Gold Key Comics was an imprint of American company Western Publishing, created for comic books distributed to newsstands. Also known as Whitman Comics, Gold Key operated from 1962 to 1984.
History
Gold Key Comics was created in 1962, when its parent, Western Publishing Company, switched to in-house publishing rather than packaging content for branding and distribution by its business partner, Dell Comics.[1] Hoping to make their comics more like traditional children's books, they initially eliminated panel line-borders, using just the panel, with its ink and artwork evenly edged, but not bordered by a "container" line. Within a year, they had reverted to using inked panel borders and oval balloons. They experimented with new formats, including Whitman Comic Book, a black-and-white, 136-page, hardcover series consisting of reprints,[2] and Golden Picture Story Book, a tabloid-sized, 52-page, hardcover containing new material.[3] In 1967, Gold Key reprinted a number of selected issues of their comics under the title Top Comics. They were packaged in plastic bags containing five comics each and were sold at gas stations and various eateries. Like Dell, Gold Key was one of the few major American comic book publishers never to display the Comics Code Authority seal on its covers, trading instead on the reputation of its child-friendly stories.[4]
Properties
Gold Key featured a number of licensed properties and several original titles, including a number of publications that were spun off from Dell's Four Color series, or were published as stand-alone titles. Gold Key maintained decent sales numbers throughout the 1960s, due to its offering of many titles based upon popular TV series of the day, as well as numerous titles based on both Walt Disney Studios and Warner Bros. animated properties.[1] It was also the first company to publish comic books based upon the then current NBC TV series Star Trek.[5] While some titles, such as Star Trek and The Twilight Zone, were published for many years, many other licensed titles were characterized by short runs, sometimes publishing no more than one or two issues. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson, but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue #15 (Jan. 1966), though its narrative had no connection to the TV series.[6][7]
Editor Chase Craig stated that Gold Key would launch titles with Hanna-Barbera characters with direct adaptations of episodes of the program because "[t]he studio had approval rights and the people there could get pointlessly picky about the material ... but they rarely bothered looking at any issue after the first few. Therefore, it simplified the procedure to do the first and maybe the second issue as an adaptation. They couldn't very well complain that a plot taken from the show was inappropriate".[8]
Diana Gabaldon began her career writing for Gold Key, initially sending a query that stated, "I’ve been reading your comics for the last 25 years, and they’ve been getting worse and worse. I’m not sure if I could do better myself, but I’d like to try." Editor Del Connell provided a script sample and bought her second submission.[24]
Leo Dorfman, creator of Ghosts for DC Comics, also produced supernatural stories for Gold Key's similarly themed Twilight Zone, Ripley's Believe it or Not, Boris Karloff Tales of Mystery, and Grimm's Ghost Stories. One of Gold Key's editors at the time told Mark Evanier, "Leo writes stories and then he decides whether he's going to sell them to DC [for Ghosts] or to us. He tells us that if they come out good, they go to us and if they don't, they go to DC. I assume he tells DC the opposite."[26]
Editor Frank Tedeschi, who left in 1973 for a job in book publishing, helped bring in such new comics professionals as Walt Simonson, Gerry Boudreau, and John David Warner.[27]
Later years
During the 1970s, the entire comics industry experienced a downswing and Gold Key was among the hardest hit.[1] Its editorial policies had not kept pace with the changing times, and suffered an erosion of its base of sales among children, who instead of buying comic books, could now watch cartoons and other entertainment on television for free. It is also alleged by Carmine Infantino that in the mid to late 1960s, DC Comics attempted to pressure Gold Key from the comics business through sheer volume of output.[28] Among the original titles launched by Gold Key in the 1970s were Baby Snoots[29] and Wacky Witch.[30] By 1977, many of the company's series had been cancelled and the surviving titles featured more reprinted material, although Gold Key was able to obtain the rights to publish a comic book series based upon Buck Rogers in the 25th Century between 1979 and 1981. It also lost the rights to publish Star Trek-based comic books to Marvel Comics just prior to the revival of the franchise via Star Trek: The Motion Picture, with the final Gold Key-published Star Trek title being issued in March, 1979.[31]
In this period, Gold Key experimented with digests with some success. In a similar manner, to explore new markets in the mid-1970s, it produced a four-volume series, with somewhat better production values and printing aimed at the emerging collector market, containing classic stories of the Disney characters by Carl Barks and Floyd Gottfredson (Best of Walt Disney's Comics). In the late 1970s, somewhat higher-grade reprints of various licensed characters were also aimed at new venues (Dynabrites),[32][33] plus Starstream, a four-issue series adapting classic science fiction stories by authors such as Isaac Asimov and John W. Campbell.[34] Golden Press released trade paperback reprint collections such as Walt Disney Christmas Parade,[35]Bugs Bunny Comics-Go-Round,[36] and Star Trek: The Enterprise Logs.[37][38]
