While continuing to work primarily for Gold Key, Royer began freelancing for Warren Publishing's line of black-and-white horror-comics magazines, drawing writer James Haggenmiller's eight-page "Space Age Vampire" in Eerie #23 (Sept. 1969), and later drawing a handful of stories in Creepy and Vampirella as well.[7]
1970s and Jack Kirby
Beginning in 1970, Royer illustrated the album covers for the multi-part, year-by-year Cruisin' series of early rock and roll hits on Increase Records. The covers, when read as panels, created a faux romance comics story.
Royer inked the covers of writer-penciler Jack Kirby's The Forever People #2 and #5 (May and Nov. 1971), and The New Gods #5 (Nov. 1971) in Kirby's "Fourth World" epic at DC Comics, which he began after leaving Marvel Comics. He became Kirby's primary inker at DC, working on those titles and another title connected to the Fourth World series Mister Miracle, as well as on the preexisting series, Superman's Pal Jimmy Olsen which was incorporated into the same narrative. He additionally inked Kirby's next two DC series, The Demon and Kamandi, The Last Boy on Earth, and, among other Kirby projects, inked the extant war comics feature "The Losers" in several issues of Our Fighting Forces in 1975.[7]
Royer also lettered and inked the last six months of Russ Manning's Tarzan Sunday-newspaper comic strip and, in the late 1970s, the first four months of Manning's daily and Sunday Star Wars comic strips.[6]
Later career
Beginning in 1979, Royer spent 14 years on staff with The Walt Disney Company, doing art and design for books, comic books and comic strips, and theme park and licensed merchandise for its Consumer Product/Licensing division. His comics work there included designing and art directing the movie tie-in Dick Tracy and 3-D Rocketeer comic books, and helping launch a Winnie the Pooh licensing program in late 1993; for the latter, he was featured in a 43-minute video, How To Draw Pooh, sent to licensees. Royer left his staff position in June 1993 to freelance full-time for Disney, primarily on Winnie the Pooh projects.[6]
Since 2000, Royer has produced freelance art and design, including work on Digimon products, screen icons for the Fox Familycable television channel environment and its Fox Kids programming bloc, "floor plans" for computer game animators, Reader Rabbit workbooks, and Rescue Heroes toy packaging.[6] Since 2001, Royer and his wife and concept collaborator, Laurie, have lived in Medford, Oregon.[6] In 2019, TwoMorrows Publishing released Jack Kirby's Dingbat Love, a collection of previously-unpublished work which Kirby had drawn for DC Comics in the 1970s. This included a "Dingbats of Danger Street" story inked by Royer.[8]
Awards
Royer received an Inkpot Award in 1978.[9] In 2018, Royer was the Inkwell Awards Guest of Honor at the annual live ceremony. He was awarded the Inkwell Awards Joe Sinnott Hall of Fame Award in May 2021 for his inking career.[1][2]
^"Mike Royer". WhatIfKirby.com (fan site). n.d. Archived from the original on April 10, 2016.
^"Mike Royer". Lambiek Comiclopedia. June 14, 2015. Archived from the original on March 5, 2016. The Mike Royer entry at the Lambiek Comiclopedia erroneously lists Canada as his birthplace. Royer specifies "his birth state, Oregon" in his official site's biography.
^ abcdefRoyer, Mike (n.d.). "Biography". MichaelRoyer.com (official site). Archived from the original on August 28, 2008.
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