PROFILBARU.COM

Young Mr. Lincoln
Young Mr. Lincoln
	Theatrical release poster
Directed by	John Ford
Written by	Lamar Trotti
Produced by	Darryl F. Zanuck; Kenneth Macgowan
Starring	Henry Fonda; Alice Brady; Marjorie Weaver; Arleen Whelan
Cinematography	Bert Glennon; Arthur C. Miller
Edited by	Walter Thompson
Music by	Alfred Newman
Production; company	Cosmopolitan Productions
Distributed by	20th Century-Fox
Release date	June 9, 1939;
Running time	100 minutes
Country	United States
Language	English
Budget	$1,500,000 (estimated)

Young Mr. Lincoln is a 1939 American biographical drama western film about the early life of President Abraham Lincoln, directed by John Ford and starring Henry Fonda.^[1]^[2] Ford and producer Darryl F. Zanuck fought for control of the film, to the point where Ford destroyed unwanted takes for fear the studio would use them in the film.^{[citation needed]} Screenwriter Lamar Trotti was nominated for an Academy Award for Best Writing/Original Story.

In 2003, Young Mr. Lincoln was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

In 1832, a family traveling through New Salem, Illinois in their wagon need groceries from Lincoln's store, and the only thing of value that they have to trade is a barrel of old books including a law book, Blackstone's Commentaries. After thoroughly reading the book, Lincoln opts for the law after receiving encouragement from his early, ill-fated love, Ann Rutledge, who soon dies. Too poor to own even a horse, he arrives in Springfield, Illinois, on a mule and soon establishes a law practice in 1837 with his friend, John Stuart. After a raucous, day-long Independence Day celebration, a man, Skrub White, is killed after he pulled a gun in a fight. The accused are two brothers, Matt and Adam Clay. Lincoln prevents the lynching of the accused at the jail by shaming the angry, drunken mob. He also convinces it that he really needs the clients for his first real case.

Admiring his courage, Mary Todd invites Lincoln to her sister's soiree. Despite being aggressively courted by the very polished Stephen Douglas, Mary is interested in Lincoln. She faithfully attends the trial of the Clay boys, sits in the front row, and listens closely.

The boys' mother, Abigail Clay, who witnessed the end of the fight, and Lincoln are pressured by the prosecutor to save one of the brothers at the expense of the other's conviction. However, the key witness to the crime, J. Palmer Cass, is a friend of the victim who claims to have seen the murder at a distance of about 100 yards (91.4 meters) under the light of the moon: "It was moon bright". However, Lincoln persists and is able, by using an almanac, to demonstrate that on the night in question, the moon had set before the time of death. He then drives Cass to confess that he had actually stabbed his friend.

Cast

Henry Fonda as Abraham Lincoln
Alice Brady as Abigail Clay (final film role)
Marjorie Weaver as Mary Todd
Arleen Whelan as Sarah Clay
Eddie Collins as Efe Turner
Pauline Moore as Ann Rutledge
Richard Cromwell as Matt Clay
Donald Meek as Prosecutor John Felder
Dorris Bowdon as Carrie Sue (Judith Dickens, who was obviously replaced by Bowden, is falsely credited)^[3]
Eddie Quillan as Adam Clay
Spencer Charters as Judge Herbert A. Bell
Ward Bond as John Palmer Cass
Milburn Stone as Stephen A. Douglas
Cliff Clark as Sheriff Gil Billing
Fred Kohler Jr. as Skrub White (uncredited)

Background

The film has as its basis the murder case against William "Duff" Armstrong, which took place in 1858 at the courthouse in Beardstown, Illinois, the only courthouse in which Lincoln practiced law that is still in use. Lincoln proved the witness against the accused was lying about being able to see by the light of the Moon, using an almanac. Armstrong was acquitted.

Critical reception

In a favorable review for The New York Times, Frank Nugent wrote that the film's tableaux of scenes and characters gave the film "the right to be called Americana," and praised Fonda's performance:

Henry Fonda's characterization is one of those once-in-a-blue-moon things: a crossroads meeting of nature, art and a smart casting director. Nature gave Mr. Fonda long legs and arms, a strong and honest face and a slow smile; the make-up man added a new nose bridge.... [Fonda's] performance kindles the film, makes it a moving unity, at once gentle and quizzically comic.^[4]

In an essay that not only discusses the film, but also sheds light on the Soviet view of Lincoln's career and mythos, Russian filmmaker Sergei Eisenstein named Young Mr. Lincoln as the one American film that he most wishes he had made, lauding its "harmony," the "stylized daguerrotype manner" of its photography, and the sympathy and subtlety with which it portrays Lincoln, whom Eisenstein likens to Russian folk hero Ilya Muromets.^[5]