The musical was based on Landesman's unpublished novel, inspired by Landesman's experiences as part of the Beat Generation or Cool Generation.[4][5] It premiered on March 10, 1959, in the Crystal Palace theatre, located in the Gaslight Square, St. Louis.[6] The cast of the original production included Don Heller, Arlene Corwin, Tom Aldredge, Del Close, Janice Meshkoff, and Barry Primus.[7] A Broadway producer Robert Lantz, after watching the St. Louis production, brought the musical to Broadway of New York City and cast Larry Hagman, Richard Hayes, Tani Seitz, Gerald Hiken, David Sallade, and the original St. Louis cast, including Heller, Corwin, and Primus as the background chorus and understudies. The New York City production debuted on May 12, 1959, at the Henry Miller Theater and lasted 23 performances.[8][9]
Songs
Songs include "Ballad of the Sad Young Men", "Spring Can Really Hang You Up the Most", "Man, We're Beat", and "Laugh, I Thought I'd Die". An unused song "Pitch for Pot" features the controversial line: "I've got the finest grade of pot you've ever seen / I guarantee it'll get you high."[9]
The lyrics were written by Fran Landesman, and the music was composed by Tommy Wolf.[10] Four instrumentalists provided the accompaniment, listed in the opening-week Playbill as " 'The Nervous Set' Jazz Quartet": Tommy Wolf, piano; Billy Schneider, drums; Chuck Wayne, guitar; Joe Benjamin, bass.[11]
Originally released by Sony Music on May 18, 1959, the Off-Broadway Cast Recording is 47 minutes and 15 seconds long, and contains the following 17 songs.
Act 1
Overture/Man, We're Beat
New York
What's To Lose/Stars Have Blown My Way
Fun Life
How Do You Like Your Love
Party Song
Night People
Act 2
Overture Act II
Party Song (Reprise)
I've Got a Lot to Learn About Life
The Ballad of Sad Young Men
A Country Gentleman
Max the MIllionaire
Travel the Road of Love
Laugh, I Thought I'd Die
Fun Life (Reprise)
Fun Life
Reception
The musical had mixed reception. The New York Daily News praised it as "most brilliant, sophisticated, witty, and completely novel", while the New York World-Telegram & Sun called it "weird".[9]Billboard music critic Bob Rolontz praised three songs out of eighteen — "Ballad of the Sad Young Men", "I've Got to Learn About Life", and "Rejection"—as highlights of the musical.[2]The New York Post found it to have "a certain juvenile brightness in its amiably frenetic activities."[16]The Brooklyn Daily thought it "perhaps the best play to hit Broadway this year."[17]
^Gary Marmorstein (2007). The Label: The Story of Columbia Records. Thunder's Mouth Press. ISBN978-1-56025-707-3. One of the label's more adventurous original cast recordings was of Tommy Wolf and Fran Landesman's The Nervous Set, a gentle spoof of Greenwich
^Susan M. Trosky (1989). Contemporary Authors. Gale Research International, Limited. p. 265. ISBN978-0-8103-1952-3. The Nervous Set" (two-act musical play; adapted from Landesman's ... Author of unpublished novels 'The Nervous Set,'
^Daniel W. Pfaff (2005). No Ordinary Joe: A Life of Joseph Pulitzer III. University of Missouri Press. p. 299. ISBN978-0-8262-1607-6. In 1959 The Nervous Set, a musical satire, opened at the Crystal Palace. Jay Landesman and Theodore J. Flicker wrote it, with lyrics by Jay's wife, Fran, and music by former St. Louisan Tommy Wolfe. The musical mocked both uptight "squares" and rebellious "beats.
^Watney, Simon (2000). "Charles Barber: 1956–92". Imagine Hope: AIDS and Gay Identity. London: Taylor & Francis Group. p. 87. ISBN9781135433666. Retrieved February 11, 2020 – via Google Books.
^Donaldson, Stephen (1990). "Music, Popular". The Encyclopedia of Homosexuality. Vol. 2. p. 859. ISBN9781317368120. Retrieved May 1, 2017.
^Watts Jr., Richard. "Two on the Aisle." New York Post, 24 May 1959.
^Kaliff, Joe. "Magic Carpet over Broadway." Brooklyn Daily, 18 May 1959.