Washington Project for the Arts

Washington Project for the Arts (WPA) is an American non-profit arts organization founded in 1975, dedicated to the support and aid of artists in the Washington, D.C. area.

Early history

Alice Denney, a contemporary art collector active on the Washington scene, founded the Washington Project for the Arts (WPA) in 1975 as a "service center" for area artists and performers. The WPA's mission was not simply to provide a place for artists to show their work or perform, but also to make available advice in arts management, grantsmanship, career development, and legal rights. Denney launched the WPA with a grant from the Eugene and Agnes E. Meyer Foundation, a tiny[clarification needed] staff, a three-story building, and a lot of goodwill. The WPA officially opened in April 1975 with a multidisciplinary program that included a broad survey of Washington area visual art.

Denney stepped down as director in early 1979.

Al Nodal, hired by Denney, succeeded her as Director in April 1979. Nodal continued to emphasize the work of area artists, but he added more shows featuring out-of-towners. Nodal started the WPA bookstore, which featured an unusual selection of artists' books and launched a new program to encourage the production or artists books. To support his programs, Nodal landed major grants from the National Endowment for the Arts and the District of Columbia's Commission on the Arts and Humanities. In 1980, WPA held its first auction fundraiser. Nodal ended his directorship in 1983, after WPA's move out of its original 1227 G Street location.

The board hired Jock Reynolds in the summer of 1983,[1] to replace Al Nodal as Director. The programming under Reynolds received regular coverage in the national art press, shifting WPA from primarily serving local artists to serving a national audience. This shift for the WPA was met with mixed feelings, some welcoming the national prestige, and others accustomed to WPA's mission to focus on local Washington, D.C., artists. Through his leadership, Reynolds launched an aggressive capital campaign in the spring of 1988 where he brought in generous[clarification needed] support from the federal and local government, art foundations, individual donors, and more than eighty corporations or corporate foundations. This raised the bar for WPA, and to maintain its level of activity in the future, it would need to raise close to $1 million each year. In December 1989, Reynolds took a sabbatical and decided not to return to Washington, D.C..

John L. Moore III, who was already at the WPA, filled in as acting director, from August 1989 until the board hired Marilyn Zeitlin, a contemporary art curator, as executive director in May 1990. The budget for the fiscal year 1991 was set at around a million dollars, but Zeitlin was only able to raise a fraction of that amount.

The WPA continued to mount an impressive array of programs,[citation needed] but financial problems overwhelmed the organization. When Zeitlin left in May 1992, Don Russell, who had been on the WPA staff in the 1980s, was hired back. At that time, one of WPA's mainstays for financial support, the National Endowment for the Arts, was beginning to eliminate funding for artists spaces. In April 1995, Russell resigned. Christopher French, who had joined the Board in the fall of 1994, was asked by the trustees to assume the position of Interim Director to address the financial and programmatic challenges. In just three months, he reorganized the space, trimmed the budget, developed a new exhibition of local photographers, and mended fences with the local art community.[2] With increased financial pressures mounting, French renegotiated the terms of the WPA's lease on their flagship building on 7th Street NW and closed its doors.[3] By December 1995, WPA was almost bankrupt.[4]

21st Century

With the support of the Board, French entered into discussions with the Corcoran Gallery of Art to explore an affiliation or merger between the two institutions.[5] In 1996, a generous handful of board members and avid WPA supporters paid off the WPA's outstanding debts, wiping the slate clean. With the support of David C. Levy, the director of the Corcoran Gallery of Art, the Corcoran board of trustees, and members of the art community, the WPA's operations were transferred into the Washington Project for the Arts\Corcoran. The Corcoran would provide in kind support, including an office in the museum's curatorial department, equipment, technical assistance, and the like, but no direct financial support. Having put in motion what was considered the only option for the continuation of the WPA, French stepped down as interim director while remaining as chair of the board until January 1997.

In 1999, Marta Kuzma served as director. Kuzma's term attempted to redirect the program to address Washington, D.C., as a unique context for international contemporary art projects. She resigned in June 2001 after mounting friction with a Board more focused on serving the local community. After Kuzma's departure, Annie Adjchavanich was named director. While Adjchavanich was director, she ramped up programs for area artists and recruited new members. In March 2005, Adjchavanich left the WPA\C and Kim Ward, previously membership and finance director, was named acting director until August 2005, when hired as executive director.

