Shri Atma Vallabh Jain Smarak

Shri Atma Vallabh Jain Smarak
Vallabh Smarak Jain Mandir Tirth
Religion
Affiliation	Jainism
Deity	Vasupujya Swami
Festivals	Panch Kalyanaka, Kshmapana Diwas, Parshva - Padmawati Jagran, Nav dhwajarohan (New flag hosting), Birth & Death Anniversary of Acharya Vallabhsuri & Guru Vallabh Bhakti Samaroh
Governing body	Shree Atma Vallabh Jain Smarak Shikshan Nidhi
Location
Location	Nangli Poona, GT Karnal road, Delhi
Geographic coordinates	28°46′38.7″N 77°08′25.9″E
Architecture
Creator	Acharya Indradinsuri
Date established	1979
Completed	1989
Temple(s)	8

Shri Atma Vallabh Jain Smarak also popularly known as Vallabh Smarak Jain Mandir Tirth is a Jain temple and a multi-faceted memorial in the sacred memory of Jain Acharya Shri Vijay Vallabh Surishwer Ji, located on GT Karnal Road, Delhi.

History

Stamp featuring Shri Vallabhsuri with Shri Atma Vallabh Jain Smarak in background issued in 2009

The Smarak's construction was completed in 1989 by the followers of Acharya Vijay Vallabhsuri,^[1] to whom the temple is dedicated as a memorial. Having been solemnized as a Jain saint at a very early age by the illustrious Jain Acharya Shri Vijayanand Surishwer Ji (also known Muni Atmaram Ji), he was one of the most erudite saints of his era. Apart from being a preacher of Lord Mahavira's message of Non-violence, World Peace and Universal brotherhood. Acharya Vallabh Suri was a great reformer, thinker, writer, and educationist who actively supported India's freedom movement and relentlessly worked for the upliftment of the Jain community as well as the masses. His Panchamrut of Sewa (Service), Sangathan (Organisation) Shiksha (Education), Swawlamban (Self-reliance) & Sahitya (Literature) gave a new direction and impetus to the Jain community towards a holistic development. He is known for establishing many Educational Institutions in Punjab, Delhi, Uttar Pradesh, Rajasthan, Gujarat & Maharashtra including Mahavira Jain Vidhyalaya. He also worked to improve the religious and social life of the people in Punjab, earning him the honorific Punjab Kesari.^[2] His area of work, however, included Delhi, U.P., Rajasthan, Gujarat, and Maharashtra. His broad and progressive outlook, extraordinary work on moral values-based education for Holistic Development, amelioration of masses, eradication of social evils, and empowerment of women was immensely appreciated during his lifetime and remembered even at present with utmost reverence. He supported the freedom movement and was an active supporter of the Swadeshi movement and the use of Khadi. He was in regular touch with the national stalwarts such as Sardar Patel, Shri Moti Lal Nehru, Pandit Madan Mohan Malviya, Shri Morar Ji Desai, and many others. To him goes the solemn credit for the safe passage of a large number of Jains and others from Gujranwala (now in Pakistan) to India in the peak of violence during September 1947.  

Initially, Acharya Samudrasuri led the construction of the Smarak, followed by Acharya Indradinsuri with Mahattaraa Mrigavati being the torchbearer for this project.^[3] At present the activities of this Smarak are being carried out under the guidance of Acharya Nityanandsuri - the senior-most Acharya and Gachhadhipati of Acharya Vallabh Suri Samuday. With Acharya Nityanand Suri's inspiration, Guru Vallabh's life has been depicted in very artistic 3D Stone Sculpture work in the Guru Mandir. Besides, Hostel and Bhojanshala for the Scholars and Devotees has been constructed with picturesque landscaping. In July 2021, Vijay Vallabh Pakshi Chikitsalay has been put in operation in which injured and unwell birds are provided treatment. Arrangements have been made to carry injuted birds from all over NCR.

As a mark of acknowledgement for his vast services as an erudite and enlightened Jain Saint, the Government of India issued a postage stamp in February 2009 in the honour of Acharya Vallabh Suri.

Architecture

Murals on wall

The main hall of the temple is considered a brilliant example of the structural design as per ancient Jain Sthapatya Kala (Main Sompura: Amrutbhai Mulshankar Trivedi). It is built in dome-shaped internally with stepped roof exterior.^[4] The temple belongs to Śvētāmbara sect of Jainism.

The temple itself consists of ancient idols along with the manuscripts, images, sculptures dating back to the medieval period. The mulnayak of the temple is 12th Tirthanker Shree Vasupujya Swami placed along with Tirthanker Shree Munisuvrat Swami, Shree Rishabdev & Shree Parshwnath in a typical Chaumukha formation. Many ancient murals and artefacts are displayed in the basement Museum. Guru Mandir on the ground floor has a stunning sculpted image of Acharya Vallabh Suri and His charan paduka. These images are sourced mainly from Gujarat, Rajasthan and Maharashtra. Besides in the circular hall, of 64 feet width and 84 feet height, there are ten panels of exquisite three-dimensional stonework depicting the illustrious life and ideals of Acharya Vallabhsuri.

About temple

The temple is managed by Shree Atma Vallabh Jain Smarak Shikshan Nidhi.^[5]  Besides a Jain Temple, Guru Mandir, Samadhi Mandir, Dev - Devi Mandir, there is Jain Bharati Mrigawati Vidyalay, and Bhogilal Lehar Chand Institute of Indology engaged in studies, research on Jainism and other contemporary religions and teaching Prakrit (original language in which Lord Mahavira pronounced sermons). A vast collection of Jain ancient literature, handwritten manuscripts, rare books, memoirs, and literature of Atma - Vallabh samuday brought from Gujranwala and later supplemented from Patan, Kutch & Vadodara make the Library unique. Jain Museum of Art & Culture located just below the Guru Mandir houses some stunning murals, parikars, artefacts, other remnants of the past heritage. The Museum also houses articles personally used by Acharya Vallabh Suri, during his lifetime such as Acharya's clothes, utensils, denture, and inkwell, showcased alongside Jain images and panels.^[6] There is a magnificent photo exhibition of Acharya Vallabh Suri in a room just outside the Guru Mandir. The Smarak is also equipped with all necessary infrastructure such as two Upashray Bhawans for the stay of Jain Monks & Nuns separately, Bhojanshala, a hostel for scholars and devotees, an administrative block, etc.

Gallery

• 
  Mulnayak idol
• 
  Padmavati Idol
• 
  Padmavati temple inside the temple complex
• 
  Main vedi
• 
  Janma Kalyanak depiction on wall

See also

• Jainism in Delhi
• Lal Mandir
• Dādābadī

References

Citation

1. Schnapp 2014, p. 431.
2. Shah 2004, p. 55.
3. Shah 2004, p. 44.
4. Weiler & Gutschow 2016, p. 118-119.
5. Titze 1998, p. 136.
6. Schnapp 2014, pp. 431–432.

Source

• Weiler, Katharina; Gutschow, Niels (2016), Authenticity in Architectural Heritage Conservation: Discourses, Opinions, Experiences in Europe, South and East Asia, Springer, ISBN 9783319305233
• Schnapp, Alain (2014), World Antiquarianism: Comparative Perspectives, Getty Publications, ISBN 9781606061480
• Shah, Natubhai (2004) [First published in 1998], Jainism: The World of Conquerors, vol. 1, Motilal Banarsidass, ISBN 978-81-208-1938-2
• Titze, Kurt (1998), Jainism: A Pictorial Guide to the Religion of Non-Violence, Motilal Banarsidass, ISBN 9788120815346