Abbasid harem

Map of the Abbasid Empire, it vassals and other world empires in the 9th century
Gold dinar minted during the reign of al-Amin (809–813)
Map showing the major Varangian trade routes: the Volga trade route (in red) and the Trade Route from the Varangians to the Greeks (in purple). Other trade routes of the eighth-eleventh centuries shown in orange.
The Rus trading slaves with the Khazars: Trade in the East Slavic Camp by Sergei Ivanov (1913). Many saqaliba slaves came from Europe to the Abbasid harem via the Volga trade route from Eastern Europe via the Khazars and the Caspian Sea
Wall decoration made of gypsum from Iskaf Bani Junaid, Iraq, 3rd century AH. Iraq Museum
9th-century harem wall painting fragments found in Samarra

The harem of the caliphs of the Abbasid Caliphate (750–1258) in Baghdad was composed of his mother, wives, slave concubines, female relatives and slave servants (women and eunuchs), occupying a secluded portion of the Abbasid household. This institution played an important social function within the Abbasid court and was that part were the women were confined and secluded. The senior woman in rank in the harem was the mother of the Caliph. The Abbasid harem acted as a role model for the harems of other Islamic dynasties, as it was during the Abbasid Caliphate that the harem system was fully enforced in the Muslim world.[1]

Background and origin

The harem system first became fully institutionalized in the Islamic world under the Abbasid caliphate.[1] Although the term harem does not denote women's quarters in the Quran, a number of Quranic verses discussing modesty and seclusion were held up by Quranic commentators as religious rationale for the separation of women from men, including the so-called hijab verse (33:53).[1][2] In modern usage hijab colloquially refers to the religious attire worn by Muslim women, but in this verse it meant "veil" or "curtain" that physically separates female from male space.[3][4] Although classical commentators agreed that the verse spoke about a curtain separating the living quarters of Muhammad's wives from visitors to his house, they usually viewed this practice as providing a model for all Muslim women.[1][5]

In contrast to the earlier era of the Islamic prophet Muhammad and the Rashidun Caliphate, women in Umayyad and Abbasid society were ideally kept in seclusion and absent from all arenas of the community's central affairs.[6]

The growing seclusion of women were illustrated by the power struggle between the Caliph Al-Hadi and his mother Al-Khayzuran, who refused to live in seclusion but instead challenged the power of the Caliph by giving her own audiences to male supplicants and officials and thus mixing with men.[7] Her son considered this improper, and he publicly addressed the issue of his mothers public life by assembling his generals and asked them:

'Who is the better among us, you or me?' asked Caliph al-Hadi of his audience.
'Obviously you are the better, Commander of the Faithful,' the assembly replied.
'And whose mother is the better, mine or yours?' continued the caliph.
'Your mother is the better, Commander of the Faithful.'
'Who among you', continued al-Hadi, 'would like to have men spreading news about your mother?'
'No one likes to have his mother talked about,' responded those present.
'Then why do men go to my mother to speak to her?'[7]

Conquests had brought enormous wealth and large numbers of slaves to the Muslim elite. The majority of the slaves were women and children,[8] many of whom had been dependents or harem-members of the defeated Sassanian upper classes.[9] In the wake of the conquests an elite man could potentially own a thousand slaves, and ordinary soldiers could have ten people serving them.[8]

Nabia Abbott, preeminent historian of elite women of the Abbasid Caliphate, describes the lives of harem women as follows.

The choicest women were imprisoned behind heavy curtains and locked doors, the strings and keys of which were entrusted into the hands of that pitiable creature – the eunuch. As the size of the harem grew, men indulged to satiety. Satiety within the individual harem meant boredom for the one man and neglect for the many women. Under these conditions ... satisfaction by perverse and unnatural means crept into society, particularly in its upper classes.[9]

The marketing of human beings, particularly women, as objects for sexual use meant that elite men owned the vast majority of women they interacted with, and related to them as would masters to slaves.[10]

Hierarchy and organisation

The Abbasid harem established a model of hierarchy and organisation which was to become a standard for Muslim harems for centuries. It was a large institution; during the reign of al-Muqtadir, the harem consisted of 4000 enslaved women and 11.000 enslaved servants.[11]

The mother

On the top of the hierarchy was not the wife of the ruler. As a Muslim, the ruler could have several wives, and as he must formally treat them equally, he could not give one wife higher status than another, and give her a role similar to that of a Christian queen consort. Instead, it was the mother of the Caliph who had the highest rank and position in the harem and thereby among all the women at court.

