A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write.[1] The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
Plot
Set in a dilapidated Connecticut house in early September 1923, the play focuses on three characters: Josie, a domineering Irish woman with a quick tongue and a ruined reputation, her conniving father, tenant farmer Phil Hogan, and James Tyrone, Jr., Hogan's landlord and drinking companion, a cynical alcoholic haunted by the death of his mother.
The play begins with Mike, the last of Hogan's three sons, leaving the farm. As a joke during one of their drunken bouts, Tyrone threatens to sell his land to his hated neighbor, T. Steadman Harder, and evict Hogan. Hogan creates a scheme in which Josie will get Tyrone drunk, seduce him, and blackmail him. Josie and Tyrone court in the moonlight.
The scheme falls through when Josie finds out that Tyrone isn't going to sell the land to Harder after all. Tyrone tells Josie the story of how, after his mother died, he traveled back East on the train, and hired a blonde prostitute for $50 a night to overcome his grief.
The four-act play ends with James Tyrone leaving for New York to handle his mother's estate, apparently to die soon of complications from alcoholism.
Autobiographical aspects
As in Journey, the Tyrone character is based on Eugene O'Neill's older brother, Jamie O'Neill.
Productions
A Moon for the Misbegotten was produced by the Theatre Guild,[2] which had produced many of O'Neill's, plays including Strange Interlude in 1928, The Iceman Cometh in 1946, and this play, the last.[3] Because O'Neill was "unhappy with progress in rehearsals, ... [he] demanded out-of-town tryouts in a series of Midwestern cities."[4] The play had its world premiere at the Hartman Theatre in Columbus, Ohio, in 1947.
The play has been produced five times on Broadway. The original production opened on May 2, 1957, at the now-demolished Bijou Theatre, where it ran for 68 performances. Directed by Carmen Capalbo, the cast included Cyril Cusack, Franchot Tone, and Wendy Hiller. Scenic design was by William Pitkin, Lighting Design by Lee Watson, and Costume Design by Ruth Morley. Wendy Hiller was nominated for the Tony Award, Actress in a Play.[5]
After nineteen previews, the second revival, directed by David Leveaux, opened on May 1, 1984, at the Cort Theatre, where it ran for 40 performances. The cast included Ian Bannen, Jerome Kilty, and Kate Nelligan. This production was nominated for the Tony Award for: Actress in a Play, Director of a Play, Lighting Design (Play or Musical) (Marc B. Weiss), and Revival (Play or Musical).[8]
A London production at the Riverside Studios in 1983 starred Ian Bannen and Frances De La Tour.
Between October 13 and November 15, 2013, A Moon for the Misbegotten was produced for the first time in Low German under the title Lengen na Leev (Longing for Love) at the Ohnsorg Theater in Hamburg.[12]
Critical response
According to Michael Manheim, the 1973 revival, starring Jason Robards and Colleen Dewhurst, was "the most famous" of the productions, and "the performances of this production are usually seen as the defining interpretations of Tyrone and Josie."[13]
The CurtainUp reviewer of the 2000 revival compared the 1973 production: "Dewhurst and Robards rescued O'Neill's failed play from neglect by digging beneath the facades these desperate people presented to the world -- he as a cynical carouser, she as the town tramp....The revival at the Morosco...proved O'Neill scholar Travis Bogard right when he declared Moon 'doomed to failure without superb acting' since no subsequent production ever recreated the magic of those 314 performances.[14]
In his review of the 2007 production, Ben Brantley, writing in The New York Times mentioned the prior two revivals, noting "Both those versions emphasized the pathos of Moon, written in 1943 and first produced on Broadway in 1957. Inspired by the unhappy final chapters in the life of O’Neill’s ne’er-do-well older brother, James, the play is singular within its author’s body of work for its forgiving spirit."[10]
Awards and nominations
2007
Best Actress in a Play, Eve Best (nominee)
2000
Tony Award, Best Revival of a Play (nominee)
Tony Award, Best Actor in Play, Byrne (nominee)
Tony Award, Best Actress in a Play, Jones (nominee)
Tony Award, Best Featured Actor in a Play, Dotrice (winner)
1984
Tony Award, Best Actress in a Play, Nelligan (nominee)
Tony Award, Best Lighting Design, Marc B. Weiss (nominee)
Tony Award, Best Direction of a Play (nominee)
Tony Award, Best Reproduction (nominee)
1973
Academy Playhouse, Lake Forest, Illinois, Producers Marshall Migatz and William T. Gardner
1974
Tony Award, Best Actor in Play, Robards (nominee)
Tony Award, Best Actress in a Play, Dewhurst (winner)
Tony Award, Best Featured Actor in a Play, Flanders (winner)
Tony Award, Best Lighting Design, Ben Edwards (nominee)
Tony Award, Best Direction of a Play, Quintero (winner)
Tony Award, Special Award, Elliot Martin (recipient)
Tony Award, Special Award, Lester Osterman Productions (recipient)
1958
Tony Award, Best Actress in a Play, Hiller (nominee)
References
^O'Neill, Eugene. Complete Plays 1932-1943. Travis Bogard, ed. New York: Library of America, 1988, p. 996. ISBN0-940450-50-X
^Shea, Laura (2005). "O'Neill, the Theatre Guild, and A Moon for the Misbegotten". The Eugene O'Neill Review. 27. University Park, Pennsylvania: Penn State University Press: 76–97. JSTOR29784776.
^Dowling, Robert M. (2009). Critical Companion to Eugene O'Neill: A Literary Reference to His Life and Work. New York City: Infobase Publishing. p. 751. ISBN978-1438108728.