Lindsay has been hearing the voices of her parents, and school friend for years. They have always led her to take the safe option. Realising that her impending marriage to Ned, her square fiance, is not what she really wants, she takes an opportunity to leave him and move to New York. Breaking away from her old routines, despite the protestations of her inner voices, she meets Miguel, who has his own set of voices to contend with.
2
"Miguel"
Thomas Kail
Teleplay by : Steven Levenson & Kristen Anderson-Lopez & Robert Lopez & Danielle Sanchez-Witzel
The series was based on the stage musical of the same name by Lopez and Anderson-Lopez, which played at the La Jolla Playhouse in 2015[1]. The series was first announced in January 2022 when Hulu gave the project a series order. Steven Levenson, Kristen Anderson-Lopez, Robert Lopez, and Danielle Sanchez-Witzel were set as writers and executive producers.[2] On July 28, 2023, Hulu canceled the series after one season.[3]
All tracks are written by Kristen Anderson-Lopez & Robert Lopez
Up Here (Original Series Soundtrack)
No.
Title
Length
1.
"Can I Ever Know You? (Main Title)"
0:44
2.
"To Really Know Someone"
2:53
3.
"What If?"
3:42
4.
"Tiger Shark"
3:04
5.
"Smart Smart Smart Smart Baby"
0:36
6.
"You Don't Belong"
0:25
7.
"Who Am I and Who Are You?"
3:06
8.
"It's a Sign!"
2:33
9.
"Chapter Two"
2:12
10.
"I Am Not Alone"
2:51
11.
"So Many Ways"
2:47
12.
"You Gotta Be You"
2:53
13.
"I Feel Like I've Always Known You (Wedding)"
2:48
14.
"I Feel Like I've Always Known You (Woods)"
2:21
15.
"Falling in Love"
2:15
16.
"The Quest"
3:27
17.
"Please Like Me"
2:37
18.
"The Truth Is"
3:00
19.
"A Christmas Prayer"
3:20
20.
"Can I Ever Know You? (Finale)"
2:48
21.
"Falling in Love (Bonus Version)"
2:12
Total length:
52:00
Reception
The review aggregator website Rotten Tomatoes reported a 53% approval rating with an average rating of 6.2/10, based on 17 critic reviews. The website's critics consensus reads, "Mae Whitman and Carlos Valdes are a likable enough pair, but Up Here is let down by a thin story that knocks its melody off-key."[9]Metacritic, which uses a weighted average, assigned a score of 53 out of 100 based on 6 critics, indicating "mixed or average reviews".[10]
