The Compass Players, founded by David Shepherd and Paul Sills, was the first Improvisational Theatre in America. [2] It began July 8, 1955 as a storefront theater at 1152 E. 55th near the University of Chicago campus. They presented improvised plays.[3]
Shepherd, in Mark Siska's documentary Compass Cabaret ’55, about the birth of modern improvisation, stated his reasons for founding the Compass Players, “Theater in New York was very effete and based on three-act plays and based on verbiage and there was not much action,” he said. “I wanted to create a theater that would drag people off the street and seat them not in rows but at tables and give them something to drink, which was unheard of in [American] theater.”[4][2]
Previously, Shepherd and Sills founded Playwrights Theatre Club, along with Eugene Troobnick, and employed improvisational theater forms, named Theater Games, originally created and developed by Sills' mother, Viola Spolin. These same games were employed to develop material for the Compass Players.[5]
Original announcement in Chicago's Hyde Park Herald shows first performance scheduled for Friday, July 8, 1955 at The Compass tavern, formerly at 1152 E. 55th (not to be confused with Jimmy's Woodlawn Tap to the east).
Evolution of Improvisation
Initially, scenes were presented only once, but some of the players grew interested in polishing material into finished pieces. For example, Mike Nichols and Elaine May created many of their signature scenes in this manner. Shelley Berman also found that he could create solo routines by showing one half of telephone conversations.[6][7]
Crystal Palace
The Compass Players also opened its doors at the Crystal Palace in St. Louis, where Theodore J. Flicker, Nichols and May, along with Del Close, codified a further set of principles to guide improvisational players.[8]
Legacy
Sills would co-found The Second City[2] and Shepherd would return to New York City to create and produce a variety of improv forms including his Improvisation Olympics (ImprovOlympic).[9][2]
Nichols and May went on to New York, performing material largely derived from their Compass days.[2] Close was featured in Flickers' Broadway musical comedy The Nervous Set, and afterwards developed his long-form improvisation the Harold.[10]
^Adler, Tony, Theater, p. 815-7, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004 The Encyclopedia of Chicago. The University of Chicago Press, ISBN0-226-31015-9
^Worcester, Nathan (November 30, 2011). "Old Jokes". Chicago Weekly. Archived from the original on July 14, 2014. Retrieved 11 July 2014.
^ abSiska, Mark (2014). Compass Cabaret '55. documentary.
^Adler, Tony. "Improvisational Theater". The Electronic Encyclopedia of Chicago. Chicago Historical Society. Retrieved 19 February 2022.
^See Stephen Kercher's book "Rebel With A Cause: Liberal Satire in Postwar America", University of Chicago Press, 2006. See also a review of this book by Warren Leming at http://www.logosjournal.com/issue_6.3/leming.htm.
^Kercher, Stephen E. (September 15, 2006). Revel with a Cause: Liberal Satire in Postwar America (Illustrated ed.). The University of Chicago Press. ISBN0226431649.
^Bowden, Beth (February 1, 1973). "Video Taped Improvisation Olympics". Show Business. Leo Shull.
