Talk:Fruto Proibido

This review is transcluded from Talk:Fruto Proibido/GA1. The edit link for this section can be used to add comments to the review.

Nominator: Cathodography (talk · contribs) 23:54, 8 March 2025 (UTC)Reply

Reviewer: LastJabberwocky (talk · contribs) 19:06, 19 December 2025 (UTC) Hi, always happy to collaborate with you; hopefully you isn't too busy with the upcoming holidays! —LastJabberwocky (Rrarr) 19:06, 19 December 2025 (UTC)Reply

I have no further suggestions and almost ready to promote! There are two remaining tobedone things i marked with 'pending'. —LastJabberwocky (Rrarr) 08:17, 23 December 2025 (UTC)Reply

I have no further suggestions, promotion! —LastJabberwocky (Rrarr) 09:31, 28 December 2025 (UTC)Reply

• all green Y
• This file lacks description
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• This and this links don't appear to work for me Pending
  • Added archives
• refs 39, 60, and 78 lack a retrieval date
  • Done
• Her autobiography can be linked to the portugal article Pending
  • I don't think this is necessary since there's no English page for it yet
  • Fair enough! —LastJabberwocky (Rrarr) 09:31, 28 December 2025 (UTC)Reply

• as the vocalist of the band Os Mutantes, formed in 1966, which included members such as bassist and vocalist Arnaldo Baptista, with whom she also developed a romantic relationship. ---> as the vocalist of the Os Mutantes band formed in 1966, which included bassist and vocalist Arnaldo Baptista with whom she also developed a romantic relationship. Reason: The same but simpler?
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• In 1972, her marriage to Baptista ended.[1] Tensions between the two manifested not only as a couple separating but also as collaborators with musical differences. Baptista and his brother, Sérgio Dias, believed the band should adopt a new aesthetic, moving toward progressive rock influenced by bands like Yes and Emerson, Lake & Palmer. In Rita Lee: uma autobiografia [Rita Lee: an autobiography], Lee claims she was a victim of this ambition: "I arrive at rehearsal and find a tense/dense atmosphere. Finally, Arnaldo breaks the ice, takes the floor, and informs me—not in these exact words, but the meaning was the same—that at this funeral, the deceased was me. 'We've decided that from now on, you're out of Os Mutantes because we've chosen to follow a progressive-virtuoso direction, and you don't have the caliber as an instrumentalist.'" ----> In 1972, her marriage to Baptista ended, which together with creative differences manifested tension. Baptista and his brother, Sérgio Dias, believed the band should adopt a new aesthetic, moving toward progressive rock influenced by bands like Yes and Emerson, Lake & Palmer. According to Rita Lee: uma autobiografia [Rita Lee: an autobiography], the band ultimately kicked her out with Baptista announcing their decision: "We've decided that from now on, you're out of Os Mutantes because we've chosen to follow a progressive-virtuoso direction, and you don't have the caliber as an instrumentalist."
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• Her departure from the group has been the subject of conflicting accounts over the years, with some claiming she left voluntarily. However, in 2007, Baptista admitted to Whiplash.net: "I kicked Rita out of Os Mutantes. She was a banana!" In other interviews, Baptista explained the banana reference was tied to the band Yes: "Because I thought Rita was a bit 'banana', very 'for English eyes', so sometimes I prefer what's more Led Zeppelin and not Yes, like Rita was". I think it's an overkill explanation of her departure for an album article. Should we remove it or hide it into a note?
  • I trimmed the event in a single sentence.
• Over time, she started writing songs, but the right opportunity or idea to present them eluded her. This changed in May 1973 when she was invited to open for Os Mutantes at the Phono 73 festival, organized by Phonogram Records. The weight of the first sentence gives off a feeling that she waited for decades before the right opportunity but less than a year passed before the opportunity presented itself? Maybe something like this: Over time, she started writing songs and eventually was presented with an opportunity to open for Os Mutantes in May 1973 at the Phono 73 festival organized by Phonogram Records.
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• from writer Antônio Bivar, who supported her during this new phase ----> from writer Antônio Bivar who supported her during this new phase
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• However, a trip to Rio de Janeiro for recording sessions was unsuccessful ----> However, a trip to Rio de Janeiro to attend recording sessions was unsuccessful
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• Later, Lee confronted Midani in his office to reverse the decision, where she encountered singer Tim Maia, who was also dissatisfied because Phonogram had altered the cover of his upcoming album without his consent. After waiting to speak with Midani, they broke into his empty office and caused significant damage. Did she approach Midani and then waited for him with Maia?
• Before leaving, Lee recounts in her autobiography that Maia paused at the desk and said, "Nothing personal, okay, sweetheart?" Is it relevant? We already know he didn't do it for personal reason; he was at the label for not consulting with him
  • I don't think its relevant enough. Removed
• and in 1974, Atrás do Porto Tem Uma Cidade was released. ----> and in 1974, her third album Atrás do Porto Tem Uma Cidade was released.
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Carlini contributed to some songs, including an incomplete piece titled "Agora Só Falta Você", starting from its "melodic line and half the lyrics. I went to Rita's house, and we finished it together". ----> Carlini contributed to some songs, including an incomplete piece titled "Agora Só Falta Você", starting from its "melodic line and half the lyrics", and completing it with Lee.

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• would continue throughout her career: "tributes to pioneers who shook society, each in their own way" ---> would continue throughout her career, paying "tributes to pioneers who shook society, each in their own way"
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• They also describe the album ----> The academics also describe the album
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• depicted in popular imagination, epitomized by Eve, the first woman according to the Bible ---> depicted in popular imagination and epitomized by Eve, the first woman according to the Bible
• doesn't conform to societal ---> does not conform to societal
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• Dora Vivacqua can be linked
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• Over the years, it was reissued on cassette, compact disc, and vinyl again, this time by Universal Music. ----> Over the years, it was reissued by Universal Music on cassette, compact disc, and vinyl again.
  • This wording may give the impression that Universal Music was responsible for the cassette and CD reissues.
• was also internationally made available ----> was also made internationally available
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• it reflects "the perspective of some that women are naturally ----> it reflects a mindset that: "women are naturally
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• and its cover was later modified Do we know how it was modified?
  • No.
• Brazilian cruzeiro is an ambiguous link
  • Fixed

• On AllMusic, editor Álvaro Neder ---> The AllMusic editor Álvaro Neder
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• didn't seem to aim for innovation, ---> did not seem to aim for innovation,
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• Many musicians and scholars consider the album ---> In retrospective, many musicians and scholars consider the album
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• Her admiration is so great that in 2022, when invited to the Acústico MTV series, she decided to cover every track on the album under the title Manu Gavassi canta Fruto Proibido.[85] She also toured the country that year to promote the covers. ----> When invited to the Acústico MTV series in 2022, her admiration manifested into a cover of the album under the title Manu Gavassi canta Fruto Proibido.[85] She toured the country that year to promote the covers
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• For him, it was a turning point: "After that, everything changed. Almost every band I played in ----> For him, Lee's work was ubiquitous: "Almost every band I played in
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• Pitty spoke about how Lee influenced her and cited Fruto Proibido as her favorite album by the artist, "in terms of lyrics ---> Pitty spoke about Lee's influence on her music and cited Fruto Proibido as her favorite album by Lee: "in terms of lyrics
  • Done