Women's suffrage, the legal right of women to vote, has been depicted in film in a variety of ways since the invention of narrative film in the late nineteenth century. Some early films satirized and mocked suffragists and Suffragettes as "unwomanly" "man-haters,"[1] or sensationalized documentary footage. Suffragists countered these depictions by releasing narrative films and newsreels that argued for their cause. After women won the vote in countries with a national cinema, women's suffrage became a historical event depicted in both fiction and nonfiction films.
Renewed campaigns for women's suffrage in France, the United Kingdom, and the United States coincided with the invention of the motion picture and the creation of the film industries in these same countries. Because of this, women's suffrage was a topic in some of the earliest narrative films. Film scholar Martin F. Norden views "suffrage films" as a distinct genre that had its "one and only heyday during the years prior to World War I".[2] Like most films of the silent era, very few of these motion pictures survive,[3] though descriptions from film magazines of the time help us understand their content and messages.[2]
Early comedies and melodramas lampooned or attacked women's suffrage. Comedies created laughable suffragist characters, while melodramas showed suffragists ruining their lives, families, and communities. These films "echoed the vehement cries of politicians, journalists, and preachers who feared that woman suffrage would spell the death of femininity and the family."[4]
Less than three years after the invention of narrative cinema, George Albert Smith satirized suffragists in his silent short film The Lady Barber (1898). In this comedy, a woman suffragist takes over a barbershop and begins cutting the hair of the "bewildered" male customers.[4] Many such films explored what might happen if men and women switched gender roles, or if women took on the activities and responsibilities of men; examples include Alice Guy-Blaché's Les Résultats du féminisme (1906); She Would Be a Business Man (1910); and Georges Méliès's Fire! Fire! Fire! (1911).[2] While Guy-Blaché's film used satire to demonstrate the sexism and abuse women face in a society ruled by men,[5] films like Fire! Fire! Fire!, The Reformation of the Suffragettes (1911), and A Lively Affair (1912) showed women humiliated into abandoning the suffrage movement after trying to do the work of men.[2][6]
Documentary news footage of suffrage demonstrations could present the movement in a positive or negative light. In 1908, British suffragettes invited news cameras to film a rally in Hyde Park, London; the footage became the first news coverage of women's suffrage on film.[12][13] But newsreels could also present documentary footage of the suffrage movement in a sensationalized manner. For example, the newsreel Suffragettes Again (1913) showed firefighters attempting to put out a large fire supposedly set by British suffragettes.[12] News cameras documented suffragist Emily Davison's 1913 suicide and her funeral.[14]
Fictional comedies like How Women Win (1911) and Was He a Suffragette (1912) incorporated documentary or newsreel footage of real suffrage demonstrations, as did Votes for Women, the 1912 melodrama produced by suffragists.[14][15]
Thomas Edison recorded speeches by prominent American suffragists for his Kinetophone, an early system for synchronized sound, in 1913, but the resulting film is lost.[16]
Chicago suffragists shot and screened footage to show first-time voters how to cast a ballot.[20]
In 1914, NAWSA member Ruth Hanna McCormick released the pro-suffrage melodrama Your Girl and Mine.[21] But suffragists found filmmaking too expensive to be sustainable and thus stopped making films after this.[18]
Later silent films, 1915–1919
Though suffrage organizations did not make any official films after 1914, early Hollywood studios and filmmakers continued to comment on the campaign for women's suffrage in their films. Dorothy Davenport starred in Mothers of Men (1917), a melodrama that depicted a future where a suffragist holds an important political office.[22][23]The Woman in Politics (1916), One Law for Both (1917), and Woman (1918) continued to "applaud suffragists' long persistent efforts for political equality."[24]
Laura E. Nym Mayhall has argued that mid-twentieth-century depictions of suffragists like Mrs. Banks in the internationally-distributed blockbuster Mary Poppins (1964) were part of a campaign to soften the history of suffragettes.[27] Twenty-first century films like Iron Jawed Angels (2004) and Suffragette (2015) have reincorporated the radicalism of the British suffrage movement.[28][29]
Two of France's legendary film pioneers, Alice Guy-Blaché and Georges Méliès, each made films on the topic of women's suffrage in the first decade of the twentieth century. Guy-Blaché's Les Résultats du féminisme (1906) depicts a world of gender-role reversal, in which men are sexually harassed by women,[5] while Méliès's For the Cause of Suffrage (1909) and Fire! Fire! Fire! (1911) use gender-role reversal and crossdressing to mock suffragists.[9]
Germany
Die Suffragette (1913, English: The Suffragette), also released as The Militant Suffragette, starred Asta Nielsen as a British suffragette who becomes involved in a plot to murder a politician. The film was distributed in Germany, America, England, Brazil, and Sweden.[11]
The earliest comedies about suffragists, The Lady Barber (1898) and Women's Rights (1899),[32] were produced in Britain before the term "suffragette" was coined. In 1908, British suffragettes invited news cameras to film a demonstration in Hyde Park, resulting in the first nonfiction film footage of the suffrage movement.[12][13] Britain continued to make both fiction and nonfiction films about and featuring suffragettes, including Mass Meeting of Suffragettes (1910) and Milling the Militants (1913).
Suffragettes were frequently featured in films made in other countries as well: "The British suffrage movement, which was the most violent, garnered the most interest among filmmakers—even fictional scenarios made by studios in other countries, such as Germany, Sweden and the USA, were often set in England to capitalize on the colorful protestors, who embraced the term 'suffragette'."[8] See, for example, Die Suffragette (1913, English: The Suffragette), a German film in which Asta Nielsen plays a British suffragette.
The 2015 film Suffragette is a historical drama about the British movement.[33]
Films like Coon Town Suffragettes (1911) mocked both the suffrage movement and African-Americans.[2]
But some American movie makers, especially women, were publicly in favor of suffrage. Mary Pickford was photographed reading a British "Votes for Women" publication. Women like Lois Weber and Bess Meredyth who worked at Universal Pictures and lived in Universal City, California, the studio's unincorporated community, ran for public office on a "suffrage ticket" that garnered publicity in 1913.[11]
^ abcdefgNorden, Martin F. (1986). "'A Good Travesty upon the Suffragette Movement': Women's Suffrage Films as Genre". Journal of Popular Film and Television, 13(4), 171-177.
^Lindsey, Shelley Stamp (1997). "Eighty million women want—?: Women's suffrage, female viewers and the body politic". Quarterly Review of Film and Video. 16 (1): 1–22. doi:10.1080/10509209709361450. ISSN1050-9208.
^Beauchamp, Cari (1997). Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. University of California Press. p. 55. ISBN9780520214927.