Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound.[1] It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers, and lyrical themes of outer space and science fiction.
Humanity's entry into outer space provided ample subject matter for rock and roll and R&B songs from the mid-1950s through the early 1960s. It also inspired new sounds and sound effects to be used in the music itself. A prominent early example of space rock is the 1959 concept album I Hear a New World by British producer and songwriter Joe Meek. The album was inspired by the space race and concerned human's first close encounter with alien life forms.[3] Meek then went on to have a UK and US No 1 success in 1961 with "Telstar", named after the newly launched communications satellite and thus intended to commemorate the new space age. Its main instrument was a clavioline, an electronic forerunner of the synthesizers.
In early 1971, Pink Floyd began writing the song that would become known as "Echoes", from the 1971 album Meddle. The song was performed from April until September 1971, with an alternative set of lyrics, written about two planets meeting in space.
A major album in the history of space rock was Hawkwind's Space Ritual (1973),[12] a two-disc live album advertised as "88 minutes of brain-damage" documenting Hawkwind's 1972 tour that included a liquid light show and lasers, nude dancers (notably the earth-mother figure Stacia), wild costumes and psychedelic imagery. This hard-edged concert experience attracted a motley but dedicated collection of psychedelic drug users, science-fiction fans and motorcycle riders. The science fiction author Michael Moorcock collaborated with Hawkwind on many occasions and wrote the lyrics for many of the spoken-word sections on Space Ritual.
In Europe, Hungarian band Omega was the biggest space rock band with albums Time Robber (1976), Skyrover (1978), and Gammapolis (1979). Other European bands include the progressive rock groups Eloy and Nektar. Nektar, who were known for having a rhythmic liquid/slide light show at their concerts, released their album Journey to the Centre of the Eye in 1971.
In the mid-1990s, a number of bands built on the space rock styles of Hawkwind and Gong appeared in America. Some of these bands were signed to Cleopatra Records, which then proceeded to release numerous space rock compilations. Starting in 1997, Daevid Allen of Gong, along with members of Hawkwind, Clearlight, and Blue Öyster Cult, started to perform with Spirits Burning, a studio project created to celebrate space rock.
The Strange Daze festivals from 1997 to 2001 showcased the American space rock scene in three-day outdoor festivals. A Michigan-based space rock scene included Burnt Hair Records, Darla Records, and bands such as Windy & Carl, Mahogany, Sweet Trip, Füxa and Auburn Lull. This was a modern movement of the traditional "space rock" sound and was pinned Detroit Space Rock.[16]
21st century
In 2005, Tom DeLonge formed the rock supergroup Angels & Airwaves, who are known for having space rock influences in both its music and lyrics, in addition to having space-themed imagery and artwork.
In 2009 an off-duty NASA worker from the shuttle program synchronised footage of a Discovery launch with the Flowers of Hell's "Sympathy for Vengeance" in an online video which became popular amongst staff at the Kennedy Space Center.[18][19]
In 2018, British rock band Arctic Monkeys released their sixth studio album, Tranquility Base Hotel & Casino, based on frontman Alex Turner's concept of a luxury resort on the moon for rockstars. The album centres around topics of interstellar travel, consumerism, science fiction and technology, and features several characters such as an unnamed retired rockstar who serves as the narrator for several tracks, "Mark", the titular hotel's receptionist, and the fictional "Martini Police" mentioned in the track "Star Treatment".