Shin Heike Monogatari (新・平家物語, lit. "New Tale of the Heike") is a 1955 Japanese film directed by Kenji Mizoguchi. It is based on a prose version by Eiji Yoshikawa of a Japanese epic poem, The Tale of the Heike.[note 1] It is Mizoguchi's second and last film in color, the other being Princess Yang Kwei Fei (Yōkihi) of the same year.
Ian Cameron, editor of the British film magazine, Movie, wrote in 1962:[1] “The parallel between the historical action and the personal story gives Shin Heike Monogatari its particular beauty. Mizoguchi is arguably the greatest of directors. This is arguably his best film, and the best of all films.”
Kevin B Lee in a 2009 review for Slant Magazine found it a rather tentative attempt at color filmmaking and a self-conscious "prestige" picture, with Mizoguchi's usual themes present but at odds with the desire for spectacle and action of a samurai movie.[2] After the American release of the film in 1964, Eugene Archer of The New York Times wrote that the plot was "subordinate to the decor".[3]
Various critics have suggested that the film's setting at the end of the Heian period, a politically unstable time, and its concern with the transition of power reflect the situation of Post-occupation Japan, when the film was made in the 1950s.[4]
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