Under the leadership of Kim Ward, the Washington Project for the Arts legally separated from the Corcoran Gallery of Art on December 31, 2007. The organization returned to full autonomy with an office and micro gallery space near Dupont Circle, ending the eleven-year partnership with the Corcoran Gallery of Art.

In 2008, the organization was a finalist for the Mayor's Award for Innovation in the Arts.

In 2009, Lisa J. Gold was announced as the new director.[6] Under her leadership the WPA continued the growth and refocusing started by Kim Ward and conducted several key exhibitions[7][8][9] and moved to a larger, permanent space.[10] She left in 2016 and took a position at the Hirshhorn Museum and Sculpture Garden as director of public engagement.[11]

In 2016, Peter Nesbett was announced as the new director.[12] In 2023, Travis Chamberlain became director.[13]

The different spaces of WPA

When Alice Denney founded the WPA in 1975, she was lucky to snare a rundown building at 1227 G Street, NW, Washington, DC from the city's Redevelopment Land Agency. The rent was only $1 a year. Renovated on a shoestring budget, 1227 G Street included 5 galleries, a film screening room, a performing arts space, and offices. A small board, over half of whom were artists, advised the programming and exhibitions associated with the G street Space.

In 1982, 1227 G Street was sold to developers and WPA was evicted from its original location. Then director Al Nodal supervised WPA's move to the Jenifer Building in the 400 block of 7th Street, NW, Washington DC. Rent was no longer $1 per year, thus straining the WPA's resources considerably.

In 1985, only three years after the move from 1227 G Street to the Jenifer Building, the WPA's new home was sold again. The WPA relocated to 7th and E Streets, NW, to what had been a Kresge five and dime.[14] Then director Jock Reynolds made a deal with the new owners of the Jenifer Building that would allow WPA to move back into the building after it was renovated. In December 1988, the WPA was able to move back into its improved 11,000 sq ft (1,000 m2) space, all because of an aggressive fundraising campaign led by Reynolds.

In 1996, the WPA was supported by the Corcoran Gallery of Art and became the WPA\Corcoran. It moved its space into an office in the Corcoran's curatorial office. No longer with an exhibition space of its own, the WPA\C relied on collaborations and donations of space from other area arts organizations.

After separating from the Corcoran, the WPA moved to an office and micro gallery space at 2023 Massachusetts Avenue, near Dupont Circle.

In 2016 the WPA moved into its new home in the Atlantic Plumbing development, over the 9:30 Club north of the U Street Corridor.

Notable exhibitions

In 1985, “Art in Washington and Its Afro-American Presence: 1940-1970,” featured DC resident artists Elizabeth Catlett, David Driskell, Lois Mailou Jones, James A. Porter, and Alma Thomas.[15][16]

In June 1989, the Corcoran Gallery of Art canceled The Perfect Moment: Robert Mapplethorpe Photographs, which included (among other things) sexually explicit images involving gay BDSM, and two photos of children with exposed genitals. This was in the context of the culture wars of the late 1980s, when Sen. Jesse Helms, Rep. Dick Armey, among others, questioned grant funding for individual artists, from the National Endowment for the Arts, for art that they considered "morally reprehensible trash."[17][18] Not wanting to let an important exhibition fall to the wayside, the underwriters of the show went to the WPA,[19] who presented the controversial show in its own space from July 21 – August 13, 1989.[20] 48,863 visitors, a standing record, attended the exhibition.[21][22] There was a seminar about the historical impact 20 years later.[23]

In the fall of 1989, The Blues Aesthetic exhibition was held.[24]

In October through November 1995, it showed a retrospective of the artist Noche Crist, Romanian rhapsodies.[25]

In December 1995, Hostile Witness was shown, by the artist, Shailish Thakor.[26]

In the summer of 2005 the WPA\C organized one of its largest membership shows ever at the seven spaces that made up the Warehouse Galleries, Theater and Cafe complex on 7th Street, NW in Washington, D.C. Titled and curated by F. Lennox Campello,[27] "Seven",[28] the show included works by Sam Gilliam, Mark Jenkins, Frank Warren, Tim Tate, Chan Chao, and many other well-known DC area member artists.

