With the outbreak of the Second World War, he interrupted his studies in music to serve in the British Army. He was commissioned as a second lieutenant in the Duke of Cornwall's Light Infantry (DCLI) on 15 February 1941,[4] and was awarded the Military Cross as a temporarycaptain for his actions during the Battle of Normandy on the night of 10/11 July 1944, when he was serving with the 5th Battalion, DCLI as battalion intelligence officer. The battalion, part of the 214th Infantry Brigade of the 43rd (Wessex) Infantry Division, was ordered to hold Hill 112 in Normandy, France, as part of Operation Epsom. He carried out his duties outstandingly overnight, helping inflict severe casualties on the German forces by calling in artillery support to break up counter-attacks. The battalion suffered over 250 casualties during the night, including the commanding officer and one of the company commanders. This left Willcocks in command of the battalion headquarters, which by then was the furthest forward part of the battalion. He rallied the men, enabling the battalion to stand firm and reorganise.[5] The award was gazetted on 21 December 1944.[6]
Musical career
Willcocks returned to Cambridge in 1945 to complete his studies, and in 1947 was elected a Fellow of King's College and appointed Conductor of the Cambridge Philharmonic Society. In the same year, he became the organist at Salisbury Cathedral and the conductor of the Salisbury Musical Society. He moved to Worcester Cathedral in 1950 and remained until 1957, during which time he was organist of the cathedral, principal conductor of the Three Choirs Festival in 1951, 1954, and 1957, and conductor of the City of Birmingham Choir. From 1956 to 1974 he was also conductor of the Bradford Festival Choral Society, whilst continuing as guest conductor for their carol concerts into the early 1990s.[2] Composers with whom he collaborated included Vaughan Williams, Britten, Howells and Tippett.[7]
From 1957 to 1974 he held the post for which he is probably best known, Director of Music at King's College, Cambridge.[8] He made numerous recordings with the college choir. (Among the most notable recordings was one of Thomas Tallis's Spem in alium, made in 1965.) The choir toured extensively, giving concerts worldwide, as well as garnering further acclaim internationally through television and radio appearances. Under the baton of Willcocks, Cambridge University Musical Society performed Benjamin Britten's War Requiem in 1963 in (Perugia) Milan, La Scala, and in Venice. The choir subsequently performed the work in Japan, Hong Kong, Portugal, and the Netherlands. In 1960, he also became the musical director of the Bach Choir in London.[2]
After stepping down from the Royal College, Willcocks resumed conducting and editing scores as his primary activities. A 1990 profile in The New York Times noted that he had made nine visits to the United States in the previous year, including conducting Evensong at St. Thomas Church in Manhattan and conducting the Mormon Tabernacle Choir.[7] In live performance, he regularly conducted Mozart's Requiem at the Mostly Mozart festival in New York.[14]
On 15 May 2010, a celebration of his contribution to music took place at the Royal Albert Hall in London, where pieces selected by Willcocks were performed by singers who are part of the Really Big Chorus. Special guests included choristers from King's College Choir, Cambridge, who performed three pieces.[15]
He died at home in Cambridge on the morning of 17 September 2015.[16]
He is particularly known for his widely used choral arrangements of Christmas carols, many of which were originally written or arranged for the Service of Nine Lessons and Carols at King's and/or the Bach Choir's Christmas concerts. They are published in the five Carols for Choirs anthologies (1961–1987), edited by Willcocks with Reginald Jacques (first volume) or John Rutter.[8][22] The descant arrangements in particular are among the most famous and well-loved musical components.[23] He was Music Director Emeritus of King's College Choir, and an Honorary Fellow of King's College, Cambridge.[24]
A notable broadcast took place on BBC Radio 4 on 21 September 2010 in a series called Soul Music, when Willcocks profiled Fauré's Requiem. The programme included his memories of the fighting at Hill 112. The profile also featured Christina, widow of Olaf Schmid. Willcocks questioned the morality of war.[25]
Introduction (Fanfare), Variations and Fughetto on the Hymn Tune Jena (Breslau) (1986). Commissioned by the Detroit chapter of the American Guild of Organists, premiered by Marilyn Mason at the 1986 AGO national convention.[27]
^ abRobinson, Ray (October 1985). "Sir David Willcocks: A Personal View". The Choral Journal. Published by: American Choral Directors Association. 26 (3): 15.