added redirection since Fourth Wall mentions this concept.--Jeiki Rebirth (talk) 20:29, 15 December 2008 (UTC)
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| This redirect was nominated at Wikipedia:Redirects for discussion on January 13, 2010. The result of the discussion was Keep. |
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added redirection since Fourth Wall mentions this concept.--Jeiki Rebirth (talk) 20:29, 15 December 2008 (UTC)
I've removed the entire section as the items fail WP:V, WP:TRIVIA, WP:OR, or WP:NOTPLOT. This article was already deleted once before and, after a brief search for sources, I don't this would survive AFD since it is likely a non-notable neologism. However, I'm willing to wait a little while for interested editors to add reliable sources and establish notabity of the subject, as long as the article isn't simply loaded with reams of IPC examples again. Doctorfluffy (robe and wizard hat) 02:01, 5 March 2009 (UTC)
Anyway, here are a few references....
Encyclopedia of Television' 2Nd Ed.
"By presenting live reports with both visual and sound components, television was described as the fifth wall in the living room, or as the “Miracle Mirror.” Television was celebrated as the “window to the world"[....]
Framing Attention: Windows on Modern German Culture' Parallax (Baltimore, Md.)
"As television critic Werner Rings feared in his 1962 treatise The Fifth Wall, “Hundreds of Millions of people plunged themselves into this new experience, into this whirlpool of dreamlike lust and desire, with one push of the button, with a mere turning of a switch, to summon men and women, destinies and events, faces and foreign worlds to their screen [....]"
Shakespeare, theater, academic use of 'fifth wall' [very good, but I'm not going to reproduce from google books] : http://books.google.com/books?id=ud9y2pZqOnYC&printsec=frontcover&dq=%22fifth+wall%22&ei=9TG_SYrgFI2iyATHw-nAAg#PPA1,M1 http://books.google.com/books?id=ud9y2pZqOnYC&printsec=frontcover&dq=%22fifth+wall%22&ei=9TG_SYrgFI2iyATHw-nAAg#PPA2,M1
Academic, theater cite: Breaking the Fifth Wall, By Lynne Kent, Queensland University of Technology Creative Industries Faculty: http://books.google.com/books?id=tdElNAAACAAJ&dq=%22fifth+wall%22&lr=&ei=TjO_SZujK6G4ywSRiYiuDg
http://www.unknowntheater.com/publicsite/the5thwall_about.asp : Because Unknown Theater is dedicated to making theater a regular part of people’s lives, we have created The 5th Wall as a place where social-life and creativity meet. We want to tear down the imaginary barrier between the theater and rest of the community. Join us in this Unknown no-man's-land between art and celebration.
http://www.shanghaiisart.com/mc/5thWall.html : Traditionally, three walls contain a theatrical performance and the audience forms the fourth wall. 5th Wall Performance finds ways to expand the idea of theater and performance thematically, spatially and physically through a fully collaborative process.
Here's another, from a small gaming company, explaing their company name: "Our slogan is 'Breaking down the 5th wall in social interactions through live action role playing'." From the section, "Origin of Company Name": "We all sat down and realized that allot[sic] of us were actors. So we referenced that we were not only trying to break through the "4th wall", but trying to bring the audience onto the stage with us. Therefore, we are trying to break through the wall above the fourth. The 5th Wall." [1]
http://youngfilmmakersworkshop.org/5thwall.php : As the term "4th Wall" signifies the presence of an imaginary wall between performers and audience, "5th Wall" expresses the absence of boundaries.
Undefined, but referenced with respect to live theater http://www.5thwallproductions.org/default.htm
This reference is less direct (or coherent), but is another performance-related mention: http://www.improactive.info/blog/whereisthe5thwallanyway
TV-production-related but I can't see much of the content in my browser: http://www.5thwallentertainment.com
Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (review) Shakespeare Quarterly - Volume 57, Number 2, Summer 2006, pp. 235-237]
| “ | In addition to those in the theater trying to break down the "fourth wall" between the audience and the stage, there have been others trying to breach the "fifth wall" of distrust, misunderstanding, and mutual patronizing that has too often characterized the relationship between theatrical and scholarly practitioners. Lynette Hunter and Peter Lichtenfels's Shakespeare, Language and the Stage, the latest volume in the Arden Shakespeare's Shakespeare and Language series, records the efforts of a group of academics and theater practitioners, if not to break down that fifth wall, to at least "peer through [a] chink" in it (9). The Fifth Wall workshops held at Shakespeare's Globe in 2004 involved some of the usual suspects | ” |
Not sure how to dovetail this in but it would seems to be noteworthy. -- Banjeboi 11:19, 19 March 2009 (UTC)
| “ | Theatrical and cinematic theory dwells heavily on the "fourth wall" phenomenon--that psychic barrier that separates the audience from the onstage action. Less has been said about the "fifth wall"--that semi-porous membrane that stands between individual audience members during a shared experience. Real-world audiences--gathered together in the same place at the same time--are conjoined by rich sensory channels and a shared physical context; however, networked interactive experiences must rely on "remote telepresence" to emulate selected aspects of an audience's physical co-presence. | ” |
| “ | This creates two time periods, the one that happened to the narrator and the one happening for the audience and the narrator. In past productions, I had never been satisfied with the narrator's interaction with the audience. This time I wanted the narrator to get into the audience and almost become one of them. This would create a voyeuristic atmosphere thereby creating a more intimate interaction between actor and audience. Also it would make the audience somewhat self conscious as they were also being watched by the narrator, essentially the voyeur being the object of study. I wanted to break what I had termed the "fifth wall," meaning, I wanted the narrator touching and interacting with the audience and on occasion ask what they thought about what they were watching and how they were feeling. We have seen the breaking of the fourth wall almost become a convention for modern productions and I wanted to take it to the next logical step, audience integration in the production. | ” |
The fifth wall generalize conceot goes back to at least the 1960s[2] when both the floor, of an apartment, and ceilings were considered fifth walls to be addressed. -- Banjeboi 12:00, 19 March 2009 (UTC)
[3] . -- Banjeboi 12:00, 19 March 2009 (UTC)
In one of the Sylvester Stallone films there is a line to him to the effect "You think you're Rambo?" —Preceding unsigned comment added by 194.83.172.121 (talk) 14:04, 3 September 2009 (UTC)
The term "the fifth wall" is, at best, a term like "sixth sense" in that it doers not refer to any specific thing. The term "sixth sense" is used to refer to any number of things that could be counted as such, and insofar as anyone ever uses the term "fifth wall" at all, there is no consistent meaning of it. So the (still unsourced) definition given on this page does not define a general usage of the term. The greater problem is that the term "fifth wall' is one that is quite obscure. Google it and you get no consistent patter of its use as a term at all. This article purports to explain a term that, in reality, does not really exist. The article should be deleted. —Preceding unsigned comment added by 142.68.40.57 (talk) 21:46, 15 November 2009 (UTC)
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