In December 2005, WPA\C mounted PostSecret, a project founded by Frank Warren. In a donated space on M street in Georgetown, Washington, D.C., thousands of postcards that were sent into Warren were placed on display. The exhibition drew in large crowds, many whom waited in line to see the exhibit, and can be credited as the most successful exhibition since the Mapplethorpe show.

In 2006, it sponsored Wallsnatchers, an exhibition of graffiti art, at a vacant Staples building in Georgetown.[29]

In 2009, major American art collector Mera Rubell of the Rubell Family Collection, selected and curated 36 Washington, D.C., area artists[7] for a WPA exhibition at the American University Museum.

In May 2010, WPA collaborated with The Pink Line Project for Cabaret (re)Revolatire. This event, curated by Alberto Gaitán celebrated the historic Cabaret ReVoltaire series that was presented by WPA in 1992.

The WPA Biennial exhibition OPTIONS, features under-recognized and emerging artists from the mid-Atlantic region.[9]

Past exhibitions and programs include, Wall Snatchers, The Experimental Media Series, The Hot House Video Series, Seven, Sculpture Unbound, Anonymous I, Anonymous Returns, Anonymous III, Conversions, Punk Festival, and many more.

WPA has collaborated with American University, The Ellipse Arts Center, Edison Place Gallery, Washington Sculptor's Group, District of Columbia Arts Center, Flashpoint, Corcoran Gallery of Art and College of Art & Design, Warehouse Arts Complex and Theater, Creative Alliance at The Patterson, Gallery5, and many others.

Its archives are held at the Smithsonian Archives of American Art.[30]

References

  1. ^ "Jock Reynolds". Asia Society.
  2. ^ At WPA, Handling the Meantime by Ferdinand Protzman, Washington Post September 9, 1995
  3. ^ Can the Washington Project for the Arts Be Saved? And Should We Care? KOAN, February 1996, Volume IV, Number 5
  4. ^ A Brief History of WPA & WPA\C by Laura Coyle
  5. ^ WPA Searches for WAys to Survive, Judith Weinraub, Washington Post, December 28, 1995
  6. ^ Washington Native to Lead Washington Project for the Arts, authenticarts.blogspot, February 24, 2009
  7. ^ a b Dawson, Jessica (December 18, 2009). "Collector Mera Rubell makes rounds of Washington's isolated artists". The Washington Post.
  8. ^ Jenkins, Mark (2013-04-14). "A glimpse of what Washington Project for Art's auction gala has in store". The Washington Post. Retrieved 2019-04-01.
  9. ^ a b Jenkins, Mark (2011-10-13). "'Options 2011' combines minimal and conceptual art". The Washington Post. Retrieved 2019-04-01.
  10. ^ O'Neal Parker, Lonnae (2014-06-23). "Much-moved alternative arts program finds long-term home on U Street corridor". The Washington Post. Retrieved 2019-05-03.
  11. ^ "Lisa Gold Leaves Washington Project for the Arts for the Hirshhorn". Washington City Paper. Retrieved 2018-12-26.
  12. ^ "Meet The Washington Project for the Arts' New Director, Peter Nesbett". Washington City Paper. Retrieved 2018-12-28.
  13. ^ ""Travis Chamberlain Is Ready to Lead Washington Project for the Arts"".
  14. ^ Kara Swisher (March 2, 1987). "The Tribe Regroups; Reopened Botswana, Hangout for Artists". The Washington Post. Archived from the original on October 21, 2012.
  15. ^ "Art in Washington and Its Afro-American Presence: 1940-1970 | Keith Anthony Morrison". Retrieved 2024-10-23.
  16. ^ "Keith Morrison | Art in Washington and its Afro-American presence : 1940-1970". The Metropolitan Museum of Art. Retrieved 2024-10-23.
  17. ^ Robert Mapplethorpe's extraordinary vision, The MIT Tech, August 6, 1989, DEBORAH A. LEVINSON
  18. ^ The Mapplethorpe Censorship Controversy, The Public Eye
  19. ^ BARBARA GAMAREKIAN (July 20, 1989). "They Are Showing The Mapplethorpes, Furor or No Furor". The New York Times.
  20. ^ The Sensitive Society, FCLJ Vol. 47 No.2, James F. Fitzpatrick
  21. ^ The Mapplethorpe Bonanza, The Washington Post, August 21, 1989, Todd Allan Yasui
  22. ^ Review/Art; The Many Roles of Mapplethorpe, Acted Out in Ever-Shifting Images , The New York Times, July 22, 1989, Michael Brenson
  23. ^ Imperfect Moments: Mapplethorpe And Censorship Twenty Years Later, Institute Of Contemporary Art
  24. ^ Grant H. Kester (1998). Art, activism, and oppositionality: essays from Afterimage. Duke University Press. p. 119. ISBN 978-0-8223-2095-1.
  25. ^ Ferdinand Protzman (September 23, 1995). "Romanian rhapsodies". The Washington Post: C-2. Archived from the original on October 19, 2012. Retrieved February 28, 2009.
  26. ^ Paul Richard (December 11, 1995). "A Great Place To Snoop Around; At the WPA, the Walls Have Eyes". The Washington Post: D-01. Archived from the original on October 19, 2012. Retrieved February 28, 2009.
  27. ^ "Lenny Campello on Seven | Catalyst". catalyst.wpadc.org. Retrieved 2018-12-24.
  28. ^ Dawson, Jessica (July 21, 2005). "The Multifarious 'Seven'". The Washington Post. Retrieved 2018-12-24.
  29. ^ Miss Hipstah (February 26, 2006). "Arts Review: Wall Snatchers – Washington Project for the Arts and the Corcoran Museum". Blogcritics Magazine. Retrieved February 28, 2009.
  30. ^ Washington Project for the Arts records, (ca. 1975–1990.), Smithsonian Archives of American Art

