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Trouble Every Day
Trouble Every Day
	French theatrical release poster
Directed by	Claire Denis
Screenplay by	Claire Denis; Jean-Pol Fargeau;
Produced by	Georges Benayoun
Starring	Vincent Gallo; Tricia Vessey; Béatrice Dalle; Alex Descas;
Cinematography	Agnès Godard
Edited by	Nelly Quettier
Music by	Tindersticks
Production; companies	arte France Cinéma; Canal+; Centre national de la cinématographie; Dacia Films; Messaouda Films; Zweites Deutsches Fernsehen;
Distributed by	Rézo Films (France); Kinetique (Japan);
Release dates	13 May 2001 (Cannes); 11 July 2001 (France); 2 November 2002 (Japan);
Running time	101 minutes
Countries	France; Germany; Japan;
Languages	French; English;
Budget	$3.8 million
Box office	$800.000

Trouble Every Day is a 2001 erotic horror film directed by Claire Denis and written by Denis and Jean-Pol Fargeau. It stars Vincent Gallo, Tricia Vessey, Béatrice Dalle, Alex Descas and Marilu Marini. The film's soundtrack is provided by Tindersticks.

Alice Houri, who starred in Denis' previous film Nénette et Boni, has a small cameo as a girl on a metro who watches Shane.

Plot

An American couple, Dr. Shane Brown and his wife June, go to Paris, ostensibly for their honeymoon. In reality, Shane has come to Paris to hunt down neuroscientist Dr. Léo Sémeneau and his wife, Coré, whom Shane once knew and was obsessed with. Despite having had a prolific career, Léo is now working as a general practitioner to keep a low profile. He locks Coré in their house every day, but she occasionally escapes and initiates sex with men before violently murdering them. To protect her, Léo buries the bodies.

Shane begins investigating Sémeneau's whereabouts. A doctor who once worked with Léo eventually gives Shane the couple's address, explaining that Coré is unwell. Meanwhile, two young men who have been casing the Sémeneau home break in, and one of them finds Coré in a boarded-up room. After she seduces him, they begin to have sex, but she violently bites him to death, ripping out his tongue with her teeth. When Shane arrives at the house, he discovers Coré covered in blood. She tries to bite him, but Shane is able to overpower her. As he strangles her, she drops a match, setting the house on fire. Shane leaves her to be consumed by the flames. Just after Shane departs, Léo arrives and witnesses the carnage and the dead Coré.

After Coré's death, Shane becomes strange and distant. While having sex with his wife, he stops and finishes by masturbating, then runs away from her and adopts a puppy. Finally, he returns to the hotel where he is honeymooning while his wife is away. He then proceeds to brutally rape a maid he has been observing throughout the film and bites her to death, then showers and washes the blood from his body. His wife enters and the couple agree to return home.

Cast

Vincent Gallo as Shane Brown
Tricia Vessey as June Brown
Béatrice Dalle as Coré
Alex Descas as Léo Semenau
Florence Loiret Caille as Christelle
Nicolas Duvauchelle as Erwan
Raphaël Neal as Ludo
José Garcia as Choart
Hélène Lapiower as Malécot
Marilu Marini as Friessen
Aurore Clément as Jeanne

Release

Trouble Every Day was screened out of competition at the 2001 Cannes Film Festival.^[3]

Reception

The film received mixed reviews from critics. On Rotten Tomatoes the film has an "rotten" approval rating of 56%, with an average rating of 6.0/10 based on 61 reviews. The site's consensus states: "An erotic thriller dulled by a messy narrative."^[4] On Metacritic the film has a weighted average score of 40 out of 100 based on reviews from 16 critics, indicating "mixed or average reviews".^[5]

Derek Elley of Variety described the film as "over-long, under-written and needlessly obscure instead of genuinely atmospheric."^[6] Chris Fujiwara of The Boston Globe was more positive, but concluded his review by calling the film "a success in some sense, but it's hard to like a film so cold and dead."^[7]

Later, the film developed a small following who admire it for its themes of existentialism and its unique take on the horror genre as well as gender roles. It was given an in depth analysis by Salon.com which looked at the intricacies of the film, particularly the metaphorical nature of the narrative. At Film Freak Central, Walter Chaw said, "Plaintive and sad, Claire Denis' Trouble Every Day is a rare combination of honesty, beauty, and maybe even genius."^[8] The film has been associated with the New French Extremity.^[9]

References

^ "TROUBLE EVERY DAY (18)". British Board of Film Classification. 20 May 2002. Retrieved 7 February 2015.
^ "Trouble Every Day (2001) - JPBox-Office".
^ "Festival de Cannes: Trouble Every Day". festival-cannes.com. Retrieved 24 October 2009.
^ "Trouble Every Day". Rotten Tomatoes. Retrieved 7 February 2015.
^ "Trouble Every Day". Metacritic. Retrieved 7 February 2015.
^ Derek Elley (14 May 2001). "Trouble Every Day". Variety. Retrieved 15 February 2009.
^ Chris Fujiwara (26 April 2002). "Out for blood? Art meets gore in 'Trouble Every Day'". The Boston Globe. Retrieved 15 February 2009.
^ review Archived 23 March 2007 at the Wayback Machine
^ Quandt, James, "Flesh & Blood: Sex and violence in recent French cinema", ArtForum, February 2004 [1] Accessdate: 10 July 2008.

Sources

Beugnet, Martine. (2007) Cinema And Sensation: French Film And The Art Of Transgression. Edinburgh: Edinburgh University Press. [see pages 32–47]
Nancy, Jean-Luc. (2008) ‘Icon Fury: Claire Denis’s “Trouble Every Day”’, Film-Philosophy, 12(1), pp. 1–9. https://doi.org/10.3366/film.2008.0002.
Scholz, Sebastian. and Surma, Hanna. (2008) ‘Exceeding The Limits Of Representation: Screen And / As Skin In Claire Denis’s “Trouble Every Day” (2001)’, Studies in French Cinema, 8(1), pp. 5–16. https://doi.org/10.1386/sfc.8.1.5_1.
Taylor, Kate. (2007) ‘Infection, Postcolonialism And Somatechnics In Claire Denis’s Trouble Every Day (2002)’, Studies in French Cinema, 7(1), pp. 19–29. https://doi.org/10.1386/sfci.7.1.19_1.