Stephen Morgan Fisher (born 1 January 1950) is an English keyboard player and composer, and is most known as a member of Mott the Hoople in the early 1970s. However, his career has covered a wide range of musical activities, and he is still active in the music industry. In recent years he has expanded into photography.
Music career
Love Affair and Mott the Hoople: 1966–1976
From 1966 to 1970, he played the organ with the soul/pop band the Soul Survivors, who in 1967 renamed themselves Love Affair. They had a number one hit single in 1968 with "Everlasting Love", while Fisher was taking a break from the band to complete his final year at Hendon County Grammar school: "I joined the band when I was still at school, and then various people convinced me I ought to stay at school to finish my 'A' Levels. So I left them for about six months, during which time they had a number one hit. I had no plan to come back, but after they had a number one hit".[1]
In late 1968, Fisher asked a friend of his to write a letter to Love Affair to give them an update on his personal life, writing that Morgan was out of school now. The band sent a letter back to Fisher, asking him if he wanted to rejoin the group, as they weren't really getting along with Lynton Guest and were wanting him replaced. Morgan was in Love Affair again, and was so until 1971.[2]
When Fisher left Love Affair in 1971, he formed the progressive rock band called Morgan, with singer Tim Staffell (the lead singer of the band Smile, who later became Queen) and Love Affair drummer Maurice Bacon.[3] They only released one album Nova Solis, in 1972, before disbanding in 1973. A second album, "The Sleeper Wakes", recorded in 1973, was released in 1976.[4]
From 1973 to 1976, after a brief liaison with Third Ear Band, he joined British rock band Mott the Hoople.[5] Morgan was known for his eccentric black suit jacket with piano keys styled on the suit lapels. Meanwhile, Fisher contributed keyboards to John Fiddler's Medicine Head.
Fisher at bottom middle with Mott the Hoople in a 1974 trade ad
British Lions and Solo works: 1977–1980
When Mott folded, Fisher invited Fiddler to join the remaining members of Mott in what would become British Lions.[5] From 1977 to 1979 the Lions recorded two albums, and three singles: Kim Fowley's "International Heroes", Garland Jeffries' "Wild in the Streets", and Fiddler's own "One More Chance to Run".
In 1978 in his home studio in Notting Hill, Fisher started an intense two-year burst of activity with four iconoclastic solo projects, all released on the new indie label Cherry Red Records. 1979's Hybrid Kids – A Collection of Classic Mutants featured art-punk arrangements of hit songs, posing as a dozen indie bands, who were in fact, all Fisher, playing keys, bass, guitar and singing. A sequel, a Christmas album called Claws, came out in 1980. Fisher's first foray into ambient music came out the same year, the sublime Slow Music in which he looped and processed a performance by sax supremo Lol Coxhill.
Touring with Queen and move to Japan: 1982–present
Burnt out after his two-year burst of solo recordings, Fisher took a few years break and travelled around Europe and Asia. After coming back to music, he played with Queen on their 1982 tour of Europe, the first time they added an extra musician to their live shows. Freddie Mercury can be seen humorously introducing him to the audience before the band's performance of "Crazy Little Thing Called Love", on the band's Queen on Fire – Live at the Bowl album.
After further travels, Fisher moved to Japan in 1984, where he quickly realised that he had found the new home base he had been searching for ever since leaving London. There, he started to make ambient and improvised music, as well as becoming a successful TV commercial music composer, including songs written or arranged for Cat Power, Karin Krog, José Feliciano, Zap Mama and Swing Out Sister. Japanese artists he has worked with include Yoko Ono, Dip in the Pool, the Boom, Heat Wave, Shoukichi Kina, and Haruomi Hosono from Yellow Magic Orchestra.[6] He also scored the Japanese anime/live-action hybrid film Twilight of the Cockroaches (1987) and the documentary A Zen Life: D.T. Suzuki (2006).[7]
Starting in November 2003, Morgan performed 100 monthly solo improvisation concerts at the cutting-edge arts/music club Superdeluxe, in Roppongi, Tokyo. He called this concert series "Morgan's Organ", and has started to release live recordings of the series as downloads.[8] The series ended in March 2013 and has been continued as "Morgan's Organ at Home" at his personal studio in Tokyo since June 2013. There he also began to host a series of events at his own "Morgan Salon" room that he runs, inspired by the salon events in Paris in the 1920s, featuring creative individuals from other disciplines such as photography, poetry, Japanese traditional music, and sake-making.[9][10]
Fisher has maintained a lifelong interest in photography and in recent years has been holding an increasing number of solo exhibitions of his work in Japan and abroad. He has evolved a technique of abstract photography which he calls Light Art, influenced by the photograms of Man Ray and László Moholy-Nagy, by pendulum-created harmonographs, and in particular by the abstract cinema of Len Lye, Norman McLaren and Oskar Fischinger.[12] Unlike most light paintings where images are created by "drawing" with flashlights in front of a camera with an open shutter, Fisher's light artworks are in the main created by moving the camera in front of various natural and man-made light sources (fireworks, sunlight on water, city illuminations, etc.).
Many of his light artworks may be seen at his website. Victor Magazine, a prestigious large-format hardback magazine produced by Hasselblad, included a 20-page feature on Morgan's light art in their 3rd issue, alongside a feature on David Lynch. His light art was featured in the booklet of his March 2009 album release Non Mon, a collection of his most well-known TV commercial compositions (Japan, DefSTAR/Sony Records).[13]
Fisher has held twenty solo exhibitions in Tokyo, and occasionally in the United States. These include:
1980 Institute of Contemporary Art, London
1987 NTT (Nippon Telephone) Gallery, Tokyo
1988 Roppongi Wave, Tokyo
1989 Striped House Gallery, Tokyo
2003 Uplink Gallery, Tokyo
2007 Superdeluxe, Tokyo
2007 Cool Train Gallery, Tokyo
2009 Superdeluxe, Tokyo
2010 Gallery Bauhaus, Tokyo
2010 Blue-T Gallery, Tokyo
2010 Gallery Cosmos, Tokyo
2011 Winfield Gallery, Carmel CA
2011 Fire King Cafe, Tokyo
2011 Gallery Box, Yokohama
2012 Foreign Correspondents' Club, Tokyo
2013 Hard Rock Hotel, Las Vegas
2013 Hasselblad Gallery
2014 Kid Ailack Art Hall, Tokyo
2015 Fire King Cafe, Tokyo
2019 Plate Tokyo
Personal life
In the late 70s/early 80s, Fisher took a three-year "sabbatical", spending time in India, Belgium, and the US, studying meditation, vegetarianism and macrobiotics. This led to his 1984 move to Japan, where he still lives.
Fisher shared a flat with Mott the Hoople guitarist Mick Ralphs in Rusthall Avenue in Chiswick in 1973, then in 1976 moved to Canada Road, Acton, London and in 1978 to Linden Gardens in Notting Hill.
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