Her background could be both that of a free wife, or that of an enslaved concubine.

Female relatives

In the harem resided also the unmarried or divorced daughters, sisters and other nonmarried female relatives of the Caliph.

The Abbasid princesses could make themselves known for their poetry and other accomplishments, as long as they observed the seclusion. Princess Ulayya bint al-Mahdi only performed in private, chaperoned family functions to avoid any potential impropriety, such as to be compared to the slave-qiyan, jawaris or mughanniyat, but she was referred to as a qayna as a tribute to her musical ability.[12]

Wives

The wives of the Abbasid caliphs were known as hurra.[13] The caliph sometimes entered diplomatic marriages. During the later centuries of the Abbasid Caliphate the caliphs often married Seljuk princesses, who acted as pious role models by founding or making donations to pious or charitable institutions.[14] It was common for caliphs to manumit and marry their former slave concubines.[15]

Concubines

Below the legal wives were the enslaved concubines of the caliph. These included the jariya also known as ama and khadima, who were often acquired through warfare or slave markets. She could be used for sexual relations by him and could also be shared with other men for their pleasure. The jariya was regarded as property and could be bought, inherited, or freed at the discretion of her owner.[13]

Above the jariyas were the mahziyyat or hazaya. These concubines unlike the jariyas could not be shared with other men. The cost for acquiring a mahziyya could soar to hundreds of thousands of dirhams. She often assumed a significant antagonistic role towards the master's wife.[13]

A slave concubine who was selected to have sex with the caliph and then gave birth to a child by him, attained the coveted position of an umm al-walad.[11] This prevented her from being sold, ensuring she remained a slave under her master's control,[13] and she became freed upon her master's death. She could also become a legal wife of the caliph, if he manumitted her and chose to marry her.[15]

Female entertainers

The harem also consisted of a large number of jawaris; enslaved female entertainers. They performed for the caliph and the rest of the harem.

The Jawari entertainers were not synonymous with the concubines, and the jawaris and concubines belonged to two different categories.[11] However, the Jawaris could be chosen by the Caliph for sexual intercourse, and thus transition to become a concubine.[13]

The jawaris were sometimes former qiyan. One famous harem entertainer was the concubine ʽInān and the singer Shāriyah.

During reign of the Caliph al-Amin (r. 809–813) in Bahgdad, there was a category of female entertainers known as ghulamyyat, slave-girls dressed as boys, who were trained to perform as singers and musicians and who attended the drinking parties of the sovereign and his male guests.[16]

Qahramana

The qahramana (Arabic: قَهْرَمانَة qahramānah, 'stewardess') were female slaves responsible for various tasks within the harem. They could act as governesses for the children, as well as the personal servants and agents of the women, functioning as intermediaries between the harem women and the outside world.

The qahramana were the only women who were allowed the mobility to leave and enter the harem, and they regularly left the harem to make purchases for the secluded harem women and handle the affairs between the women and the merchants and tradespeople of the outside world.[11] This mobility was envied by the harem women, and one story describe the envy of a harem woman, who wished to become a qahramana so that she would be able to leave the harem, and finally managed to achieve her goal to become a qahramana.[11]

The mobility of a qahramana made them into influential figures as the personal agents and messengers between the harem women and the world outside the harem. Umm Musa, qahramana to the mother of al-Muqtadir, became an influential figure as a messenger of supplicants to the Caliph mother and the Caliph. Another example was qahramana Zaydan, who acted as the jailkeeper of high status prisoners: after having been the jailer of the vizier Ibn al-Furat, who had fallen from favour, she managed to have him restored to power through her harem contacts and was rewarded by him with lands and wealth, a cooperation which continued for the rest of their careers.[11] The perhaps most famous of them all were Thumal the Qahraman.

Eunuchs

The eunuchs were the castrated male slaves responsible for guarding the harem, for preventing the women from leaving the harem and for approving any visitor before they gained entrance.[11]

Harem slavery

With the exception of the legal wives and female relatives of the Caliph, the inhabitants of the harem—concubines, entertainers and eunuchs—were all enslaved people. The slaves were either war captives (called sabaya) or bought from slave markets, and the slave women were divided in to the categories jawari and qiyan (singers), mahziyyat (concubines) and qahramanat (stewardesses).[13] The men meant for the harem were all eunuchs; the non eunuch males served the palace outside of the harem.