Read other articles:

خريطة غرب- هولندا هي تسمية وحدة إقليمية (NUTS 1-regio) هولندية .[1] وبخلاف الأغراض الإحصائية فإن هذه المناطق ليس لها أي معنى. غرب- هولندا شمال-هولندا (هارلم) رأس شمال هولندا ألكمار وما حولها أيسمونت تكتل هارلم زانستريك أمستردام الكبرى Het Gooi وVechtstreek جنوب هولندا (لاهاي) تكتل لايدن ...

 

  Nacholapithecus Rango temporal: Mioceno PreЄ Є O S D C P T J K Pg N Nacholapithecus kerioiTaxonomíaReino: AnimaliaFilo: ChordataClase: MammaliaOrden: PrimatesSuperfamilia: HominoideaFamilia: Proconsulidae †Subfamilia: ¿?Afropithecinae †¿?Kenyapithecinae †Género: Nacholapithecus †Ishida, Kunimatsu, Nakatsukasa & Nakano, 1999Especies † Nacholapithecus kerioi † Nacholapithecus wickeri [editar datos en Wikidata] Nacholapithecus es un género de hominoide ext...

 

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: 1627 in Ireland – news · newspapers · books · scholar · JSTOR (February 2015) (Learn how and when to remove this template message) List of events ← 1626 1625 1624 1623 1622 1627 in Ireland → 1628 1629 1630 1631 1632 Centuries: 15th 16th 17th 18th 19...

العلو للعلي الغفار العلو للعلي الغفار في إيضاح صحيح الأخبار من سقيمها غلاف كتاب مختصر العلو للعلي الغفار للذهبي بتحقيق الألباني معلومات الكتاب المؤلف شمس الدين الذهبي اللغة اللغة العربية الموضوع عقيدة أهل السنة والجماعة الفريق المحقق محمد ناصر الدين الألباني المواقع وي...

 

منصورية الأولى منصوريه يك  - قرية -  تقسيم إداري البلد  إيران[1] المحافظة محافظة خوزستان المقاطعة إقليم الأحواز قسم الناحية المركزية لمقاطعة الأهواز التقسيم الإداري الإيراني عنافجة إحداثيات 31°30′01″N 48°52′13″E / 31.50028°N 48.87028°E / 31.50028; 48.87028 السكان ا...

