Saint in her cheerleader uniform in high school, 1942
Saint was born on July 4, 1924,[1] in Newark, New Jersey, to Quaker parents.[2] Her father was John Merle Saint and her mother was Eva Marie (née Rice) Saint. She attended Bethlehem Central High School in Delmar, New York, near Albany, graduating in 1942. She was inducted into the high school's hall of fame in 2006. She studied acting at Bowling Green State University and joined Delta Gamma Sorority. During this time she played the lead role in a production of Personal Appearance.[3] A theater on Bowling Green's campus is named after her.[4] She was an active member in the theater honorary fraternity, Theta Alpha Phi,[5] and served as record keeper of the student council in 1944.[6]
Career
Early television career
Saint's introduction to television began as an NBC page.[7] She appeared in the live NBC-TV show Campus Hoopla in 1946–47.[8] Her performances on this program are recorded on rare kinescope, and audio recordings of these telecasts are preserved in the Library of Congress. She also appeared in Bonnie Maid's Versa-Tile Varieties on NBC in 1949 as one of the original singing "Bonnie Maids" used in the live commercials.[2]
Saint appeared in a 1947 Life Magazine special about television,[9] and also in a 1949 feature Life article about her as a struggling actress earning minimum amounts from early TV while trying to make ends meet in New York City.[10] In the late 1940s, Saint continued to make her living by extensive work in radio and television. In 1953, she won the Drama Critics Award for her Broadway stage role in the Horton Foote play The Trip to Bountiful (1953), in which she co-starred with such formidable actresses as Lillian Gish and Jo Van Fleet.[11][12]
In 1955, Saint was nominated for her first Emmy for "Best Actress In A Single Performance" on The Philco Television Playhouse, playing the young mistress of middle-aged E. G. Marshall in Middle of the Night by Paddy Chayefsky. She won another Emmy nomination for the 1955 television musical version of Our Town, adapted from the Thornton Wilder play of the same name. Co-stars were Paul Newman and Frank Sinatra. Her success and acclaim in TV productions were of such a high level that "one slightly hyperbolic primordial TV critic dubbed her 'the Helen Hayes of television.'"[2]
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan—a performance for which she won the Academy Award for Best Supporting Actress. Her performance in the role of Edie Doyle (whose brother's death sets the film's drama in motion), which she won over such leading contenders as Claire Trevor, Nina Foch, Katy Jurado and Jan Sterling, also earned her a British Academy of Film and Television Award nomination for "Most Promising Newcomer". In his review for The New York Times, film critic A. H. Weiler wrote, "In casting Eva Marie Saint—a newcomer to movies from TV and Broadway—Mr. Kazan has come up with a pretty and blond artisan who does not have to depend on these attributes. Her parochial school training is no bar to love with the proper stranger. Amid scenes of carnage, she gives tenderness and sensitivity to genuine romance."[13] The film was a major success and launched Saint's film career. She received $7,500 for the role.[14]
In a 2000 interview in Premiere magazine, Saint recalled making the film, which has been highly influential, saying, "[Elia] Kazan put me in a room with Marlon Brando. He said 'Brando is the boyfriend of your sister. You're not used to being with a young man. Don't let him in the door under any circumstances.' I don't know what he told Marlon; you'll have to ask him—good luck! [Brando] came in and started teasing me. He put me off balance. And I remained off balance for the whole shoot." She repeated the anecdote in a 2010 interview.[15]
Saint appeared alongside Bob Hope in That Certain Feeling (1956) for which she received $50,000.[14] She was then offered $100,000 to star in the lavish Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.[14] After that, she starred with Don Murray in A Hatful of Rain, the pioneering drug-addiction drama, which although made later than Raintree Country was released earlier in 1957. She received a nomination for the "Best Foreign Actress" award from the British Academy of Film and Television for her performance.[16]
Hitchcock worked with Saint to make her voice lower and huskier, and personally chose costumes for her during a shopping trip to Bergdorf Goodman in New York City.[19]
