日本の多楽器演奏家で実験楽器発明家の尾上祐一は、24平均律四分音調律の自身のギターで開発した。[11]
四分音ギターは、アロイス・ハーバの発明である。それにならって、ノルウェーのバンドTNTのギターリストのロニー・ル・テクロen:Ronni Le Tekroは三番目のスタジオ・アルバムIntuitionで四分音間隔のギターを使用した。
^ abBoatwright, Howard (1965). "Ives' Quarter-Tone Impressions", Perspectives of New Music 3, no. 2 (Spring-Summer): pp. 22–31; citations on pp. 27–28; reprinted in Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, pp. 3-12, New York: W. W. Norton, 1971, citation on pp. 8–9. "These two chords outlined above might be termed major and minor."
^Julian Rushton, "Quarter-tone", The New Grove Dictionary of Music and Musicians, second edition, edited by en:Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
^ abFonville, John (Summer, 1991). "Ben Johnston's Extended Just Intonation: A Guide for Interpreters", p.114, Perspectives of New Music, Vol. 29, No. 2, pp. 106-137.
^Douglas Keislar; Easley Blackwood; John Eaton; Lou Harrison; Ben Johnston; Joel Mandelbaum; William Schottstaedt. p.193. "Six American Composers on Nonstandard Tunnings", Perspectives of New Music, Vol. 29, No. 1. (Winter, 1991), pp. 176-211.
^Touma, Habib Hassan (1996). The Music of the Arabs, p.16. Trans. Laurie Schwartz. Portland, Oregon: Amadeus Press. ISBN 0-931340-88-8.
^Spector, Johanna (May 1970). “Classical 'Ud Music in Egypt with Special Reference to Maqamat” (GIF). Ethnomusicology14 (2): 243–257. doi:10.2307/849799. JSTOR00141836.[リンク切れ]
^Asaad, Gabriel (1990). Syria's Music Throughout History
^"Classical 'Ud Music in Egypt with Special Reference to Maqamat", p.246. Johanna Spector. Ethnomusicology, Vol. 14, No. 2. (May, 1970), pp. 243-257.
^ abMarcus, Scott (1993)."The Interface between Theory and Practice: Intonation in Arab Music", Asian Music, Vol. 24, No. 2. (Spring - Summer, 1993), pp. 39-58.
^ abMaalouf, Shireen (2003). "Mikhii'il Mishiiqa: Virtual Founder of the Twenty-Four Equal Quartertone Scale", Journal of the American Oriental Society, Vol. 123, No. 4. (Oct. - Dec., 2003), pp. 835-840.
^Chalmers, John H. Jr. (1993). Divisions of the Tetrachord. Hanover, NH: Frog Peak Music. ISBN 0-945996-04-7 Chapter 5, Page 49
関連書籍
Bartolozzi, Bruno (1967). New Sounds for Woodwind. London, New York: Oxford University Press.
Bousted, Donald (2002). "Microtonality, the Recorder and the Quarter-Tone Recorder Manual". The Recorder Magazine 22, no. 3 (Fall): 99–102.
Bousted, Donald (2005). "Next Step Quarter-Tone Resources: Melody". The Recorder Magazine 25, no. 3 (Fall): 88–91.
Caravan, Ronald R. (1979). Preliminary Exercises and Etudes in Contemporary Techniques for Clarinet: Introductory Material for the Study of Multiphonics, Quarter Tones, and Timbre Variation. [Oswego, N.Y.]: Ethos Publications.
Ellis, Don (1975). Quarter Tones: A Text with Musical Examples, Exercises and Etudes. Plainview, N.Y.: Harold Branch Pub. Co.
MacDonald, John (1822). A Treatise on the Harmonic System Arising from the Vibrations of the Aliquot Divisions of Strings According to the Gradual Progress of the Notes from the Middle, to the Remote Extremes: Explaining Simply, by Curved Delineations, the Manner in Which the Harmonic Tones, Half and Quarter Notes, Are Generated and Produced on Every Corresponding Part of the String; and under a Copious Explanatory Description Illustrated by Musical and Appropriate Plates, Giving an Easy and Familiar Adaptation of the Whole to the Purposes of Composition and Instrumental Music, and More Particularly, to the Practice of the Violin, Tenor, Violoncello and Double Bass, on All the Strings, and in Every Compass of These Instruments, by Every Practical Mode of Execution; with Some Musical Animadversions Introductory of the General Subject, Briefly Alluding to the Rise and Progress of Music, and to the Corrections of Temperament: and Stating Various Improvements of Instruments, Experimentally Ascertained: Concluding with an Application or Two of the Principle of Musical Notes, to Purposes of Utility, and a Reference to Terms Less Generally Noticed. London: Printed for the Author, and Sold by T. Preston.
Möllendorff, Willi, and Joe Monzo (2001). Music with Quarter-Tones: Experiences at the Bichromatic Harmonium. [United States]: J. Monzo.
Rees, Carla (2007). "Eva Kingma and the Quarter-Tone Flute". Pan: The Flute Magazine 26, no. 4:23-29.
Rewoldt, Todd (2000). "Altissimo Quarter-Tones for the Alto Saxophone". Saxophone Symposium 25:56–69.
