While the previous studio album My Father Will Guide Me up a Rope to the Sky was seen as a cross between Gira's solo project Angels of Light and late Swans, The Seer strayed away from Angels of Light's more accessible songs and lyricism, focusing more around sonic landscapes. The album features a variety of instrumentation and guest musicians, including the post-punk band Yeah Yeah Yeahs vocalist Karen O and former Swans member Jarboe. The album is noteworthy due to its extended song lengths, particularly its over thirty minute title track, as well as its frequent experimentation with drone and noise elements. The album garnered critical acclaim from mainstream publications and appeared in publications' best of the year album lists. The Seer is considered the first part of a three-album trilogy, alongside the following To Be Kind (2014) and The Glowing Man (2016).
He described the album as taking "30 years to make" and is "the culmination of every previous Swans album as well as any other music I've ever made".[3] The songs "93 Ave. B Blues", "The Seer", "The Apostate," and "Avatar" were developed during tours and rehearsals while the rest of the songs were created in the studio.[3] While their previous effort was seen as a continuation of Gira's folk solo project Angels of Light mixed with Swans' original elements, Gira stated that The Seer was more focused as a Swans effort due to touring.[4]
The band started recording in Berlin after a hiatus during touring as Gira wanted to get it done while they were a live band.[5] After a year of touring, they recorded in New York while Gira spent the next five months doing overdubs and fleshing out songs written on his acoustic guitar.[5] While Gira sings on the majority of the songs, he enlisted Karen O to assist with singing "Song for a Warrior" because Gira believed that "Since the song is like a country lullaby, I thought it would be appropriate for a female. Chris [Pravdica, Swans' bass player] pointed me to a few of Karen's solo works where she sings in this really gentle, compassionate, soulful way."[6] Former Swans member Jarboe also made an appearance on the album once Gira met her after an Atlanta tour as he needed "some female vocals doing these kind of drone chords."[6] The name of the album and title track came from Swans performing the title track multiple times instrumentally until Gira soon sang, "I see it all, I see it all," which he thought fit the music.[5] The artwork from the album was based on a tempera wolf painting by Simon Henwood and featured Gira's teeth on the wolf.[6]
Development
Writing
Swans funded The Seer with the livedouble albumWe Rose from Your Bed with the Sun in Our Head (2012). They also raised money by recording personalized songs for people who donated $500 into funding The Seer. Whereas on their previous studio album the musicians hadn't worked together before, they had toured together for a year when writing The Seer. Gira wanted "no restrictions" when making the album as he had full creative control due to him owning his own record label.[6] Gira called the band he played with on the album as "the best band [he's] ever had as a whole."[7]
When writing The Seer, Gira would begin writing the songs on an acoustic guitar, and then with the help of the band, the songs would develop more. The band would then play the songs in the studio and then play them live, and at that point they would either "mutate further, endlessly, or perhaps be discarded for a while."[8][9] When working on a certain song, Gira would think about other songs on the album and how they would relate to each other. If there was one section that was violent or heavy, he tried to counterbalance that in another section.[7]
The Seer was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 87, based on 32 reviews, indicating "universal acclaim".[11] Writing for Rolling Stone, Will Hermes called the album Swans' "grandest statement yet" and described the title track as "a season in hell, and then some."[20] Also describing the title track, Jason Heller of The A.V. Club wrote, "It's the most harrowing, exhausting, cathartic, transcendental piece of music Gira has ever put to tape."[13] Thom Jurek of AllMusic described The Seer as "the most sprawling, ambitious, thoughtfully conceived and tightly performed recording in the band's catalog."[12]The Guardian's Dave Simpson wrote that the album "won't be for everybody, but deserves to win new converts."[14]
Several music criticism websites included The Seer on their lists of the best albums of 2012. Stereogum ranked the album at fourth in their top 50 albums.[22]Pitchfork ranked it at fifth, with writer Stuart Berman writing that The Seer "evinces a magisterial grandeur and hypnotic allure, elevating Swans’ seedy, sewer-scraping depravity into an extravagant, cinematically scaled noise."[23] Sputnikmusic staff member SowingSeason said that The Seer "could be the best album of Michael Gira's thirty year career" and was the best of 2012.[24]The A.V. Club staff ranked the album seventh in their best of 2012 list and stated that "Gira did the seemingly impossible and topped [My Father], however, with the Seer".[25] Commercially, the album peaked at number 114 on the Billboard 200 and at number 22 on the Independent Albums chart.[26][27]
Track listing
All tracks are written by Michael Gira, unless noted
