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Church of San Julián de los Prados
Church of San Julián de los Prados
	Facade of the church of San Julián de los Prados
Religion
Affiliation	formerly pre-Schism Hispanic Church, currently Roman Catholic
Ecclesiastical or organizational status	Church
Year consecrated	9th century
Location
Location	Oviedo (Asturias), Spain
Geographic coordinates	43°22′3.7″N 5°50′14.1″W / 43.367694°N 5.837250°W
Architecture
Architect(s)	Tioda
Type	Church
Style	Pre-Romanesque
Specifications
Direction of façade	SE
Length	30 metres (98 ft)
Width	25 metres (82 ft)
	UNESCO World Heritage Site
Type	Cultural
Criteria	ii, iv, vi
Designated	1985 (9th session)
Parent listing	Monuments of Oviedo and the Kingdom of the Asturias
Reference no.	312-005
Region	Europe and North America

San Julián de los Prados, also known as Santullano, is a Pre-Ramirense church from the beginning of the 9th century in Oviedo, the capital city of the Principality of Asturias, Spain. It is one of the greatest works of Asturian art and was declared an Historical-Artistic Monument by the Spanish Ministry of Culture in June 1917 and a World Heritage Site by UNESCO on 2 December 1998.

The church's construction was ordered by Alfonso II of Asturias and it was built by the court architect Tioda c. 830.^[1] It is dedicated to the martyred Egyptian saints Julian and Basilissa.

Architecture

The spacious church clearly displays the characteristics of its style. It is of basilican plan with a nave and two aisles separated by square piers which support semi-circular arches and with a transept of impressive height. The iconostasis, that separates the sanctuary from the rest of the church is remarkably similar in appearance to a triumphal arch. The size and originality of the church stands out and distinguishes it from works of Visigothic art. However, without doubt, that which most attracts attention to this church is the pictorial decoration, with aniconic frescoes (stucco, very well executed), painted in three layers, with architectural decoration that bears clear Roman influences. Although it appears more a monastic rather than a royal church, a gallery was reserved for the king in the transept.

Of the three original entrances to the church, two have been filled in.

Decoration

Sculptural

The only sculptural decoration that has survived to the present day is that of the marble capitals on which rest the semi-circular arches. There are also two marble flagstones with hexagonal geometric figures and floral motives that are found in the central chapel.

Pictorial

The pictorial decoration is the most important element that can be seen in the church. It is without doubt the most important of its time, in its extent and conservation as much as in the variety of designs represented, in all of Western Europe.^[2]^[3]

Notes

^ Moffitt, John Francis (1999). The Arts in Spain. London: Thames and Hudson. ISBN 978-0-500-20315-6.
^ It can only be compared in extent with the church of St. John of Müstair, a Carolingian church in Graubünden, Switzerland, whose frescoes date from c.800AD. In Germany, on Reichenau Island, is found the church of St. George of Oberzell. In this church the frescoes are also of a similar extent but they date from the tenth century
^ García de Castro Valdés, César (2004). Santa María de Arzabal. Oviedo: Ediciones Nobel. ISBN 978-84-8459-181-8. {{cite book}}: |work= ignored (help)

References

Arias Páramo, Lorenzo (1997). San Julián de los Prados. Arte prerrománico asturiano (in Spanish). Gijón: Trea Ediciones. ISBN 978-84-89427-74-7.
Arias Páramo, Lorenzo (1991). Iglesia de San Julián de los Prados. Dibujos Planimétricos. Fundación Museo Evaristo Valle. ISBN 978-84-604-0881-9.
Moffitt, John F. (1999). The arts in Spain (in Spanish). London: Thames and Hudson. ISBN 978-0-500-20315-6.
de Selgas, Fortunato (1908). Monumentos ovetenses del siglo IX (in Spanish). Nueva Impr. de San Francisco de Sales. Archived from the original on 6 November 2012.