Donald David Dixon Ronald O'Connor (August 28, 1925 – September 27, 2003) was an American dancer, singer and actor. He came to fame in a series of films in which he co-starred, in succession, with Gloria Jean, Peggy Ryan, and Francis the Talking Mule.
O'Connor was born into a vaudeville family, where he learned to dance, sing, play comedy, and perform slapstick. The most distinctive characteristic of his dancing style was its athleticism, for which he had few rivals. Yet it was his boyish charm that audiences found most engaging, and which remained an appealing aspect of his personality throughout his career. In his Universal musicals of the early 1940s, O'Connor was a wisecracking, fast-talking teenager, much like Mickey Rooney of Metro-Goldwyn-Mayer. But by 1952 and Singin' in the Rain, MGM had cultivated a much more sympathetic sidekick persona for him, and that remained O'Connor's signature image.
O'Connor was born in 1925 to Vaudevillians Edward "Chuck" O'Connor and Effie Irene (née Crane) in Chicago, the 200th child born at St. Elizabeth Hospital there. Both the O'Connors struggled to remember where and when exactly Donald was born, due to the family's extensive travel.[1] Effie was a bareback rider and Chuck was a circus strongman and acrobat.[2][3] His father's family was from Ireland.[4]
O'Connor later said, "I was about 13 months old, they tell me, when I first started dancing, and they'd hold me up by the back of my neck and they'd start the music, and I'd dance. You could do that with any kid, only I got paid for it."[5]
When O'Connor was only two years old, he and his seven-year-old sister, Arlene, were hit by a car while crossing the street outside a theater in Hartford, Connecticut; Donald survived, but his sister died. A few weeks later, his father died of a heart attack while dancing on stage in Brockton, Massachusetts.[6]
O'Connor's mother was extremely possessive of her youngest son due to these traumas, not allowing him to cross the street on his own until he turned 13. Effie also stopped O'Connor from learning hazardous dance routines, and made sure she always knew where he was when he wasn't performing.[7]
Career
O'Connor Family
O'Connor joined a dance act with his mother and elder brother Jack. They were billed as the O'Connor Family, the Royal Family of Vaudeville. They toured the country doing singing, dancing, comedy, and acting. "Our entire family composed an act", he says. "We really didn't have a choice; if you were in the family you appeared in the act. I loved vaudeville. The live audiences created a certain spontaneity."[8]
When they were not touring they stayed with O'Connor's Uncle Bill in Danville, Illinois. O'Connor never went to school.[9]
He later said, "I learned two dance routines. I looked like the world's greatest dancer. I did triple wings and everything. But I had never had any formal training. So, when I went into movies and started working with all those great dancers, I had a terrible time. I couldn't pick up routines because I didn't have any formal training. At the age of 15 — from 15 on, I really had to learn to dance. And that's quite old for someone to start dancing real heavy, professionally."[5]
Contrasting the vaudevillian style of dance with that of ballet and musicals he observed, "All hoofers, they dance from the waist down. And I had to learn to dance from the waist up. And then, I became what's known as a total dancer."[5]
O'Connor began performing in movies in 1937, making his debut at age 11 in Melody for Two appearing with his family act. He was also in Columbia's It Can't Last Forever (1937).[9]
He, Ryan, and the Andrews Sisters were in Private Buckaroo (1942) and Give Out, Sisters (1942); then he was co-starred opposite Jean in four films: Get Hep to Love (1942), When Johnny Comes Marching Home (1943), It Comes Up Love (1943), and School for Jive, which showed O'Connor to such good advantage that he became the focal point of the film, retitled Mister Big (1943). Universal added $50,000 to the budget and elevated the "B" movie to "A" status.[10]
During World War II, on his 18th birthday in August 1943, O'Connor was drafted into the United States Army. Before he reported for induction on February 6, 1944, Universal already had four O'Connor films completed. They rushed production to complete four more by that date,[citation needed] all with Ryan: This Is the Life (1944), with Foster; The Merry Monahans (1944), with Blyth and Jack Oakie; Bowery to Broadway (1945), another all-star effort where O'Connor had a cameo; and Patrick the Great (1945).