According to Islamic practice of slavery and slave trade, foreign non-Muslims were free to enslave, and it was preferred that slaves were to be non-Muslims from non-Muslim regions. In accordance with the Ma malakat aymanukum, the principle of concubinage, women could be legally kept as concubines in the harem if they were of non-Muslim origin. The four main ways to enslave a person were by kidnapping, by slave raids, by piracy, or by buying a child from poor parents.

One of the chief regions for the export of slaves to the Abbasid Caliphate came through Persia (Iran), which was a passage area for several slave trade routes: the saqaliba slave trade of Europeans provided by the Vikings to the Samanid Empire in Central Asia via the Volga trade route; the slave trade of mainly Turks from Central Asia, also via the Samanid slave trade; Christian Greeks, Armenians, and Georgians from the Caucasus by Muslim slavers; and the slave route of Hindu Indians following the Islamic invasion of India from the 8th-century onward.[17] Since many parts of Persia remained Zoroastrian the first centuries after conquest, some non-Muslim "infidel territory" in Persia were also exposed to Muslim slave raids, particularly Daylam in northwestern Iran and the Pagan mountainous region of Ḡūr in central Afghanistan.[17] Two of the twelve caliphs’ mothers whose nationalities are known were European saqaliba; Al-Musta'in's mother Mukhariq, and Al-Mu'tazz's mother Qabiha.[18] A Zoroastrian-Persian background were not uncommon among the qiyan-entertainers and slave concubines in the Caliphate, and some ended up in the Abbasid harem itself; Marājel, concubine of Harun al-Rashid and mother of the future caliph Al-Ma'mun, and Māridah, slave of Harun al-Rashid and mother of the future caliph Al-Mu'tasim, were both Iranians.[19][17]

The harem slaves where enslaved once again when the Abbasid harem was dissolved during the Sack of Baghdad in 1258. When Baghdad was conquered by the Mongols, they gave made an inventory of the possessions of the Caliph. This included the inhabitants of his harem. The inventory proved that the Abbasid harem at that point contained 1000 eunuchs and 700 women, whom the Caliph claimed had never seen sun nor moon.[20] The Caliph asked to keep the women, and was allowed to select 100 to keep.[21]

"An order was given for the Caliph's harem to be counted. There were seven hundred women and concubines and a thousand servants. When the Caliph was apprised of the count of the harem, he begged and pleaded, saying, "Let me have the women of the harem, upon whom neither sun nor the moon has ever shone."

The Caliph was however killed shortly after, and the members of his household and his family where killed or taken captive as slaves. The Persian historian Wassaf wrote:

“They swept through the city like hungry falcons attacking a flight of doves, or like raging wolves attacking sheep, with loose reins and shameless faces, murdering and spreading terror…beds and cushions made of gold and encrusted with jewels were cut to pieces with knives and torn to shreds. Those hiding behind the veils of the great Harem were dragged…through the streets and alleys, each of them becoming a plaything…as the population died at the hands of the invaders.”[22]

Legacy

Impact

The Abbasid harem system came to be a role model for the harems of later Islamic rulers, and the same model can be found in subsequent Islamic nations during the Middle Ages, such as the harem of the Caliphate of Cordoba and the Fatimid harem of the Fatimid Caliphate, which also consisted of the model of prominent mothers; slave concubines who became umm walad when giving birth; female Jawaris entertainers, qahramana's and eunuchs.[13] The harem system was fairly the same during the Ottoman Empire, with only minor changes in the model of the Imperial Harem.