 

Faction in Star Wars Guardians of the WhillsCover for the original edition of Star Wars: Guardians of the Whills (2017)UniverseStar WarsIn-universe informationTypeMonasticLocationJedhaKey people Chirrut Îmwe Baze Malbus (formerly) Official languageBasic The Guardians of the Whills are a faction in the fictional universe of the Star Wars franchise. The Guardians are depicted as an organization of ascetics who revere the Force, a metaphysical concept in the Star Wars fictional universe, though...

For the war they participated in, see War of the Camisards.18th Century Huguenot bands Camisards were Huguenots (French Protestants) of the rugged and isolated Cévennes region and the neighbouring Vaunage in southern France. In the early 1700s, they raised a resistance against the persecutions which followed Louis XIV's Revocation of the Edict of Nantes, making Protestantism illegal. The Camisards operated throughout the mainly Protestant Cévennes and Vaunage regions including parts of the ...

 

Central Bank of Romania Not to be confused with Bank of Romania. National Bank of RomaniaBanca Națională a RomânieiLogoBNR Palace on Doamnei StreetHeadquartersBucharestEstablishedApril 1880Ownership100% state ownership[1]GovernorMugur IsărescuCentral bank ofRomaniaCurrencyRomanian leuRON (ISO 4217)Reserves €35.709 billion (March 2021)[2]Bank rate1.25[3]Websitewww.bnr.ro The National Bank of Romania (Romanian: Banca Națională a României, BNR) is ...

 

У Вікіпедії є статті про інші населені пункти з такою назвою: Широка Гребля. село Широка Гребля Країна  Україна Область Вінницька область Район Хмільницький район Громада Самгородоцька сільська громада Код КАТОТТГ UA05120130200096212 Основні дані Засноване 1820 Населення 770 Пло...

2019 video game ArknightsThe app icon of Arknights, depicting the caster Amiyaアークナイツ(Ākunaitsu)Created byHypergryph GameArknightsDeveloperHypergryphStudio MontagnePublisherCHN: HypergryphWW: YostarTW: LongchengGenreTactical role-playing, tower defenseEngineUnity3DPlatformAndroidiOSReleasedCHN: 1 May 2019JP/KR: 15 January 2020WW: 16 January 2020TW: 29 June 2020 GameArknights: EndfieldDeveloperHypergryph, Mountain ContourPlatformAndroid, iOS, Windows Anime television seriesArk...

 

Swedish multinational telecommunication provider Telia Company ABTypePublicly traded AktiebolagTraded asNasdaq Stockholm: TELIANasdaq Helsinki: TELIA1ISINSE0000667925 IndustryTelecommunicationsFounded2003; 20 years ago (2003)HeadquartersSolna, Stockholm, SwedenArea servedEuropeKey peopleAllison Kirkby(President and CEO)Lars-Johan Jarnheimer(Chairman of the Board)ProductsMobile telephonyInternet accessfixed-line communicationsIT hostingRevenueSEK 90.827 billion...

 

Shopping centre/Offices and Car park in Croydon, EnglandWhitgift CentreMain entrance to Whitgift Centre from North End, CroydonGeneral informationTypeShopping centre/Offices and Car parkTown or cityCroydon, EnglandCurrent tenantsBoots, Holland & Barrett, New Look, River Island, Sainsbury's CentralInauguratedOctober 1970; 53 years ago (1970-10)ClientHoward HoldingsOwnerWhitgift FoundationLandlordThe Croydon Partnership (Unibail-Rodamco-Westfield)Technical detailsFloo...

هيئة تطوير منطقة مكة المكرمة تفاصيل الوكالة الحكومية البلد  السعودية تأسست 1421هـ الإدارة الوزراء المسؤولون خالد الفيصل، رئيس الهيئة عبدالله بن بندر، نائب الرئيس موقع الويب الموقع الرسمي تعديل مصدري - تعديل   هيئة تطوير منطقة مكة المكرمة هي هيئة سعودية أنشأت عام 2000، وي...

