Amarnath Sehgal

Amar Nath Sehgal
Sehgal and his work "Friends" on a 2023 stamp of India
Born	(1922-02-05)5 February 1922 Campbellpur, Punjab, British India
Died	28 December 2007(2007-12-28) (aged 85) New Delhi, India
Nationality	Indian
Occupation(s)	sculptor, painter, art educator, poet

Amar Nath Sehgal (5 February 1922 – 28 December 2007) was a noted Indian modernist sculptor, painter, poet and art educator. He started his career as an engineer in Lahore, and later turned to art. He shifted to Delhi after partition of India in 1947, and in 1950 studied art education from New York University School of Education. Subsequently, became an art educator, teaching at College of Art, Delhi, and at the Modern School Barakhamba, New Delhi. However, he also ventured into painting, drawings, and poetry.

In 1979, Amar Nath Sehgal set up his studio in the Grand Duchy of Luxembourg and lived between Luxembourg and India until his return to New Delhi in 2004. His long romance with Luxembourg goes back to 1966 when he had his first solo exhibition at the Musée National d'Histoire et d'Arts in Luxembourg-City. His iconic bronze bust sculpture of Mahatma Gandhi in the Municipal Park in Luxembourg celebrates the strong connection he had with Luxembourg. The bronze bust, a gift by the philanthropist Henry J. Leir was inaugurated on 21 June 1973 in the presence of the Minister of Foreign Affaires Gaston Thorn and the Ambassador of India to Luxembourg K. B. Lall. In February 1980, the original bust was stolen and in 1982 Amar Nath Sehgal gifted a copy of the original which was inaugurated on 2 October 1982, on the 113th Anniversary of the Birth of Mahatma Gandhi.

Later in life, he also became a pioneer of intellectual property rights, especially moral rights in copyright for artists in India, after he fought a 13-year-long legal case with Government of India. A bronze mural which he created for the Vigyan Bhavan, Delhi in the 1960s, was removed without his consent, during renovations in 1979. He filed the case at Delhi High Court in 1992, and the courts finally awarded him damages in 2005.

In 1986, he founded "The Creative Fund" in Luxembourg to help young artists from Luxembourg and India discover and be inspired by the rich history, the culture and the heritage of both countries.

1993, he was awarded the Lalit Kala Akademi Fellowship by the Lalit Kala Akademi, India's National Academy of Art, the highest honour in the fine arts conferred by the Government of India. In 2008, he was posthumously awarded the Padma Bhushan, by Government of India.^[1]

Early life and background

Sehgal and his work "Flute Player" on a 2023 stamp of India

Born on 5 February 1922, Sehgal was originally from Campbellpur (Attock), in North Punjab (now in Pakistan). He shifted to Lahore in 1939 to study at Government College, Lahore where he graduated in 1941.^[2] Thereafter he studied industrial chemistry at Banaras Hindu University till 1942. Subsequently, he started worked as an engineer in Lahore, while studying arts privately.^[3][4]

During the riots that preceded the partition of India in 1947, he left Lahore in May 1947 and travelled to Eastern Punjab and Kangra-Kullu Valley, with his family, where he witnessed macabre killings of local Muslim minority. This was to have a lasting impact both of his psyche and his art. Finally, he settled in Delhi, where he reestablished himself.^[2] In 1949, he crossed the Atlantic on a freight Harpalycus, for 47 days to New York.^[5] He met his god mother Miss Elmina Lucke, who convinced him to study in New York city and live in the East Village. He did both and later obtained a master's degree in art education from New York University School of Education (now renamed Steinhardt School of Culture, Education, and Human Development) in 1950. During this period he was exposed to world art and inspirations of Henri Matisse. He studied with other struggling artists at the time, Jackson Pollock and Tony Smith amongst others .^[3][4]

Career

His first exhibition was inaugurated in New York in 1951, by India's permanent representative to the United Nations.^[5] Upon his return from US, Sehgal taught at the Modern School, New Delhi for a short while, and his wife Shukla Dhawan was also a teacher at its Junior School.^[6] Later he remained a faculty at College of Art, Delhi, University of Delhi and established his studio in Delhi. In time, he became a leading exponents of modernism in Indian sculptor. Themes of much of his oeuvre revolved around the importance of individual freedom and human dignity, and his response the horrors of political violence.^[7][8][9]

His works were exhibited in many places across the world, winning him international acclaim.^[7] Many of his sculptures in bronze and ceramic are in the collection of National Gallery of Modern Art, New Delhi.^[10]

" I am convinced that an artiste has a moral right to his work, even if it has been paid for by an individual or an organization."

Amarnath Sehgal (The Hindu, 2006)^[11]

In 1957, he was commissioned to create a mural for the Vigyan Bhavan, India's first state convention center. The bronze mural spanned 140 feet by 40 feet, depicting rural and modern India, and was completed five years later and installed in the foyer of the building in 1962.^[12] Subsequently, in 1979, during renovations, the mural was removed without his consent, and shifted to the storehouse. When in the following years despite his request no action was taken, He filed a case at the Delhi High Court seeking damages. Thus Amar Nath Sehgal v. Union of India. After a 13-year-long legal proceeding, the case was finally decided in his favour on 21 February 2005.^[12] Thus it became a landmark case in Indian legal history, as for the first time uphold the moral right of an author under the Indian Copyright Act and awarded damages. The government was also asked to return his mural^[13][14][15]

Besides art, Sehgal was also a poet, he published two collection of his poems, Lonesome Journey (1996) and Awaiting a New Dawn (1998).^[4]

