Mellon was married to Mary Conover Brown from 1935 until her death in 1946. They had two children, Catherine Conover Mellon (first wife of John Warner) and Timothy Mellon. In 1948, Paul Mellon married his second wife, Rachel Lambert Mellon (a.k.a. Bunny) (August 9, 1910–March 17, 2014) who had two children, Stacy Lloyd III and Eliza, Viscountess Moore with her first husband, Mr. Stacy Barcroft Lloyd, Jr. whom she had divorced in 1948.
Mellon's autobiography, Reflections in a Silver Spoon, was published in 1992.
In 1930, he was a founding member, alongside Sir Timothy William Gowers, of the CRABS, the Clare Rugby And Boating Society, the oldest of the collegiate Gentlemen's societies still active. In 1938, he received an Oxbridge MA from Clare College, Cambridge. He was a major benefactor to Clare College's Forbes-Mellon Library, opened in 1986.
While Mellon did not share his father's interest in business, the two found common ground in their love of art and philanthropy. Shortly before Andrew Mellon's death in 1937, construction began on the West Building of the National Gallery of Art in Washington, D.C., for which Andrew Mellon had provided funds. Four years later Paul Mellon presented both the building by John Russell Pope and his father's collection of 115 paintings to the nation. He served on the museum's board for more than four decades: as trustee, as president (twice), as board chair, and as honorary trustee. Mellon commissioned I. M. Pei to build the East Building and, with his sister Ailsa, provided funds for its construction in the late 1970s. Over the years he and his wife Bunny donated more than 1,000 works to the National Gallery of Art, among them many French and American masterworks.
In 1936, Mellon purchased his first British painting, Pumpkin with a Stable-lad by George Stubbs, who became a lifetime favorite of Mellon's. Beginning in the late 1950s, with the help of English art historian Basil Taylor, Mellon amassed a major collection by the mid-1960s. London art dealer Geoffrey Agnew once said of his acquisitions: "It took an American collector to make the English look again at their own paintings." Mellon's collection was catalogued by Dudley Snelgrove and Judy Egerton.[2]
Mellon granted his extensive collection of British art, rare books, and related materials to Yale University in the 1960s, along with the funding to create an appropriate museum to house it (designed by Louis Kahn). He characteristically insisted that it not be named in honor of him, but rather would be called the Yale Center for British Art, to encourage others to support it as well. Mellon also provided extensive endowment support to fund not only operations but also an ongoing program of acquisitions, and he made a generous bequest to the Center at the time of his death. The Paul Mellon Centre for Studies in British Art was founded in 1970 through a generous grant to Yale University, as a London-based affiliate of the New Haven center, to encourage study of British art and culture both at the undergraduate and the research scholar levels.
Mellon established the Old Dominion Foundation in 1941 and the Bollingen Foundation in 1945, both to support advancement and learning of the humanities and liberal education. The Bollingen Foundation published over 100 books before closing in 1969, the same year the assets of the Old Dominion Foundation were merged into those of his sister Ailsa's Avalon Foundation. The combined organization was renamed The Andrew W. Mellon Foundation in honor of their father.
Yale University
Paul Mellon's foremost philanthropic interest was his alma mater, Yale University. His most generous and well-known gifts established the Yale Center for British Art, but his legacy makes itself felt across the campus.
Mellon's other major gift was to provide extensive funding to support the creation of two new undergraduate residential colleges at Yale, Ezra Stiles College and Morse College. Designed by Eero Saarinen, these colleges along with the Kahn-designed British Art Center demonstrated Mellon's commitment to bringing modern architecture to Yale. Perhaps most importantly, the additional undergraduate capacity that these colleges provided were a critical prerequisite to the ability of the university to transition to co-education.
Beyond these capital gifts, Mellon endowed the masterships and deanships of each of Yale's 12 residential colleges. He created the Mellon Senior Forum program, which provides a weekly meal for seniors in each of the residential colleges where they can share progress on their senior essays and projects with one another.
Mellon was active in the humanities at Yale. He provided the funding necessary to create the Directed Studies program of intense freshman-year focus on the humanities. He supported significantly the undergraduate theater studies program, and endowed named professorships in schools throughout the University, particularly in the humanities.
Other philanthropy
Mellon was highly supportive of causes that advanced the preservation of horses, including the United States Jockey Club's Grayson-Jockey Club Research Foundation. This organization allocates grants towards specific research projects for the safety, welfare, longevity and improvement of life for racehorses.
He donated the $1 million bonus that Sea Hero won in the ChryslerTriple Crown Challenge to the Grayson-Jockey Club Research Foundation. Furthermore, he requested that double that amount be raised in response to his donation. That goal was met during the 1995–1996 fiscal year. Upon his death, he left yet another $2.5 million to the Foundation's endowment.
In 1999, Paul Mellon bequeathed $8 million to the University of Cambridge in England for the Fitzwilliam Museum.[3] During his lifetime he agreed that £1 million of that sum could be allocated to the museum's courtyard development and, under the terms of his will, following his death in 1999, his executors subsequently allocated a further $12.5 million to complete the renovations associated with the courtyard, including the re-lighting of all of the museum's galleries.[3] The remaining balance was added to the Paul Mellon Fund which was established as a trust fund for the museum at the time of the bequest, the income from which is being used to support education, exhibitions and publications.[3]
He was also a major benefactor of Clare College and Clare Hall, both in Cambridge, England. Indeed, Clare Hall, founded 1966, gains much from his benefaction; his generous bequest serves the intellectual needs of the graduate college members. The Mellon Fellowship is another example of his generosity, permitting the reciprocal exchange of two students from Yale and two from Clare College for graduate study in each other's institutions.
He developed his great love of England and English culture while studying at Clare College from 1929-1931. "It was while I was at Cambridge that I embarked on the dangerous seas of collecting", Paul Mellon once said—a statement by the man who described himself as "the incurable collector" that has had profound implications for his major beneficiaries, both in the US and the UK.[5]
In 1978, Mellon received the S. Roger Horchow Award for Greatest Public Service by a Private Citizen, an award given out annually by Jefferson Awards.[11]
Personal life
In 1935, he married Mary Conover Brown and the couple, who had two children, Catherine and Timothy, moved to Virginia.
After his wife Mary's death in 1946 from an asthma attack, he married Rachel Lambert Lloyd, known as "Bunny", the former wife of Stacy Barcroft Lloyd Jr. She was a descendant of the Lambert family who formulated and marketed Listerine and an heiress to the Warner-Lambert corporate fortune (Warner-Lambert is now part of Pfizer, following a 2000 merger). Bunny Mellon was an avid horticulturist and gardener, whose fondness for FrenchImpressionist and Post-Impressionist painting, as well as American art, Mellon came to share.[12] By this marriage, he had two stepchildren: Stacy Lloyd III and Eliza Lambert Lloyd (d. 2008; who married and divorced Viscount Moore).
Quotes
"I have been an amateur in every phase of my life; an amateur poet, an amateur scholar, an amateur horseman, an amateur farmer, an amateur soldier, an amateur connoisseur of art, an amateur publisher, and an amateur museum executive. The root of the word "amateur" is the Latin word for love, and I can honestly say that I've thoroughly enjoyed all the roles I have played." —Paul Mellon from his autobiography Reflections in a Silver Spoon.[12]