In the late 1970s, the distribution of comic books on spinners and racks at newsstands, drug stores, and supermarkets continued, but Western Publishing also sold packages of three comics in a plastic bag to toy and department stores, gas stations, airports, and bus/train stations, "as well as other outlets that weren't conducive to conventional comic racks".[39] The newsstand comics were returnable; the dealer could return unsold copies to the distributor for a refund, but the bagged comics were not. To discourage unscrupulous dealers from opening the plastic bags and returning the nonreturnable issues, Western published the newsstand versions under the Gold Key Comics label, and put the Whitman Comics logo on the bagged versions, although otherwise the issues were identical.[39]
Western, at one point, also distributed bagged comics from its rival DC Comics under the Whitman logo, as well as that of Marvel Comics, with its diamond (before the direct market even arrived).[40][41] Former DC Comics executive Paul Levitz stated, "[The] Western program was enormous — even well into the 1970s, they were taking very large numbers of DC titles for distribution (I recall 50,000+ copies offhand)."[39]
In 1979, Western ceased to be an independent company when Mattel Inc. purchased the company.[42] The new management stopped selling returnable comics at newsstands, preferring the nonreturnable bagged comics sold at toy stores.[43]
In a 1993 interview, Del Connell, the managing editor at Western's West Coast office in the late 1970s, recalled,
...the Western comics line was killed by distribution. Perhaps you know that by early 1980 our comics were only being distributed in bagged sets of three. The Whitman label replaced the Gold Key imprint at that time as the comics could no longer be found on the newsstands, but in department, variety, and grocery stores. Our new management assumed that comics could be treated like coloring books or puzzles. That proved an ill-fated decision. The following years were characterized by delays and erratic distribution.[44]
Eventually, arrangements were made to distribute these releases to the nascent national network of comic-book stores. Western also prepared a prospectus in the early 1980s for a deluxe Carl Barks reprint project aimed at the collector market that was never published.[45]
In December 1983, a struggling Mattel sold Western Publishing to real-estate investor Richard A. Bernstein.[46] Bernstein closed Western's comic-book publishing division in 1984.[44]
Bongo Comics published a parody of Gold Key in Radioactive Man #106 (volume 2 #6, Nov. 2002) with script/layout by Batton Lash and finished art by Mike DeCarlo that Tony Isabella dubbed "a nigh-flawless facsimile of the Gold Key comics published by Western in the early 1960s...from the painting with tasteful come-on copy on the front cover to the same painting, sans logo or other type, presented as a "pin-up" on the back cover".[58]
In June 2001, DIC Entertainment announced they would purchase Golden Books Family Entertainment for US$170million (equivalent to $293 million in 2023) and take it out of bankruptcy.[59] However, DIC would pass off the purchase due to high costs[60] and instead Golden Books Family Entertainment was eventually acquired jointly by Classic Media, owner of the catalog of United Productions of America, and book publisher Random House in a bankruptcy auction for the lower $84.4million (equivalent to $145.2 million in 2023) on August 16, 2001.[61][62] In turn, Random House, and Classic Media gained ownership of Golden Books' entertainment catalog (including the family entertainment catalog of Broadway Video which includes the pre-1974 library of Rankin/Bass Productions and the library of Total Television), as well as production, licensing, and merchandising rights for Golden Books' characters and the Gold Key Comics catalogs, while Random House gained Golden Books' book publishing properties.[63] Random House had previously acquired Dell Publishing through a series of mergers since 1976, effectively reuniting the remnants Gold Key Comics and Dell Comics.
In 2021, comics creator and hacker Robert Willis obtained a trademark registration for a logo identical to the original Gold Key logo.[67][68] Later that year the trademark registration was purchased by the newly-formed Gold Key Entertainment LLC. Gold Key Entertainment LLC consists of comic book enthusiasts Lance Linderman, Adam Brooks, Mike Dynes, and Arnold Guerrero. Linderman describes trading a copy of Teenage Mutant Ninja Turtles #1 to Willis for the rights to Gold Key, in a YouTube interview with Carlos Collects Comics. Gold Key Entertainment is currently working with creators to produce new titles.[69]
Ripley's Believe It or Not! with three subtitles: "True War Stories" (#1 and #5), "True Demons & Monsters" (#7, #10, #19, #22, #25, #26 and #29) and "True Ghost stories" (remaining numbers) - not to be confused with the three issue Harvey Comic of 1953. #4–94 (April 1967–February 1980)
