Signoret was born Simone Henriette Charlotte Kaminker in Wiesbaden, Germany, to Georgette (née Signoret) and André Kaminker. She was the eldest of three children, with two younger brothers. Her father, a pioneering interpreter who worked in the League of Nations, was a French-born army officer from an assimilated and middle-class Polish-Jewish and Hungarian-Jewish family,[1][2] who brought the family to Neuilly-sur-Seine on the outskirts of Paris. Her mother, Georgette, from whom she acquired her stage name, was a French Catholic.[3]
Signoret grew up in Paris in an intellectual atmosphere and studied English, German and Latin. After completing secondary school during the Nazi occupation, Simone was responsible for supporting her family and forced to take work as a typist for a French collaborationist newspaper Les nouveaux temps, run by Jean Luchaire.[4]
Career
During the occupation of France, Signoret mixed with an artistic group of writers and actors who met at the Café de Flore in the Saint-Germain-des-Prés quarter. By this time, she had developed an interest in acting and was encouraged by her friends, including her lover Daniel Gélin to follow her ambition. In 1942, she began appearing in bit parts and was able to earn enough money to support her mother and two brothers as her father, who was a French patriot, had fled the country in 1940 to join General De Gaulle in England. She took her mother's maiden name for the screen to help hide her Jewish roots.
Signoret's sensual features and earthy nature led to type-casting and she was often seen in roles as a prostitute. She won considerable attention in La Ronde (1950), a film which was banned briefly in New York City as immoral. She won further acclaim, including an acting award from the British Film Academy, for her portrayal of another prostitute in Jacques Becker's Casque d'or (1951). She appeared in many French films during the 1950s, including Thérèse Raquin (1953), directed by Marcel Carné, Les Diaboliques (1954), and The Crucible (Les Sorcières de Salem; 1956), based on Arthur Miller's The Crucible.
In 1958, Signoret acted in the English independent film Room at the Top (1959), and her performance won numerous awards, including the Best Female Performance Prize at Cannes and the Academy Award for Best Actress. She was offered films in Hollywood, but turned them down for several years, continuing to work in France and England—for example, with Laurence Olivier in Term of Trial (1962). She earned another Oscar nomination for her work on Ship of Fools (1965), appeared in a few other Hollywood films, and returned to France in 1969.
In 1962, Signoret translated Lillian Hellman's play The Little Foxes into French for a production in Paris that ran for six months at the Theatre Sarah-Bernhardt. She played the Regina role as well. Hellman was displeased with the production, although the translation was approved by scholars selected by Hellman.[5]
Signoret's one attempt at Shakespeare, performing Lady Macbeth with Alec Guinness at the Royal Court Theatre in London in 1966 proved to be ill-advised, with some harsh critics; one referred to her English as "impossibly Gallic".[6]
Signoret won acclaim for her portrayal of a weary madam in Madame Rosa (1977) and as an unmarried sister who unknowingly falls in love with her paralyzed brother via anonymous correspondence in I Sent a Letter to my Love [fr] (1980). She continued to appear in many movies before her death in 1985.
Personal life
Signoret's memoirs Nostalgia Isn't What It Used to Be, were published in 1978. She also wrote the novel Adieu Volodya, published in 1985, the year of her death.
Signoret first married filmmaker Yves Allégret (1944–1949), with whom she had a daughter Catherine Allégret. Her second marriage was to the Italian-born French actor Yves Montand in 1951, a union which lasted until her death; the couple had no children.
Signoret died of pancreatic cancer in Autheuil-Authouillet, France, aged 64. She was buried in Père Lachaise Cemetery in Paris, and Yves Montand later was buried next to her.
Signoret identified as Jewish. She was a supporter of a variety of Jewish causes, including the Zionist movement and the Soviet Jewry movement. She maintained relationships with many Israeli leaders and was critical of antisemitism in the French Communist Party. Because she was of patrilineal Jewish ancestry and was therefore not considered Jewish under traditional halakha, there was no religious ceremony at her funeral.[7]
Marilyn (2011) by Sue Glover premiered at the Citizens' Theatre, Glasgow on 17 February 2011. The play charted the deteriorating relationship between Signoret and Marilyn Monroe during the filming of Let's Make Love. Unable to achieve the recognition of Oscar-winning Signoret, Monroe begins an affair with Signoret's husband, Yves Montand.
Singer Nina Simone (Born Eunice Waymon) took her last name from Simone Signoret.[25]
^"Nostalgia Isn't What It Used to Be (Paperback)". The Guardian. 7 August 2000. Signoret was descended from Polish/Hungarian Jews
^Hayward, Susan (November–December 2000). "Simone Signoret (1921–1985) — The body political". Women's Studies International Forum. 23 (6): 739–747. doi:10.1016/S0277-5395(00)00147-3.
^DeMaio, Patricia A. (January 2014). Garden of Dreams: The Life of Simone Signoret. University Press of Mississippi.
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