"I wasn't really a dancer, a good dancer, until I got older," he said later. "I could do those wings and stuff and I looked very good, but my heavens, it was very, very hard for me to pick up on — pick up steps. It was just oh — so laborious for me. I didn't have a short cut like the other dancers do."[5]
Francis
In 1949, O'Connor played the lead role in Francis, the story of a soldier befriended by a talking mule. Directed by Arthur Lubin, the film was a huge success. As a consequence, his musical career was constantly interrupted by production of one Francis film per year until 1955. O'Connor later said the films "were fun to make. Actually, they were quite challenging. I had to play straight in order to convince the audience that the mule could talk."[14]
He did Francis Goes to the Races (1951), another big hit. In February 1951 he signed a new contract with Universal for one film a year for four years, enabling him to work outside the studio.[15]
Singin' in the Rain
In January 1952 O'Connor signed a three-picture deal with Paramount.[16] He also received an offer to play Cosmo the piano player in Singin' in the Rain (1952) at Metro-Goldwyn-Mayer
That film featured his widely known rendition of "Make 'Em Laugh", which he choreographed with help from the assistant dance directors and his brother.[17] The number featured dozens of jumps, pratfalls, and two backflips launched by running halfway up a wall.
"The scene was building to such a crescendo, I thought I'd actually have to kill myself," said O'Connor.[18]
He acted alongside Gene Kelly, and earned the 1953 Golden Globe Award for Best Performance by an Actor in a Comedy or Musical.[19]
He began appearing regularly on television. One review in 1952 called him "1952's new star. Movie bred, he has the versatility of a Jimmy Durante and the effervescence of youth. He can dance, he can sing, he can act, and he can spout humor, but not yet with the finesse of a veteran."[20]
O'Connor's industry and public recognition reached a peak in 1954, when he was asked to emcee that year's Academy Awards ceremony.[22]
He received excellent notices for Francis Joins the WACS (1954) and was scheduled to play Bing Crosby's partner in White Christmas (1954). O'Connor was forced to withdraw because he contracted an illness transmitted by the mule[23] and was replaced in the film by Danny Kaye.[24]
O'Connor, resentful of how the Francis series had interfered with his musical career, reluctantly agreed to star in Francis in the Navy (1955).[25]Arthur Lubin, who directed the series, later recalled that O'Connor "got very difficult" to work with: "He'd sit in his dressing room and stare into space, and I think he had problems at home."[26]
Universal did not renew O'Connor's contract after 13 years with the company. At a farewell luncheon, the studio executives presented him with a gift: a camera and 14 rolls of film. O'Connor was stunned at the insignificance of the gift after all the millions of dollars he had made for the studio, and in later life recalled, "What can I say about these people?"
O'Connor and Bing Crosby united on Anything Goes (1956) at Paramount. That studio also released The Buster Keaton Story (1957), in which O'Connor had the title role.
The Brussels Symphony Orchestra recorded some of his work, and in 1956 he conducted the Los Angeles Philharmonic in a performance of his first symphony, "Reflections d'Un Comique".[27]
He hosted a color television special on NBC in 1957, one of the earliest color programs to be preserved on a color kinescope; an excerpt of the telecast was included in NBC's 50th anniversary special in 1976.
He subsequently focused on theatre work and his nightclub act, performing in Las Vegas.[29] He returned to Universal for the first time in ten years to make the Sandra Dee comedy That Funny Feeling (1965).[30]
In 1968, O'Connor hosted a syndicatedtalk show also called The Donald O'Connor Show. The program was canceled because the dancer was becoming "too political," and O'Connor was reprimanded by the studio.[32]
1970s
He began to use nitroglycerin pills before performances so that he would have the stamina to complete them. He then suffered a heart attack in 1971, leading him to quit taking the medication.[33]
He was in a TV production of Li'l Abner (1971) and continued to perform on stage, notably in Las Vegas.[34]
O'Connor claimed to have overcome his depression after being hospitalized for three months after collapsing in 1978.[6] He wrote letters to his friends and family explaining that his life had "completely changed". The dancer was paralyzed from the waist down, but recovered by way of physical therapy. The letters detail the lives of other patients, particularly a 30-year-old man who was completely immobilized.
"I won't take anything I have for granted again," was written in each letter. O'Connor credited the patients he met and thanked God for allowing him to recover.
1980s
He appeared as a gaslight-era entertainer in the 1981 film Ragtime, notable for similar encore performances by James Cagney and Pat O'Brien. It was his first feature film role in 16 years.
He was Cap'n Andy in a short-lived Broadway revival of Show Boat (1983) and continued to tour in various shows and acts.