Space Family Robinson #1–59 (December 1962–May 1982, retitled Space Family Robinson – Lost in Space to tie-in with the Lost in Space TV series, but with no narrative connection maintained)
Space Family Robinson-Lost in Space Archives volume 1 [ISBN missing]
Space Family Robinson-Lost in Space Archives volume 2 [ISBN missing]
Space Family Robinson-Lost in Space Archives volume 3 [ISBN missing]
Space Family Robinson-Lost in Space Archives volume 4 [ISBN missing]
Space Family Robinson-Lost in Space Archives volume 5 [ISBN missing]
IDW Publishing
Star Trek Gold Key Archives Volume 1 April 2014 ISBN1613779224 (hardcover)( Reprinting issues 1-6 )
Star Trek Gold Key Archives Volume 2 October 2014 ISBN1631401084 (hardcover)( Reprinting issues 7-12 )
Star Trek Gold Key Archives Volume 3 April 2015 ISBN1631402315 (hardcover)( Reprinting issues 13-18 )
Star Trek Gold Key Archives Volume 4 December 2015 ISBN1631404490 (hardcover)( Reprinting issues 19-24 )
Star Trek Gold Key Archives Volume 5 June 2016 ISBN1631405985 (hardcover) ( Reprinting issues 25-31 )
Star Trek Gold Key Archives Volume 6 July 2017 ISBN1631407422 (hardcover)( Reprinting issues 32-39 )
Hermes Press
I SPY: The Complete Gold Key Comics Collection Archives (volume 1) Hardcover – October 30, 2013 ISBN978-1613450604 Hermes Press
Dark Shadows: The Complete Series Volume One Archives (volume 1) second printing Hardcover – March 2, 2021 ISBN978-1613452233
The Phantom Omnibus: The Complete Gold Key Comics Hardcover – July 7, 2015 ISBN978-1613450765
The Phantom The Complete Series: The Gold Key Years Volume 2 Hardcover – March 11, 2014 Hermes Press ISBN ISBN978-1613450239
The Phantom the Gold Key Years Volume One (Phantom the Gold Key Years, 1) Hermes Press (March 11, 2014) ISBN978-1613450239 second printing Hardcover (September 12, 2023) ISBN 978-1613452820
The Phantom the Gold Key Years Volume Two (Phantom the Gold Key Years, 2) second printing Hardcover (September 19, 2023) ISBN978-1613452837
Voyage To The Bottom Of The Sea: The Complete Series Volume 2 Hardcover – Hermes Press; First Edition (January 19, 2010) ISBN978-1932563368
Zorro: The Complete Pre-Code Comics Hardcover – Hermes Press Hermes Press; First Edition(November 25, 2014) ISBN978-1613450666
^ abMarkstein, Don (2007). "Space Family Robinson". Don Markstein's Toonopedia. Archived from the original on October 29, 2015. Gold Key didn't sue, because it had some very lucrative licensing deals going with various TV producers and didn't want to upset any apple carts.
^Markstein, Don (2010). "Charlton Comics". Don Markstein's Toonopedia. Archived from the original on July 8, 2018. After abandoning licensing for a decade or so, Charlton re-entered that field in 1967, by picking up the titles of King Comics — Flash Gordon, Popeye, The Phantom, Blondie, Jungle Jim, and Beetle Bailey...In 1970, most of the Hanna-Barbera characters, including Yogi Bear and The Flintstones, went from Gold Key to Charlton.
^"Russell Manning". Lambiek Comiclopedia. March 22, 2015. Archived from the original on October 15, 2015. Russ Manning also created...Magnus, Robot Fighter (1963-68) for the Gold Key comic books. Especially Magnus, stood out for its excellent artwork.
^Markstein, Don (2010). "Tiger Girl". Don Markstein's Toonopedia. Archived from the original on June 9, 2014. Tiger Girl's comic was drawn by Jack Sparling...The writer was no less a personage than Jerry Siegel, who co-created Superman himself.
^Friedt, Stephan (October 2014). "Here Come the Microbots". Back Issue! (76). Raleigh, North Carolina: TwoMorrows Publishing: 11–13.
^"Dan Spiegle". Lambiek Comiclopedia. July 7, 2013. Archived from the original on September 19, 2015. He also did fillers and issues of Space Family Robinson, Magnus Robot Fighter, Maverick, Tarzan, Brothers of the Spear, Flipper, and Lassie. When Russ Manning left Dell in 1967, Spiegle took over the Korak title.
^"Jesse Santos". Lambiek Comiclopedia. May 9, 2013. Archived from the original on October 5, 2015. He began an association with Western Publications in 1970...and illustrated Gold Key titles like Brothers of the Spear, Dagar, Dr. Spektor, and Tragg.
^Markstein, Don (2007). "Doctor Spektor". Don Markstein's Toonopedia. Archived from the original on May 27, 2024. Dr. Adam Spektor, a researcher of the supernatural, was introduced in Mystery Comics Digest #5 (July, 1972)...The story was written by Don Glut...and drawn by Dan Spiegle.
^Markstein, Don (2009). "Dagar the Invincible". Don Markstein's Toonopedia. Archived from the original on May 27, 2024. Dagar started as a non-series character, the hero of a story that writer Don Glut...wrote for Gold Key's Mystery Comics Digest.
^Markstein, Don (2007). "Tragg and the Sky Gods". Don Markstein's Toonopedia. Archived from the original on May 27, 2024. Writer Don Glut...and artist Jesse Santos...supplied the comic, in which aliens from interstellar space had a profound effect on a tribe of Stone Age people.
^Markstein, Don (2007). "Baby Snoots". Don Markstein's Toonopedia. Archived from the original on March 7, 2015. Baby Snoots, a Gold Key original launched with an August, 1970 cover date, was a young elephant...Snoots lasted a respectable 22 issues.
^Markstein, Don (2007). "Wacky Witch". Don Markstein's Toonopedia. Archived from the original on April 14, 2016. Wacky ran 21 issues, ending with a December, 1975 cover date.
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