Its title is a reference to the 1565 painting The Hunters in the Snow by Pieter Bruegel the Elder. The painting depicts a rural wintertime scene, with some birds perched on tree branches. Andersson said he imagined that the birds in the scene are watching the people below, wondering what they are doing. He explained the title of the film as a "different way of saying 'what are we actually doing', that's what the movie is about."[8] At the Venice Film Festival, Andersson said that the film had been inspired by the 1948 Italian film Bicycle Thieves by Vittorio De Sica.[9]
Plot
The slow cinema movie, hyper reality, consists of a series of mostly self-contained tableaux, sometimes connected by recurring themes or characters. The story loosely follows two travelling novelty salesmen, Jonathan and Sam, who live in a desolate flophouse, and their unsuccessful attempts to win customers for their joke articles (vampire teeth, laughing bags and a monster mask).[10] Although there is no main storyline in the traditional sense, all scenes are connected.[11]
Cast
Holger Andersson as Jonathan
Nils Westblom as Sam
Reception
A Pigeon Sat on a Branch Reflecting on Existence received an 89% rating on Rotten Tomatoes, based on 102 reviews, with an average rating of 7.9/10. The consensus reads: "Expertly assembled and indelibly original, A Pigeon Sat on a Branch concludes writer-director Roy Andersson's Living trilogy in style."[12] The film also received a score of 81 out of 100 on Metacritic, based on 23 reviews.[13] Audiences surveyed by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[14]