A bronze sculpture titled, The Captive, first designed by Sehgal for the UN conference on sanctions against South Africa, held in Paris in 1986 was later installed in Robben Island, Cape Town, Nelson Mandela's former island prison, on National Women's Day, 9 August 2011.^[16][17] In the following year, a large stone sculpture by him, "Aiming For Excellence" was installed at the DDA Yamuna Sports Complex in New Delhi.^[18] In October 2004, an exhibition of his paintings on Ramayana and Mahabharata, as "tribute to Rishi Valmiki and Rishi Vyasa" was inaugurated by then President A P J Abdul Kalam at the Indira Gandhi National Centre for the Arts .^[19]

The Lalit Kala Akademi, India's National Academy of Art, in 1993, awarded him the Lalit Kala Akademi Fellowship, the highest honour in the fine arts conferred by the Government of India.^[20] He had a close to the first Prime Minister Jawaharlal Nehru and subsequently the Nehru–Gandhi family.^[7]

He died on 28 December 2007 in New Delhi, at age 85, after a prolonged illness.^[7] In the following year, he was posthumously awarded the Padma Bhushan, by Government of India.^[21]

Monographs and other works

• Amarnath Sehgal; Mulk Raj Anand (1964). Armanath Sehgal. Published by Mulk Raj Anand for Marg Publications.
• Amar Nath Sehgal-Selected Sculptures, Graphics and Drawings 1947–1972. National Gallery of Modern Art, Jaipur House. 1972.
• Amarnath Sehgal; Pran Nath Mago (1993). Amarnath Sehgal. Lalit Kala Akademi.
• Amarnath Sehgal (1996). Lonesome journey. Har-Anand Publications.
• Amarnath Sehgal (1998). Awaiting a New Dawn. Haranand Publications Pvt. Limited. ISBN 978-81-241-0554-2.
• Amarnath Sehgal (2005). Epic Episodes: Paintings on Ramayana and Mahabharata. Amar Nath Sehgal.

References

1. "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived from the original (PDF) on 15 October 2015. Retrieved 21 July 2015.
2. The Punjab Bloodied, Partitioned and Cleansed. Rupa Publications. 29 September 2012. p. 1. ISBN 978-81-291-2125-7. Retrieved 20 August 2013. Interviews: Amarnath Sehgal: Delhi, 20 October 1999
3. "Renowned sculptor Amarnath Sehgal passes away". Zee News. 28 December 2007. Retrieved 20 August 2013.
4. "It is lonely at the top!". The Hindu. 7 January 2008. Archived from the original on 13 January 2008. Retrieved 21 August 2013.
5. "Shades of a single palette". 8 November 1992. p. 21. Retrieved 21 August 2013.
6. A Dream Turns Seventy Five: The Modern School, 1920–1995. Allied Publishers. 1995. p. 96. ISBN 978-81-7023-499-9.
7. "Renowned sculptor Amarnath Sehgal no more". The Hindu. 28 December 2007. Archived from the original on 16 April 2014. Retrieved 20 August 2013.
8. V. K. Subramanian (2003). Art Shrines of Ancient India. Abhinav Publications. p. 120. ISBN 978-81-7017-431-8.
9. Bhattacharya, p. 18
10. Bhattacharya, p. 19
11. "Interview : A journey called art". The Hindu. 24 June 2006. Archived from the original on 16 April 2014. Retrieved 21 August 2013.
12. "Artist has full rights over works: HC". The Times of India. 21 February 2005. Archived from the original on 14 December 2013. Retrieved 21 August 2013.
13. Pravin Anand; Keshav S Dhakad. "India Key milestones for intellectual property" (PDF). BuildingIPValue.com. Retrieved 28 February 2012.
14. Radhakrishnan; Dr. R. Radhakrishnan and Dr.S. Balasubramanian (2008). Intellectual Property Rights: Text and Cases. Excel Books India. p. 62. ISBN 978-81-7446-609-9.
15. "After Sale Service". Indian Express. 13 March 2005. Retrieved 20 August 2013.
16. "S. African women caught in a contradiction". The Hindu. 12 August 2001. Archived from the original on 16 November 2003. Retrieved 21 August 2013.
17. "Forget dead trends, go for new movements". Financial Express. 14 November 2004. Retrieved 21 August 2013.
18. "NCR Briefs". The Tribune. 25 January 2002. Retrieved 21 August 2013.
19. "Exhibition – Creativity is in every mind – President A P J Abdul Kalam". IGNCA Newsletter Vol. V & VI. 2004. Archived from the original on 16 April 2014. Retrieved 21 August 2013.
20. "List of Fellows". Lalit Kala Akademi. Archived from the original on 27 March 2014. Retrieved 20 August 2013.
21. "Padma Awards Directory (1954–2009)" (PDF). Ministry of Home Affairs. Archived from the original (PDF) on 10 May 2013.

Bibliography

• "Sculpture Today by Amarnath Sehgal". Art in India Today. United Nations Council of Indian Youth. 1972. pp. 99–106.
• Sunil Kumar Bhattacharya (1994). Trends in Modern Indian Art. M.D. Publications Pvt. Ltd. ISBN 978-81-85880-21-1.
• Pran Nath Mago (2001). Contemporary Art in India: A Perspective. National Book Trust, India. p. 185. ISBN 978-81-237-3420-0.
• Copyright in the Courts: How Moral Rights Won the Battle of the Mural. Wipro Magazine. 2007.
• Mandira Row (2023). "Seeking Catharsis in Sculpture". Iconic Masterpieces of Indian Modern Art Edition 02. D.A.G. Pvt. Ltd. pp. 477–493.
• Siddharth Sehgal (2022). Kindred spirits: in memory of my grandfather, Amar Nath Sehgal (1922-2007). Stir World.

External links

• Documentary by Doordarshan on YouTube (in English and Hindi)
• "Amar Nath Sehgal v. Union of India". Indian Kanoon.
• [1] by Soma Basu