Wangga

Wangga
Stylistic originsTraditional music
Cultural originsAboriginal Australian
Typical instrumentsIndigenous Australian instruments

Wangga (sometimes spelled Wongga) is an Aboriginal Australian genre of traditional music and ceremony which originated in Northern Territory and north Western Australia. Specifically, from South Alligator River south east towards Ngukurr, south to the Katherine and west into the Kimberley.[1] The Yolngu peoples of Arnhem Land created the genre.

In 1938, Australian anthropologist A. P. Elkin described Wangga, "[It] starts as a sudden high note, then descends in regular intervals to a low pitch, after which the songman just beats his sticks to the accompaniment of the didgeridoo. Twenty seconds or more later, the melody is sung as before and so on" and lyrics tend to be syllables.[2] Typically, the songs and dances express themes related to death and regeneration.[3] The songs are performed publicly. The singers compose from their daily lives or while dreaming of a nyuidj (dead spirit).[4]

Recordings

  • Stanner, W. E. H. (1950), Ceremonial singing and mythological discussions with Murinbata people (STANNER_W01), retrieved 16 October 2021, Summary: Children singing; origin of Murinbata moieties; other myths; subsection system; ceremonial singing and discussion; Daly River wangga singing.
  • Stanner, W. E. H. (William Edward Hanley) (1962), Songs, myths and discussions from the Port Keats area (STANNER_W02), retrieved 16 October 2021, Summary: Murrinhpatha narratives of culture heroes and other important figures; songs accompanying the narratives; Wangga and Lirrga singing; Port Keats mission history; oral history;
  • Lucich, Peter (1963), Song cycles from Kalumburu, W.A. and Port Keats, N.T. (LUCICH_P03), retrieved 16 October 2021, Balga, wangga and lirrga songs; song cycles belonging to individuals
  • Breen, Gavan (1969), Language elicitation from western Qld. (BREEN_G10 (BREEN_G10)), retrieved 16 October 2021, Collection includes Guwamu or Murawari songs, Wangga-Yutjuru songs, Margany corroboree song
  • Steffensen, Margaret S; Sandefur, John R (1975), Language elicitation in Bamyili Creole with some songs and narratives, NT, retrieved 16 October 2021, Basic word lists, verbs, sentences; comparison of light and heavy Kriol; Ngalkbon in comparison with Kriol; myths including emu; children's songs-traditional and non-indigenous; wangga and other traditional songs
  • Reilly, Lesley; Tchinburur, Justin; Tchinburur, Clement; Luckan, Pius (1981), Miscellaneous recordings at Wadeye (Port Keats), N.T. and Kalumburu Mission, W.A, retrieved 16 October 2021, Summary: Circumcision ceremony; wangga (wonga) and thanpa (tchamba); Murrinpahpatha song genres Thanpa, Malkarrin and Wurlthirri; Marri Ngarr song genre Lirrga; church and liturgical music in traditional song style; language discussion and stories; Boniface's ordination; Easter and Xmas services; Bathurst and Port Keats choirs; modern and country music; local band concerts; wartime music from commercial recording.
  • Mowaljarlai, David; Mowanjum Aboriginal Corporation (1982), Songs from Turkey Creek, WA (MOWALJARLAI_D02), retrieved 16 October 2021, Summary: Wangga ceremony songs, sung by Turkey Creek singers at Mowanjum.
  • Langton, Marcia (1983), Songs and explanations, retrieved 16 October 2021, Summary: Walungari, Wurrngannjin and Wangga songs, recorded during filming.

See also

References

  1. ^ Lister, Peter. (2006). "Didjeridu & Traditional Music of the Top End – Wangga". Manikay.Com (J. H. Burrows). Retrieved 17 April 2011.
  2. ^ Elkin, A. P. (1979) [1938]. The Australian Aborigines. Angus & Robertson. Sydney, NSW. p. 290. ISBN 0-207-13863-X. Quoted at Manikay.Com. Retrieved 17 April 2011.
  3. ^ Marett, Allan (2005). Songs, Dreamings, and Ghosts: the Wangga of North Australia. Wesleyan University Press: Middletown, Connecticut. p. 1. ISBN 978-0-8195-6618-8.
  4. ^ Povinelli, Elizabeth A. (2002). The Cunning of Recognition: Indigenous Alterities and the Making of Australian Multiculturalism. Duke University Press: Durham, North Carolina. p. 200. ISBN 978-0-8223-2868-1

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