Fiction

See also

References

Notes

  1. ^ a b c d Eleanor Abdella Doumato (2009). "Seclusion". In John L. Esposito (ed.). The Oxford Encyclopedia of the Islamic World. Oxford: Oxford University Press. Archived from the original on March 6, 2021.
  2. ^ Siddiqui, Mona (2006). "Veil". In Jane Dammen McAuliffe (ed.). Encyclopaedia of the Qurʾān. Brill.
  3. ^ [Quran 33:53 (Translated by Yusuf Ali)]
  4. ^ Youshaa Patel (2013). "Seclusion". The Oxford Encyclopedia of Islam and Women. Oxford: Oxford University Press. Archived from the original on September 7, 2020.
  5. ^ Schi̇ck, İrvi̇n Cemi̇l (2009). "Space: Harem: Overview". In Suad Joseph (ed.). Encyclopedia of Women & Islamic Cultures. Brill. doi:10.1163/1872-5309_ewic_EWICCOM_0283.
  6. ^ Ahmed 1992, pp. 112–15.
  7. ^ a b Mernissi, Fatima; Mary Jo Lakeland (2003). The forgotten queens of Islam. Oxford University Press. ISBN 978-0-19-579868-5.
  8. ^ a b Morony, Michael G. Iraq after the Muslim conquest. Gorgias Press LLC, 2005
  9. ^ a b Abbott, Nabia. Two queens of Baghdad: mother and wife of Hārūn al Rashīd. University of Chicago Press, 1946.
  10. ^ Ahmed 1992, p. 85.
  11. ^ a b c d e f g El Cheikh, Nadia Maria (2005). "Revisiting the Abbasid Harems". Journal of Middle East Women's Studies. 1 (3): 1–19. doi:10.2979/MEW.2005.1.3.1. JSTOR 40326869. S2CID 201770373.
  12. ^ Matthew Gordon, Kathryn A. Hain: Concubines and Courtesans: Women and Slavery in Islamic History
  13. ^ a b c d e f g El-Azhari, Taef (2019). Queens, Eunuchs and Concubines in Islamic History, 661–1257. Edinburgh University Press. p. 59. ISBN 978-1-4744-2318-2.
  14. ^ al-Sāʿī, Ibn (2017). Consorts of the Caliphs: Women and the Court of Baghdad. NYU Press. ISBN 978-1-4798-0477-1.[page needed]
  15. ^ a b Peirce, L.P. (1993). The Imperial Harem: Women and Sovereignty in the Ottoman Empire. Studies in Middle Eastern history. Oxford University Press. p. 30. ISBN 978-0-19-508677-5.
  16. ^ Textiles of Medieval Iberia: Cloth and Clothing in a Multi-cultural Context. (2022). Storbritannien: Boydell Press. p. 180-181
  17. ^ a b c BARDA and BARDA-DĀRI iii. In the Islamic period up to the Mongol invasion https://iranicaonline.org/articles/barda-iii
  18. ^ Fuad Matthew Caswell, The Slave Girls of Baghdad; The Qiyan in the Early Abbasid Era (London: I.B.Tauris, 2011), Appendix II, 274.
  19. ^ N. Abbott, Two Queens of Baghdad, Chicago, 1946, pp. 141–42
  20. ^ Howorth, H. H. (1965). History of the Mongols: The Mongols proper and the Kalmuks. With 2 maps by E. G. Ravenstein. USA: B. Franklin. p200
  21. ^ Howorth, H. H. (1965). History of the Mongols: The Mongols proper and the Kalmuks. With 2 maps by E. G. Ravenstein. USA: B. Franklin. p200
  22. ^ Justin Marozzi Baghdad: City of Peace, City of Blood (Penguin Books, 2014), 176–177.

Sources

Read other articles:

Frostmusterboden in Form von unsortierten Polygonen auf dem Fil de Cassons Frostmusterboden (auch Strukturboden) ist eine Sammelbezeichnung für Oberflächenformen mit regelmäßigen Strukturen, die durch Einwirkung von Bodenfrost entstanden sind. Für die Entstehung sind verschiedene geomorphologische Prozesse verantwortlich, vor allem aber thermische Kontraktion sowie Frosthub. Diese können eine Sortierung der Bodenpartikel bewirken. Frostmusterböden kommen vor allem in der periglazialen ...

Camión de combustible de aviación En algunos aeropuertos, las tuberías de combustible subterráneas permiten repostar sin necesidad de camiones cisterna. Los camiones llevan las mangueras y el equipo de bombeo necesarios, pero no el combustible. Los combustibles de aviación son combustibles a base de petróleo, o mezclas de petróleo y combustibles sintéticos, utilizados para propulsar aeronaves. Tienen requisitos más estrictos que los combustibles utilizados en tierra, como la calefacc...

Type of cinematography with extreme character A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence Extreme cinema is a subgenre used for films distinguished by its use of excessive sex and violence, and such various extreme nature as mutilation and torture. It recently specializes in genre film, mostly both horror and drama. Reception The rising popularity of Asian films in the 21st century has contributed to the growth of extreme ...