The change in Saint's screen persona, coupled with her adroit performance as a seductive woman of mystery who keeps Cary Grant (and the audience) off balance, was widely heralded. In his review of August 7, 1959, The New York Times critic Abe H. Weiler wrote, "In casting Eva Marie Saint as [Cary Grant's] romantic vis-a-vis, Mr. Hitchcock has plumbed some talents not shown by the actress heretofore. Although she is seemingly a hard, designing type, she also emerges both the sweet heroine and a glamorous charmer."[20]
In 2000, recalling her experience making the picture with Cary Grant and Hitchcock, Saint said, "[Grant] would say, 'See, Eva Marie, you don't have to cry in a movie to have a good time. Just kick up your heels and have fun.' Hitchcock said, 'I don't want you to do a sink-to-sink movie again, ever. You've done these black-and-white movies like On the Waterfront. It's drab in that tenement house. Women go to the movies, and they've just left the sink at home. They don't want to see you at the sink.' In a 2010 interview she stated: "I said, 'I can't promise you that, Hitch, because I love those dramas.'"[15]
Although North by Northwest might have propelled her to the top ranks of stardom, Saint chose to limit her film work in order to spend time with her husband since 1951, director Jeffrey Hayden, and their two children. In the 1960s, Saint continued to distinguish herself in both high-profile and offbeat pictures. She co-starred with Paul Newman in Exodus (1960), a historical drama about the founding of the state of Israel adapted from the novel of the same name by Leon Uris. It was directed by Otto Preminger. She also co-starred with Warren Beatty, Karl Malden and Angela Lansbury as a tragic beauty in the drama All Fall Down (1962). Based upon a novel by James Leo Herlihy and a screenplay by William Inge, the film was directed by John Frankenheimer.[21]
Saint received some of her best reviews for her performance in Loving (1970), co-starring as the wife of George Segal. The film was about a commercial artist's relationship with his wife and other women; it was critically acclaimed but did not have wide viewership.[23]
Because of the mostly second-rate film roles that came her way in the 1970s, Saint returned to television and the stage in the 1980s. She received an Emmy nomination for the 1977 miniseries How The West Was Won and a 1978 Emmy nomination for Taxi!!!.[24] She was reunited with On the Waterfront co-star Karl Malden in the television film Fatal Vision, this time as the wife of his character, as he investigated the murder of his daughter and granddaughters.[25] She played the mother of Cybill Shepherd in the television series Moonlighting, a role that spanned episodes over three years.[1]
Saint returned to the big screen for the first time in over a decade in Nothing in Common (1986), in which she played the mother of Tom Hanks's character; it was directed by Garry Marshall.[26] Critics applauded her return to features. Saint was soon back on the small screen in numerous projects. After receiving five nominations, she won her first Emmy Award for the 1990 miniseries People Like Us.[27] She appeared in a number of television productions in the 1990s and was cast as the mother of radio producer, Roz Doyle, in a 1999 episode of the comedy series Frasier.[citation needed]
At the age of 93, Saint appeared at the 2018 Academy Award ceremony to present the award for Costume Design. She received a standing ovation upon entering the stage.[35] In 2021, Saint appeared alongside Marisa Tomei in the podcast play series "The Pack Podcast" as part of the segment "The Bus Ride".[36]
Saint and her husband, Jeffrey Hayden, at the 1990 Emmy Awards
Saint married producer and director Jeffrey Hayden on October 28, 1951. They had two children together: son Darrell Hayden, born April 1, 1955, and daughter Laurette Hayden, born July 19, 1958.[38] Their first child, Darrell, was born two days after she won an Academy Award for On the Waterfront. She began her acceptance speech with "I may have the baby right here!" [39] Saint and Hayden also have four grandchildren and were married for 65 years, until Hayden's death in 2016.[40]
On July 4, 2024, Saint turned 100.[41][42]
^Brooks, Tim; Marsh, Earle (2007). The complete directory to prime time network and cable TV shows: 1946 - present. New York: Ballantine Books. p. 214. ISBN978-0-345-49773-4.
^"TELEVISION: It is a commercial reality, but not yet an art." LIFE 23:22 (December 1, 1947).
^Havemann, Ernest. "Breaking into Television." LIFE 27:12 (September 19, 1949), 93.
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