 

Former shopping mall in Mountain View, California Mayfield MallLocationMountain View and Palo Alto, California, United StatesAddress100 Mayfield AvenueOpening dateOctober 5, 1966 (1966-10-05)Closing dateJanuary 1984 (1984-01)DeveloperAlbert A. Hoover and Associates; Hare, Brewer and Kelley, Inc.[1]No. of stores and services24No. of anchor tenants1Total retail floor area500,000 sq ft (46,000 m2)[1]No. of floors1 Mayfield Mall was a shoppi...

 

Artikel ini adalah bagian dari seriPembagian administratifIndonesia Tingkat I Provinsi Daerah istimewa Daerah khusus Tingkat II Kabupaten Kota Kabupaten administrasi Kota administrasi Tingkat III Kecamatan Distrik Kapanewon Kemantren Tingkat IV Kelurahan Desa Dusun (Bungo) Gampong Kute Kalurahan Kampung Kalimantan Timur Lampung Papua Riau Lembang Nagari Nagori Negeri Maluku Maluku Tengah Negeri administratif Pekon Tiyuh Lain-lain Antara III dan IV Mukim Di bawah IV Banjar Bori Pedukuhan Dusun...

1993 studio album by ScorpionsFace the HeatStudio album by ScorpionsReleased21 September 1993StudioLittle Mountain Sound Studios, Vancouver, British Columbia, CanadaGenre Hard rock heavy metal Length52:04LabelMercuryProducer Bruce Fairbairn Scorpions Scorpions chronology Crazy World(1990) Face the Heat(1993) Pure Instinct(1996) Singles from Face The Heat Alien NationReleased: 1993 WomanReleased: 1993 Under the Same SunReleased: November 1993 No Pain No GainReleased: 1994 Professional ...

 

Japanese actor Nachi Nozawa野沢 那智BornYasutomo Nozawa(1938-01-13)January 13, 1938Tokyo, JapanDiedOctober 30, 2010(2010-10-30) (aged 72)Tokyo, JapanOccupations Actor voice actor narrator theatre director Years active1950–2010AgentOffice PACHeight167 cm (5 ft 6 in) Nachi Nozawa (野沢 那智, Nozawa Nachi, January 13, 1938 – October 30, 2010[1]) was a Japanese actor, voice actor, narrator and theatre director from Tokyo. He was affiliated with Office ...

 

Pertempuran BiakTanggal27 Mei 1944- 22 Juni 1944LokasiBiak, Teluk Cenderawasih, kini wilayah IndonesiaHasil Kemenangan Amerika SerikatPihak terlibat Amerika Serikat Kekaisaran JepangTokoh dan pemimpin Mayjen Horace Hayes Fuller Letjen Robert L. Eichelberger Laksma William Morrow Fechteler Kol. Kuzume NaoyukiKekuatan Darat:12.000 infantri,29 artileri medan,12 tankLaut:Gugus Tugas 77 Kelompok Serang 2Udara: Komando AU ke-5 dan ke-13 dari Nadzab dan Kepulauan Admiralty, sejumlah A-20 dari pangka...

Species of alga Gonyostomum semen Scientific classification (unranked): SAR Superphylum: Heterokonta Phylum: Ochrophyta Class: Raphidophyceae Genus: Gonyostomum Species: G. semen Binomial name Gonyostomum semen(Ehrenberg) Diesing, 1866 [1] Gonyostomum semen is a species of freshwater algae in the genus Gonyostomum, with worldwide distribution. They cause nuisance algal blooms and are known to cause allergic reactions to people swimming in lakes.[2] Distribution This fresh...

 

Football clubUruguay A.C.Full nameUruguay Athletic ClubFoundedAugust 10, 1898; 125 years ago (1898-08-10)Dissolved1904; 119 years ago (1904)GroundPunta Carretas,[1] MontevideoLeaguePrimera División19037° Home colours Uruguay Athletic Club, also known as Uruguay Athletic, was an Uruguayan football club based in the district of Punta Carretas in Montevideo.[note 1] The club was one of the founding members of Uruguayan Football Association (A...

 

Strategi Solo vs Squad di Free Fire: Cara Menang Mudah!