This article's lead section may be too short to adequately summarize the key points. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. (December 2021) Nina Simone discographyPortrait of Nina Simone in concert in Morlaix, France during 1982Studio albums19Live albums14 Nina Simone was an American singer, songwriter, pianist, and arranger. Albums This is a list of Simone's official albums, both studio and live, issued with her explicit ...

هذه المقالة يتيمة إذ تصل إليها مقالات أخرى قليلة جدًا. فضلًا، ساعد بإضافة وصلة إليها في مقالات متعلقة بها. (سبتمبر_2012) معايير الإخطار بالمواد الخطرة تتطلب معايير الإخطار بالتعامل مع المواد الخطرة الكشف عن وجود مواد سامة وخطيرة في أماكن العمل. ويقترن ويرتبط هذا الأمر بـ معايي

国府宮駅 駅前ロータリーに隣接するビル(2022年7月) こうのみや KŌNOMIYA ◄NH46 奥田 (2.1 km) (2.0 km) 島氏永 NH48► 所在地 愛知県稲沢市松下一丁目1-1北緯35度15分14秒 東経136度48分11秒 / 北緯35.25389度 東経136.80306度 / 35.25389; 136.80306座標: 北緯35度15分14秒 東経136度48分11秒 / 北緯35.25389度 東経136.80306度 / 35.25389; 136.80306駅番号 NH&...

Der Hafen von Toulon, von links nach rechts: Strasbourg, Colbert, Algérie, La Marseillaise, 28. November 1942 Die Selbstversenkung der Vichy-Flotte ereignete sich am 27. November 1942 in Toulon. Auf Anordnung der Admiralität des französischen Vichy-Regimes wurde dessen Mittelmeerflotte im Hafen von Toulon versenkt, um sie dem Zugriff Deutschlands, aber auch der Alliierten zu entziehen. Inhaltsverzeichnis 1 Vorgeschichte 2 Ablauf 3 Versenkte Einheiten (Auswahl) 3.1 Schlachtschiffe 3.2 Flugz...

Railway station in Melbourne, Australia BrunswickPTV commuter rail stationSouthbound view from Platform 2 in April 2022General informationLocationWilkinson Street,Brunswick, Victoria 3056City of Merri-bekAustraliaCoordinates37°46′04″S 144°57′35″E / 37.7677°S 144.9597°E / -37.7677; 144.9597Owned byVicTrackOperated byMetro TrainsLine(s)UpfieldDistance7.31 kilometres fromSouthern CrossPlatforms2 sideTracks2Connections Bus Tram ConstructionStructure typeGroundP...

This article may rely excessively on sources too closely associated with the subject, potentially preventing the article from being verifiable and neutral. Please help improve it by replacing them with more appropriate citations to reliable, independent, third-party sources. (August 2023) (Learn how and when to remove this template message) M. Amin ArnaoutBornSidon, LebanonNationalityAmericanAlma materAmerican University of BeirutKnown forIntegrinsAwardsKuwait Prize (2017)Homer W. S...

Савченко Микола Лаврінович  Майор Хорунжий БайдаЗагальна інформаціяНародження 20 лютого 1921(1921-02-20)с. Березова Лука, Миргородський повіт, Полтавська губерніяСмерть 1 січня 1979(1979-01-01) (57 років)Детройт,  СШАПсевдо «Петро Миколенко», «Байда», «377»Військова службаПриналеж...

For other people named Lawrence Manning, see Lawrence Manning (disambiguation). Laurence Manning c.1932 Laurence Manning, December, 1951 Top (l-r): Laurence, age 17; father Dr. James W.; brother Frederick Charles. Bottom (l-r): mother Helen G.A. Hanington; sister Helen Marjorie. Laurence Manning (July 20, 1899 – April 10, 1972) was a Canadian science fiction author. Manning was born in Saint John, New Brunswick, and attended Kings College in Halifax, Nova Scotia. As did his two older brothe...

Bushra MateenBorn10 October 1943Died8 April 2021NationalityPakistaniOccupation(s)Educator, Professor, Sports administratorRelativesMohammad Din Butt (father)Khawaja Abdul Mateen (husband)AwardsTamgha-e-Imtiaz (Medal of Distinction) by the President of Pakistan in 2013 Bushra Mateen (born October 10, 1943 in Lahore, Pakistan) served as vice-chancellor of Lahore College for Women University.[1] Early life and career Bushra Mateen was born on 10 October 1943. Her father was Mohammad Din ...

