Thomas Sully (June 19, 1783 – November 5, 1872) was an English-American portrait painter. He was born in England, became a naturalized American citizen in 1809, and lived most of his life in Philadelphia, Pennsylvania, including in the Thomas Sully Residence. He studied painting in England under Benjamin West. He painted in the style of Thomas Lawrence and has been referred to as the "Sir Thomas Lawrence of America".
Sully was born in Horncastle, Lincolnshire, England in 1783 to actors Matthew Sully and Sarah Chester.[1] In March 1792, the Sullys and their nine children emigrated to Charleston, South Carolina,[2] where Thomas's uncle Thomas Wade West managed a theater. Sully made his first appearance in the theater as a tumbler at the age of 11.[3] After a brief apprenticeship to an insurance broker, who recognized his artistic talent, at about age 12 Sully began painting.[4] He went to school with Charles Fraser and received informal instruction from him.[5] He studied with his brother-in-law Jean Belzons (active 1794–1812), a French miniaturist, until they had a falling-out in 1799.[6] Between 1801 and 1802, Sully lived in Norfolk, Virginia, the city from which his aunt Margaretta Sully West ran her theater and opera company.[7]
Sully became a professional painter at age 18 in 1801, while living in Norfolk, Virginia, with his brother Lawrence.[8] By 1802, he and elder brother Lawrence Sully changed their base to Richmond, Virginia, where they continued to work together. In 1805, Thomas Sully married his brother's widow, Sarah (Annis) Sully. He took on the rearing of Lawrence's children.[9]
Sully moved to New York in 1806.[10] The next year, he studied portrait painting under Gilbert Stuart in Boston for three weeks.[11] By 1808, he had settled in Philadelphia, where he resided for the remainder of his life.[12] He received his American citizenship on May 17, 1809,[13] and soon after traveled to London for nine months of study under Benjamin West, who had established his painting career in London.[14] Sully also befriended the portrait painter Charles Bird King who was also studying under West in London.[15]
West had stopped painting portraits and encouraged Sully to study the work of portrait artists he admired. Sully formed a friendship with Thomas Lawrence, whose influence was so profound that Sully came to be known as the "Sir Thomas Lawrence of America."[16] Sully returned to the U.S. in 1810.[17]
Sully was a prolific artist and produced more than 2,300 paintings over the course of his seventy year career.[22] His style resembles that of Thomas Lawrence.(cf. Rilla Evelyn Jackman "AMERICAN ARTS" 1928 pg. 61)[citation needed] Though best known as a portrait painter, Sully also made historical pieces and landscapes. An example of the former is the 1819 The Passage of the Delaware, now in the Museum of Fine Arts, Boston.
Professional Connections and Honors
Sully was one of the founding members of The Musical Fund Society in Philadelphia.[23] He painted the portraits of many of the musicians and composers who were also members. In 1812, he was elected as an honorary member of the Pennsylvania Academy of Fine Arts and served in multiple roles including as a member of the board of directors until 1831.[21] In 1835, Sully was elected a member of the American Philosophical Society.[24]
His book Hints to Young Painters was published posthumously.
His paintings are held and displayed permanently in many of the world's leading art museums. Two of Sully's portraits hang in the chambers of the Dialectic and Philanthropic societies of the University of North Carolina. Portraits, including that of President James K. Polk, were commissioned of notable alumni from the Societies. The obverse design of the United States Seated Liberty coinage, which began with the Gobrecht dollar in 1836 and lasted until 1891, was based on his work. The Sully painting Portrait of Anna and Harriet Coleman was sold at auction in 2013 for $145,000.[27]
Personal life
Thomas and Sarah Sully had nine children together. Among the children were Alfred Sully, Mary Chester Sully (who married Sully's protégé, the painter John Neagle), Jane Cooper Sully (who married a Mr. Darley), Blanche Sully, Rosalie Sully, and Thomas Wilcocks Sully.[citation needed]
.png)
![Lady with a Harp, 1818, a portrait of Eliza Ridgely, was at Hampton Mansion from the 1820s to 1945, when it was sold to the National Gallery of Art.[31]](File:Eliza_Ridgely_with_a_Harp_NGA.jpg)
,_1823,_Oil_on_canvas.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
_-_Google_Art_Project.jpg)
.jpg)