"I've been on the road forever," he said in 1985, adding "I'd consider another movie or a TV series, but I won't play an old man. Art Carney is about my age and he's making a career out of being old. I'm still singing and dancing. I'm not ready to be old."[8]
He bought a theatre, the Donald O'Connor Theatre, and would perform in it with his children. In a 1989 interview he said "There's an element out there that wants to be entertained-and they can't find this kind of thing I do. And yeah, I think I wear well. I sing, I dance, I do comedy. I'm not threatening. When you grow up in a circus family, the more things you learn, the more you get paid. So I can do straight comedy without the song and dance; I can do all kinds of combinations. Whatever's in at the time, I can fit into."[37]
He developed heart trouble and underwent successful quadruple-bypass surgery in 1990.[38]
1990s
O'Connor continued to make film and television appearances into the 1990s, including the Robin Williams film Toys (1992) as the president of a toy-making company. He continued to perform live.[39]
In 1992 he said, "I never wanted to be a superstar. I'm working on being a quasar, because stars wear out. Quasars go on forever... I look for the parts where I die and they talk about me for the rest of the movie."[38]
O'Connor's last feature film was the Jack Lemmon-Walter Matthau comedy Out to Sea, in which he played a dance host on a cruise ship. O'Connor was still making public appearances well into 2003. He said he went on the road "about 32 weeks a year. I do my concert work and I do night clubs and that kind of stuff. So I don't dance much any more, but I do enough to show people I can still move my legs."[5]
Personal life
O'Connor was married twice and had four children. His first marriage was in 1944 to Gwendolyn Carter, when he was 18 and she was 20. They married in Tijuana.[41] Together they had one child, a daughter Donna. The couple divorced in 1954.[42][43]
He was married to Gloria Noble from October 11, 1956 until his death. They had 3 children, Alice, Fred, and Kevin. They were married for 47 years and lived in Thousand Oaks, CA. Gloria died on June 11, 2013, of natural causes.
^ abDONALD O'CONNOR'S MUSICAL JOURNEY KEEPS HIM ON ROAD: [SPORTS FINAL, CN Edition]
Dale, Steve. Chicago Tribune December 20, 1985: 50.
^ abcThe Life Story of DONALD O'CONNOR. Picture Show, London, Vol. 62, Iss. 1607 (January 16, 1954): 12.
^ abChicago Born Donald O'Connor Is a Veteran of Stage and Films at 25
Zylstra, Freida. Chicago Daily Tribune July 27, 1950: c1.
^Obituaries: Donald O'Connor, 78, comic and dancer
Anonymous. Back Stage; New York Vol. 44, Iss. 40, (Oct 3 – 9, 2003): 47.
^Zylstra, Freida. (July 25, 1950) "Chicago Born Donald O'Connor Is a Veteran of Stage and Films at 25" Chicago Daily Tribune
^Donald O'Connor, Miss Main Set Comedy. Pace, G K. Los Angeles Times, August 9, 1948: 12.
^Donald O'Connor's musical Journey keeps him on road
Dale, Steve. Chicago Tribune December 20, 1985: n_a50.
^"Drama: Howard Duff Will Soon Star in 'Cave'". Los Angeles Times. February 9, 1951. p. B10.
^PARAMOUNT SIGNS DONALD O'CONNOR: Actor Will Make 3 Pictures for Studio -- Betty Hutton's Film May Be One of Them By THOMAS M. PRYOR Special to The New York Times. January 24, 1952: 23.
^LAS VEGAS SCENE: Donald O'Connor in Dancing Shoes Again
Scott, John L. Los Angeles Times April 12, 1973: g21.
^Donald O'Connor in Drama Role With Vince Edwards
Los Angeles Times July 3, 1976: b4.
^DONALD O'CONNOR IN 'PICTURES', Los Angeles Times April 12, 1982: g3
^Donald O'Connor Keeps Studio City Theater in the Family-Literally: [Valley Edition]
ARKATOV, JANICE. Los Angeles Times March 3, 1989: 28.
^ abDonald O'Connor, 78, Who Danced His Way Through Many Hollywood Musicals, Is Dead: [Obituary (Obit)]
Severo, Richard. The New York Times September 29, 2003: B.6.
^IN STEP WITH: Donald O'Connor
Brady, James. The Washington Post March 14, 1993: AA16.
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