Austrian Indo-Europeanist Jochem Schindler Jochem Joki Schindler (8 November 1944 in Amstetten, Lower Austria – 24 December 1994 in Prague) was an Austrian Indo-Europeanist. In spite of his comparatively thin bibliography, he made important contributions, in particular to the theory of Proto-Indo-European nominal inflection and ablaut. Taught at University of Vienna from 1972 - 1978, as a professor at Harvard University from 1978 - 1987, then at Vienna.[1] A meticulous scholar, he a...

1943 film SonjaDirected byHampe FaustmanWritten byHerbert Grevenius (play) Gösta Stevens Hampe FaustmanProduced byLorens MarmstedtStarringBirgit Tengroth Åke Grönberg Sture LagerwallCinematographyHilding BladhEdited byLennart WallénMusic byCarl-Olof Anderberg Kai GullmarProductioncompanyTerrafilmDistributed byTerrafilmRelease date5 November 1943Running time79 minutesCountrySwedenLanguageSwedish Sonja is a 1943 mystery drama film directed by Hampe Faustman and starring Birgit Tengroth, Åk...

1990 film by Roger Spottiswoode Air AmericaTheatrical release posterDirected byRoger SpottiswoodeScreenplay by John Eskow Richard Rush Based onAir Americaby Christopher RobbinsProduced byDaniel MelnickMario KassarStarring Mel Gibson Robert Downey Jr. Nancy Travis David Marshall Grant Lane Smith CinematographyRoger DeakinsEdited byJohn BloomLois Freeman-FoxMusic byCharles GrossProductioncompaniesCarolco PicturesIndieProd CompanyDistributed byTri-Star PicturesRelease date August 10, 1...

2009 horror film directed by Nicholaus Goossen The ShortcutTheatrical film posterDirected byNicholaus GoossenWritten by Dan Hannon Scott Sandler Produced by Scott Einbinder Scott Sandler Ingo Vollkammer Brian Witten Starring Andrew Seeley Shannon Woodward Dave Franco Katrina Bowden CinematographyMark IrwinEdited byJake YorkMusic byMichael SubyProductioncompanies Scary Madison Leomax Distributed by Leomax Mind's Eye Entertainment Release dateSeptember 29, 2009Running time85 minutesCountryUnite...

American legal drama TV series Your HonorGenre Crime drama Legal drama Based onKvodoby Ron NinioShlomo MashiachDeveloped byPeter MoffatStarring Bryan Cranston Hunter Doohan Hope Davis Sofia Black-D'Elia Isiah Whitlock Jr. Michael Stuhlbarg Carmen Ejogo Andrene Ward-Hammond Keith Machekanyanga Benjamin Flores Jr. Lilli Kay Jimi Stanton Music by Volker Bertelmann David Buckley Country of originUnited StatesOriginal languageEnglishNo. of seasons2No. of episodes20ProductionExecutive producers Pet...

This article is about the novel. For crimes that carry the death penalty, see Capital punishment § Capital crime. Capital Crimes First editionAuthorStuart WoodsCountryUnited StatesLanguageEnglishSeriesWill Lee NovelsGenreThriller novelPublisherPutnamPublication dateOctober 2003Media typePrint (Paperback)Pages386 ppISBN0-451-21156-1OCLC54883305Preceded byThe Run Followed byMounting Fears  Capital Crimes is the sixth novel in the Will Lee series by Stuart Woods. I...

Census-designated place in Maryland, United StatesPerry Hall, MarylandCensus-designated placePerry Hall High School in Perry Hall, MarylandLocation of Perry Hall, MarylandCoordinates: 39°24′5″N 76°28′44″W / 39.40139°N 76.47889°W / 39.40139; -76.47889Country United StatesState MarylandCounty BaltimoreNamed forPerry Hall MansionArea[1] • Total6.94 sq mi (17.97 km2) • Land6.94 sq mi (17.97 ...

American anthology television series (1985–1987) Amazing StoriesGenre Anthology Fantasy Science-fiction Comedy drama Created bySteven SpielbergDeveloped by Steven Spielberg Joshua Brand John Falsey Theme music composerJohn WilliamsCountry of originUnited StatesOriginal languageEnglishNo. of seasons2No. of episodes45ProductionExecutive producers Steven Spielberg Kathleen Kennedy Frank Marshall ProducerDavid E. VogelRunning time24–46 minutesProduction companies Amblin Entertainment Universa...