2023. The star says early symptoms of the illness led many to believe he was drunk. 'People started saying I was drunk on stage. It was dreadful,' he says.
^"Dudley Moore Dead at 66". ABC News. 27 March 2002. Retrieved 30 September 2023. Sadly, Moore said that many friends and fans mistook him for his Arthur character when his illness first caused his speech to slur.
^Walters, Barbara (27 March 2002). "'20/20': Dudley Moore Battles Brain Disease". ABC News. Retrieved 30 September 2023. WALTERS: What do you most want people to know? / MOORE: I want them to know that I'm not intoxicated. / WALTERS: You're not drunk. / MOORE: No. And I just want them to know that I am going through this disease as well as I can.
^Rupani-Smith, Sylvia (20 October 2016). "The Falls Were Bad. The Diagnosis Was Worse". The New York Times. Retrieved 30 September 2023. The actor Dudley Moore, of the movie 'Arthur,' had the disease. Many people presumed he was drunk when they'd see him staggering, but he was actually losing his balance, often, because of the condition.
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